Category Archives: Damien Hirst

First, a pickled shark. Next up for Damien Hirst, his ‘white elephant’ manor house

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The artist’s £3m Cotswolds pile, which has remained empty and unrenovated since 2005, has been described as an ‘eyesore’

When Damien Hirst bought a historic manor in the Cotswolds he had grand plans. The crumbling 19th-century Toddington Manor, which the world’s richest artist bought for £3m in 2005, would be restored to its former glory, turned into his family home and be a spectacular gallery for his personal art collection.

But years 17 years after its purchase, the property remains uninhabited and covered in scaffolding and tarpaulin. Locals have branded it an “eyesore,” a “white blob” and “a blight on the countryside”.

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‘I went from having to borrow money to making $4m in a day’: how NFTs are shaking up the art world

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Digital art is a billion-dollar business, with everyone from Paris Hilton to Damien Hirst trading in ‘non-fungible tokens’. But are NFTs just a get-rich-quick scheme masquerading as culture?

“It’s actually a lot simpler than you think.” It’s a Tuesday afternoon, and somewhat to my surprise, I’m on the phone to Paris Hilton, who is graciously explaining the world of NFTs.

Hilton is many things – a reality star, an heiress, an unlikely lockdown fitness guru who uses designer handbags instead of weights. But until now, she has never been considered a significant player in the art world. When artists have acknowledged her, often they’ve done so to fetishise her image. In 2008, Damien Hirst bought a portrait of her by the artist Jonathan Yeo, in which her body is constructed from collaged images cut from porn magazines.

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Damien Hirst on painting cherry blossom: ‘It’s taken me until I’m 55 to please my mum’

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The former hell-raising, hard-partying YBA known for slicing animals in half is now painting trees in bloom. Has he lost his edge? And why is his hair blue?

The first thing that hits me when I see Damien Hirst’s Cherry Blossoms isn’t the scale (monumental) or the palette (psychedelic) but the paint itself. It’s thick, sticky and a little bit nasty. Creamy-white and dusty-pink daubs swirl from the surface like meringue kisses, fragile and sugary sweet. Others are more chewy, like dried gum. Then there are the viscous splats of mustard-yellow and brown, which are toe deep and remind me of something I side-stepped on the pavement this morning.

“I think the idea of being a painter has always appealed to me,” says Hirst, who is more famous for what we might call his non-canvas work. “I suppose it’s that old story of Turner being strapped to a mast during a storm so he could paint it – it’s a romantic thing.”

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The reputation game: how authors try to control their image from beyond the grave

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The row over a new biography of Philip Roth has exposed the way agents and estates restrict access and manage archives to maintain a writer’s posthumous good name

Writers and critics are raising questions over the role that agents and estates play in managing archives and limiting access to biographical material.

Fresh worries have been fuelled by the continuing fiasco over the publication of Philip Roth: The Biography, with accusations that access to the famed US author’s archival material is being unfairly constrained.

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It’s a botch-up! Monkey Christ and the worst art repairs of all time

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As another religious painting restoration goes horribly wrong, we take a look at some of the finest examples of butchered statues, art installations and frescoes

In the latest instalment of the greatest genre of art news – and I write that as a lover of art – another restoration has gone awry. The word “awry” is being generous.

This is the revelation that a private collector, based in Valencia, paid €1,200 (£1,070) for a restoration job on baroque painter Bartolomé Esteban Murillo’s Immaculate Conception of Los Venerables. It is no longer immaculate. It now looks like an e-fit issued by a local police force, with those thin eyebrows popular in the 90s. What’s more, the restorer (who it turns out was a furniture restorer by trade) made two attempts – the second significantly worse than the first. That one, the e-fit one, has the Virgin Mary staring straight ahead, which isn’t even the same position as the original, which has Mary looking to the heavens.

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Early Damien Hirst artwork bought for £600 could fetch £1.8m

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Artist pays tribute to collector Robert Tibbles, who was his first customer in 1989

In 1989, 28-year-old Robert Tibbles bought a medicine cabinet artwork full of bottles of pills for £600. His friends derided it as “crap” and told Tibbles he had been ripped off and should return it.

On Thursday that medicine cabinet, called Bodies by Damien Hirst, is expected to sell for between £1.2m and £1.8m in an auction of Tibbles’ entire Cool Britannia collection, which also includes works by Michael Craig-Martin and Gilbert & George.

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