‘Can we save the wild salmon of Iceland?’: Björk releases ‘lost’ song to fight fish farming

The Icelandic singer discusses her collaboration with Rosalía and how artists pick up on the environmental emergency

Iceland’s fish farming industry is “a couple of wild guys who want to make money quick and sacrifice nature”, the Icelandic singer Björk has said before the release of a “lost” song to help fight the increasingly controversial practice.

In an interview with Guardian Seascape, she added that artists were often the “canaries in the coalmine” of environmental emergencies because it was their job to be sensitive.

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Perth festival 2023 opens to the world – with Aboriginal techno, the promise of Björk and uncomfortable truths

Buoyed by a welcome return of international acts, the 70th Perth festival soars as artists dream of new worlds

The thrum of bare feet pounding the earth erupts across the darkened theatre. Four women charge over the stage, eyes bright and defiant, whirling their limbs and hips as if made of liquid adrenaline. With each exultant gesture, each primal pulse, the women suspend a dream of freedom in the air – a vision of Africa without colonisation.

Bikutsi 3000, which had its Australian premiere at Perth festival, is an afro-futuristic performance by Cameroon artist Blick Bassy that packs a bold political punch: centring women as the agents of emancipation from Africa’s treacherous history of imperialism, with dance as their only weapon. Among the ensemble of African women are two local Aboriginal dancers, Liani Dalgetty and Kristyn Lane, who join in the celebratory march towards freedom.

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Björk – her 20 greatest songs ranked!

Ahead of her ambitious Cornucopia tour reaching the UK in November, we select the greatest work by the Icelandic pop-polymath

An overlooked gem, tacked on to the end of her fan-selected Greatest Hits collection, It’s in Our Hands is a sublime slice of future R&B conjured up in collaboration with the avant-techno duo Matmos. There is a particularly spicy and formidable version included on the Vespertine Live album.

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