Tate removes reference to ‘amusing’ restaurant after racist images in mural draw anger

Exclusive: gallery removes reference to venue as ‘most amusing room in Europe’ as calls grow for artwork’s removal

Tate Britain has removed a reference to its restaurant as “the most amusing room in Europe” after complaints about racist depictions in a 1920s mural.

The Rex Whistler restaurant is covered floor to ceiling in a specially commissioned mural by the eponymous British artist titled The Expedition in Pursuit of Rare Meats, which depicts the enslavement of a black child and the distress of his mother. It also shows the boy running behind a horse and cart which he is attached to by a chain around his neck.

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‘Water is sacred’: 10 visual artists reflect on the human right to water

The UN declared access to water and sanitation a human right a decade ago, but 785 million people worldwide still have no water close to home

Ten photographs marking the 10th anniversary of access to water and sanitation being declared a human right by the UN have been commissioned from 10 visual artists by the charity WaterAid to show the impact of clean water on people’s lives.

Globally, 785 million people – one in 10 – still lack access to water close to home and 2 billion people – one in four – don’t have a toilet of their own.

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Marcus Rashford scores cover of British Vogue’s September issue

The footballer is recognised for his activism in the magazine among 40 ‘faces of hope’

Marcus Rashford’s inspirational, policy-changing campaign against child poverty has garnered him accolades aplenty. Now it has also propelled the footballer on to the front cover of British Vogue’s September issue.

The Manchester United striker, who forced a government U-turn on the granting of free food vouchers for the poorest families over the summer, headlines a special edition dedicated to activism.

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The images of ordinary Soweto that captured apartheid’s injustice

David Goldblatt’s photo essay from 1972 is a key document of an era. Now he is the subject of a major show in London

The photographer David Goldblatt, the great chronicler of the apartheid era in South Africa, is to be celebrated by one of the first London art galleries to re‑open this month.

Goldblatt, who died in 2018, has not been the subject of a major London show for more than 30 years. The new exhibition, David Goldblatt: Johannesburg 1948-2018, at the Goodman Gallery in Mayfair, will focus on a particularly moving photo essay, Soweto, from 1972. The photographs in the series were taken over six months in a febrile atmosphere that would lead to an uprising in this impoverished area of Johannesburg four years later.

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Cubans bid farewell to Eusebio Leal Spengler, the saviour of Havana

Much-loved citizen was born poor but went on to mastermind restoration of the island’s splendid capital

The old town of Havana has sheltered many famous faces over its 500 years, Alexander von Humboldt and Ernest Hemingway among them, but few more loved than Eusebio Leal Spengler, who died on Friday.

The city historian could be seen most days walking through the cobbled streets, past the fruit hawkers and musicians, passing under balconies strung with drying sheets. He would stop to talk to residents who knew him by sight, despite his understated manner and the grey guayabera shirt of the Cuban bureaucrat he favoured.

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Erdoğan leads first prayers at Hagia Sophia museum reverted to mosque

Turkish president recites Qur’an at monument as Greece declares day of mourning

Turkey’s president, Recep Tayyip Erdoğan, has led worshippers in the first prayers in Istanbul’s iconic Hagia Sophia since his controversial declaration that the monument, which over the centuries has served as a cathedral, mosque and museum, would be turned back into a Muslim house of worship.

The Turkish leader and an entourage of senior ministers arrived for the service in the heart of Istanbul’s historic district on Friday afternoon, kneeling on new turquoise carpets while sail-like curtains covered the original Byzantine mosaics of Jesus and the Virgin Mary.

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Medical error led to painter Raphael’s death, study finds

Bloodletting contributed to worsening health of painter, who probably had pneumonia

A medical error contributed to killing the Italian painter Raphael, according to the latest reconstruction of the circumstances surrounding the Renaissance master’s untimely death.

Raffaello Sanzio da Urbino is believed to have been aged 37 when he died in Rome on 6 April 1520, eight days after contracting a fever. Several museums in Italy are holding exhibitions to commemorate the 500th anniversary of his death.

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Artlords, not warlords – how Kabul’s artists battle for the streets

Muralists are covering the Afghan capital’s blast walls with agitprop imagery and calling out corruption

From the killing of George Floyd in the US and the drowning of Afghan refugees in Iran, to the signing of the US-Taliban agreement towards peace and brutal murder of a Japanese aid worker, a group of Afghan artists have taken paintbrushes to adorn Kabul’s grey blast walls with vivid imagery.

The barriers have been transformed into politically inspired murals, which the artists hope will create “visual dialogue” and raise awareness of corruption and injustices.

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Edward Colston statue replaced by sculpture of Black Lives Matter protester

Exclusive: Artist Marc Quinn leads secret mission to install resin-and-steel figure of Jen Reid at site of toppled Bristol slave trader

The statue of slave trader Edward Colston was replaced in Bristol on Wednesday morning – with a sculpture of one of the protesters whose anger brought him down.

The figure of Jen Reid, who was photographed standing on the plinth with her fist raised after the 17th century merchant was toppled by Black Lives Matter demonstrators last month, was erected at dawn by a team directed by the artist Marc Quinn.

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Wasteful, damaging and outmoded: is it time to stop building skyscrapers?

Tall buildings are still deemed desirable, even glamorous, but experts are drawing attention to the high environmental cost of building them

If no one ever built a skyscraper ever again, anywhere, who would truly miss them? I ask, because the engineer Tim Snelson, of the design consultancy Arup, has just blown a hole in any claim they might have had to be environmentally sustainable. Writing in this month’s issue of the architecture magazine Domus, he points out that a typical skyscraper will have at least double the carbon footprint of a 10-storey building of the same floor area.

He is talking about the resources that go into building it, what is called its “embodied” energy. Tall buildings are more structurally demanding than lower ones – it takes a lot of effort, for example, to stop them swaying – and so require more steel and concrete. In London, which is mostly built on clay as opposed to Manhattan’s rock, they require ample foundations. Snelson also mentions “in-use” energy consumption and carbon emissions – what is needed to cool and heat and run lifts, which he says are typically 20% more for tall than medium-height buildings.

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Kanye West: Wash Us in the Blood review – an intensely potent study of race and faith

This new track sees Kanye at his very best, corralling his anger with masterful focus into an apocalyptic vision of America

America, divided along racial and political lines and led by its own Herod, faces an invisible plague and a public reckoning against its history of violence. It’s against this Biblical backdrop that Kanye West imagines the next apocalyptic event, in one of his most focused and arresting tracks for years.

Wash Us in the Blood sees the rapper call for a blood rain to deliver black America from evil. We’re at the point, perhaps, where normal water won’t wash; an emergency where we need something stronger. That sense of alarm is amplified by the two-note siren motif, a flattened-out version of the feedback sound on The Life of Pablo’s Feedback or Yeezus’s Send It Up, another of his warnings that puts the listener on alert. It gets your blood up.

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Milton Glaser, groundbreaking I ❤️ NY designer, dies aged 91

Glaser’s bold logo, created for free in 1977, helped boost New York’s image and he was also part of the team that founded New York magazine

Milton Glaser, the groundbreaking graphic designer who adorned Bob Dylan’s silhouette with psychedelic hair and summed up the feelings for his native New York with “I (HEART) NY,” died Friday, on his 91st birthday.

The cause was a stroke and Glaser had also had renal failure, his wife, Shirley Glaser, told The New York Times.

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It’s a botch-up! Monkey Christ and the worst art repairs of all time

As another religious painting restoration goes horribly wrong, we take a look at some of the finest examples of butchered statues, art installations and frescoes

In the latest instalment of the greatest genre of art news – and I write that as a lover of art – another restoration has gone awry. The word “awry” is being generous.

This is the revelation that a private collector, based in Valencia, paid 1,200 (£1,070) for a restoration job on baroque painter Bartolomé Esteban Murillo’s Immaculate Conception of Los Venerables. It is no longer immaculate. It now looks like an e-fit issued by a local police force, with those thin eyebrows popular in the 90s. What’s more, the restorer (who it turns out was a furniture restorer by trade) made two attempts – the second significantly worse than the first. That one, the e-fit one, has the Virgin Mary staring straight ahead, which isn’t even the same position as the original, which has Mary looking to the heavens.

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Li Zhensheng, photographer of China’s Cultural Revolution, dies

Former publisher announces death of Li, known for his book Red-Color News Soldier

The Chinese photographer Li Zhensheng, known for his unflinching portrayal of China’s Cultural Revolution, has died, according to his former publisher.

The Chinese University of Hong Kong Press, which in 2018 published the first Chinese-language edition of Li’s book Red-Color News Soldier – a compilation of photos he had hidden from the period – said Li, 79, had died after spending several days in hospital following a brain haemorrhage.

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Unfinished, abandoned, demolished: how Cairo is losing architecture it never knew it had

From grand visions that fail with the departure of a president to everyday buildings knocked down before they can be considered for heritage protection, a new book unpicks what Egypt’s capital might have beenn

Looming above the affluent Zamalek neighbourhood in the centre of Cairo, the Forte Tower has stood as the tallest building in Egypt for the last 30 years – yet it remains unfinished and abandoned. A ring of faintly Islamic pointed-arch windows encircles the uppermost floor of the great cylindrical shaft, creating a forlorn crown on the skyline, like a host awaiting party guests that never arrived.

Begun in the 1970s, the 166-metre tall building was planned to house a glamorous 450-room hotel, with restaurants, shops and a nightclub. It was to be the first part of a “new Manhattan of Egypt”, a cluster of skyscrapers imagined by president Anwar Sadat to rise from Gezira Island in the middle of the Nile, signalling Cairo’s place on the world stage. Following Sadat’s assassination in 1981, the project hit the rocks. Under subsequent president, Hosni Mubarak, the developer faced battles for permits and licences, seeing the project mired in lawsuits that ultimately halted it. The towering carcass has been left empty ever since, a single showroom furnished with bedding, lamps and an old TV providing an eerie relic of the dream.

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Van Gogh and Gauguin letter about brothel visit sells for €210,000

‘Exceptional’ correspondence sent from Arles in 1888 is bought by Van Gogh Museum

A letter written by two of the greatest artists of the 19th century, Vincent van Gogh and Paul Gauguin, about their visits to French brothels has been bought for the Van Gogh Museum in Amsterdam for €210,600 (£189,000).

The correspondence, previously held in private hands, has been described as “exceptional”. The two painters entwine descriptions of their experiences living together in Arles, Provence, with claims of certainty that their work is leading a “great renaissance of art”.

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Christie’s withdraws ‘looted’ Greek and Roman treasures

Four antiquities pulled from auction after claims they came from illicit excavations

Christie’s has quietly withdrawn four Greek and Roman antiquities from auction this month amid allegations that they had been looted from illicit excavations.

The items were in the original brochure catalogue but later removed from the online site with no explanation.

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