‘He was a handful’ – Hunter S Thompson’s PA and photographer relives her wild job

She cooked his weird dinners, dealt with his volcanic rants, and read his prose back to him from dark till dawn. As Chloe Sells’ photographs of the gonzo writer’s chaotic Colorado cabin are published, she remembers an invigorating, inspirational figure

One evening towards the end of 2003, Chloe Sells was entering the J-Bar in Aspen, Colorado, in search of a late night drink, when an older woman approached her. As Sells recalls in her new photobook, Hot Damn!: “She looked me up and down and said, ‘We’re looking for some help for Hunter. Are you a night owl? Would you be interested?’”

Hunter, as every local knew, was Hunter S Thompson, the celebrated creator of “gonzo” journalism, and the town’s most infamous resident. The woman was his wife, Anita. “It took me only a moment,” Sells says, “to answer ‘Yes’ to everything.”

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My gonzo night at Hunter S Thompson’s cabin – now on Airbnb

Fuelled by hard drugs and righteous anger, his incendiary prose shook America. Could our writer channel his spirit by spending a night at the typewriter where it all happened?

It is 4.30 on a Thursday morning and I am writing these words on the big red IBM Selectric III that once belonged to Hunter S Thompson. Owl Farm, Thompson’s “fortified compound” in Woody Creek, Colorado, is dark and silent outside. Even the peacocks he raised are sleeping. The only sound anywhere is the warm hum of this electric typewriter and the mechanical rhythm of its key strikes, as clear and certain as gunfire.

In April, Thompson’s widow, Anita, began renting out the writer’s cabin to help support the Hunter S Thompson scholarship for veterans at Columbia University, where both she and Hunter studied. It sits beside the main Thompson home on a 17-hectare estate marked with hoof prints and elk droppings that gradually rises towards a mountain range. A short walk uphill is the spot where Thompson’s ashes were fired into the sky from a 153ft tower in the shape of a “Gonzo fist”, a logo he first adopted during his unsuccessful 1970 campaign to be sheriff of nearby Aspen. Johnny Depp, who played Thompson in Fear and Loathing in Las Vegas, picked up the $3m tab for that elaborate sendoff, which took place shortly after Thompson killed himself in 2005.

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Men behaving badly: why cinema’s great hellraisers were a breed apart

Rip Torn belonged to a high-spirited tradition that was fuelled by too much booze and testosterone. Like it or not, we may never see their like again

The death of the film and TV star Rip Torn, whose drunken exuberance so often resulted in the breaking of glass, the splintering of wood and the bandaging of limbs, has led the industry to ponder that exotic creature whose rock’n’roll behaviour, from the 1960s onwards, persisted for decades to tolerant chortling from the similarly inclined or wistfully well-behaved gentlemen of the press. And that creature is the “hellraiser” – a term that originates from a defiant credo espoused by the hard-drinking, hard-living Hollywood legend Richard Burton: “God put me on this earth to raise sheer hell!”

Peter O’Toole’s death in 2013 led to a similar outpouring of grief for the booze legends who have evidently been replaced by corporate dullards, drinking mineral water, policing their own language and anxiously checking their mentions on Twitter. Once we had hellraisers: now we have “disrupters”, people who give Ted talks about their revolutionary new app for maximising your leisure time. Actors used to spend every penny getting fantastically drunk. Now George Clooney gets a reported $1bn for selling his Casamigos Tequila brand to the drinks retailer Diageo — although Clooney was reported to lose his cool after a few drinks.

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