Ravers, semi-naked sun-worshippers, booming queer culture … we meet the photographers chronicling a new generation of Lebanese shaking off the trauma of civil war
‘Parties are a privileged place, a space for exploration, a time for fusion,” says photographer Cha Gonzalez. They’re also the focus of her series Abandon, which looks at the way some Lebanese people have used nightlife – and techno music in particular – as a release after the trauma of the country’s 15-year civil war, which ended in 1990. “I knew a lot of people who were either born during the war or in exile,” she says. “What was put aside during the day came to light – and their internal struggles surfaced.”
Abandon is a pertinent theme not only for Gonzalez, but for all of the 16 contributors to an exhibition in Paris called C’est Beyrouth (This Is Beirut), at the Institut des Cultures d’Islam. Gonzalez in particular seized on the city’s dance scene, and later continued the series in Paris, where she lives, because “there was something to say about countries that are very far from war as well. The war is inside us: how we feel useless, alone, bored, guilty, horny.”
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