Mel Gibson was hospitalised with coronavirus in April

The actor spent a week in a Los Angeles hospital after contracting the illness and was treated with the drug Remdesivir

The actor Mel Gibson spent a week in hospital after contracting coronavirus earlier this year, his representatives have confirmed. Speaking to the Daily Telegraph Australia, the spokesperson said: “He tested positive in April and spent a week in the hospital. He was treated with the drug Remdesivir, while in the hospital, and has tested negative numerous times since then as well as positive for the antibodies.”

News of the hospitalisation of Gibson, 64, emerges a month after the actor fought back against allegations of anti-semitism and homophobia by Winona Ryder. A representative for Gibson denied the allegations and accused Ryder of lying “about it over a decade ago, when she talked to the press, and lying about it now”.

Continue reading...

The Rifleman review – Latvian war epic aims high

This trench-warfare tale is its country’s biggest box-office success, but it is guilty of some bad misfires

The Rifleman is the top-grossing film of all time at the Latvian box office and if you had to guess at the kind of film that would inspire such nationwide enthusiasm, you’d guess it was something like this: a lavishly mounted, lion-hearted first world war epic based on a book banned by the Soviets for 60 years.

Oto Brantevics stars as Arturs, a 16-year-old who signs up in 1915 to fight the Germans, alongside his brother Edgars (Raimonds Celms) and father Vanags (Martins Vilsons). Both Arturs and his dad are outside the required age range for the army, but rules are bent on account of the father’s exceptional marksmanship. Thus, three men of the same family set off to war, fighting sometimes for the Tsar, sometimes for the Red Army – but always, really, for each other.

Continue reading...

Elton John’s ex-wife tells court she changed identity to shed ties to singer

Renate Blauel claims damages as high as £3m for breach of privacy after the release of Rocketman

Sir Elton John’s ex-wife Renate Blauel adopted a new identity and went into hiding in a British village in an attempt to shed her connection to the singer, according to court filings in her multimillion pound legal case against the songwriter.

Blauel is seeking substantial damages from John, which could be as high as £3m, claiming he has caused her deep psychological distress by repeatedly breaching a 1988 divorce agreement to not discuss their marriage.

Continue reading...

Kim Kardashian requests compassion for Kanye West’s bipolar disorder

The rapper’s recent string of erratic tweets prompted his wife to comment on his mental health for the first time

Kim Kardashian West has spoken for the first time about her husband Kanye West’s bipolar disorder after he posted and deleted a string of erratic tweets regarding his family life after the launch of his presidential campaign in Charleston, South Carolina, on Monday.

“Those who are close with Kanye know his heart and understand his words sometimes do not align with his intentions,” she wrote on her Instagram Stories.

Continue reading...

Once There Was Brasília review – sci-fi odyssey into Brazil’s murky politics

An intergalactic refugee travels through time to modern-day Brazil in an eerie tale that has real-life corruption at its heart

Brazilian director Adirley Queirós here cobbles together something comparable, though far more lo-fi, to Wong Kar-wai’s 2046: a haunted, backwards-looking sci-fi assembled from textures of the past, which encourages you to pick through the wreckage of political ideology it strews in its wake. Wellington Abreu plays WA4, a Mad Max-style refugee from outer space who, as punishment for an illegal land occupation on his own planet, is sent to Earth to assassinate the real-life former Brazilian president Juscelino Kubitschek on the inauguration day of the capital city, Brasília, in 1961. But his ship crash-lands in the present day, in the satellite city of Ceilândia, an overflow enclave for the dispossessed that represents how the country’s utopia has been thwarted.

Continue reading...

Amber Heard: Johnny Depp threatened to carve up my face

Court hears testimony from actor’s ex-wife, who says he was abusive and violent

Johnny Depp threatened to carve and disfigure Amber Heard’s face if she left him, repeatedly demeaned her and often physically attacked her, she has told the high court.

Opening the defence case in the libel trial initiated by the Pirates of the Caribbean star, Heard said her former husband insulted her and on one occasion told her: “I’m going to have to watch you get raped.”

Continue reading...

‘Racism is killing our children’: Gee Walker on the murder of her beloved son Anthony

In 2005, Anthony Walker was killed in a horrific attack, aged just 18. His mother talks about grief, forgiveness and how his death changed her, ahead of a powerful new drama about his life

Fifteen years after 18-year-old Anthony Walker was murdered in a horrifyingly violent racist attack, his mother is still dealing with the fallout. On every anniversary, every birthday, Gee Walker says, she feels the pain afresh. She stops herself. She knows she is playing it down. No, she says, every day she feels the pain afresh. “The ifs and buts, the should haves/would haves/could-have-dones … they are always there. They never go. You can’t help thinking what if I’d done something right? What if I’d done this on the night? What if I’d stayed home and not asked him to babysit? What if I’d given him a lift? What if I’d got home a few minutes earlier?”

At about 11pm on 29 July 2005, Walker returned home from singing in the church choir. Anthony, the fourth of six children, had been babysitting his nephew, along with his girlfriend, Louise, and cousin Marcus. The two boys walked Louise to the bus stop. As the trio – the two black boys accompanying the white girl – passed the door of the Huyton Park pub, a 17-year-old called Michael Barton hurled racist abuse at the group. Huyton was known as a tough, almost exclusively white town in the borough of Knowsley, Merseyside. Anxious to prevent a confrontation, Anthony replied: “We’re only waiting for the bus and then we’re going.” When Barton said: “Walk, nigger, walk,” the group walked off to another bus stop. Barton then told his 20-year-old cousin Paul Taylor that he had “lost face”, and the two pursued them in a Peugeot car.

Continue reading...

Alfre Woodard: ‘We want all those with a stake in the death row business to see this film’

The star of the award-winning film Clemency talks about the US prison system, her enslaved great-grandfather and her hopes for Black Lives Matter

The focus of Black Lives Matter protests has inevitably fallen on the most visible injustice - instances of police brutality. More systemic racial disparities in the American penal system are too often hidden from plain sight. The US incarcerates more of its citizens – 2.2 million people – than any other country on Earth. African American adults are nearly six times more likely to receive a prison sentence than white adults. Nearly half of the 206,000 people serving life sentences in 2018 were black, though black people represent only 13.4% of the population; almost equal numbers of white and black prisoners are currently on death row – just over 1,000 of each ethnicity – but as the prosecution of capital punishment has declined, so the racial imbalance has increased.

If ever a film could bring home the buried trauma of those latter statistics it is Clemency. The film, which won a grand jury prize at Sundance last year, has been instrumental in catalysing again urgent debates around mass incarceration, capital punishment and race.

Continue reading...

‘Our collective imagination could die away’: Stewart Lee and Shirley Collins in conversation

Friends for almost 20 years, the comedian and Observer columnist and first lady of folk discuss life in lockdown, the future of the arts, and what their kids think of their music taste. Jude Rogers joins them

“I was all right until this week, but now I’ve started swearing at inanimate objects.” Stewart Lee – comedian on lockdown and heavily bearded columnist of this parish – is in his record-filled north London study, on Zoom, with one of his musical heroes. It’s not him who’s ranting, though. It’s Shirley Collins, the first lady of English folk music.

Collins has been home alone since early March, which is “a bit rubbish”, she says; after all, she had a busy summer ahead. Her new album, Heart’s Ease, comes out next week – she had a few festival dates planned – and it’s also her 85th birthday two days after we speak. Some morris dancers will be dancing down her road, though, she says. “Proper muscular stuff!”

Continue reading...

Medical error led to painter Raphael’s death, study finds

Bloodletting contributed to worsening health of painter, who probably had pneumonia

A medical error contributed to killing the Italian painter Raphael, according to the latest reconstruction of the circumstances surrounding the Renaissance master’s untimely death.

Raffaello Sanzio da Urbino is believed to have been aged 37 when he died in Rome on 6 April 1520, eight days after contracting a fever. Several museums in Italy are holding exhibitions to commemorate the 500th anniversary of his death.

Continue reading...

Joy Division: all of their songs, ranked!

It’s 40 years since the release of their final album, Closer. From flexidiscs to French magazine giveaways, which tracks match up to the Manchester band’s beautiful, brutal best?

Failures has a very Joy Division title, but the sound is sub-Raw Power-era Stooges. Meanwhile, the fact that Ian Curtis sounds about 13 years old underlines the slightly amateur air. With the best will in the world, you would have needed powers of clairvoyance to work out that its authors would turn out to be epochal.

Continue reading...

‘Money makes money’: Uganda’s Tarantino raises funds with rap

Wakaliwood’s Isaac Nabwana swapped directing shootouts to parody music videos to support rural projects hit by Covid-19

The helicopter and the bling are made of cardboard and the dollar bills carefully drawn on paper by local children. But the people are very real and the music is totally authentic.

A new video from Ugandan film director Isaac Nabwana is a move away from his previous output – movies heavy on blood and gore and ultra-low on budgets – which is gaining him an international cult following. And he says the pandemic’s impact in pushing film online, with the trend towards all-digital film festivals, has helped.

Continue reading...

Munroe Bergdorf receives landmark book deal for trans manifesto

Model and activist signs six-figure contract to publish Transitional, ‘a manifesto for how I see society changing for the better, bringing us all closer’

The first book by Munroe Bergdorf, a manifesto on gender by the black transgender activist and model, has been bought for a six-figure sum after a bidding war between 11 publishers.

Bergdorf’s Transitional will be published by Bloomsbury in 2021. Exploring six different facets of human experience – adolescence, sexuality, gender, relationships, identity and race – the book will draw on Bergdorf’s own experiences, including growing up in a mixed-race family, going to an all-boys school and starting her transition at the age of 24. In it, she will argue that transition is an experience every person faces in every phase in life, “and that only by recognising this can we understand times of change”.

Continue reading...

Malcolm McDowell: ‘I have no memory of doing most of my films’

He was once the embodiment of youthful rage and rebellion. Now, the Clockwork Orange star is reconciled to a life of golf, gangster flicks and the odd glimpse of genius

Malcolm McDowell was the insolent prince of early-70s cinema, the Liverpool salesman who stormed the establishment’s barricades. You can see him on screen in Lindsay Anderson’s If…., kickstarting a bloody revolution inside an English public school. You can see him in Stanley Kubrick’s A Clockwork Orange, hanging with his droogs at the Korova milk-bar, making up his rassoodock what to do with the night. The sky was the limit. The world was his oyster. One felt he could achieve pretty much anything.

If McDowell’s life was a movie, he would either have gone on to be crowned king or he would have exploded and vanished, ideally before he turned 30. But real life has a way of monkeying with the script, which may explain why McDowell is now a snowy-haired 77-year-old. He is a father of five, an avid golfer and a jobbing Hollywood actor specialising in baddies. His wild youth is behind him. He has made peace with his lot. “I had an incredible first few years,” he explains. “And of course that was the golden age. But you can’t keep playing the rebel for ever.”

Continue reading...

Good Manners review – superbly strange nanny horror

São Paulo is transformed into a spooky fairytale landscape in this elegant, unsettling tale of a pregnant woman and her prospective employee

There’s an enjoyably inscrutable performance at the heart of this Brazilian fairytale for grownups. Clara (Isabél Zuaa), an unsmiling mystery women, arrives at the luxurious São Paulo apartment of pregnant Ana (Marjorie Estiano), to be interviewed for the position of nanny. But is that really the role on offer? And is Clara an entirely honest applicant?

The first third of this two-hour-plus film keeps us wondering. It’s clear that something is off between the women, but impossible to determine where the balance of power lies. Is this a Rosemary’s Baby-style horror about satanic foetus worship? A Parasite-like study of the subversive intimacy between domestic servant and employer? Or some unholy combination of the two? Then, with all the sprightly mischief of one of Ana’s country-music workout videos, the plot dances off again, in an entirely different direction.

Continue reading...

The power of touch: when my son visited in lockdown, we couldn’t hug. It was a reminder of the saddest truth

My son’s 14th birthday was the first he and I had spent apart – then he called to say his mother had Covid-19. We were faced with a reality I had hoped to forestall for ever

Welcome to the Guardian’s Power of Touch series

We Jacksons are not effusive types. There ain’t a helluva lot of hugging and touching at family gatherings. However, one of the few exceptions is my son, who’s been unfettered with his affections since he was toddling around his mother’s New Jersey home – he and I have never lived together full-time. My son’s been a boy who, unprompted, says, “Dad, I love you” and wraps me in the tightest of hugs. Who, when he’s seen his sister after a long absence, almost tackles her with glee. Who’s still apt to let a deluge go on account of hurt feelings. In plenty of explicit ways, he’s my emotional opposite, a boy who showed me how to embrace; who, along with his sister, softened parts of me that my own boyhood had hardened; a kid who’s been instrumental in ushering me as close to comfortable with physical expressions of love as I have been in all my almost 45 years of life.

What kind of father was I that I was scared to receive my flesh and blood?

Continue reading...

Artlords, not warlords – how Kabul’s artists battle for the streets

Muralists are covering the Afghan capital’s blast walls with agitprop imagery and calling out corruption

From the killing of George Floyd in the US and the drowning of Afghan refugees in Iran, to the signing of the US-Taliban agreement towards peace and brutal murder of a Japanese aid worker, a group of Afghan artists have taken paintbrushes to adorn Kabul’s grey blast walls with vivid imagery.

The barriers have been transformed into politically inspired murals, which the artists hope will create “visual dialogue” and raise awareness of corruption and injustices.

Continue reading...

Edward Colston statue replaced by sculpture of Black Lives Matter protester

Exclusive: Artist Marc Quinn leads secret mission to install resin-and-steel figure of Jen Reid at site of toppled Bristol slave trader

The statue of slave trader Edward Colston was replaced in Bristol on Wednesday morning – with a sculpture of one of the protesters whose anger brought him down.

The figure of Jen Reid, who was photographed standing on the plinth with her fist raised after the 17th century merchant was toppled by Black Lives Matter demonstrators last month, was erected at dawn by a team directed by the artist Marc Quinn.

Continue reading...