Damon Galgut wins Booker prize with ‘spectacular’ novel The Promise

The novelist takes the £50,000 prize with a ‘strong, unambiguous commentary on the history of South Africa and of humanity itself’

Damon Galgut is a clear and unsurprising Booker winner

Damon Galgut has won the Booker prize for his portrait of a white South African family navigating the end of apartheid. The judges praised The Promise as “a spectacular demonstration of how the novel can make us see and think afresh”, and compared it to the work of William Faulkner and Virginia Woolf.

This is is the first time Galgut will be walking away with the £50,000 prize, despite having been shortlisted twice before.. The Promise is his ninth novel, and his first in seven years. He becomes the third South African to win the prestigious fiction prize, after JM Coetzee and Nadine Gordimer. Through the lens of four sequential funerals, each taking place in a different decade, The Promise follows the Swarts, a white South African family who live on a farm outside Pretoria. The promise of the title is one the Swarts make – and fail to keep over the years – to give a home and land to the black woman who worked for them her whole life.

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Damon Galgut: ‘The Booker pulls a nasty little trick on you’

The South African novelist on making a pilgrimage to Cormac McCarthy’s home, his youth in apartheid-era Pretoria and being shortlisted twice for the Booker prize

Novelist and playwright Damon Galgut, 57, grew up in Pretoria, South Africa, at the height of the apartheid era. He wrote his first novel aged 17 and has twice been shortlisted for the Booker prize. His latest, The Promise, spans four tumultuous decades as it traces the afterlife of a white matriarch’s dying wish to bequeath property to her black servant. The novel is heavily tipped to land him a place on this year’s shortlist when it’s announced on 14 September. He lives in Cape Town.

How did The Promise originate?
Books tend to build up out of clusters of ideas or themes that you carry around for a while and worry at. The specific form of this book crystallised around a series of anecdotes that a friend told me when we had a semi-drunken lunch, about four family funerals he’d attended. It occurred to me that would be quite an interesting way to tell the story of one particular family. The promise itself also arrived from a friend, who was telling me how his mother had asked the family to give a certain piece of land to the black woman who had looked after her through her last illness, as it happens in the book.

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