In the first of a series focusing on the work of photographers during the coronavirus crisis, Jerome Delay trains his lens on South Africa
We’ve become used to the images of western cities around quarantine. In the empty streets of industrial and post-industrial societies tightly connected by globalisation, absence has become one of the most powerful metaphors of the coronavirus.
It’s a very different story in countries where inequality and poverty are much more acute; where access to a safe and distanced space in which to isolate is limited by poverty, social status and economics, and intimate social connections have a different importance.
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