Luca Guadagnino to direct new take on Bret Easton Ellis’s American Psycho

Call Me by Your Name and Challengers film-maker to bring new interpretation to hit novel to the screen

Luca Guadagnino, the Italian film-maker, will bring a new interpretation of Bret Easton Ellis’s novel American Psycho to the screen.

According to Deadline, the acclaimed director of Call Me by Your Name and Challengers will work with screenwriter Scott Z Burns to find an updated way into the material. Burns is known for his many collaborations with Steven Soderbergh including Contagion, Side Effects and The Informant.

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Bret Easton Ellis: ‘My ability to trigger millennials is insane’

The former enfant terrible of 80s literature is now a self-appointed scourge of victimhood and outrage. He talks about his first book for a decade

Poor Bret Easton Ellis. For someone I imagine to be rather fastidious – years ago, a friend of mine visited his New York apartment, where he was a little surprised to be told not to touch any of its owner’s CDs – this can hardly be the easiest of Monday mornings. For one thing, Virgin Atlantic has lost his luggage. Ahead of my arrival at his pristine London hotel, he had to dash out to buy deodorant; his black tracksuit bottoms are faintly marked with a stain that may (or may not) be airline toothpaste. For another, I have an absolutely stinking cold. In the bar where we’re to talk – it’s called the Punch Room, which is appropriate, given the territory covered by his new book – he sits down, not at my table, but at the one next to it, which makes us both laugh. Is he really going to stay all the way over there? “Well,” he says, faux sheepish. “I’m so susceptible to these things, and I am on a book tour.” Reluctantly, he inches towards me.

Still, he is such a good sport. His manner is warm, and his face – pinker and heavier now than at the height of his literary fame, and topped with hair that is silver – bears a near-permanent smile. He talks and talks; he doesn’t watch his words; he is frequently very funny and sometimes a touch scabrous. All of which makes me wonder about the way he is treated both by some journalists and on social media. In the days before our meeting, I read a review of his new book that was so gratuitously spiteful, it fairly took the breath away. I also read an interview on the New Yorker website, one that had done brisk business on Twitter, causing indignation, outrage and glee wherever it appeared. People were saying that it dispatched the supposedly beyond-the-pale Ellis satisfyingly, and with utmost appropriateness. But it seemed to me to be mostly an exercise in baiting, interruption, disingenuousness and grandstanding on the part of its writer.

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