Lockdown delays restoration of The Night Watch, but it can be viewed online in ‘minute detail’
The Rijksmuseum in Amsterdam has posted online the most detailed photograph ever taken of Rembrandt’s The Night Watch, revealing every brushstroke and random fleck of paint.
The so-called hyper-resolution image was launched as the museum announced a delay to the completion of the painting’s restoration, which was begun last year and live-streamed to a global audience.
Continue reading...Locked-down institutions go online for Yorkshire Museum’s weekly ‘curator battles’
A zombie blowfish, a hideous mermaid and a lucky charm made out of a dead man’s finger are all competing to be crowned the creepiest exhibits in the world after an archaeological museum in the north of England challenged curators during the lockdown to showcase their most sinister objects.
Since its closure due to Covid-19 restrictions, the Yorkshire Museum in York has launched a weekly #curatorbattle on social media to challenge museums and visitors to put forward objects related to a particular theme.
Continue reading...In a district once ranked bottom for reading, the revamped attraction aims to awaken children to the joy of storytelling
For fans of children’s literature, it is an unmissable sight: Philip Pullman’s own alethiometer, a detailed realisation of the magical symbol reader described in Northern Lights, gleaming with secrets – or possibly even particles of “Dust” – on display at the new Story Museum in Oxford.
An unforgettable peek at the mysterious compass-like device is just one of the unique literary experiences on offer when the children’s museum reopens next month, after a £6m redevelopment.
Continue reading...With new museums opening in Africa, and calls for restitution increasing, old institutions are being forced to address the legacies of empire
Anthropology and archaeology were among the most important of the colonial disciplines. They derived their power from the trick of collapsing time and space. In his classic 1983 book Time and the Other, Amsterdam-based anthropologist Johannes Fabian described how this illusion operated. It was as if the further the colonial explorer travelled from the metropolis, the further back in time they went – until they found themselves, whether in Africa, Tasmania, or Tierra del Fuego, no longer in the present, but in the Stone Age.
Anthropology museums – which hold “world culture” collections – first developed in Europe, especially Germany and Britain, in the late 19th century. They were designed to realise these exoticising time-warps. In these places, the racist ideologies that sought to justify and naturalise European imperialism were institutionalised, helping create the idea of a distinction between “primitive art” and “civilisation”. Today the colonial mindset of European anthropology museums is being questioned and rethought – and we should all be paying attention.
Continue reading...Discovery of secret memos led to two-year search for 19th-century cultural treasure
Forty-five years after the Netherlands promised its return, a gold-inlaid dagger surrendered by a “rebel prince” after his failed 1830 uprising against Dutch rule in Indonesia has been handed back to Jakarta.
The kris, a dagger with a waved blade, was among a number of Prince Diponegoro’s belongings that the Netherlands’ vowed in 1975 to return, only for the priceless cultural treasure to go missing.
Continue reading...My friend Jenny Vernon, who has died aged 75, was a museum curator who worked at Gainsborough Old Hall in Lincolnshire and later became keeper of Lincoln Castle. But she also had a keen interest in, and knowledge of, Arctic Canada, which she nurtured throughout her adult life.
Jenny was born in Bromley, Kent, to George Vestey, a metallurgist, and Violet (nee Grant), a clerical worker. She spent most of her childhood in Hertfordshire, where she went to school in St Albans. After studying geography at Manchester University she landed a job in 1966 as a geographer with the Canadian government, carrying out field work in the maritime provinces and publishing reports on settlement patterns.
Continue reading...Efforts to recover the 19th-century regalia of a Blackfoot Nation leader began in 2008
A British museum is resisting attempts from Canada to secure the repatriation of sacred relics of a 19th-century indigenous chief because the centre where his descendants want to locate them is not an accredited museum, but the final decision lies with local councillors in England.
In an increasingly acrimonious dispute, backers of the campaign to repatriate regalia belonging to Crowfoot of the Blackfoot Nation were told by officials at the Royal Albert Memorial Museum (RAMM) in Exeter that “no one wants to get their hands dirty” when it came to the sensitive question of repatriating looted artefacts held in UK arts institutions.
Continue reading...Gardeners discovered Portrait of a Lady while clearing ivy at gallery in Piacenza
A painting found hidden in an Italian gallery in December is an authentic Gustav Klimt piece stolen almost 23 years ago, experts have confirmed.
The Portrait of a Lady was one of the world’s most sought-after stolen artworks before it was found concealed in a wall of the Ricci Oddi modern art gallery, the same gallery from where it went missing in the northern city of Piacenza.
Continue reading...Security footage from Monday morning has captured the moment thieves broke into Dresden's Green Vault museum and smashed open a display cabinet before stealing three ensembles of early 18th-century jewellery the museum has described as 'priceless'
Continue reading...Tunnel to East Berlin filled in by Stasi is excavated and opened to public for first time
A tunnel built under the Berlin Wall to allow dozens of East Germans to escape to freedom has been exposed for the first time in almost half a century.
Hundreds of volunteers, including some of the original tunnellers, dug up 189 cubic metres of earth beneath a 19th century brewery to allow access to the former escape route. It will open to the public on Monday as part of celebrations to mark 30 years since the fall of the Berlin Wall.
Continue reading...Geoffrey Robertson says it should ‘wash its hands of blood and return Elgin’s loot’
The British Museum has been accused of exhibiting “pilfered cultural property”, by a leading human rights lawyer who is calling for European and US institutions to return treasures taken from “subjugated peoples” by “conquerors or colonial masters”.
Geoffrey Robertson QC said: “The trustees of the British Museum have become the world’s largest receivers of stolen property, and the great majority of their loot is not even on public display.”
Continue reading...Curators have added 1,000 selfies to Auckland Museum’s permanent photography collection after calling on the public to submit them. ‘Our collection holds more than 3m photographs, dating back to the early days of photography, and a part of my role is to ensure our collection continues to reflect trends,’ says its curator of pictorial, Shaun Higgins. ‘The selfie is a present-day photographic phenomenon that can’t be overlooked’
• Insider’s guide to Auckland: a multicultural melting pot by the sea
Continue reading...The 14 carvings will hang from the ceiling in arts venue The Box, due to open in the spring
A collection of 19th-century wooden figureheads from British naval warships has been lovingly restored from the ravages of years at sea and will form a striking display at a new heritage and arts complex in Plymouth.
The 14 figureheads, some of which were so badly water-damaged that their insides had turned into a soggy mulch, are to be suspended from the ceiling of The Box gallery and museum, which is due to open in the spring.
Continue reading...Debate over Netherlands’ colonial past resurfaces with switch to ‘17th century’ as alternative
One of the Netherlands’ most prestigious museums has fuelled fresh debate over the the country’s colonial past by deciding it will no longer use the term Golden Age to describe the 17th century when it was at its pinnacle as a military and trading power.
The Amsterdam Museum said that in an attempt to be “polyphonic and inclusive”, the common description of the century in which the Netherlands bestrode the world stage would be banned from its exhibits.
Continue reading...Visitors have been asked not to share photographs of exhibits including Arno Breker statue
An exhibition of Nazi design has opened in the Netherlands to protests and a request for visitors to the museum not to take and share photographs for fear of the exhibits being glorified on social media.
The Museum of Design in Den Bosch is showcasing sculpture by Adolf Hitler’s favourite artist, Arno Breker, a 1943 VW Beetle, photos and Leni Riefenstahl films from the era, in what is being billed as the first great exposition of the “Design of the Third Reich”.
Continue reading...Paris’s Tutankhamun exhibition is a record-breaking hit – but scarabs, pharaohs and man-eating monsters have been thrilling us for centuries
Paris’s current mania for Tutankhamun should come as no surprise. The Grande Halle de la Villette exhibition of 150 objects found in the tomb of the ancient Egyptian pharaoh is now France’s most-visited exhibition ever, having attracted over 1.3 million visitors. Many of the objects on show – “wonderful things”, in Howard Carter’s words, including mini-coffins, a gilded bed and a calcite vase – have left Egypt for the first time for the Treasures of the Pharaoh exhibition, which will move to London’s Saatchi Gallery in November.
The exhibition’s popularity echoes the wave of “Tut-mania” that swept the west almost 100 years ago when Carter first discovered the boy-king’s tomb. Suddenly everyone seemed interested in Egyptology, evident in the fashions, arts, culture and advertising of the time, and most enduringly in art-deco architecture such as the Chrysler building in New York – especially its distinctive elevator doors – and the Carreras Cigarette Factory in London, with its line of sleek black cats guarding the entrance. US president Herbert Hoover named his dog King Tut, and there were calls for the extension of the London Underground’s Northern Line that linked Tooting and Camden Town to be named Tutancamden.
Continue reading...Astrophysicist was accused of behaving inappropriately with two women in an article published in November on website Patheos
The astrophysicist Neil deGrasse Tyson will keep his job as head of the Hayden Planetarium at New York’s American Museum of Natural History, after the museum concluded its investigation into sexual misconduct accusations against him.
Related: Neil deGrasse Tyson answers allegations of sexual misconduct
Continue reading...It sounds just like the kind of joke that is ubiquitous in today’s cheap-and-cheerful souvenir industry: “I went to Rome and all I got you was this lousy pen.” But the tongue-in-cheek inscription recently deciphered on a cheap writing implement during excavations in the City of London is in fact about 2,000 years old.
“I have come from the city. I bring you a welcome gift with a sharp point that you may remember me. I ask, if fortune allowed, that I might be able [to give] as generously as the way is long [and] as my purse is empty,” it reads.
Continue reading...Stolen artefacts likely removed by Taliban will go on display before being sent to Kabul
Fourth-century Buddhist terracotta heads probably hacked off by the Taliban and found stuffed in poorly made wooden crates at Heathrow are to be returned to Afghanistan where they will be star museum exhibits.
The British Museum gave details on Monday of one of the most significant repatriation cases it has dealt with relating to the illegal looting of artefacts from Afghanistan and Iraq.
Continue reading...James Simon Gallery, Berlin
Twenty years in the making, this dazzling synthesis of the classical and modern takes Museum Island to new heights
Friedrich Wilhelm IV described his vision for Berlin’s Museum Island as a “cultural acropolis”; a sacred sanctuary for the arts and sciences that would cement the Prussian capital as the Athens of the north. Almost two centuries later, the kaiser’s classical aspirations have been fulfilled by British architect David Chipperfield, in the form of a dazzling white temple. Opening this weekend, after 20 years of planning, the James Simon Gallery stands as a €134m (£120m) Parthenon-on-Spree, forming a handsome new entrance to one of the world’s most important repositories of cultural treasures.
“We were quite nervous,” says Chipperfield, standing in the lofty new ticketing lobby, where stripes of sunlight flood in between the row of slender white columns outside. “The challenge was how to create something that was of its context and also of our time, in this incredibly sensitive location.”
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