Ozzy Osbourne criticises Kanye West for using sample: ‘He is an antisemite’

Rock star said he wants ‘no association’ with artist after he claims a sample of a Black Sabbath song was used without permission

Ozzy Osbourne has called out Kanye West for using a sample of his music without permission.

In a post on X, Osbourne claims he denied a request for a portion of a 1983 live version of the Black Sabbath song War Pigs to be used on West’s new album but heard it was used anyway during a listening party this week.

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Ziggy bows out, Madonna scares the pope and Dylan goes electric: 50 gigs that changed music

Five decades after David Bowie’s seminal tour, our music writers reflect on the concerts that have left a mark, from Billie Holiday to Billie Eilish

Café Society, New York City, early 1939
The 23-year-old Billie Holiday was mostly unknown outside the jazz loop when she began her 1939 residency at this liberal New York club. Her understated, delicately implacable debut of Strange Fruit, a terrifying depiction of lynchings in the south, made a unique new vocal sound famous worldwide. John Fordham

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The Royal Albert Hall at 150: ‘It’s the Holy Grail for musicians’

It’s hosted opera greats, suffragette rallies, Hitchcock films, sports events, sci-fi conventions – and, of course, the Proms and countless rock gigs. Artists from Led Zeppelin to Abba recall their moments on the hallowed stage

The Royal Albert Hall is 150 years old today (and the Guardian was there to see it opened by Queen Victoria). With a design based on a Roman amphitheatre, stacked balconies pack the audience close to the action – and at a capacity touching 6,000, the number of visitors entertained at the London venue runs to many millions. But what is it like to play as a performer? We asked artists and sportspeople for their memories of being centre stage at the iconic venue.

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Black Sabbath’s Paranoid at 50: potent anthems of working-class strife

Written off by critics as horror trash from ‘unskilled labourers’, Sabbath’s masterpiece album took beaten-down listeners on a rollercoaster out of their struggles

I first heard Black Sabbath’s second album during the part of my childhood when I was most susceptible to its charms. As a quiet, earnest Catholic school kid – the kind that excitedly whispers “I’m clean!” to themselves after their first confession – it’s not all that surprising that I eventually got bullied. The boys called me names, pushed me into lockers, and dug their pens and markers into my clothes, as if to tell the rest of the pack: “He will let you do this!”

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