British Vogue editor-in-chief Edward Enninful promoted to new role

After six years at the helm of British Vogue Enninful is poised to take on new global role at Condé Nast next year

It’s one of the most coveted jobs in fashion. But, just six years after being named editor-in-chief of British Vogue, Edward Enninful is stepping down from the position. Or, rather, stepping up to take a new global role at the publisher Condé Nast that invites speculation he occupies pole position to one day take over from the legendary editor-in-chief, Anna Wintour.

“I am excited to share that from next year I will be stepping into the newly appointed position of editorial advisor of British Vogue and global creative and cultural advisor of Vogue, where I will continue to contribute to the creative and cultural success of the Vogue brand globally while having the freedom to take on broader creative projects,” Enninful wrote to staff.

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British Vogue hails new era with nine African models on cover

February issue cover shot is an important statement of anti-tokenism, says magazine’s editor

British Vogue has hailed a new era that spotlights African fashion. The magazine’s February issue features nine dark-skinned models of African heritage on its cover, including Adut Akech.

Seemingly referencing Peter Lindbergh’s “Supers” Vogue cover from 1990, which introduced the world to the idea of the supermodel, the shot is a challenge to the traditionally white fashion industry, which has, since the murder of George Floyd, been under pressure to change and become more inclusive and diverse.

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Adut Akech: ‘I was just this shy kid’

Adut Akech’s rise from Kenyan refugee camp to the international catwalk has been remarkable. She talks about her ‘fashion dad’ Edward Enninful and why she wants to see proper diversity in the fashion industry

All the best supermodels have fairytale origin stories. They are bullied at school: too tall, too flat-chested, too strange-looking. Boys prefer their more comely peers. They grow up believing themselves to be unlovable, even social outcasts. And then an outsider swoops in – perhaps at an airport (Kate Moss), in Primark (Jourdan Dunn), or McDonald’s (Gisele Bündchen). The scout plucks them from obscurity and drops them into a life of international travel, money and acclaim. Their self-doubt is sloughed away like dead skin. Bullies stand chastened. The supermodel triumphs.

Moss and co don’t have anything on Adut Akech’s origin story. Their childhoods are the Pixar remakes of her Grimms’ fairytale. Akech was born as her mother fled civil war in South Sudan and raised in a refugee camp in Kenya. At seven, she moved with her family to Australia. When she arrived, she didn’t speak any English, “I was this tall, super-shy, awkward kid,” she says. “I had a weird name, and a gap tooth.”

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