Category Archives: Television & radio

Fearne Cotton: ‘I have found clarity’

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She was the face of popular culture, but then Fearne Cotton reached crisis point. Now she has found her voice again...

Fearne Cotton keeps a pile of notebooks next to her computer, each brimming with plans for projects. Many of us have struggled to focus during the pandemic, but for Cotton, the past nine months have been among the most productive of her professional life. “I’ve found this time really creative,” she says, in that presenter voice of hers, so soothingly familiar. “It’s like when I go on holiday. In moments I’m forced to do nothing, I find this clarity.”

It’s 10am on a grey December morning when we meet over Zoom and her schedule, when she takes me through it, sounds exhausting. Her lockdowns have been busy. She’s written two books since the pandemic started and has kept up her popular wellness podcast, Happy Place, alongside her weekly Radio 2 show. And though the second instalment of her annual summer wellness event, Happy Place Festival, could have become another Covid casualty, Cotton and her team took the programme online. She juggled all this with home schooling her kids.

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‘The idea was to put smiles on faces – and it snowballed’: the people who saved 2020

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From the Spider-Men who rescued the children of Stockport, to the women who won the Nobel prize, here are seven people who brightened the darkest days

When Andrew Baldock decided to don a Spider-Man suit for his daily jog in March, to cheer up locked-down children on his estate, he never expected such a huge response. “The original idea was just to put some smiles on faces and then it snowballed,” says Baldock, 45, who lives in Stockport, Greater Manchester. “Everyone loved it.”

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Charlie Brooker: ‘There’s a certain release in laughing into the abyss’

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Black Mirror co-creators Brooker and Annabel Jones discuss new comedy special Death to 2020, and the importance of being silly in the face of disaster

I have been uncharacteristically optimistic this year,” Charlie Brooker says cheerfully from his west London living room, a prop sign from Black Mirror’s Bandersnatch episode behind him. “Partly because I’ve always been a pessimist and feared the worst. Suddenly, I don’t have to worry about the worst happening, because it’s happening. I think being a neurotic, worrisome person has slightly prepared me for it. After swine flu, I wouldn’t touch a door handle for about a year.”

There are other reasons for his unusual levels of cheer. Considering that a global pandemic has resided for years in Brooker’s buzzing mental database of potential catastrophes, he has not had a bad 2020. In May, he hosted the BBC’s Antiviral Wipe, the first network comedy show to be made about (and under) lockdown. In July, Broke and Bones, the new production company launched by Brooker and his long-time creative partner Annabel Jones, announced a Netflix deal that extends far beyond its breakthrough hit Black Mirror. The pair are opening their account with Death to 2020, a one-off (obviously) about the rotten year that was. As Leslie Jones, one of several A-list guests, says in the trailer: “I’d say it was a trainwreck and a shitshow but that would be unfair to trains and shit.”

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Normal People’s Daisy Edgar-Jones and Paul Mescal: ‘It’s been a wild few months for us’

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The stars of the BBC’s hit Sally Rooney adaptation on their quarantine viewing, and how their lives have changed since playing Marianne and Connell

Was there a show this year that everyone else loved but you just couldn’t get on with?
Daisy: That’s a hard one. I honestly think I watched every show that’s aired on TV in the last few months. I have watched, and enjoyed every one. I’m trying to think. The news?

Paul: What was the one you tried to get me to watch, Daisy? I can’t remember the name of it. I think it was Selling Sunset? The one with the realtors in LA. I couldn’t get into it.

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Indian news channel fined in UK for hate speech about Pakistan

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Ofcom imposes £20,000 penalty on Republic TV for ‘highly pejorative’ comments on talk show

A rightwing Indian news channel known for its strong pro-government stance and firebrand host has been fined by the UK regulator Ofcom for broadcasting hate speech about Pakistan.

Republic TV was fined £20,000 for airing a segment on its UK service, which conveyed the view that all Pakistani people are terrorists, including “their scientists, doctors, their leaders, politicians […] Even their sports people”.

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Dan Levy on Schitt’s Creek: ‘Winning nine Emmys was surreal’

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The writer and star of the dysfunctional-family sitcom on his top shows of 2020 and the touching legacy of his hit series

Was there a show that everyone else loved this year that you just couldn’t get on with?
Tiger King. I couldn’t do it. Something about it felt a little too exploitative for me. I never felt OK when I was watching it. Maybe that’s the main thing. There was a full month when everybody was watching it, when I desperately tried to stay part of the conversation. But I just could not invest. And I don’t know, there is something kind of icky about what was going on there. But this is one man’s opinion in a sea of other people.

Conversely, were there are any shows you enjoyed over lockdown that you didn’t expect to?
The Real Housewives of Atlanta. I feel like the characters on that show are so strong and opinionated and have a sense of humour and self-awareness. It’s an incredible alchemy. It’s a great social group that they’ve put together to film. I was surprised to enjoy it, because I worked in reality television for a long time. I hosted the aftershow for The Hills before my career started. And I think that when you work in reality TV, it kind of pulls back the curtain in a way that doesn’t necessarily make you want to watch more of it. So this was the first reality show that I had watched for a really long time.

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I May Destroy You’s Weruche Opia: ‘Michaela Coel showed our flaws and complexities’

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The breakout star of the Guardian’s show of the year on her small-screen picks of 2020, and how her role as Terry divided viewers

What shows did you get into this year, over our various lockdowns?
I watched a lot of stuff. That’s all we could do really, apart from eat – I worked out a lot, too. I fell in love with 90 Day Fiancé, which I think is the most brilliant reality show on TV right now. I loved the latest series of Insecure, and Gangs of London with Paapa [Essiedu, Opia’s I May Destroy You co-star]. I loved I Hate Suzie, and Adult Material – Hayley Squires did a fantastic job. That was a brilliant little find, and it was so interesting to learn about the porn industry and the human side of it.

And were there any series you got into that you might not have ordinarily watched?
I couldn’t stop watching Ted Lasso on Apple TV+. I was like, what is this actually about? An American who coaches American football comes to the UK to a weird team and is … teaching them football? But it was just nice, simple and uplifting – it was a little treat to forget about the world and just watch something wholesome.

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The roles I’ve played brought home to me the scourge of violence against women | Nicole Kidman

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There is a pandemic of violence against women and girls – and we can all act as the vaccine

• Nicole Kidman is an Oscar-winning actor, who played a lead role in 2020 drama The Undoing

We have been through the unimaginable this year. Separated from family and people we love, our dreams put on pause, while fearing for our health and our very lives.

In addition to Covid-19, a shadow pandemic has been unfolding: violence against women. Calls to helplines increased up to fivefold in the first few weeks of the pandemic. And an issue that was already pervasive before Covid-19 hit – evident on the streets, in the tube or a hotel room, on the news, in a conversation with a friend, in the scripts I read and the roles I played – became even more pressing.

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Listen up: making music from the northern lights

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A biologist and composer have turned the aurora borealis into sound to create a magic melding of art and nature

There’s a hypnotic crackle before a whoosh of sound flies from ear to ear. It’s followed by a heavenly chorus that might be whales whistling, frogs calling or the chirping of an alien bird. It sounds celestial because that’s what it is. The noise is the aurora borealis: the northern lights.

The vivid green lights that trace across the Arctic sky emit electromagnetic waves when the solar shower meets the Earth’s magnetic field, and these can be translated into sounds that are made audible to human ears by a small machine.

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T’Nia Miller: ‘I never saw a queer person on TV when I was growing up’

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The star of Years and Years and The Haunting of Bly Manor reflects on coming out as lesbian to her mum, facing racism at drama school and the progress – or not – of the Black Lives Movement

When T’Nia Miller first told her mother that she was dating a woman, she explained to her mum that she wasn’t there to see her have sex with men, so this was no different. “It’s just about me having really good friendships and beauty in my life,” she recalls saying. “That was it. We never had more of a conversation than that. If she had any issues, they were hers to deal with, not mine. She knew that. She’s a very educated, very well-read woman. For her, coming to terms with it was easy.”

The east-London born actor is telling me this story over the phone as she walks her dog (she forgot about the interview and her seven-month-old pomeranian, Dilhi, needed his daily steps) because she’s taking part in the #YoungerMe campaign, an initiative by the LGBTQ+ young persons organisation Just Like Us, which asks how LGBTQ+ inclusive education would have helped older queer people when they were in school.

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TV stay home: all hail the medium that kept us entertained in 2020

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We’ve watched more telly than ever this year. Our standards may have dropped – but then Covid does cause loss of taste

I know it is tedious to look back on 2020 and force everything through the prism of coronavirus – “Hey, remember that absolute horrorshow of a year we all just-about lived through? Well, let’s look back on the horror again, shall we?” – but it is slightly unavoidable when recapping what is arguably the weirdest year in television since the format was invented. We have, each of us, watched more TV in the last nine months than at any other time in our lives. And yet, with so little of it being newly produced, there has been an odd staleness to our viewing habits. I’m bored of live TV and I’m bored of box sets, so what else is there to do? Read a book? Behave.

The first thing we need to confront is the short-lived Zoom era of Lockdown 1.0, which wasn’t very good. It’s harsh of me to single people out, but The Steph Show on Channel 4 was an early example of form clattering up against need, as a cheery Steph McGovern tried to hold together a light magazine show from the comfort of her own home. Yes, it was rubbish (and the less-constrained Steph’s Packed Lunch studio variation shows that the desperately-broadcasting-from-a-house was the faulty part, not the rest of the show’s format), but crucially it started airing on 30 March – the date we still thought we’d all be back at work within a couple of weeks – and the sheer fact that someone tried to launch a magazine show to keep us all entertained in the middle of a history-shaping global emergency is something to be commended.

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Regé-Jean Page on Bridgerton: ‘We’re seeing this Regency romance through a feminist lens’

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The actor reflects on the diverse casting of the Netflix period drama, facing up to British history and how the pandemic has made him find new ways to ‘make my skills useful to other people’

“As an artist, you have to constantly ask yourself: ‘Why this story? Why now?’”, says Regé-Jean Page. The 30-year-old actor is video-calling from his apartment in Los Angeles and expounding on his latest role as the rakishly debonair Duke of Hastings in the Regency-era romance Bridgerton.

A frothy period drama bolstered by a lavish Netflix budget might not seem like the most pressing nor most relevant of artistic choices for Page to be making. Yet, he sees the eight-part series as a subversive act, because of its diverse cast injecting multiculturalism and a boundary-breaking sense of sexual intensity into a traditionally white, staid setting.

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Olivia Colman on acting: ‘Take your job seriously and not yourself’

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Star of The Crown and Peep Show opens up on her career, revealing she is plagued by self-doubt

She won an Oscar for her performance as Queen Anne in The Favourite, and is a household name thanks to roles as wide-ranging as Sophie in Peep Show and Queen Elizabeth in The Crown. But, despite such success, Olivia Colman has revealed she is plagued by self-doubt and a fear of unemployment, having never forgotten the pain of repeated rejection at the start of her career.

Colman, 46, graduated from the Bristol Old Vic theatre school more than two decades ago, but still recalls her early struggles and “the horrible feeling” of no one calling after she went up for acting jobs. “All those hundreds of auditions I did in the first two years. They don’t just say ‘sorry, no thank you’. You don’t hear anything. That’s heartbreaking.”

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David Attenborough: ‘The Earth and its oceans are finite. We need to show mutual restraint’

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At 94, what has the world’s most-travelled naturalist learned? He talks garden birds in lockdown, the eerie silence of Chernobyl – and tackling the climate crisis

Before the stay-at-home orders of 2020 kept him in one place for months on end, David Attenborough had never sat in his garden and listened to the birds. Not properly, he says, not determinedly “swotting up with a notebook and keeping a bird list”. The foremost figure in natural-world broadcasting (so admired by naturalists around the planet, he has three types of plant as well as a spider, snail, grasshopper, frog, lizard, marsupial lion and shark-like fish named after him) hardly paid attention to the wildlife on his doorstep until lockdown forced his hand. From spring through to autumn, he says, he sat outside with a pencil and made a determined effort to identify every species he could hear. Blackbirds. Thrushes. Jays. Blue tits and great tits. Swifts.

“Actually, I couldn’t really hear the swifts,” the 94-year-old admits. Something to do with their pitch, and his failing ears. “My hearing,” Attenborough growls, using the breathy, mournful voice that often accompanies footage of an ageing alpha getting supplanted by a younger fitter animal, “is not what it was.”

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Barbara Windsor, star of Carry On films and EastEnders, dies at 83

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Husband says ‘final weeks were typical of how she lived her life. Full of humour, drama and a fighting spirit until the end’

Dame Barbara Windsor, best known for her roles in EastEnders and the Carry On films, has died aged 83, her husband Scott Mitchell has said.

Mitchell said in a statement: “It is with deep sadness that I can confirm that my darling wife Barbara passed away at 8.35pm on Thursday 10 December at a London care home.

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‘Boys can be fairies – it’s the 21st century’: How Fate: The Winx Saga finds the reality in fantasy

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The writer and star of the new Netflix series explain the myriad challenges of turning a manga-style kids’ cartoon into a live-action teen drama

How do you make teen TV magic? You call Brian Young. The writer cut his teeth on The Vampire Diaries, a supernatural teen drama that emerged from the Twilight era of sexy-horror fandoms, but it soon established its own identity, resulting in a successful eight seasons. So, when Netflix wanted to turn Winx Club – the hit Italian cartoon about fairies – into a live-action fantasy series for young adults, they recruited Young.

To him, the challenge of re-imagining the Winx world for a more mature audience was clear: “Tone. It’s trying to figure out how we ground this show in real character moments, things that any audience member would relate to. And this is coming from a massive fantasy fan – I had my Dungeons & Dragons character when I was a kid – but it is very easy to spiral off into absurdity with stuff like this.”

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Craig Revel Horwood: ‘I’m a baddie in panto but on Strictly I’m just being honest’

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The Strictly Come Dancing judge reveals which contestant surprised him the most and why he’s looking forward to getting booed twice a day in Robin Hood

You’re a panto regular – what do you enjoy most about it?
I love live theatre – it’s where I started my career back home in Australia and I got into it as soon as I arrived in the UK. As much as I love my screen career, you simply can’t beat helping an audience to suspend their disbelief for a few hours and enjoy a shared experience live and in real time. While we all take it seriously and it’s hard work, panto is fun, festive and lets me show audiences what I can do when I’m not sitting behind my Strictly desk.

Panto has never fully been exported to Australia. When did you first see one?
The first ever pantomime I was in! Our producers, Qdos Entertainment, once called offering me the job of directing one of their productions, but due to filming commitments I couldn’t make it work. They called back five minutes later and asked me if I wanted to be in the panto instead and I jumped at the chance. It was a baptism of fire – wearing a dress, ridiculously high heels and getting booed twice a day. But I loved it, and I still do.

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Carole Baskin: ‘After Tiger King, my phone rang every two minutes for months’

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The animal sanctuary owner was catapulted to fame by the Netflix series – and became an unlikely fashion trendsetter

Carole Baskin watched the Netflix documentary series Tiger King as many of us did: she binged it, devouring all seven episodes in one sitting as soon as it was released in March. “It was like watching a dumpster fire, you just couldn’t turn away from it,” says Baskin on a video call. “It was just mesmerising that there could be this many crazy people doing so many wretched things to animals.”

Of course, one of the “crazy people”, the show implied, was her. Baskin, a 59-year-old owner of the Big Cat Rescue sanctuary in Florida, she she had been told by the film-makers that Tiger King would be an exposé of the mistreatment of the animals by private owners in America. Instead, the series mainly focused on a long-running feud between Baskin and Joseph Maldonado-Passage, a mulleted, polygamous, country music-loving zoo owner from Oklahoma who calls himself “Joe Exotic”.

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Woman seriously hurt by tiger bite at Carole Baskin big cat sanctuary

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  • Volunteer taken to hospital after incident early on Thursday
  • Big Cat Rescue in Tampa made famous by Netflix’s Tiger King

A female volunteer who regularly feeds big cats was bitten and seriously injured by a tiger Thursday morning at Carole Baskin’s Big Cat Rescue sanctuary in Florida, which was made famous by the Netflix series Tiger King, officials said.

Hillsborough county fire rescue received a trauma alert call about 8.30am Thursday from the sanctuary, agency spokesman Eric Seidel told the Associated Press.

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