You give me diva: Meghan Markle shies away from a word worth reclaiming

‘Diva’ has good, neutral and bad connotations – but as singers from Maria Callas to Beyoncé have shown, it is a trait of sheer excellence

It was on the second episode of Meghan Markle’s podcast Archetype, in which she interviewed her girl crush or queen or whatevs, Mariah Carey, that the moment happened: Markle used the word “diva” of Carey, and Mariah replied that Meghan had her own diva moments. The two women moved past the awkwardness such that a regular listener might not even have logged it, had not Meghan extensively editorialised afterwards: “It stopped me in my tracks, when she called me a diva,” Markle said, with great urgency, you can almost hear her leaning forwards. “I started to sweat a little bit. I started squirming in my chair in this quiet revolt. Why would you say that? My mind was spinning with what nonsense had she read or clicked on that made her think that about me.” OK, so clearly Mariah Carey thinks of the word as positive or neutral, while Meghan Markle thinks it is pejorative.

The word does indeed have three meanings, good, neutral, evil, like in Dungeons and Dragons. That evolution is natural: “diva” is only used of women, and heavily skewed towards women of colour, to denote, per the editor Marna Nightingale: “Both stubborn and exacting professionally, sometimes dramatic about it, but, and this is important, they’re doing it because they know their stuff and they almost always turn out to be right.” It is rarely used of someone who isn’t creative and charismatic, so it contains an element of awe. This is good diva.

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Mariah Carey being sued for $20m over All I Want for Christmas Is You

Songwriter Andy Stone claims he co-wrote song with the same name and did not give permission for it to be used

Mariah Carey is being sued for $20m (£16m) for alleged copyright infringement over her festive megahit All I Want for Christmas Is You – nearly three decades after it was released.

Since it came out in 1994, the song, which features on her album Merry Christmas, has become a global classic and a firm favourite in the pop Christmas canon.

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‘Record companies have me on a dartboard’: the man making millions buying classic hits

Hit songs can be a better investment than gold – and by snapping up the rights, Merck Mercuriadis has become the most disruptive force in music

Merck Mercuriadis had a good Christmas. On Christmas Day, the No 1 song in the UK was LadBaby’s Don’t Stop Me Eatin’, a novelty cover version of Journey’s 1981 soft-rock anthem Don’t Stop Believin’. It replaced Mariah Carey’s All I Want For Christmas Is You, which had topped the chart 26 years after its original release. Both songs are unkillable, evergreen hits, which are closing in on 1 billion Spotify streams apiece. Both songs are among the 61,000 owned, in whole or in part, by Mercuriadis’s investment company, Hipgnosis Songs Fund, and epitomise the thesis that has made the 57-year-old Canadian, in less than three years, the most disruptive force in the music business.

Put simply, Hipgnosis raises money from investors and spends it on acquiring the intellectual property rights to popular songs by people like Mark Ronson, Timbaland, Barry Manilow and Blondie. In a fast-growing market, what sets Hipgnosis apart from competitors is its founder’s bona fides as a veteran A&R man, manager and record label CEO. Like an old-school music mogul, Mercuriadis sells his brand by selling himself. Unlike those moguls, he’s a buff, teetotal vegan with spartan tastes. “The only material thing that I really care about is vinyl,” he says. “And Arsenal football club.” He looks rather like a rock-concert security guard: shaven head, burly torso, plain black T-shirt, hawkish gaze. Mark Ronson calls him “the smartest guy in the room”.

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Britney Spears: another pop princess trapped in a man-made fairytale

One contributor is notably absent from the new film about Britney: herself. But from Rihanna to Beyoncé to Taylor Swift, female stars have always struggled to tell their stories

In the closing song of Lin-Manuel Miranda’s Hamilton, we are invited to ponder the question: “Who lives, who dies, who tells your story?” It is a powerful message about legacy and ownership, as relevant to any modern public figure as it is about one of America’s founding fathers.

I think about this lyric whenever my mind strays to Britney Spears, who has found her life back under the microscope following the release of the documentary Framing Britney Spears. The story the film chooses to tell is contextualised by what we now understand as the rampant misogyny of the mid-to-late 00s, painting an empathic portrait of a woman who had not previously found much sympathy in the mainstream.

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‘All that mattered was survival’: the songs that got us through 2020

Butterflies with Mariah, Bronski Beat in the Peak District, Snoop Dogg on a food delivery ad … our writers reveal the tracks that made 2020 bearable

When it came to lockdown comfort listening, there was something particularly appealing about lush symphonic soul made by artists such as Teddy Pendergrass and the Delfonics. But there was one record I reached for repeatedly: Black Moses by Isaac Hayes, and particularly the tracks arranged by Dale Warren. Their version of Burt Bacharach’s (They Long to Be) Close to You is an epic, spinning the original classic into a nine-minute dose of saccharine soul. But their cover of Going in Circles, another Warren exercise in expansion, is their masterpiece, reimagining the Friends of Distinction original as a seven-minute arrangement with stirring strings and beatific backing vocals that builds into a story about lost love that transcends the genre’s usual parameters. A perfect, if slightly meta, balm for the repetitive lockdown blues. Lanre Bakare

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Mariah Carey’s 30 greatest singles – ranked!

With All I Want for Christmas Is You on the cusp of claiming the UK No 1 for the first time in 26 years, what better time to celebrate one of the great R&B repertoires?

Written and recorded in 2011, but – in Carey’s own words – “left in a holding pattern for a special reason”, this eventually came out this summer, by which time its lyrics, not least the line “we’re all in this together”, sounded weirdly appropriate. Lauryn Hill’s guest appearance turned out to be in sampled form, but never mind: the real power is in Carey’s heartfelt vocal.

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Mariah Carey’s All I Want for Christmas Is You reaches US No 1 after 25 years

‘We did it,’ Carey says, after streaming services finally help seasonal hit to top spot

It is perhaps the most cherished, euphoric and vocally impressive Christmas song of all time, but Mariah Carey’s All I Want for Christmas Is You had never reached the US No 1 spot – until now.

When it was released as part of an EP in 1994, US chart rules meant it couldn’t compete with singles. Later reclassified as a standalone song in 2000, it has been a seasonal fixture in the charts ever since – and after 25 years has finally reached No 1.

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‘She’s a traditional girl’: Mariah Carey ‘refused to sleep with…

Furious Clinton hits out at new FBI probe and demands they reveal evidence 'without delay' - as 1,000 uninvestigated Hillary emails are found on laptop shared by Huma and Weiner after DailyMail story How Huma Abedin's loyalty to her pervert husband Anthony Weiner could torpedo her boss's lifelong dream of being president PIERS MORGAN: Dikileaks just blew up in Hillary's face - and she has nobody to blame but herself.