Judge orders removal of #MeToo posts accusing Indian artist

Google and Facebook told to take down sexual harassment claims against Subodh Gupta

The high court in Delhi has ordered Google and Facebook to remove all anonymous social media posts accusing the artist Subodh Gupta of sexual harassment and ordered Facebook, which owns Instagram, to reveal the identity of the person behind the account that first made the allegations.

Last year, many well-known Indian men, mostly in the film and media industries, had their names mentioned at the height of the #MeToo movement including Gupta, one of India’s leading artists.

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The Last King of Scotland review – Ugandan history without the drama

Crucible, Sheffield
Tobi Bamtefa gives a swaggering, thundering performance as the dictator Idi Amin, but this adaptation of Giles Foden’s novel is stodgy and plodding

Swaggering and lumbering, fickle and childish, Tobi Bamtefa thunders between laughter and malice as the former Ugandan dictator Idi Amin in this adaptation of Giles Foden’s novel, directed by Gbolahan Obisesan. The president’s greed and gruesome misogyny glisten like beads of sweat under the weight of his charm and bravado. But even this confident lead performance can’t rescue a stodgy, overwritten script and humdrum production in which tensions fizzle, plot holes reign and actions lack consequence.

Daniel Portman plays Nicholas Garrigan, a fresh-faced Scottish doctor thrown into the position of Amin’s personal physician. A chirpy, stuttering romantic, he chooses to see the new president as a beacon of hope for the country. But Garrigan’s intentions are never clear. With Amin’s charm so immediately overshadowed by his brutality in Steve Waters’ altered timeline, we don’t understand why the wilfully ignorant and quickly complicit doctor is so enamoured with the president; he has to turn a blind eye so fast he’s left spinning on the spot for the rest of the show. With his ethics bludgeoned too soon, his cowardice is amplified and our sympathy for him is significantly reduced.

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Morrissey ejects anti-far-right protester from Portland concert

The protester held two signs, one condemning anti-Islam party For Britain, and another that said ‘Bigmouth indeed’

Morrissey has ejected an anti-far-right protester from a show in Portland. During his performance at the city’s Moda Center on Monday night (30 September), a woman held up two signs. One depicted the logo of the anti-Islam party For Britain struck through by a red line. The other read: “Bigmouth indeed.”

In fan footage from the concert, Morrissey can be seen addressing the woman after the second song of the night. “Let’s be quite frank,” he says. “When you with the sign are removed, I will continue.” His fans then join in as he repeatedly shouts “go”, “we don’t need you” and “goodbye”, calling upon his lighting technician to bring up the house lights.

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‘A majestic figure in every sense’ – stars remember Jessye Norman

She was a diva so grand she needed to Rolls Royce just to get across the street. Martin Kettle kicks off stars’ tributes to the great American soprano

Jessye Norman’s voice was a force of nature, a gift from the gods. When you went to hear her sing, you always knew exactly what you would get. Sumptuous, creamy and voluptuous tone was Norman’s trademark, along with a meticulous attention to text and expression. For some, it was all too grand and undifferentiated, like a meal in which the richness of the food was overwhelming and unchanging in every course. But the sheer vocal splendour that Norman produced was the sort of sound that comes only once in a lifetime.

Yet Norman was not just an unforgettable voice. She was an unforgettable public presence – an African American presence – in every event in which she participated. The knowingness that marked her vocal art extended seamlessly to her public conduct. Her choices on Desert Island Discs did not include her own recordings (which, given her personality, they might easily have done) but Martin Luther King’s “I have a dream” speech. She was a majestic figure in every sense, and she knew from the start of her career to the end that she was also an embodiment of her black brothers and sisters. She would never be anybody’s second-class citizen. And she never was.

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Prince Harry’s Instagram takeover barks up the right tree

While his captions weren’t up to much, the prince’s takeover of the National Geographic’s Instagram on his tour in Africa had a larger purpose

When celebrities become guest editors of corporate social media accounts, it usually results in dozens of pouting selfies. For this reason, Prince Harry’s takeover of the National Geographic Instagram account to encourage people to “look up” and get lost in the beauty of trees is a weirdly enticing concept.

On Monday, the Duke of Sussex curated a set of images of forest canopies each taken by National Geographic photographers, which went out to the publication’s 123 million followers. The idea was to highlight the importance of conservation while spotlighting the Queen’s Commonwealth Canopy campaign, which will result in two national parks being created in South Africa, where Harry is touring. As part of the campaign, 50 countries have either dedicated indigenous forest for conservation or committed to planting millions of new trees to combat climate change.

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Geena Davis: ‘damaging stereotypes’ on screen limit women’s aspirations

Actor speaks out as film industry study on characters in leadership roles finds women four times more likely than men to be shown naked

The promises of positive change for women on screen that followed her role in the groundbreaking film Thelma and Louise have failed to materialise, leaving girls today with few role models, according to the actor Geena Davis.

The media continue to have a huge influence on how the world views women and girls, and how they view themselves, she said. But few current roles show women in powerful positions, and continue to reinforce damaging gender stereotypes.

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Art that survived Isis and Saddam regimes to go on display in London

Emotionally powerful exhibition of Iraqi Kurdish artists will include paintings peppered by bullets

Kurdish artworks that survived Saddam Hussein’s use of chemical weapons as well as Islamic State’s cultural vandalism will go on display at a London gallery this week.

Iraqi Kurdish artists have made paintings and art installations from artefacts including Assyrian reliefs from 700 BC peppered by Isis bullet holes and the farewell “death” notes of a charity worker smuggling aid to Isis-controlled Mosul.

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Safe space: the new cinema welcoming women in male-dominated Kabul

Cinema once thrived in Afghanistan until Taliban censorship. Now, new ventures are slowly reviving it

The majority of Kabul’s cinemas cater largely to audiences of young men, and tend to show Bollywood films produced in Pakistan and India. For some young Afghan men, the cinema is a rare occasion for public expressions of joy: audience members cheer on the films’ heroes and sometimes dance along.

For most women, however, fears of harassment in a male-dominated space have made cinemas feel unwelcoming.

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Face of China: the retro appeal of Chairman Mao – in pictures

Many in China may prefer to forget the chaotic and bloody decades under the rule of Chairman Mao Zedong, but 70 years after he founded the People’s Republic his face is on memorabilia in shops across the country. The Great Helmsman has had a kitsch makeover, appearing on everything from posters, fans and ornaments to mugs and plates

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Beach towels and Brexit: how Germans really see the Brits

Exhibition at Bonn’s House of History documents ‘unrequited love’ of all things British

The strategy that Germany’s diplomatic corps proposed to keep Britain in the European community was unconventional and bold.

In November 1974, the then German chancellor Helmut Schmidt was desperately searching for the right words to convince British Eurosceptics to vote to remain a member of the European Economic Community.

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Philip Pullman: ‘Boris Johnson doesn’t mind who he hurts. He doesn’t mind if he destroys the truth or not’

He is a master of blending fact and fiction but, as Philip Pullman says, today’s politicians are on another level

I meet Philip Pullman 24 hours after he has got into trouble for idly musing on Twitter that he would like to hang Boris Johnson. “It was a silly joke,” he admits, looking slightly embarrassed as he enters his sitting room with a plate of biscuits for us, perching them on teetering stacks of books beneath which there is said to be a coffee table. He says his publishers were a bit miffed: threatening to murder the prime minister was clearly not how they had agreed to start the publicity campaign for his forthcoming children’s novel, The Secret Commonwealth, and Pullman had to publicly retract his words after there were complaints. “But,” the 72-year-old author adds, his tone brightening, while one of his dogs clambers on to his lap and the other maintains a vigil beside the biscuits, “the upshot was I gained 2,000 followers on Twitter!”

Pullman creates magical realms in his award-winning fiction, writing it in his 16th-century farmhouse in a village outside Oxford, where he lives with his wife and his ukuleles and cockapoos and overflowing shelves. But if I expected to meet someone otherworldly, I was wrong. Pullman, who has two sons and several grandchildren, is very much of this world, and can talk in detail about the shadowy machinations of Dominic Cummings as well as the designs of Victoria Beckham and the woodworking videos he sometimes gets hooked watching on YouTube. His observation of the government is not one-sided: he tells me that Michael Gove, as education secretary, once invited him to discuss literacy. Pullman told him that “the basics” weren’t grammar and spelling, as Gove believed, “because everybody who’s got a word processor knows you correct those at the last minute,” but rather nursery rhymes, songs, a love of language itself. Nothing came of it, “but I’ll give him credit: he was very courteous and he listened, and there was a civil servant making notes. And Gove cracked a joke about me being ‘at the heart of the Magisterium now’, so he had plainly read my books.”

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How the battle of Mosul was waged on WhatsApp

In an extract from his new book, James Verini gives his first-hand view of the bizarre, bleak conflict with Isis in 2016

‘Guilt and shame’: journalist James Verini on the US role in the destruction of Iraq

In Mosul, it was obvious, the jihadists would make their grand last stand. Smaller fights would follow, but this would be the showstopper. It would be not just the biggest and most devastating battle of this war, but the biggest battle, in a sense the culminating battle, of what was once known as the war on terror. When it was only half done, a Pentagon spokesman would call the fighting in Mosul “the most significant urban combat since WWII”. I was in Mosul when I read that. I had gone to Iraq for the first time in the summer of 2016, to write about life in the Islamic State’s wake. I got a month-long visa. I ended up staying the better part of a year.

Every CTS [Iraqi Counter Terrorism Service] position I saw in Mosul was as insecure as the one in Zahra [in the east of the city]. No checkpoints, no regular sentries, sometimes not even a perimeter. Locals wandered in and out. The soldiers were usually obliging. Near the triage station in Gogjali, on a slope overlooking east Mosul, was a nascent neighbourhood, a scattering of freestanding structures, half-finished homes, cinderblock foundations. Some were inhabited by their owners or refugees, others abandoned. One of the latter, a modest one-storey house that once aspired to two storeys, had held enemy fighters or served as a stopping place for them as they tried to escape the city. On the cement floor of the small courtyard was a discarded Rhodesian ammunition chest rig and by that, in a sink, a pile of hair of what had once been a beard. Occasionally you came upon just such perfect tableaux.

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The Immoral Majority review: how evangelicals backed Trump – and how they might atone

As a scandal-ridden presidency lurches towards impeachment, Ben Howe offers valuable insight into how it came to this

In his new book, Ben Howe attempts to explain something that should never have occurred: why most white evangelicals voting in 2016 chose Donald Trump.

Many observers thought Trump could not win because evangelical Christians could not support someone whose life (and tweeting) was so at odds with their beliefs and practices. Indeed, Trump failed to win a majority of evangelicals in any Super Tuesday primary.

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US cinemas ban masks and costumes at Joker screenings

Following concerns about the potential for violence, several chains will not allow face coverings or clothing that ‘would make other guests feel uncomfortable’

Major cinema chains in the US have announced that they will enforce bans of masks, costumes and toy weapons at screenings of Joker, the new film starring Joaquin Phoenix as Batman’s nemesis, as concerns about the potential for violence connected to the film’s release on 4 October circulate.

Landmark Theatres says on its website that “no masks, painted faces or costumes will be permitted into our theatres”. AMC Theatres, the US’s largest cinema chain with more than 600 venues, has said in a statement that they are “working with law enforcement” and that their standard policy allows audience members to wear costume but “we do not permit masks, face paint or any object that conceals the face … [or] weapons or items that would make other guests feel uncomfortable”.

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Prominent Britons of colour condemn BBC over Naga Munchetty complaint

Corporation accused of racial discrimination after presenter reprimanded for Trump remarks

More than 40 prominent broadcasters, celebrities and actors of colour have condemned the BBC, demanding it reconsider a decision partially upholding a complaint against the presenter Naga Munchetty, calling it “deeply flawed, illegal and contrary to the spirit and purpose of public broadcasting”.

In a letter published in the Guardian, the actors Lenny Henry, Adrian Lester and David Harewood, and presenters Krishnan Guru-Murthy and Gillian Joseph are among signatories describing the decision as “racially discriminatory treatment”.

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Cardi B: I was sexually assaulted on magazine photoshoot

US rapper alleges that a photographer exposed himself and attempted to coerce her into sex

US rapper Cardi B has detailed a sexual assault she experienced during a magazine photoshoot.

Speaking to TV and radio host Angie Martinez, she said: “I went to shoot for this magazine and the photographer, he was trying to get close to me like, ‘Yeah, you want to get in this magazine?’ Then he pulled his dick out. I was so fucking mad … You know what’s crazy? I told the magazine owner and he just looked at me like, ‘So? And?’”

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Cream drummer Ginger Baker critically ill in hospital

Family of Baker, who has also performed with Fela Kuti and Public Image Ltd, ask fans to ‘keep him in your prayers’

Ginger Baker, the jazz and blues drummer who co-founded the rock band Cream, has been reported critically ill.

A tweet posted from his official account reads: “The Baker family are sad to announce that Ginger is critically ill in hospital. Please keep him in your prayers tonight.”

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California Trip: how Dennis Stock caught the darkness beyond the hippy dream

His iconic portraits of James Dean in a wintry New York won him fame. But it was his travels in the west coast that brought out his true genius, as he captured the cracks in the 60s counterculture

‘For many years California frightened me,” Dennis Stock wrote in the preface to California Trip, first published in 1970. “For a young man with traditional concerns for spiritual and aesthetic order, California seemed too unreal. I ran.”

Stock, a naturally sceptical New Yorker who had served in the US Navy before hustling his way into the ranks of the esteemed Magnum photo agency, had instinctively picked up on the edgy undercurrents of the late 1960s Californian hippy dream. As the idealism of that decade peaked and faded, California became what Stock called a “head lab” – fomenting various radically alternative lifestyles fuelled by eastern mysticism, experiments in communal living, and all kinds of post-LSD mind expansion.

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To Tokyo review – thrilling, chilling horror in the wilderness

Caspar Seale Jones’s drama about a young woman afraid of her past is a masterclass in engrossing, show-don’t-tell film-making

Here’s one of those rare lowish-budget, entirely off-radar British debuts that feels like a discovery. Adventurous writer-director Caspar Seale Jones has relocated a stock horror starting point – fraught young woman fleeing something abominable in her past – to Japan, which instantly gifts his frames more distinctive vistas than all those potboilers pursuing teenagers through the streets of Peterborough or Stroud. More intriguingly, To Tokyo is in that Japanese folk-horror tradition that yielded Onibaba and Kwaidan, making merry-macabre use of a still relatively unfamiliar set of demons and ghouls.

To Tokyo scores high on dreamy-bordering-on-nightmarish atmosphere. On learning her mother is gravely ill, Alice (Florence Kosky) passes into either a fugue state or an actual wilderness that encompasses forests, deserts and a mountainside hut where she slaps on warpaint and receives offerings of fruit and entrails from whatever dragged her there. For half its running time, To Tokyo is just Kosky, some spectacular landscapes (cinematographer Ralph Messer apparently taking notes from that visual whizz Tarsem Singh) and a properly creepy spectre. Seale Jones makes the bold, rewarding decision not to explain a damn thing. The result is a masterclass in show-don’t-tell cinema.

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Zaha Hadid’s massive ‘starfish’ airport opens in Beijing

Daxing international, said to be world’s largest single-building terminal, to handle 72m passengers

China has opened a vast, multibillion-dollar airport in the country’s capital, in the run-up to a major political anniversary.

Less than five years after construction began, the 450bn yuan (£50bn) Daxing international airport was officially opened on Wednesday in a ceremony attended by the Chinese leader, Xi Jinping.

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