Bennifer’s rebooted! Why is Ben Affleck and Jennifer Lopez’s reunion so cheering?

They were a tabloid dream, the super-cool fly girl and the eyeliner-wearing Caped Crusader. Now, 17 years on, Ben and Jen are together again. But what do the ultimate 00s couple mean to the TikTok age?

Brangelina. Kimye. Tomkat. Gyllenspoon. Each pairing is yet another note in the long, sad dirge of failed Hollywood romances. Blending famous monikers has been a showbiz tradition for decades, even if most of these fusions fizzle out quicker than you can say “Vaughniston” (you remember: Vince Vaughn dated Jennifer Aniston for about a minute after her breakup with Brad Pitt). But back in the early 2000s, there was one couple whose tumultuous affair and melded nickname towered above the rest, all but consuming the tabloid press for three whole years, until their abrupt, dramatic breakup just days before their planned wedding. And now, 17 years later, in a plot twist worthy of a Nancy Meyers romcom, those same not-so-young-any-more lovers have shocked the world and delighted the media by getting back together.

That’s right: like the cicadas, Bennifer has risen anew. The details of the Ben Affleck-Jennifer Lopez reunion are still a bit sketchy. There was a New York Post item in April reporting that the two had been observed entering the restaurant at the Pendry hotel in West Hollywood with “arms wrapped around each other”. A few days later, Affleck was spotted making an early-morning departure from Lopez’s LA home (“with a smirk” on his face, the Page Six article noted). A month after that, multiple outlets broke the news that the couple had spent a weekend at a resort in Montana. Then celebrity mag Us Weekly made it semi-official with a quote from an anonymous source: “Jen and Ben are both very happy with each [other] and excited to see where the relationship goes.”

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Porch Diaries: portraits from Melbourne’s coronavirus lockdowns – photo essay

Comprising more than 200 colour photographs, Porch Diaries is a series by Melbourne-based photographer Alana Holmberg featuring portraits of neighbours, strangers, workers and loved ones who passed by her Brunswick home during the 2020 pandemic lockdown months in Melbourne. With the recent spike in cases, Melbourne was back in lockdown and Holmberg was back on the porch

30 March 2020

Some days I feel like a creep. My spot up here on the porch, partially obscured behind the lemon tree, kept vertical by a stake, and the row of spindly roses. Twice this morning my presence went undetected. A metre or so above the path, I sit on a worn-out couch with a worn-out laptop, my eyes flicking from screen to street and down to screen again. Who else will pass by today? Mara, my housemate’s dog, takes her usual position to my right, propped up on my thigh. We watch and we wait.

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Half of adults in UK watched porn during pandemic, says Ofcom

Research shows PornHub has bigger audience than BBC News – and people increasingly live lives online

Half the adult population of the UK watched online pornography during the pandemic, according to a projection by Ofcom which lays bare the activities of the 26 million individuals who view adult material.

By far the most popular pornography site was PornHub, which was visited by 50% of all males and 16% of all females in the UK in September 2020 – giving the site a far larger audience than mainstream television channels such as Sky One, ITV4 and BBC News.

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‘It made my walk a little taller’: the inspiring LGBTQ legacy of Pose

As the groundbreaking show ends its award-winning three season run, those involved with the show talk about its importance for trans and queer people of color

Gold crowns inset with emeralds, fur-trimmed capes and gowns embellished with glittering diamonds and pearls clothed The House of Abundance as they made their last-minute entrance into a New York City ballroom and their first entrance on to our TV screens in the premiere episode of Pose in June 2018, which aired its final episode on Sunday.

Related: 'I binged Six Feet Under just for the gayness of it': LGBT celebs on their favourite queer TV

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Sinéad O’Connor retracts retirement announcement

The Irish musician said her statement, made on 5 June, was a ‘kneejerk reaction’ against the UK and Irish media’s ‘constant abuse and invalidation’ of her mental health

Sinéad O’Connor has retracted her announcement, made over the weekend, that she would retire from music and live performance.

In a new statement posted to Twitter, the Irish musician explained to fans that she had felt “badly triggered” by a series of interviews regarding her new memoir, Rememberings, in which she writes of surviving physical and psychological abuse.

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Smother review – Maeve Binchy-esque thriller is entirely addictive

This new Irish drama expertly manages a large cast of characters, with seeds of suspicion, red herrings – and a monstrous patriarch left for dead

Smother (Alibi), a new County Clare-set thriller by novelist and television writer Kate O’Riordan, reminds me – and I have few higher compliments – of the work of Maeve Binchy, if she had ever turned her hand to whodunnits. It has a seemingly effortless mastery of a large cast of characters, warm intelligence pervading everything, and promotes the gorgeous general sense of being held for the duration in a very safe pair of hands indeed. Like Binchy, it is also entirely addictive.

It opens with an altercation on a clifftop that ends with a man dead on the beach below. Then, as is currently TV fashion, we spool back to earlier that night, as successful businessman Denis (Stuart Graham) hosts his wife Val’s (Dervla Kirwan) 50th birthday party. Their three daughters are there – Jenny (Niamh Walsh), a heavily pregnant single doctor who works eternally for Daddy’s approval, Anna (Gemma-Leah Devereux), who is in the final stages of a custody battle with her husband Rory’s ex-wife for the latter’s two sons, and Grace (Seána Kerslake), the fragile youngest, struggling with mental illness and currently off her medication.

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Power dressing: which superhero has the best costume?

From Superman’s Y-fronts to Hulk’s tattered shorts, superheroes have made their fair share of fashion faux pas – but whose outfit actually works?

In the Guide’s weekly Solved! column, we look into a crucial pop-culture question you’ve been burning to know the answer to – and settle it, once and for all

When saving the planet, it’s important to dress the part. This isn’t like taking the bins out. You can’t hang off a chopper in a slanket and Crocs. Superheroes understand this. Unlike James Bond – who is permanently tuxed up as if he’s about to host a pharmaceutical industry awards bash – the offspring of Marvel and DC Comics have brought spandex, codpieces and vulcanised rubber out of the niche-interest sex-toy trade and into the multiplex. But which superhero has the best costume?

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The beat went on: what happened to Jan Kerouac, Jack’s forgotten daughter

On the 25th anniversary of her death, the novelist Jan, who was free-spirited and self-destructive like her father, has almost been entirely erased from his story

The King of the Beats, Jack Kerouac, was renowned for laying bare his life in more than a dozen roman a clef novels, his most famous being On the Road, which documented the birth, rise and final days of an enduring counterculture.

But while larger-than-life characters such as Allen Ginsberg, William Burroughs and Neal Cassady wandered in and out of Kerouac’s works under a variety of pseudonyms, one important figure in the writer’s life is conspicuously absent: his daughter, Jan Kerouac, who died 25 years ago this week.

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Bob Odenkirk: ‘Soon people won’t remember Breaking Bad’

He charmed as slimeball lawyer Saul in the drugs drama and its spinoff – but now Bob Odenkirk has gone badass in action thriller Nobody. Has he left his comedy days behind?

On the surface, Bob Odenkirk’s new film is entirely preposterous. As the story of a man who goes on a murder spree after his house is broken into, Nobody is an all-out, full-throated action movie. In one scene, 58-year-old Odenkirk tears a handrail off the inside of a bus and beats a man senseless with it.

However, as he explains, the story stems from something much more personal. “My family had two break-ins,” he reveals from his home in LA, where he’s sitting beneath a vast Chinatown poster. “It was very damaging.”

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Shackled skeleton identified as rare evidence of slavery in Roman Britain

‘Internationally significant’ discovery of male with burial chains in Rutland is first of its kind

His ankles secured with heavy, locked iron fetters, the enslaved man appears to have been thrown in a ditch – a final act of indignity in death.

Now the discovery of the shackled male skeleton by workers in Rutland – thought to have been aged in his late 20s or early 30s – has been identified as rare and important evidence of slavery in Roman Britain and “an internationally significant find”.

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Calls for Keith Haring mural to stay at Barcelona site being turned into care home

Artwork in building slated for demolition faces uncertain future, though city has pledged to save it

It all began one February night in 1989. Cesar de Melero was DJing in the Ars Studio club in Barcelona when someone told him that the artist Keith Haring was outside but the doorman wouldn’t let him in.

“The place was packed, so I put on a record and pushed through the crowd,” De Melero told the Guardian. “And there he was with his saintly, innocent face and I told the doorman to let him in and I said to the boss: ‘Champagne for Keith Haring.’”

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Martina Topley-Bird: ‘I wasn’t trying to be famous. I was embarrassingly earnest about being authentic’

The vocalist breaks her long silence to talk about grieving for her daughter, her pioneering work with Tricky on Maxinquaye and finally making an album she’s 98% happy with…

Martina Topley-Bird is struggling with her voice today. “It was awful last night,” she says, croakily, down the line from her home in Valencia. “My first interview in 11 years and then this happens!” As it turns out, Topley-Bird’s will hold out for well over an hour. But it won’t always take her to where she wants to go. She’s agreed to an interview to promote Forever I Wait, her first album since 2010’s Some Place Simple, but she doesn’t enjoy talking about herself; she’s fully aware of her tendency to let conversations drift, leave sentences unfinished, not quite pin down the message she wants to deliver. Speaking to her can be like listening to some of her dreamier music: captivating, meditative, yet somehow with a sense of her barely being there at all. A typical anecdote might grind to a halt midway through: “But yeah… I don’t know… sorry, vagued out again!”

There is also a subject that is never going to be easy to talk about. In 2019, Topley-Bird’s daughter, Mazy, also known as Mina, killed herself at the age of 24. She had suffered a psychotic episode following a gig with her band 404 and died after being admitted to West Park hospital, Darlington. An inquest led to the coroner saying he would make two prevention of future death reports to reduce the risk of patients self-harming on the ward. At the time, Topley-Bird put out a statement saying: “Sweet baby, life won’t be the same without you.” But she hasn’t spoken since. She’s said in advance today that the subject can be broached, but that doesn’t make it any less difficult. “I’m only just beginning to process it,” she later admits.

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How a ghostly outline revealed the secret of Modigliani’s lost lover

The Italian artist may have wanted to brush Beatrice Hastings out of his life, but artifical intelligence has thwarted him by enabling a re-creation of the work

No one wants to be reminded of a failed relationship by having the ex’s portrait hanging around. After Amedeo Modigliani and his lover, Beatrice Hastings, broke up, the Italian artist is thought to have obliterated her memory by painting another woman’s likeness over his portrait of her.

So he might not be too happy to learn that science has now brought back that “lost” portrait, using artificial intelligence, an X-ray and 3D-printing to re-create the painting, with full colour and textured brushstrokes.

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Microsoft’s Kate Crawford: ‘AI is neither artificial nor intelligent’

The AI researcher on how natural resources and human labour drive machine learning and the regressive stereotypes that are baked into its algorithms

Kate Crawford studies the social and political implications of artificial intelligence. She is a research professor of communication and science and technology studies at the University of Southern California and a senior principal researcher at Microsoft Research. Her new book, Atlas of AI, looks at what it takes to make AI and what’s at stake as it reshapes our world.

You’ve written a book critical of AI but you work for a company that is among the leaders in its deployment. How do you square that circle?
I work in the research wing of Microsoft, which is a distinct organisation, separate from product development. Unusually, over its 30-year history, it has hired social scientists to look critically at how technologies are being built. Being on the inside, we are often able to see downsides early before systems are widely deployed. My book did not go through any pre-publication review – Microsoft Research does not require that – and my lab leaders support asking hard questions, even if the answers involve a critical assessment of current technological practices.

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Post-lockdown summer: Americans out for fun and with money to spend

As Covid vaccination rates rise entertainment events and rental homes and cars are selling out but companies are struggling to fill job vacancies

After more than 15 months in varying degrees of lockdown, the US is finally ready to reopen this summer – and the signs are that plenty of people are beginning to emerge into the light, with their wallets loaded and their hearts seeking song, dance and travel.

Sixty-three percent of US adults have now received at least one vaccine dose, and as life returns to “normal”, hotels and concerts are selling out, rental cars and rental homes are booked up, and visits to museums and events are soaring.

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How Tove Jansson’s love of nature shaped the world of the Moomins

The Finnish artist’s work was hugely influenced by her passion for the great outdoors – in particular the tiny island of Klovharun

In 1964, when she was in her 50s, the Moomin creator Tove Jansson settled on her dream island. Klovharun in the Finnish archipelago is tiny – some 6,000 sq metres – and isolated, “a rock in the middle of nowhere”, according to Jansson’s niece, Sophia. It has scarcely any foliage, no running water and no electricity. Yet for Jansson, it was an oasis. For 18 years she and her partner Tuulikki Pietilä spent long summers there, heading out from Helsinki as soon as the ice broke in April, leaving only in early October. The island meant “privacy, remoteness, intimacy, a rounded whole without bridges or fences”.

Klovharun encapsulates something of Jansson’s originality as an artist and writer – and her human presence. Her illustrated Moomin books, which began to be published just after the second world war, brought her phenomenal acclaim and devotion. The tales of amiable troll creatures have been taken to generations of hippy hearts; their pear-shaped faces have adorned a million ties. Their marketing triumph – in which Jansson enthusiastically participated – has overshadowed her other achievements as a painter, novelist, short-story writer, anti-Nazi cartoonist, and designer of magazine covers. Success may also have obscured how ambivalent she was, how often on the cusp of identities. She was brought up in Finland speaking Swedish, had male and female lovers, told her stories in pictures and in prose, lived on water as well as land. More and more she appears as a pioneer. Not least in her crystalline descriptions of the natural world.

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Powfu: the lo-fi rapper who became a Covid-era star without leaving his bedroom

Last year the Canadian musician scored a global hit with Death Bed (Coffee for Your Head) – now he’s finally ready to meet his fans

For the lockdown superstar, omnipresent fame feels very much like obscurity used to. “I’ve been waiting a long time to go play with the fans,” says Powfu – AKA 22-year-old, Canadian lo-fi rapper Isaiah Faber – gazing around at the same four walls he was staring at before his breakthrough track Death Bed (Coffee for Your Head) unexpectedly racked up 360m YouTube streams, 4bn TikTok plays in March 2020 alone, and major chart placings worldwide at the very start of the pandemic. “But it’s made it a bit easier because it wasn’t like everything hit me at once. It’s not full-level yet.”

Related: The Guide: Staying In – sign up for our home entertainment tips

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Lisey’s Story review – a swollen snoozefest from Stephen King

Supernatural silliness, metaphorical monsters, and dread that doesn’t so much as build as never lets up ... not even Julianne Moore’s turn as a grieving wife can save this bloated bore

The advice that a writer should “kill all your darlings” has been variously attributed. William Faulkner, Allan Ginsberg, Oscar Wilde, GK Chesterton and Arthur Quiller-Couch all get a look-in. Stephen King approved the accepted wisdom in his book On Writing. “Kill your darlings, kill your darlings,” he said with the relish one would hope for from a master of horror. “Even when it breaks your egocentric little scribbler’s heart, kill your darlings.”

Related: Joan Allen: ‘Acting’s like tennis. You bring your game’

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Why I started streaming video games on Twitch at the age of 43

Over lockdown, comedian, mother of two and former games journalist Ellie Gibson took up livestreaming, loved the community – and learned to love playing again

Like so many things in my life, it began as a daft experiment. I love learning new stuff, and over the course of my 43 years I’ve tried all sorts. Some things have stuck, like comedy, running, and having kids. Some haven’t, like kung fu, olives and holidays in Germany. To be honest, I thought that livestreaming games on Twitch would fall into the latter category.

For those who aren’t familiar (I wasn’t until this year), Twitch involves playing video games live on the internet while providing a running commentary. People watch you, and chat to you via a message window, and sometimes give you money. It’s sort of like exotic dancing, but with fewer breasts.

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After Love director Aleem Khan: ‘I walked around Mecca and prayed not to be gay’

The director’s debut feature draws on his experiences of loss and identity confusion, with a memorable role for Joanna Scanlon as a fictionalised version of his white English Muslim-convert mother

Mary, the central character of Aleem Khan’s debut film After Love, is a white English woman who met her Pakistani husband as a teenager on the London housing estate where they both lived. After they got married, they moved to the Kent coast. Mary converted to Islam, started to wear traditional dress, learned how to cook curries from scratch and to speak Punjabi.

It does not take an enormous amount of detective work to understand from where Khan drew inspiration: his mother is a white English woman who met her Pakistani husband as a teenager on the London housing estate where they both lived. After they got married, they moved to the Kent coast; she converted to Islam, started to wear traditional dress, learnt how to cook curries from scratch and to speak Punjabi.

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