Archive of blood: how photographer Letizia Battaglia shot the mafia and lived

Her shocking pictures told the truth about mafia murders – and earned her death threats. Ahead of a powerful film about her extraordinary life, we meet the woman who dared to confront killers. Warning: contains graphic imagery

Letizia Battaglia can still remember the first corpse she photographed: a man lying beneath an olive tree in a field in rural Sicily. It remains a viscerally unsettling image, made all the more so by its telling details: the dead man’s shoeless left foot, the resigned gaze of the policeman guarding the body, the olive leaves hanging low over the spreadeagled torso. The fact that he was a mafioso murdered in a local feud is, insists Battaglia, neither here nor there. “Everyone,” she says quietly, “is equal in death.”

What has stayed with her, over 40 years later, is the smell that hung in the summer air that day and was carried on the breeze. “It was very hot and he had been dead for a few days,” she says, drawing deeply on a cigarette. “Now, as soon as you ask about this photograph, it comes back to me. I can almost feel it, this atmosphere of death.”

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Sacha Baron Cohen: Facebook would have let Hitler buy ads for ‘final solution’

In wide-ranging speech, actor accuses tech giants of running the ‘greatest propaganda machine in history’

Read Sacha Baron Cohen’s scathing attack on Facebook in full

Sacha Baron Cohen has denounced tech giants Facebook, Twitter, YouTube and Google as “the greatest propaganda machine in history” and culpable for a surge in “murderous attacks on religious and ethnic minorities”.

Baron Cohen was speaking on Thursday at Never Is Now, the Anti-Defamation League’s summit on antisemitism and hate in New York, where he was presented with the organisation’s international leadership award. He said that “hate crimes are surging, as are murderous attacks on religious and ethnic minorities” and that “all this hate and violence is being facilitated by a handful of internet companies that amount to the greatest propaganda machine in history”.

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Real Madrid: film festival puts city’s forgotten district on map

Residents of the Cañada Real, Europe’s largest shantytown, are hoping the 16kms festival will challenge the area’s fearsome reputation for drug dealing and poverty

Just 15 minutes from the centre of Madrid lies Europe’s largest shantytown: 16km of thousands of houses, shacks and tents lining the roaring M-50 motorway. The Cañada Real has been the Spanish capital’s forgotten neighbourhood for decades, both thriving and suffering in the city’s blind spot.

This multicultural community is home to about 7,300 people living in six sectors – but it is Sector 6 that has given it its somewhat fearsome reputation. Here, drug addicts shuffle along listlessly as the dealers flag them – and passing journalists – down to offer cannabis, cocaine and heroin.

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Alan Alda: ‘It’s amazing that most of us live as if we’re not gonna die’

The former M*A*S*H star has Parkinson’s disease – but remains optimistic. He talks about his new film, Marriage Story, how actors can help heal political division and working with Woody Allen

‘Would you like a beer?” asks Alan Alda, tall and elegant in black raincoat, grey jacket and blue jeans as he walks through his offices near the Lincoln Center in New York. The actor, director and science communicator warmly greets Einstein, a female half bernese mountain dog, half border collie. “Smartest dog I ever met,” Alda’s assistant later observes.

The urbane 83-year-old star of M*A*S*H, The West Wing and The Aviator settles in a glass-walled meeting room, acknowledges that we are here to talk about his new film, Marriage Story, but says he is happy to talk about anything. Over the next hour, he will discuss God, mortality, his mother, podcasting, science, Woody Allen and how he is, so far, unbowed by Parkinson’s disease.

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Disney+ attaches warnings of ‘outdated cultural depictions’ to classic films

The new streaming service has added the disclaimer to some of its best-known movies, including Dumbo and Lady and the Tramp

Warnings have been added to a number of classic Disney films playing on the recently launched Disney+ streaming service that they may contain “outdated cultural depictions”.

Users of the service have seen the warnings attached to some of the company’s best-known animated films, such as Dumbo, Peter Pan and Lady and the Tramp, with text that reads: “This program is presented as originally created. It may contain outdated cultural depictions.”

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Charlie’s Angels review – ramshackle action reboot goes at half throttle

There’s intermittent fun to be had in this throwaway relaunch of the female secret agent franchise but the party is cut short by incoherent action and a clunky script

Back in 2000, the glossy relaunch of Charlie’s Angels felt like a genuine pop culture event. The central casting of Cameron Diaz, Drew Barrymore and Lucy Liu, all at the height of their fame, was an impressively inspired get. The accompanying lead single from Destiny’s Child was not only a smash hit but a deserved one. The gaudy aesthetic and post-Matrix bullet time action were laughable but also undeniably of the moment. It was the most 2000 film released in 2000, and at the time it was impossible to avoid – a slick, pre-packaged blockbuster received with as much enthusiasm as it was made. Almost 20 years, one sequel and one failed TV series later, the franchise is back, but all that buzz has been replaced with something else: deafening silence.

Related: Elizabeth Banks: ‘My film is loaded with sneaky feminist ideas’

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The new heart-throbs: how Hollywood embraced east Asian actors, from Henry Golding to Simu Liu

From romcoms to Marvel blockbusters, east Asian actors are enjoying unprecedented success. What’s taken the film industry so long?

It was the moment that all romance fans look forward to at the end of a film, hearts bubbling with anticipation: the kiss. I was watching The Edge of Seventeen, a smart coming-of-age movie, in which Nadine (Hailee Steinfeld) had rushed to see her awkwardly endearing classmate (Hayden Szeto). After a bungled date and a crush on another man, she had decided Erwin was the one she wanted.

And then, instead of any show of passion, there came … an affectionate pat on the back as he introduced her to his friends. Moments before, I had been delighted that a Canadian actor of Chinese descent had been cast as the love interest of a white American woman. As the credits rolled, I felt cheated.

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Woman accuses Roman Polanski of raping her in 1975 when she was 18

Film director denies claim by Valentine Monnier about alleged incident at ski resort

A Frenchwoman has accused Oscar-winning director Roman Polanski of raping her in a Swiss ski resort when she was a teenager.

It is the latest accusation against the Polish-born director who fled from the US to France in 1978 after admitting the statutory rape of a 13-year-old girl.

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French actor Adèle Haenel claims director sexually harassed her

Star accuses Christophe Ruggia of abuse when she was making her first film aged 12

The acclaimed French actor Adèle Haenel has alleged she was sexually harassed from the age of 12 by the director who made her first film.

Haenel, 30, who has won a string of awards for her work, including two French Oscars, said she was subjected to “permanent sexual harassment” by Christophe Ruggia from the age of 12 to 15 when she was making and promoting her debut 2002 film, The Devils, in which she played a girl with autism.

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‘We lay like corpses’: Bangladesh’s 1970s rape camp survivors speak out | Lucy Lamble

Award-winning documentary Rising Silence preserves the testimony of some of the 200,000 women abducted during the country’s war of independence

In 1971, during the nine-month war that gave Bangladesh its independence from then West Pakistan, four sisters – Amina, Maleka, Mukhlesa and Budhi Begum – were abducted by Pakistani soldiers and local collaborators. They were among the more than 200,000 women held in rape camps and were detained for two and a half months.

“Twenty-two of us would lie like corpses in that room,” says Maleka as she explains how her elder sister Buhdi, “unable to bear the pain”, died before they were released.

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They’re the pants that I want: buyer pays $405,700 for Olivia Newton-John’s Grease outfit

Actor’s famous black trousers and leather jacket sold at auction along with other memorabilia, raising $2.4m

Olivia Newton-John’s tight black trousers and leather jacket from the movie Grease have sold for $405,700 at a Beverly Hills auction, more than double the expected price.

The outfit that marked the transition of Newton-John’s character in the 1978 musical from demure high schooler to sexy Sandy was among 500 items for sale at Julien’s Auctions to help raise money for the performer’s cancer treatment centre in Australia.

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Delta airline will restore LGBTQ scenes to Booksmart and Rocketman

Actor Olivia Wilde, who directed Booksmart, called out the airline on Twitter for showing edited versions of her film

The airline Delta has said it will start showing fuller versions of the films Booksmart and Rocketman that were controversially edited to remove scenes involving LGBTQ love and sexuality.

Related: 'No scissor emoji?!' Olivia Wilde criticises airline censorship of Booksmart

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Leonardo DiCaprio calls Greta Thunberg ‘a leader of our time’

Environmentalist actor says first meeting with teenage climate activist was ‘an honour’

Leonardo DiCaprio has praised teenage climate change activist Greta Thunberg as a “leader of our time” following their first meeting.

DiCaprio, a prominent environmental campaigner, said 16-year-old Thunberg’s message should be a “wake-up call to world leaders everywhere that the time for inaction is over”.

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Battle of the sexes: why this year’s Oscars will be a gender war

From Little Women and Bombshell on one side and The Irishman and The Two Popes on the other, the Academy will have to tread a careful line picking this year’s nominations

British politicians are not the only people preparing for the campaign trail; Hollywood’s awards-season schmooze offensive has also begun. Gala ball dates are being added to diaries, academy voters are being targeted and a clutch of frontrunners is emerging. Trends – most of them worrying – are also appearing.

In summary, this year it is “boy films” v “girl films”. A gaping gender divide seems to have split the field. On the girls’ side, we have two well-received titles: Bombshell, dramatising the sexual harassment scandal at Fox News, and Greta Gerwig’s adaptation of Little Women. Both are stories of female defiance at the male-dominated status quo, and are cast with an embarrassment of awards-bait: Little Women features Meryl Streep, Saoirse Ronan, Florence Pugh, Emma Watson and Laura Dern; Bombshell has Nicole Kidman, Charlize Theron, Margot Robbie and Allison Janney.

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‘I did the first nude in Vogue’: Marisa Berenson on being a blazing star of the 70s and beyond

She was photographed by Warhol, and Dalí wanted to paint her; the first films she made were Death in Venice and Cabaret. So why did she walk away?

Most people, says Marisa Berenson, “tend to live in my past. Which is fine.” She smiles, well aware of the fascination. “But I tend to live in the present and in the future.” A 2001 profile of the model/actor in the New York Times described her as a “Zelig of the zeitgeist … popping up in the right place at the right time”. And there is certainly something magical about her life and the people who have passed through it. As a child (she is now 72) she was taught to dance by Gene Kelly. Greta Garbo came to her parents’ parties; Salvador Dalí – a friend of her grandmother, the designer Elsa Schiaparelli – wanted to paint her. The legendary Vogue editor Diana Vreeland pushed her to become a model – Yves Saint Laurent would describe her as “the face of the 70s” – and she was photographed by giants such as David Bailey, Irving Penn and Richard Avedon. Andy Warhol photographed her wedding.

She discovered meditation in India alongside George Harrison and Ringo Starr, was at Bianca Jagger’s Studio 54 birthday party – the fabled night of the white horse – and attended Truman Capote’s famed Black and White ball. Although she continues to work in film, she hasn’t made a huge number of movies – but the biggest, early in her career, were Luchino Visconti’s Death in Venice, Bob Fosse’s Cabaret and Stanley Kubrick’s Barry Lyndon.

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Tim Robbins: ‘With the exception of America’s native tribes, we’re all new here’

The actor, director and activist talks about his return to the Stephen King universe and his frustrations with the state of the US

There’s an unmissable sense of the now in the second season of Castle Rock, Hulu’s anthology series recombining the best-known works of Stephen King. The Maine hamlet of Jerusalem’s Lot, first dreamed up by the master of the macabre as a feral vampire stronghold, contends with a more earthbound set of problems in its newest iteration. The opioid epidemic sweeping New England has seeped into town, driving area pharmacists to install locked glass cases for select products. More pressing still is the mounting tension in town between the Somalian immigrant community and the largely Caucasian local populace, each distrustful and fearful of the other. The impending turf war reflects a widening cultural divide in American life, as xenophobic sentiments gain traction with an increasingly vocal faction of reactionaries.

Related: The best Stephen King movies … ranked!

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‘Freddy Krueger in the room’: women confront Harvey Weinstein at New York event

Several women heckled after raising questions about producer’s attendance at talent show

Several women were booed, heckled and asked to leave after confronting Harvey Weinstein at a New York showcase for emerging talent.

Comedian Kelly Bachman told the Guardian she “felt like the air was sucked out of the room” when she called out Weinstein during a set she performed at the event.

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Auteurs assemble! What caused the superhero backlash?

They’ve conquered the box office. Now it’s payback time. As they are attacked by filmmakers like Martin Scorsese, are TV and movie superheroes fighting a losing battle against reality?

Alan Moore’s celebrated 1986 series Watchmen revolved around a conspiracy to kill off masked vigilantes, and in effect that’s what it did in real life. Compared with the complex, mature, literary nature of Watchmen, most other comic-book titles looked juvenile and two-dimensional. This was at a time when “comic-book movies” meant Christopher Reeve’s wholesome Superman series, and when the only inhabitant of the Marvel movie universe was Howard the Duck. The entire industry had to up its game, and a new era of mature “graphic novels” was born.

Now we appear to have come full circle – which is fitting for a story so heavy with clock symbolism. With uncanny timing, HBO’s lavish new Watchmen series arrives at a moment when comic-book movies are again in what you might call a decadent phase of the cycle. They have decisively conquered our screens and our box offices, with ever grander and more improbable forms of spectacle, to the extent that we’re now beginning to question how much more of them we need. Could Watchmen kill off the superheroes once again?

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Quentin Tarantino won’t censor Once Upon a Time in Hollywood for China – report

Sources tell Hollywood reporter Bruce Lee’s daughter raised concerns over the film’s portrayal of the martial arts star

Quentin Tarantino will not edit Once Upon a Time in Hollywood to placate Chinese censors, the Hollywood Reporter said.

Related: Bruce Lee's daughter hits out at father's portrayal in Tarantino film

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