Category Archives: Andy Warhol

Ukraine creates database of art linked to sanctions-hit Russians

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Corruption agency hopes portal will ‘make it difficult for Russian oligarchs to sell such assets’

From Leonardo da Vinci’s Salvator Mundi to Andy Warhol’s Four Marilyns, it amounts to an art collection that could grace any gallery in the world.

But rather than being the highlights of a blockbuster exhibition at a major gallery, these are just some of the 300, and counting, pieces known to have been recently owned by Russian nationals under western sanctions that have been entered into a searchable database set up by Ukraine’s National Agency on Corruption Prevention (NACP).

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Art dealer sentenced to more than two years for fake Andy Warhol paintings

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A 69-year-old Florida dealer is set to go to federal prison after a scheme involving the sale of fake artwork

A south Florida art dealer was sentenced on Tuesday to two years and three months in federal prison in connection with a scheme involving the sale of fake Andy Warhol paintings.

Daniel Elie Bouaziz, 69, was sentenced in Fort Pierce federal court, according to court records. He pleaded guilty in February to a single count of money laundering, while prosecutors agreed to drop 16 other counts related to fraud and embezzlement. Bouaziz was fined $15,000, and a restitution hearing is scheduled for 16 August.

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Andy Warhol work not seen in public for 15 years could fetch $80m at auction

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White Disaster (White Car Crash 19 Times) to go under the hammer in New York

Six months after a vivid image of Marilyn Monroe smashed records when it sold for $195m, a rather more dark and brutal work by the cult pop artist Andy Warhol may also be about to fetch a large sum.

White Disaster (White Car Crash 19 Times) – repeated graphic black and white images across a huge canvas measuring 12ft tall and 6ft wide – is expected to sell for at least $80m in New York next month.

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Tehran museum unveils western art masterpieces hidden for decades

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‘Deviant’ works by artists including Picasso and Warhol return to display at exhibition in Iranian capital

Some of the world’s most prized works of contemporary western art have been unveiled for the first time in decades in Tehran.

The Iranian president, Ebrahim Raisi, a hardline cleric, rails against the influence of the west. Authorities have condemned “deviant” artists for “attacking Iran’s revolutionary culture”. And the Islamic Republic has plunged further into confrontation with the US and Europe as it rapidly accelerates its nuclear programme and diplomatic efforts stall.

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‘The rich have got much richer’: why art sale prices are going through the roof

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Auction houses are recording a boom in sales after a return to pre-pandemic levels of supplies of works

As a straight return on investment, it’s hard to beat “Untitled”, a 1982 work by Jean-Michel Basquiat, the African American street artist who became a global cultural icon, featuring a horned African mask on an abstract background across a canvas almost 5m wide.

In 2004, the painting sold for $4.5m. Back on the market 12 years later, it fetched $57.3m, then a record for a Basquiat. This week, it went under the hammer in New York for $85m (£68m), including fees, to a buyer from Asia.

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Andy Warhol’s famed Marilyn Monroe portrait sells for record $195m at auction

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The Shot Sage Blue Marilyn is one of a series made after the actor’s death in 1962 and has become the ‘pinnacle of American pop’

Andy Warhol’s famed 1964 silk-screen portrait of Marilyn Monroe has sold for $195m at auction, setting a new a record for a work by an American artist.

Shot Sage Blue Marilyn is one in a series of portraits Warhol made of the actress following her death in 1962 and has since become one of pop art’s best-known pieces.

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‘I went from having to borrow money to making $4m in a day’: how NFTs are shaking up the art world

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Digital art is a billion-dollar business, with everyone from Paris Hilton to Damien Hirst trading in ‘non-fungible tokens’. But are NFTs just a get-rich-quick scheme masquerading as culture?

“It’s actually a lot simpler than you think.” It’s a Tuesday afternoon, and somewhat to my surprise, I’m on the phone to Paris Hilton, who is graciously explaining the world of NFTs.

Hilton is many things – a reality star, an heiress, an unlikely lockdown fitness guru who uses designer handbags instead of weights. But until now, she has never been considered a significant player in the art world. When artists have acknowledged her, often they’ve done so to fetishise her image. In 2008, Damien Hirst bought a portrait of her by the artist Jonathan Yeo, in which her body is constructed from collaged images cut from porn magazines.

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Ai Weiwei: ‘It is so positive to be poor as a child. You understand how vulnerable our humanity can be’

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From living in a dugout in Little Siberia to his friendship with Allen Ginsberg in New York, artist and activist Ai Weiwei reveals what drives his restless creativity

Ai Weiwei is hard to pin down. For the first few minutes of our Zoom call, him bleary-eyed at his computer, I think he’s talking to me from his new base in Portugal. My mistake – it’s Vienna, where he’s planning a show for next March. A year and a half ago, Ai was giving interviews about his new life in Britain; before that it was Germany, the country that offered him safe harbour when he finally left China in 2015, after years of hounding by the authorities and a spell in detention. So where does he actually live?

“Yeah, the question always comes up,” he says sheepishly. He moved to Cambridge so his son, Ai Lao, could improve his English. His son is still there, but in the meantime, “I found a piece of land near Lisbon, so I’m kind of settled there, but that’s only for the past year”.

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‘Secret piety’: new show reveals Andy Warhol’s Catholic roots

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Known for his wild parties and proud queerness, he went to church, met the pope and prayed daily with his mother

He is celebrated for his Marilyn Monroe and Campbell’s Soup prints, legendary parties, proud queerness and worship of celebrity.

But Andy Warhol was raised by a devout Catholic mother with whom he prayed daily throughout the two decades in which they shared a New York home. The wild prince of pop art went to church, met the pope and financed his nephew’s studies to become a priest.

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Need zing in your Zoom? Let Warhol and the avant-garde vamp up your video conferences

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It’s hard to make much of a mark in the strange, static world of video-conferencing. But we could all learn a trick or two from famous arthouse film-makers, from Jim Jarmusch to Andy Warhol

Of all the many weirdnesses of the age of lockdown, video-conferencing must be one of the weirdest. This is the first time many of us have used Zoom, FaceTime, Google Hangouts and Houseparty. And, invaluable as they are, few would disagree that they are a strange way to communicate. From the stilted family group chat to the strained business meeting, it all feels messy and unnatural. Video-conferencing is nothing like real-life conversation, nor is it like cinema or TV, even though it is essentially watching people on a screen.

However, for a certain strain of film-makers and artists, the unblinking, unmoving gaze of the webcam is familiar territory. Could the art end of cinema help ease our pain and anxiety? Could we improve our new social rituals by rethinking them as experiments in avant garde film?

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Famous for 15 minutes! My week living as Andy Warhol

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As an artist and a celebrity, Warhol changed the world. But what really went on behind those shades? Ahead of Tate’s epic show, our writer unleashes his inner Andy

I am in agony. I’m sitting at home wearing a Breton top and a pair of shades, my hair freshly bleached, my belly swollen and sore. Perhaps that’s because I have just eaten five tins of Campbell’s condensed cream of mushroom soup. Why would anyone do that? Well, I’m trying to live like Andy Warhol, the pop artist who died in the 1980s but is still a household name. And it’s not going smoothly.

Like the cafes of Paris or the skyscrapers of New York, Warhol is is so omnipresent in popular culture, the average person could probably draw a good likeness of him, despite knowing little about him. It’s the same with his work. Every framed tin of Campbell’s soup or colour-saturated portrait of Marilyn Monroe screams Warhol. And most people are familiar with his most famous quote: “In the future, everyone will be world-famous for 15 minutes.”

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‘Hip, rebellious, even a bit sinister’: how Andy Warhol made pop art fashion

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As the Tate Modern prepares to open its new exhibition, a menswear expert – and Warhol superfan – explains why the artist continues to impact on personal style

• Read more from the spring/summer 2020 edition of The Fashion, our biannual style supplement

“Artists aren’t supposed to dress up and I’ll never look right anyway,” Andy Warhol utters in Bob Colacello’s fantastic biographical Holy Terror book. It’s ironic, given that when anyone talks about men having a sartorial uniform, I always think of Warhol. Specifically, the blazer, shirt, tie and jeans era. He often also had a plastic carrier bag in hand, with copies of his magazine Interview inside to give out to potential advertisers. Warhol was never not working. He was his art.

Warhol’s dedication to jeans is also something of a personal obsession; I recently bought three pairs of vintage Levi’s – his favourite denim brand. Arguably, one of the best denim-related stories is of Warhol keeping his Levi’s 501s on under his tuxedo suit – he was going to the White House for the first time – because the trousers were itchy. Then there is the picture of him skating in jeans and a blazer, or a roll neck with New Balance trainers, Basquiat in the foreground, topless and weight-training.

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David Bailey: ‘Deneuve said it’s great we’re divorced – now we can be lovers!’

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As he powers into his 80s, the photographer recalls shooting everyone from Kate Moss to Andy Warhol, shares his regrets over voting leave – and reveals how Gordon Brown pulled a fast one on him

‘You look knackered,” says David Bailey, greeting me at his studio. It’s up a small mews and sprawls so casually across two floors that it still feels like the 60s inside. “Look at you,” he says. “Your buttons aren’t even done up right.” I look down at my jacket: that bit is true. But I tell him: “I’m not tired!”

“I was watching you walking along the street,” he says. “I thought, ‘That must be the journalist, she looks knackered.’” The combination of acuity (he must be right: he is, after all, the one who makes a living with his eyes) and demonic overfamiliarity (by this point, we are holding hands; I have no idea who started it) is disarming. If this is his shtick, it’s working on me, totally and overwhelmingly. Or maybe he has a tailored shtick for everyone he meets.

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