Amy Schumer: ‘If you can just keep your family speaking to each other, that’s a win. Sometimes it’s not doable’

Along with her female co-stars, Schumer speaks about how making The Humans – and having a baby – helped her reassess her life. And, perhaps, a previous review written by her interviewer …

‘Talking about The Humans always becomes like a therapy session,” Beanie Feldstein says, a few minutes into a group chat about the oppressive and unsettling adaptation of Stephen Karam’s Pulitzer-nominated play about a family gathering at Thanksgiving. Karam’s haunting and quite brilliant directorial debut reimagines a quirky dysfunctional-family drama as an eerie, anxious horror movie set in the New York equivalent of a haunted house: a crumbling downtown apartment. It’s a place that forces his characters to confront the brutal realities of who they are, who they’re not and who they’re stuck with. It also forces us to do the same.

Amy Schumer and Feldstein play sisters, and Jayne Houdyshell, who won a Tony for playing the role on stage, their mother. Richard Jenkins, Steven Yeun and June Squibb round out the cast. “It evokes so much emotion,” Schumer says of the film. “And it made me feel better about my own family, our trauma and struggles. If you can just keep your family speaking to each other, that’s a win. And sometimes it’s not doable.” Feldstein refers to it as a drama that “gets in your guts”, while Houdyshell agrees that “it makes you feel raw”.

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The 10 best video games coming in 2022

George RR Martin joins forces with the makers of Dark Souls, ghosts take over in Japan and a Nintendo sequel you could be playing all year

More cultural highlights of 2022

(Xbox One/Series S/Series X, PlayStation 4/5, PC) The long-awaited fantasy epic from Dark Souls’ creators FromSoftware, with narrative input from George RR Martin. It combines a huge, detailed open world, inhabited by everything from dragons and wolves to trolls and patrolling soldiers, with the developer’s signature heart-in-mouth, swords-and-sorcery combat. An intriguing world to discover alone, or with other players.

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Only Murders in the Building to Cooking With Paris: the unsung TV heroes of 2021

Paris Hilton’s disgusting dishes! Martin Freeman as a bad dad! A history of swear words! Here’s another chance to discover the incredible shows of the year you may have missed

“The sci-fi murder mystery doctor dramedy Earth needs now!” That was the US marketing blurb for Resident Alien, a plucky attempt to turn the show’s audacious genre-mashing into a marketing angle. While it certainly has a lot going on – an alien crash-lands in small-town Colorado and attempts to evade detection by hijacking the identity of a big-city doctor – it only took a few episodes for me to realise why I was enjoying it so much. This story of a fusspot out-of-towner clashing with the rhythms of a town full of curious eccentrics is a spiritual descendant of 1990s fish-out-of-water touchstone Northern Exposure, complete with snowy setting and covetable local bar.

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‘It parodies our inaction’: Don’t Look Up, an allegory of the climate crisis, lauded by activists

Adam McKay’s end-of-the-world film is a ‘powerful’ depiction of society’s response to scientific warnings, campaigners say

Don’t Look Up, the latest celluloid offering from the writer-director Adam McKay, has become Netflix’s top film globally despite dividing critics and viewers.

The film, a satire in which two scientists played by Leonardo DiCaprio and Jennifer Lawrence attempt to warn an indifferent world about a comet that threatens to destroy the planet, is an intentional allegory of the climate crisis.

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The Tourist review – Jamie Dornan is intense in explosively entertaining outback thriller

An Irishman wakes up in Australia with amnesia in this pulse-pounding series packed with humour and philosophical questions

Fanging it down an outback road when he is rammed by a truck driver from hell, Jamie Dornan experiences a terrible accident that gives him amnesia – making him forget about all that bondage paraphernalia from Fifty Shades of Grey.

In the explosively entertaining six-part series The Tourist, created and written by Harry and Jack Williams, the Irish actor and former Hugo Boss and Calvin Klein studmuffin plays a louche loner who can’t remember who is he, what he is doing in Australia or why he appears to have “kill me” stamped figuratively speaking across his forehead.

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Books and films censored under Franco still circulating in Spain

Dictator who died in 1975 stamped out mention of Spanish civil war, sexuality and anti-Catholic views

A Spanish association has called for an investigation into the enduring legacy of censorship during the Franco regime after it emerged that censored versions of books and films are still circulating more than four decades after the dictator died.

Emilio Silva, the president of Spain’s Association for the Recovery of Historical Memory, sounded the alarm earlier this week after he stumbled upon a different version of the 1946 film It’s a Wonderful Life on television.

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‘She stood in silence, remembering’: photographing Gaza under airstrikes

Fatima Shbair’s photo of a girl in her ruined home is an indelible image of the Israeli-Palestinian conflict’s resurgence in May

For 11 days in May, Fatima Shbair hardly slept. When the most recent rounds of fighting in Gaza broke out between Israelis and Palestinians on 10 May, the 24-year-old freelance photographer said goodbye to her mother and left her home to document the stories of her neighbours in Gaza, as their lives were racked by terror.

The conflict featured waves of pre-dawn Israeli air raids and rocket fire from Gazan territory. Palestinians made up the vast majority of more than 250 people killed.

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The person who got me through 2021: Ami Faku sang the break-up track I listened to on a loop

I’ve spent 12 months of the pandemic obsessively listening to the song Uwrongo, with its line: “This is not working, go home.” I’m very grateful to its singer

I was born on a farm in northern South Africa. My parents moved nearer to Johannesburg when I was still a baby. They have a photograph of me at maybe six months old, asleep inside my dad’s guitar case. Just picturing it in my mind makes me feel safe. I can hear my dad playing.

When I feel overwhelmed, I need something I can listen to on loop. Not just for hours, but for days, sometimes weeks. I think of these tracks as an aural hood. They hold my head together.

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‘We would discuss how dislikable I was’ – what’s it like to see your life story on TV?

Telling your story in a book is hard enough. But what if it ends up on screen? Adam Kay, writer of This Is Going to Hurt, and Dolly Alderton, who penned Everything I Know About Love, relive the shocks

Most people find seeing themselves on screen distinctly squirm-inducing. Even an unintended glance in the mirror can trigger a minor identity crisis, as we glimpse the gulf between how others see us and how we imagine ourselves. But for writers whose life stories are adapted for television – their flawed personalities painstakingly recreated by actors – the experience can be even more bewildering.

“Bizarre is the only way to describe it,” reflects Adam Kay, whose 2017 bestseller This Is Going to Hurt, a memoir of his hellish and hilarious years as a junior doctor, lands in 2022 on BBC One. On TV, Kay is played by Ben Whishaw, who evidently took his research seriously. “I watched an early cut with my husband,” Kay recalls, “and he said: ‘It’s amazing how he’s got all of your weird mannerisms.’ I didn’t even realise I had weird mannerisms!”

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Food fighters: Spain’s annual Els Enfarinats battle – in pictures

During the annual Els Enfarinats battle in the south-eastern Spanish town of Ibi participants dress in military clothes and stage a mock coup d’etat as they battle using flour, eggs and firecrackers outside the town hall. The 200-year-old tradition is part of the Day of the Holy Innocents celebrations, a time in Spain for pulling pranks

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Keri Hulme, New Zealand’s first Booker prize-winning writer, dies aged 74

Author won the prize in 1985 for her first novel, The Bone People, which was described as a ‘unique example of Māori magical realism’

Acclaimed author and poet Keri Hulme, who was the first New Zealander to win the Booker prize, has died aged 74.

The reclusive writer, who won the prestigious literary prize in 1985 for her first novel The Bone People, died on Monday at her home in Waimate in New Zealand’s South Island.

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Paul Bettany: having Johnny Depp texts read aloud in libel trial was ‘an unpleasant feeling’

The British actor, whose messages to Depp regarding the latter’s wife Amber Heard were publicised during a trial in 2020, has commented on the process

The actor Paul Bettany has spoken for the first time about having the text messages exchanged between himself and Johnny Depp concerning Amber Heard read out at Depp’s libel trial.

Bettany, who is currently promoting A Very British Scandal, told the Independent it was “a really difficult subject to talk about” and said he was concerned doing so would “just pour fuel on the fire”.

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Jean-Marc Vallée, director of Dallas Buyers Club, Wild and Big Little Lies, dies aged 58

The Canadian film-maker died suddenly at the weekend according to his representative

Jean-Marc Vallée, the Canadian director best known for his work on Matthew McConaughey drama Dallas Buyers Club, has died aged 58.

Vallée’s representative, Bumble Ward, said he died suddenly over the weekend in his cabin outside Quebec City. His two sons survive him.

Jean-Marc stood for creativity, authenticity and trying things differently. He was a true artist and a generous, loving guy. Everyone who worked with him couldn’t help but see the talent and vision he possessed. He was a friend, creative partner and an older brother to me. The maestro will sorely be missed but it comforts knowing his beautiful style and impactful work he shared with the world will live on.

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Look away: why star-studded comet satire Don’t Look Up is a disaster | Charles Bramesco

Adam McKay’s celeb-packed Netflix comedy aims to be a farcical warning of climate change but broad potshots and a smug superiority tanks his message

When persuading someone to change their mind on a major topic, what’s being said isn’t always quite as important as how it’s said. If a person feels attacked or disrespected or condescended to, they’ll turn off their brain and block out the most rational, correct arguments on principle alone. Homo sapiens are odd, emotional creatures, more amenable to a convincing pitch than poorly presented rightness. It’s why we vote for the guy we’d gladly have as a drinking buddy over the somewhat alienating candidates with a firmer grasp on the issues. It’s why we feel heartbreak when the worst person we know makes a great point.

Adam McKay’s new satire Don’t Look Up, a last-ditch effort to get the citizens of Earth to give a damn about the imminent end of days spurred by the climate crisis, appears to be at least somewhat aware of this defect in human nature. It’s all about the difficulty of compelling the disinterested to care, in this instance about a gargantuan comet hurtling toward the Earth on a collision course of imminent obliteration, an emphatic if rather ill-suited, metaphor. (Everyone’s blasé about global heating in part because it’s so gradual, because it isn’t a force of instant destruction with a due date in an immediate future we’ll all live to see.) Leonardo DiCaprio and Jennifer Lawrence portray astronomers Randall Mindy and Kate Dibiasky, flummoxed to find that no one’s all that alarmed about the “planet-killer” they’ve discovered – not the grinning daytime cable-news dummies played by Tyler Perry and Cate Blanchett, not the White House led by Trump-styled president Meryl Streep and not the American people.

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Police ‘ineptitude’ contributed to Stephen Port murders, says producer

Shoddy investigation into serial killer also result of underfunding, says producer of BBC drama about murders

Three victims of the serial killer Stephen Port might still be alive today were it not for a shoddy police investigation that was the result of “ineptitude, poor systems and underfunding”, the producer of a new drama about the crimes has said.

Jeff Pope is senior producer of Four Lives, a dramatisation for BBC One of the murders of four young gay men: Anthony Walgate, 23; Gabriel Kovari, 22; Daniel Whitworth, 21; and Jack Taylor, 21.

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I spent my house deposit on a boat to reach the Mokohinau Islands – the magic on our doorstep | Clarke Gayford

It wasn’t a financially astute move but it led to my TV series and helped me discover the truly important things in life

  • Guardian writers and readers describe their favourite place in New Zealand’s wilderness and why it’s special to them

My entire experience of Auckland changed when I got a boat. It was the perfect antidote to a professional DJ lifestyle, where getting up at 5am to be on the water become immeasurably preferable to coming home at 5am from work. On trips out I began sticking my head underwater with such vigour that I somehow turned it into a whole new profession.

It didn’t happen straight away, of course. My 40-year-old, 14-foot beige fibreglass boat with a semi-reliable two-stroke engine, named Brown Thunder, only had so much range, and my real goal lay much farther offshore, tantalisingly out of reach. A place where tales of clear blue tropical water and huge fish swirled around a group of uninhabited islands, teasing me from the pages of marine magazines or the crusty lips of old salty sea-mates.

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‘I’m not just coasting along’: Nicole Kidman on fame, family and what keeps her awake at night

Nicole Kidman is one of Hollywood’s most brilliant stars, but her everyday concerns are familiar to all of us. She talks candidly about sleepless nights, melancholy moments and why she still has so much to get done

Nicole Kidman sleeps badly. Recently she got up at 3am to Google that thing, with the leg, where, “It feels like it needs to move?” But more often she will lie there in the dark beside her husband, in her Nashville bed, their two daughters sleeping some rooms away, and make decisions. She will “contemplate”. Between midnight and seven, she says, coolly, is the most “confronting time”.

It says a lot about Kidman, her prolific career, her sustained presence on film and glossy TV, that we can immediately picture her there, hair coiled on a pillow, eyes wide, the restless sense she has become claustrophobic in her own body. Kidman, 54, has been acting since she was 14, already 5ft 9in then, with skin that burned easily. She started in theatre partly as a way to get out of the Australian sun – a year later she was known locally (she told an early interviewer) for playing “older, sexually frustrated women”. Over the next 40 years she extended that repertoire, so now she is known for playing cryptic, adventurous, troubled women, too, in brave work that might not have been made were it not for her glittering star-power.

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Anna & Dr Helmy by Ronen Steinke review – the Schindler of the surgery room

This meticulous account of the Arab doctor who sheltered a Jewish girl in 1930s Berlin is a remarkable story of subterfuge and courage

The Yad Vashem Holocaust memorial in Jerusalem honours 25,000 individuals who helped to save Jewish lives during the second world war. Among this roll call of the “Righteous among the Nations”, there is only one named Arab: Dr Mohamed Helmy. This remarkable book tells the story of Helmy’s life, in particular the years in which he helped a young Jewish girl, Anna Boros (later Gutman), evade the Nazis in the heart of Berlin from 1936 until the end of the war.

Ronen Steinke, a political commentator at German broadsheet Süddeutsche Zeitung, has painstakingly pieced together these events from the state archive in Berlin, and from Gestapo correspondence, and interviews with the surviving relatives of Helmy and Gutman in New York and Cairo. His story, deftly translated by Sharon Howe, wears this research lightly. Steinke’s history sheds a light on what he argues is a deliberately forgotten world, the old Arabic Berlin of the Weimar period, centred around the grand mosque in the Wilmersdorf district, which was “open, progressive and far from antisemitic” and which welcomed Jewish luminaries, including Albert Einstein and philosopher Martin Buber, to its cultural events. “It is a perception shared by many Muslims in western countries that the Holocaust was nothing to do with them, that Muslim migrants played no part in that history,” Steinke writes. “This book is evidence to the contrary.”

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Sunday with Neil Gaiman: ‘I’m left to make things up, uninterrupted’

The writer on hiking, overeating – and bedtime stories

How are your Sunday mornings? Right now I’m in Edinburgh – my Sundays start in a hotel room, alone. Midweek, I’m up at 5.30am to make it on set. The first thing I do is text my wife Amanda in New Zealand with a message for my son. If I’m lucky with the time difference I can read him a bedtime story.

Do you work? I love to write. On Sundays it’s a joy. It’s a gift that nobody else is working. It’s the day I have to really write – the best bit of the job – when most of my time is spent doing admin and emails. We’ve got three TV shows on the go, there’s a lot to do, but right now on Sundays I’m left to make things up, uninterrupted.

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