Loud and clear: the art of political dressing

Making a fashion statement has a controversial history. Emma Beddington looks at what happens when you wear your heart on your sleeve

Comment on the delightfully absurd spectacle of the Met Gala this year coalesced around the pointed image of Alexandria Ocasio-Cortez in a gorgeously traditional white gown, the kind of thing a deep south debutante might wear, with “Tax the Rich” in a vast red scrawl on the rear. Was the Aurora James dress provocative or performative, just facile radical cosplay? Critics across the political spectrum worked themselves into a froth of outrage: it was hypocrisy to even attend the $35,000-a-ticket event; AOC was having her cake, eating it, then telling the cake it was problematic.

On some level, job done: we’re all talking about it. “The medium is the message,” as she wrote on Instagram afterwards. AOC wasn’t the only one with a message for the scrollers and gawpers on the night: congresswoman Carolyn Maloney’s suffragette-inspired gown was embroidered with “Equal rights for women”; serial sloganeer Cara Delevingne wore a “Peg the Patriarchy” bulletproof vest designed by Dior’s Maria Grazia Chiuri, and if you’re not rolling your eyes reading that, you’re a kinder person than me.

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