Category Archives: Digital music and audio

Swedish composer becomes Spotify’s most-famous musician you’ve never heard of

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Johan Röhr’s 2,700 songs have been streamed 15bn times and have more plays than Britney Spears or Abba

A “secret” composer who has released music under hundreds of different names has been identified as Sweden’s most-listened-to artist on Spotify – pulling in more plays than Britney Spears or Abba.

Johan Röhr, a Stockholm-based musician, has been unmasked as the person behind more than 650 different artists on the streaming service who have been played 15bn times, making him Sweden’s current most-played artist.

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Neil Young to return music to Spotify as he attacks ‘disinformation’ across streaming services

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Rock star left Spotify in 2022 in protest over podcaster Joe Rogan, but says he can’t keep up fight as Rogan broadens distribution to Apple, YouTube and Amazon

Neil Young is to return his music to Spotify after keeping it off the streaming platform for more than two years.

Young removed his entire catalogue from the world’s biggest streaming company in January 2022, in protest against Joe Rogan whose chart-topping podcast was exclusive to Spotify.

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EU fines Apple €1.8bn over App Store restrictions on music streaming

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Penalty for breaching competition law is four times higher than forecast as Brussels looks to send message to tech firms

Apple has been fined €1.8bn (£1.5bn) by the EU after an investigation found it had limited competition from music streaming services such as Spotify.

The fine is nearly four times higher than expected as the European Commission attempts to show it will act decisively on tech companies who abuse their dominant position in the market for online services.

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Spotify signs new deal with Joe Rogan reportedly worth up to $250m

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Rogan’s podcast has been exclusive to the app since 2020, with the firm saying its revenue grew by 80% last year compared with 2021

Spotify Technology announced a new multi-year deal with the comedian and podcaster Joe Rogan on Friday, in a bid to tap into the popularity of his show to drive its advertising revenue.

The multi-year deal with Rogan, which is estimated to be worth as much as $250m, involves an upfront minimum guarantee, plus a revenue sharing agreement based on ad sales, the Wall Street Journal reported on Friday. The company declined to comment on the terms of the deal but in an email response said the estimated value of the deal mentioned in the WSJ report was incorrect. It did not provide a figure for the contract, however.

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‘Don’t take the damn thing’: how Spotify playlists push dangerous anti-vaccine tunes

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Conspiracy theory songs claiming Covid-19 is fake and calling vaccine ‘poison’ are being actively promoted in Spotify playlists

Songs that claim Covid-19 is fake and describe the vaccines as “poison” are being actively promoted to Spotify users in playlists generated by its content recommendation engine.

Tracks found on the world’s largest music streaming service explicitly encourage people not to get vaccinated and say those who do are “slaves”, “sheep”, and victims of Satan. Others call for an uprising, urging listeners to “fight for your life”.

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Joe Rogan pledges to ‘try harder’ after Spotify misinformation controversy

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Podcast host apologises to streaming service, which has faced criticism over episodes featuring guests who shared Covid conspiracy theories

Joe Rogan has addressed controversy over his Spotify podcast, hours after the streaming service announced a plan to tackle the spread of Covid-19 misinformation.

In a 10-minute video posted to Instagram on Sunday night, the comedian and host pledged to “try harder to get people with differing opinions on” and “do my best to make sure I’ve researched these topics”.

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Spotify to direct listeners to accurate Covid information after Joe Rogan outcry

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Streaming platform publishes rules for creators and announces plan to tackle misinformation, including ‘content advisories’

Spotify is adding a message that will direct listeners to correct Covid-19 information as controversy over misinformation shared on Joe Rogan’s podcast continues to grow, with the streamer losing billions in market value and more musicians withdrawing their music.

On Sunday, the CEO of Spotify, Daniel Ek, released an official statement setting out the streaming platform’s plan to tackle misinformation. New content advisories will direct listeners of any podcast that discusses coronavirus to a dedicated website that “provides easy access to data-driven facts, up-to-date information as shared by scientists, physicians, academics and public health authorities around the world, as well as links to trusted sources”.

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Neil Young’s battle with Spotify is principled – and comfortable

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In pulling his music from Spotify in protest at Joe Rogan’s Covid misinformation, the singer continues a life of political action – but unlike others, he doesn’t need to please the streaming giant

If you had been forced to predict which blue-chip American rock legend was going to suddenly pull their music off Spotify in protest at the streaming site hosting a far-right-friendly podcast that spreads medical misinformation, Neil Young would have been a very safe bet.

He is famously among the most ornery, uncompromising and capricious of said blue-chip legends. The years that produced his most famous work also played host to Young wilfully sabotaging his own commercial prospects in order to follow his muse (or, as he memorably put it, “heading for the ditch”); suddenly abandoning tours midway by directing his tour bus to pull off the motorway en route to the next show; whimsically declining to release a succession of completed albums; and incurring the wrath of his partners in Crosby, Stills, Nash & Young (CSNY) by removing their contributions from the master tapes of his songs before releasing them. He spent a substantial chunk of the 1980s making wildly uncommercial albums, apparently with the specific intention of annoying his record label, which ended up suing him for being unpredictable – it lost, perhaps because, as his labelmate Elton John put it, its lawsuit “felt a bit like suing Neil Young for being Neil Young”.

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Listen up: why indie podcasts are in peril

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As big spenders such as Amazon and Spotify fill our ears with more commercial, celebrity-driven fare, can grassroots, diverse shows survive?

The British Podcast Awards were different this year. Held in a south London park, they had a boutique festival feel, with wristbands and tokens for drinks, an open-sided tent for the actual awards, and people lounging on blankets in front of the stage. There were also sponsor areas – those small, picket-fenced areas where invitees could drink and mix with brand bigwigs. Awards are expensive to stage, and to give any sort of a professional sheen, money is needed. In 2017, the BPA sponsors included Radioplayer and Whistledown, an independent audio creator. In 2021, the BPA was “powered by Amazon Music”. Spotify, Stitcher, Audible, Acast, Global, BBC Sounds, Podfollow and Sony Music also dipped into their sponsorship pockets. Clearly, podcasting has gone up in the world.

Over the past 18 months, podcasting has hit the corporate big time. Apple, long the most recognisable name in podcasting, its iTunes chart being the public measure of any show’s success, is attempting, clumsily, to move from being a neutral platform that hosts shows into one that makes money from podcasting (by, for example, charging creators for highlighted spots).

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‘Record companies have me on a dartboard’: the man making millions buying classic hits

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Hit songs can be a better investment than gold – and by snapping up the rights, Merck Mercuriadis has become the most disruptive force in music

Merck Mercuriadis had a good Christmas. On Christmas Day, the No 1 song in the UK was LadBaby’s Don’t Stop Me Eatin’, a novelty cover version of Journey’s 1981 soft-rock anthem Don’t Stop Believin’. It replaced Mariah Carey’s All I Want For Christmas Is You, which had topped the chart 26 years after its original release. Both songs are unkillable, evergreen hits, which are closing in on 1 billion Spotify streams apiece. Both songs are among the 61,000 owned, in whole or in part, by Mercuriadis’s investment company, Hipgnosis Songs Fund, and epitomise the thesis that has made the 57-year-old Canadian, in less than three years, the most disruptive force in the music business.

Put simply, Hipgnosis raises money from investors and spends it on acquiring the intellectual property rights to popular songs by people like Mark Ronson, Timbaland, Barry Manilow and Blondie. In a fast-growing market, what sets Hipgnosis apart from competitors is its founder’s bona fides as a veteran A&R man, manager and record label CEO. Like an old-school music mogul, Mercuriadis sells his brand by selling himself. Unlike those moguls, he’s a buff, teetotal vegan with spartan tastes. “The only material thing that I really care about is vinyl,” he says. “And Arsenal football club.” He looks rather like a rock-concert security guard: shaven head, burly torso, plain black T-shirt, hawkish gaze. Mark Ronson calls him “the smartest guy in the room”.

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How did Bad Bunny become the world’s biggest pop star?

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The superb Puerto Rican vocalist is now the most streamed artist on Spotify globally, but has never had a UK hit – something he’s determined to change

Each December, Spotify announces who has been the world’s most streamed artist that year, and this generally tallies with who has been popular in the UK. Drake, the Canadian rapper who has had six UK No 1 singles, was first in three of the previous five years, with fellow UK chart-toppers Ed Sheeran and Post Malone leading the others.

But in 2020, someone who has never had an album or solo single in the UK Top 100 is the world’s most popular artist: 26-year-old Puerto Rican vocalist Bad Bunny, streamed more than 8.3bn times this year on Spotify alone. Granted, he has featured on one UK Top 10 hit, but that was back in 2018, appearing on it for less than a minute: Cardi B’s I Like It. He appears nowhere in Spotify’s 50 most-played songs in the UK today, with Brits preferring Christmas classics and Gen Z pop stars such as Billie Eilish, Internet Money and 24kGoldn. Meanwhile, Bad Bunny’s current (and superb) single Dakiti is the most-played in the world at time of writing, earning more than 7m plays each day, 3m more than Ariana Grande’s Positions in second place.

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Joe Rogan hosts Alex Jones on Spotify podcast despite ban

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Interview with conspiracy theorist leaves streaming service in awkward position

Joe Rogan, Spotify’s biggest podcast star, has left the platform in an awkward position after conducting a lengthy interview with Alex Jones, the conspiracy theorist banned by Swedish streaming company for producing “hate content”.

Rogan, the libertarian host of the long-running and wildly popular Joe Rogan Experience podcast, uploaded a three-hour discussion on Tuesday featuring Jones, the founder of the conspiracy site Infowars.

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Spotify podcast deal could make Joe Rogan world’s highest paid broadcaster

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Streaming service must convince podcast listeners to switch from their favourite app

Joe Rogan, the comedian, MMA commentator and podcaster, may seem an unlikely prospect for becoming the world’s highest paid broadcaster. But after signing an exclusive deal with Spotify, that is what he may have become, marking a new era for podcasting in the process.

To much of the world, Rogan’s name is most associated with the periodic furores that erupt from the marathon interviews around which his podcast is structured.

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