Category Archives: Architecture

‘Like the Eye of Sauron’: western Europe’s tallest building planned for tiny Danish town

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Fast-fashion giant Bestseller set to build skyscraper headquarters in Brande, a 7,000-person rural town

Until a local company announced plans to send a 320-metre skyscraper soaring over the surrounding countryside, most people in Denmark had only the haziest idea where Brande, a town of 7,000 people in rural Jutland, even was.

The Bestseller Tower, designed by star architectural studio Dorte Mandrup, will not only be the tallest building in Denmark, but the tallest in western Europe, besting the Shard in London by a crucial 10.4 metres.

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The flying saucers have landed: Qatar’s thrilling new supersized museum

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It took 18 years to build, with nearly a mile of galleries, and is inspired by a desert rose. But is Jean Nouvel’s eye-popping creation for the world’s wealthiest nation too extravagant to fill?

Hundreds of huge white plates lie scattered along the roadside in the centre of Doha, Qatar, as if someone has had a spectacular accident with a gigantic crockery cupboard. The creamy discs tilt this way and that, colliding with each other in a random muddle along the edge of the highway, forming an otherworldly landscape of canopies, terraces and enigmatic slit windows.

This pile-up of flying saucers is the new National Museum of Qatar, an astonishing creation by French architect Jean Nouvel, and the latest supercharged volley in the Gulf states’ cultural arms race. Two years ago, Nouvel unveiled the glistening upturned colander of the Louvre Abu Dhabi. Now he’s back with another gargantuan palace for the Emirates’ arch rival. In its sprawling nearly mile-long loop of galleries, the museum tells the story of how this tiny nation of nomadic bedouins and pearl divers became, with the discovery of natural gas, the most wealthy country per capita on Earth in just 50 years.

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‘Flintstone’ house sparks lawsuit from California town: ‘It’s an eyesore’

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The quirky home features dinosaurs and a sign proclaiming ‘Yabba-dabba-doo’, but neighbors aren’t amused

California architecture has captured the world’s imagination with its classic midcentury bungalows and beach houses. But one architectural landmark in the state has gone a distinctively different route, and it’s not to the town’s liking.

The “Flintstones” home in northern California appears to take its architectural cues from the town of Bedrock. The experimental house was built in the 1970s using a technique that involved spraying concrete to create curved walls. The result is a building where Fred and Wilma would feel at home, and it has become a landmark for drivers passing on I-280.

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‘A race against time’: urban explorers record vanishing Hong Kong

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From Bruce Lee’s mansion to Bauhaus-style Central Market, HK Urbex are documenting the fast-changing city’s fading heritage

“We just had to hop the fence. It was kind of easy,” says Ghost, co-founder of HK Urbex, as he explains how the urban explorer group gained access to the former mansion of late martial arts superstar Bruce Lee.

Wearing masks to protect their identities, the group circled the abandoned home in Hong Kong’s upscale Kowloon Tong neighbourhood three times to make sure the coast was clear. As one member stood out front to keep watch, another leapt over the back fence. Twenty minutes later they were out again – another successful urban mission accomplished.

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Concrete chokes our landfill sites – but where else can it go?

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Most concrete from demolished buildings is simply dumped, much of it illegally. But there’s a better way – and it involves lightning

At the Shenzhen dump, huge shards of dusty concrete lie in imposing piles. Once the very foundation of this Chinese city, these blocks now seem grotesque in their magnitude, and unsettling in their utter uselessness. Jumbled up with the other relics of modern construction – bricks, wood and steel – and dotted with plastic bags and bottles, it could take centuries, even millennia, for Shenzhen’s discarded concrete to disintegrate back into sand.

China produces more construction waste than any other country - around 2 billion tonnes per year (pdf), or around 4kg per person per day. Two million tonnes of this is concrete. In Shenzhen, which has grown from a town with 30,000 residents to a megacity with 11 million in just 35 years, a full 84% of that construction waste is unceremoniously dumped. It doesn’t even all make its way to official landfills, which don’t have the capacity to handle it, so almost half is disposed in unlicensed sites, or illegally tipped.

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A brief history of concrete: from 10,000BC to 3D printed houses

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The Romans used concrete in everything from bath houses to the Colosseum. Our modern concrete structures will never last as long

“Unlike the Pantheon … virtually all the concrete structures one sees today will eventually need to be replaced,” writes Robert Courland is his weighty tome Concrete Planet, “costing us trillions of dollars in the process.”

While there is some debate over when and where the first concrete was used – the Göbekli Tepe temple in modern-day Turkey was built using T-shaped pillars of carved limestone approximately 12,000 years ago, desert traders used early concrete to make underground water cisterns 8,000 years ago, and the ancient Egyptians used gypsum and lime to make mortars – there is little dispute that the first people to use concrete in the way we do today were the Romans.

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Frank Gehry at 90: ‘I love working. I love working things out’

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He didn’t hit his stride till he was 50, and now the architect, as inventive and bold as ever, hangs out with everyone from Harrison Ford to Jay-Z

I’ve taken up flying,” says Frank Gehry, aged 89 years and 11 months, as he sits opposite me in his Los Angeles office, “a little bit.” Then he tells a story. How in his youth he had a job washing aeroplanes, and how his cousin had a Waco biplane and would take him up in it. How he wanted to do this again. How the subject came up when Sydney Pollack was making the 2005 film Sketches of Frank Gehry. How the architect asked the film director, did he know someone who had a Waco?

“Yes, he did – Harrison Ford. And I knew Harrison way, way back, when he was a cabinet maker. He bid for some of our projects.” But Gehry never got to fly with the man who played Han Solo. Then, one evening, he was at a dinner party complaining to Ford on the subject when the host chipped in. He had another make of biplane, a Stearman, and was happy to take Gehry into the sky. He shows a photo as proof. “I can’t land it or anything, but he lets me steer it.”

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Glass houses: how much privacy can city-dwellers expect?

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The recent court decision against the neighbours of Tate Modern in London belies a much wider problem – everyone is constantly being watched

Alexander McFadyen says that he and his family were “more or less constantly watched” while they were at home. They had to be “properly dressed” at all times, and even then they were often photographed or filmed, and sometimes spied on with binoculars. McFadyen set out to measure the problem. While working at the dining table, he counted 84 people taking photographs in 90 minutes. This is the reality of living in a glass-walled flat in Block C of Neo Bankside, just 34 metres from the viewing gallery at Tate Modern, which receives up to 600,000 visitors a year.

A neighbour, Claire Fearn, said being watched like that made her “sick to her stomach”. People waved and made obscene gestures at her and her family. Her husband, Giles Fearn, found pictures of their home posted online by strangers. Many of the images are still on Twitter, often with amused remarks about the misfortune of their wealthy owners. (The flats are worth an average of £4.35m each.) Another neighbour, Lindsay Urquhart, visited the viewing gallery and heard someone remark that she and the other residents of Block C deserved to lose their privacy because they were “rich bastards”.

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Super-tall, super-skinny, super-expensive: the ‘pencil towers’ of New York’s super-rich

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An extreme concentration of wealth in a city where even the air is for sale has produced a new breed of needle-like tower. By Oliver Wainwright

It is rare in the history of architecture for a new type of building to emerge. The Romans’ discovery of concrete birthed the great domes and fortifications of its empire. The Victorians’ development of steel led to an era of majestic bridges and vaulted train sheds. The American invention of the elevator created the first skyscrapers in Chicago. Now, we are seeing a new type of structure that perfectly embodies the 21st-century age of technical ingenuity and extreme inequality. A heady confluence of engineering prowess, zoning loopholes and an unparalleled concentration of personal wealth have together spawned a new species of super-tall, super-skinny, super-expensive spire.

Any visitor to New York over the past few years will have witnessed this curious new breed of pencil-thin tower. Poking up above the Manhattan skyline like etiolated beanpoles, they seem to defy the laws of both gravity and commercial sense. They stand like naked elevator shafts awaiting their floors, raw extrusions of capital piled up until it hits the clouds.

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Bauhaus at 100: the revolutionary movement’s enduring appeal

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Sleek, pared-back, industrial elegance – that’s how most of us think of Bauhaus, the modernist design group born in Germany in 1919. But that was only one side of this short-lived but longlasting movement…

• Norman Foster, Margaret Howell, Michael Craig-Martin and others on Bauhaus’s rich legacy

The Bauhaus, simply put, was a German school of art and design that opened in 1919 and closed in 1933. It was also very much more than that. It was the most influential and famous design school that has ever existed. It defined an epoch. It became the pre-eminent emblem of modern architecture and design. The name has become an adjective as well as a noun – Bauhaus style, Bauhaus look. And now it is coming up for the centenary of its founding, which shows both that what was called the “modern movement” is now part of history and that its influence is very much still around us.

It is nowadays usually clear what the word “Bauhaus” means – design stripped down to its essentials, the rational and elegant use of modern materials and industrial techniques, clarity, simplicity, cool minimalism. The device on which I am writing this and the one on which you might be reading it follow these principles. So (with greater or lesser degrees of bastardisation) do buildings without number around the world, countless domestic objects, road signs, the lettering on a tube of toothpaste or the design of a car. The Bauhaus brand is consistent, coherent and universal. Its best-known creations, the tubular steel chairs of Mart Stam and Marcel Breuer or the steel-and-glass building built to house the school, reinforce its image.

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Too little, too late? The battle to save Tripoli’s futuristic fairground

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Designed by Brazilian modernist Oscar Niemeyer, Lebanon’s international expo site has been abandoned since civil war broke out in the 1970s

“It could collapse at any time,” says the architect and activist Wassim Naghi. The facade of the unfinished, subterranean space museum in Tripoli, Lebanon, is visibly decaying and its steel reinforcements are rusted – but that may not be its biggest problem. “The ageing concrete’s carbonation is invisible,” explains Naghi when we meet in his office in the centre of the city. “We don’t know how bad it really is.”

Situated beneath an elevated concrete helipad, the museum was part of a planned permanent international fair designed by the Brazilian architect Oscar Niemeyer in the early 1960s that was expected to accommodate more than 2 million visitors a year. The 100-hectare (250-acre) site’s 15 existing buildings also include a domed theatre, an atrium, an arch and collective housing. A 717-metre-long boomerang-shaped canopy was designed to house the permanent exhibition, alongside a separate, traditionally styled pavilion for exhibitions relating to Lebanon.

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The dark history of Santa’s city: how Rovaniemi rose from the ashes

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After the Finnish city was razed to the ground by the German army in the second world war, architect Alvar Aalto rebuilt it to a reindeer-shaped street grid. Then Santa came to town …

As soon as you land at Rovaniemi airport in Lapland you see a reindeer. Not a real one, admittedly, but somebody in a Rudolf suit cheerily greeting passengers who have just arrived. A couple of miles from “Santa’s official airport” lies Santa Claus Village, an amusement park complete with elves, real reindeers, huskies, shops and restaurants that draws more than 600,000 visitors a year to this isolated spot at the edge of the Arctic Circle.

There are reindeer everywhere in Rovaniemi: humans dressed as them at the airport, real ones pulling sleighs at Santa Claus Village and statues of them throughout the city centre.

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This Is Why Trump’s Speech in Arizona Was Over the Top

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President Trump's remarks in Arizona on Tuesday night sparked renewed fears of a government shutdown, which put pressure on stocks Wednesday. "I think the speech was over the top, and I think you can now say that without worry because since the CEOs have resigned from the councils you realize there's a Trump who is coherent and a Trump who is rambling," said TheStreet's founder and Action Alerts PLUS portfolio manager Jim Cramer said in an interview.