‘Your wife wants to see you’: 18th-century Spanish letters seized at sea by British published online

Posted on November 23, 2023 by Admin

Correspondence taken from 130 captured ships reveal details of the stories of seafarers and their families in the 1700s

A letter from a reproachful wife to the husband who seemingly abandoned her after travelling to the Americas, which remained unopened for nearly 300 years, is among thousands of papers from 18th-century Spanish ships captured by the British that are now being made available online.

Francisca Muñoz in Seville wrote to her husband, Miguel Atocha, in Mexico on 22 January 1747. The letter was among 100 others from Spanish women to their husbands detailing the emotional and economic challenges faced in their partners’ absences, and found on La Ninfa, a registered ship trading between Cádiz and Veracruz, Mexico that was captured by the notorious British privateer squadron known as the “Royal Family”.

Are the 2020s really like living back in the 1970s? I wish …

Posted on November 20, 2021 by Admin

With queues for petrol, inflation and Abba on the radio, it’s easy to compare the two decades. But you wouldn’t if you were there, says Polly Toynbee, as she revisits the styles of her youth

Queueing for petrol, I turn on the radio and there are Abba, singing their latest hit. Shortages on shop shelves are headline news, with warnings of a panic-buying Christmas. And national debt is sky high. But this isn’t the 1970s; it’s 2021. People who weren’t born then have been calling this a return to that decade. There are similarities, of course: this retro-thought was sparked by the recent petrol queues, people as frantic to fill up to get to work as I remember back then. Elsewhere, flowing floral midi dresses are back, just like the ones I wore; Aldi is selling rattan hanging egg chairs; and, as well as Abba, the charts have been topped by Elton John. But is this really a 1970s reprise?

No, nothing like it; not history repeated, not even as farce – just a stylist’s pastiche, as bold as the wallpaper I’m posing in front of here. Folk memory preserves only the 1974 three-day week; the miners’ strike blackouts, with no street lights and candle shortages; the embargo that quadrupled the price of oil. True, I did queue at the coal merchant’s to fire up an ancient stove for lack of any other heat or light. But the decade shouldn’t be defined by this, or by 1978-79’s “winter of discontent” strikes, a brief but pungent time of rubbish uncollected and (a very few) bodies unburied by council gravediggers.

Bernardine Evaristo on a childhood shaped by racism: ‘I was never going to give up’

Posted on September 25, 2021 by Admin

My creativity can be traced back to my heritage, to the skin colour that defined how I was perceived. But, like my ancestors, I wouldn’t accept defeat

When I won the Booker prize in 2019 for my novel Girl, Woman, Other, I became an “overnight success”, after 40 years working professionally in the arts. My career hadn’t been without its achievements and recognition, but I wasn’t widely known. The novel received the kind of attention I had long desired for my work. In countless interviews, I found myself discussing my route to reaching this high point after so long. I reflected that my creativity could be traced back to my early years, cultural background and the influences that have shaped my life. Not least, my heritage and childhood

Through my father, a Nigerian immigrant who had sailed into the Motherland on the “Good Ship Empire” in 1949, I inherited a skin colour that defined how I was perceived in the country into which I was born, that is, as a foreigner, outsider, alien. I was born in 1959 in Eltham and raised in Woolwich, both in south London. Back then, it was still legal to discriminate against people based on the colour of their skin, and it would be many years before the Race Relations Acts (1965 and 1968) enshrined the full scope of anti-racist doctrine into British law.

Man in Black at 50: Johnny Cash’s empathy is needed more than ever

Posted on May 31, 2021 by Admin

The country star is not always remembered for his politics, but his about-face to withdraw support for Nixon and the Vietnam war may be his finest moment

“I speak my mind in a lot of these songs,” Johnny Cash wrote in the liner notes to the album Man in Black, released 50 years ago today. He might be better known now for the outlaw songs of his youth or the reckonings with death in his final recordings, but Cash used his 1971 album to set out his less-discussed political vision: long on feeling and empathy, and short on ideology and partisanship. The United States seemed hopelessly polarised, and Cash confronted that division head-on, demanding more of his fellow citizens and Christians amid the apparently endless war in Vietnam.

Crude, obscene and extraordinary: Jean Dubuffet’s war against good taste

Posted on May 3, 2021 by Admin

He was the inventor of ‘art brut’ who rebelled against his parents, his teachers and then art itself. Yet the impact of his wild provocative paintings, often culled from graffiti, can still be seen today

Which great artist of the 20th century has been most influential on the 21st? Neither Picasso nor Matisse, as they have no heirs. And not Marcel Duchamp, however much we genuflect before his urinal. No, the artist of the last century whose ideas are everywhere today was a wine merchant who took street art and fashioned it into something extraordinary more than 75 years ago.

After four years of Nazi occupation, you’d think Parisians would have been unshockable. But in 1944, the newly liberated city was sorely provoked by the antics of Jean Dubuffet. Even as the last shots were fired, he was creating newspaper collages bearing the fragmentary graffiti messages he saw in the streets: “Emile is gone again”, “Always devoted to your orders”, “URGENT”. In the next couple of years, he unveiled shapeless, childlike paintings that abandoned all pretence at skill.

Johnny Pacheco, co-founder of New York’s Latin label Fania, dies aged 85

Posted on February 16, 2021 by Admin

The Fania All-Stars player and record-label impresario worked with Latin music giants including Celia Cruz and fostered a more intense, political salsa sound

Johnny Pacheco, the co-founder of trailblazing salsa label Fania Records, has died aged 85. The cause was complications from pneumonia.

A representative for Fania said Pacheco was “the man most responsible for the genre of salsa music. He was a visionary and his music will live on eternally.”

It’s a Sin: ”There is such a raw truth to it”

Posted on February 10, 2021 by Admin

How well does the Russell T Davies drama capture the 1980s Aids crisis? Influential queer figures who lived through it and in its wake – including Owen Jones, Rev Richard Coles, Lisa Power and Marc Thompson – give their verdicts

A joyful yet devastating series centred on a group of friends whose lives are changed irrevocably by the HIV/Aids epidemic, It’s a Sin is not only the most talked-about TV show of 2021 so far, but also Channel 4’s most watched drama series in its history. Russell T Davies’s 80s-set series has started conversations around Britain about the realities, both political and personal, of living through the HIV/Aids crisis, led to an increase in people getting tested for HIV, and helped raise awareness about preventive medication (PrEP) and the effective treatment now available for people living with the virus.

To discuss these topics, we convened a roundtable discussion with influential queer figures who lived through the crisis, and those who have grown up in its wake. Taking part in the conversation are Lisa Power, a co-founder of LGBT charity Stonewall who also volunteered for Switchboard during the Aids crisis; the Rev Richard Coles, the vicar of Finedon in Northamptonshire and former member of the pop group the Communards; Marc Thompson, an HIV activist, the director of the Love Tank CIC and the co-founder of PrEPster; Guardian columnist and author Owen Jones; Omari Douglas, who plays the character Roscoe in It’s a Sin; and Jason Okundaye, a writer and the co-founder of Black & Gay, back in the day, a digital archive honouring and remembering black queer life in Britain.

The lives of others: Ute Mahler’s images of the real East Germany – in pictures

Posted on January 6, 2021 by Admin

In 1974, the German photographer set out to convey the truth about how people really lived in the communist GDR – depicting her fellow citizens with a ‘timeless coolness’

Sleazy bosses, exploited barmaids: US cinema finally discovers the left behinds

Posted on May 6, 2020 by Admin

From The Assistant to Support the Girls, American cinema is swapping feelgood escapism for gritty unsettling realism. We talk to the women spearheading this new wave

‘I wanted it to be relatable to any woman who’s ever worked in an office,” says Kitty Green of her new film The Assistant. “Everything in the film has been in the press already. But I wanted to take viewers on an emotional journey, so they could empathise with the character.”

The #MeToo saga has been examined to near exhaustion, but The Assistant manages to add something new. Rather than perpetrators or victims, it focuses on a relative bystander: a young office worker at a New York film production company. We follow this character, played by Julia Garner, through her demeaning routine: commuting in before daybreak, photocopying, printing, taking her male co-workers’ lunch orders, clearing up leftover pizza from the meeting room (as the men come in for the next meeting, she is humiliatingly caught with a crust in her mouth).

Bizarre beauty: Shin Noguchi’s everyday Japan – in pictures

Posted on September 19, 2019 by Admin

From big-scramble zebra crossings to a man in a hedge, the award-winning street photographer revels in the life that swirls around him

David Bailey: ‘Deneuve said it’s great we’re divorced – now we can be lovers!’

Posted on March 20, 2019 by Admin

As he powers into his 80s, the photographer recalls shooting everyone from Kate Moss to Andy Warhol, shares his regrets over voting leave – and reveals how Gordon Brown pulled a fast one on him

‘You look knackered,” says David Bailey, greeting me at his studio. It’s up a small mews and sprawls so casually across two floors that it still feels like the 60s inside. “Look at you,” he says. “Your buttons aren’t even done up right.” I look down at my jacket: that bit is true. But I tell him: “I’m not tired!”

“I was watching you walking along the street,” he says. “I thought, ‘That must be the journalist, she looks knackered.’” The combination of acuity (he must be right: he is, after all, the one who makes a living with his eyes) and demonic overfamiliarity (by this point, we are holding hands; I have no idea who started it) is disarming. If this is his shtick, it’s working on me, totally and overwhelmingly. Or maybe he has a tailored shtick for everyone he meets.