Category Archives: Australian art

Looming crisis for NSW’s regional galleries averted with $15.4m in state arts funding

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Labor announced on Thursday Create NSW’s Arts and Cultural Funding Program will provide financial assistance for 62 organisations statewide

Arts organisations and galleries across New South Wales have voiced their relief after the state government announced $15.4m funding over two years, allaying worries of a looming crisis for NSW’s regional galleries.

Sixty-two arts organisations across NSW will receive $15.4m funding for the next two years through Create NSW’s Arts and Cultural Funding Program (ACFP), the state government announced on Thursday, with $7.5m going to 31 regional arts organisations, including 10 regional galleries.

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Natsiaa 2025: Gaypalani Waṉambi wins $100,000 award for ‘exquisite’ artwork made with discarded road signs

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Waṉambi takes home Australia’s most prestigious First Nations art prize for her artwork Burwu, blossom, which saw her etch thousands of stringybark blossoms and bees

Gaypalani Waṉambi grew up surrounded by art, with her family home in north-eastern Arnhem Land doubling as a studio where her parents and siblings painted on bark and wooden poles. In her late teens, she started assisting her father, esteemed artist Mr W Waṉambi, who taught her how to paint the clan’s ancient designs, using traditional materials such as ochre. As he branched into more experimental forms such as animation and etching on metal, she too began to experiment with these new mediums.

On Friday night, the Yolŋu woman was awarded the $100,000 top prize at the 42nd National Aboriginal and Torres Strait Islander art awards (Natsiaas), one of Australia’s richest and most prestigious art prizes, for an artwork that honoured his legacy while forging her own path.

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Archibald prize 2025: finger-painted portrait of musician William Barton wins people’s choice award

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Loribelle Spirovski’s painting of didgeridoo/yidaki player wins the $5,000 prize decided by the public, with more than 40,000 votes cast

Artist Loribelle Spirovski has won the 2025 Archibald prize people’s choice category for her portrait of didgeridoo player William Barton, painted entirely with her fingers.

Spirovski, a four-time finalist at the Archibald prize, Australia’s most prestigious portraiture award, won the $5,000 people’s choice category, picked from the Archibald prize finalists each year by the public. This year 40,842 votes were cast for the people’s choice category, the highest number of votes ever received.

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Creative Australia chief executive facing mounting pressure to resign after Khaled Sabsabi controversy

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Senior arts figure says board and CEO ‘didn’t seem to understand or at least trust the power and complexity of the visual arts’

Creative Australia chief executive Adrian Collette is facing mounting pressure to resign after the body’s decision to reinstate Khaled Sabsabi as Australia’s 2026 Venice Biennale representative.

Senior arts figures have also criticised the Creative Australia board, as a former chair of the selection panel for the biennale said the board and Collette did not “understand or at least trust the power and complexity of the visual arts”.

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Archibald prize 2025: Julie Fragar wins for portrait of artist Justene Williams

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Decision announced at the Art Gallery of New South Wales, where all finalists will be exhibited to the public from Saturday

Julie Fragar has won the 2025 Archibald prize for her portrait of her fellow artist Justene Williams.

Announced as the winner of the $100,000 prize at the Art Gallery of New South Wales on Friday, the winning work was selected unanimously by the judges from 904 entries and 57 finalists.Fragar is just the 13th woman to win the prize in its 104-year history.

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Embattled Creative Australia boss served angry letters from staff and 600 literary figures amid Sabsabi fallout

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Letters from staff expressed ‘complete lack of confidence in your ability to lead this organisation effectively’ and fears over participating in external inquiry

The embattled head of Creative Australia has been served with two letters of complaint collectively written by staff, and a third signed by more than 600 Australian literary figures.

The fallout over Creative Australia’s decision in February to withdraw the artistic team of Khaled Sabsabi and Michael Dagostino from next year’s Venice Biennale continues, with its chief executive, Adrian Collette, now on leave and an inquiry under way into the circumstances surrounding the selection and subsequent sacking of the pair as Australia’s representatives.

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Tasmania’s Dark Mofo is back with a bang – and a car crash: festival announces 2025 program

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After a year off, the often controversial art festival returns, having signed a new three-year funding deal with the state government

A two-hour performance work involving an artist and a stunt driver culminating in a head-on car crash, a man being crushed by sand in a giant hourglass, and an open invitation to scream, are among some of the artworks heading to Tasmania’s Dark Mofo festival, which is back this winter after taking a fallow year.

The annual art festival, created by David Walsh’s Museum of Old and New Art (Mona) and well known for its often controversial, confronting and humorous spirit, was called off last year so organisers could take stock of “changing conditions and rising costs” to ensure its future. Many festivals around Australia have been cancelled in the last two years, including Dark Mofo’s summer equivalent, Mona Foma, which finished in 2024 after 16 years.

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Creative Australia boss forced to refute rumour he had resigned as fallout over Khaled Sabsabi dumping continues

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Adrian Collette sends all-staff email denying that he and the chair of Creative Australia’s board had quit amid calls for resignations

The beleaguered CEO of Creative Australia, Adrian Collette, has quashed rumours that emerged overnight that he and the chair of the body’s board, Robert Morgan, had resigned.

“There is a rumour circulating on social media that Robert Morgan and I have resigned,” said his email to all staff of the government arts funding organisation, sent just after 8.30am on Friday.

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Artists who represented Australia at Venice Biennale call for Khaled Sabsabi to be reinstated

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Open letter from some of the country’s most distinguished artists ‘strongly protests’ at the removal of Sabsabi and curator Michael Dagostino

Living artists who have represented Australia at the Venice Biennale over the past five decades – and the estates of a number of now deceased artists who have done the same – have signed an open letter to the board and chief executive of Creative Australia to reinstate sacked artist Khaled Sabsabi and his curator Michael Dagostino.

Some of Australia’s most distinguished living artists, including Imants Tillers, Mike Parr, Susan Norrie, Fiona Hall, Judy Watson, Patricia Piccinini and Tracey Moffat have signed the petition, as has the estate of Howard Arkley who represented Australia in Venice more than a quarter of a century ago.

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Creative Australia says it won’t reinstate artist Khaled Sabsabi for Venice Biennale at tense all-staff meeting

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Exclusive: The western Sydney artist was dropped from representing Australia just days after being selected

The artist Khaled Sabsabi and curator Michael Dagostino will not be reinstated as Australia’s representatives at the next Venice Biennale despite thousands of artists calling for the decision to be overturned.

The chair of Creative Australia, Robert Morgan, and the organisation’s executive director, Adrian Collette, told an all-staff meeting on Thursday that the decision to withdraw the Venice contract to avoid a potential public outcry would not be revised.

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Frederick McCubbin descendant backs WA Museum acquisition of perspex vandalised by climate protesters

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Protective cover on acclaimed artist’s famous painting ‘an effective palette for this radical protest’, great-granddaughter says

A close descendant of the acclaimed artist Frederick McCubbin has come out in support of the Western Australian Museum after it came under fire over an unusual acquisition.

The museum confirmed this week it had acquired the perspex glass protecting one of McCubbin’s most famous paintings, Down on His Luck, from the Art Gallery of Western Australia. The perspex was spray painted with the Woodside logo by protesters in January last year.

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Mona’s Ladies Lounge wins appeal in bid to continue barring men from entry

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Tasmania’s supreme court handed down its decision in the discrimination case on Friday, sending it back to a tribunal

Tasmania’s Museum of Old and New Art (Mona) has won an appeal in the state’s supreme court in a bid to continue barring men from entering an installation known as the Ladies Lounge.

The exhibit was closed in April after Tasmania’s civil and administrative tribunal ordered the museum to admit men to the female-only space, upholding a Sydney man’s complaint that the museum had discriminated against him on the basis of gender.

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‘Impossible task’: NGV to take largest international exhibition of Indigenous art to US

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The show, which will tour for three years across North America beginning in 2025, will feature the gallery’s ‘absolute masterpieces’ – including works by Emily Kam Kngwarray and Albert Namatjira

The largest international exhibition of Aboriginal and Torres Strait Islander art will open in 2025 at Washington DC’s National Gallery of Art and tour for three years across North America.

Titled The Stars We Do Not See: Australian Indigenous Art, the show will feature more than 200 works from the National Gallery of Victoria (NGV) collection from the 19th century to the present day – including masterpieces by the late Emily Kam Kngwarray, Rover Thomas, Sally Gabori and Albert Namatjira.

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Adelaide festival to post 2024 deficit despite $2.3m boost from SA government

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Spokesperson says losses will be revealed in next month’s financials and the festival has access to reserves to fund next year’s program

Australia’s oldest and most prestigious arts festival made a loss in 2024, despite an injection of $2.3m from the South Australian government six months earlier.

Adelaide festival management confirmed on Friday it will post a deficit, just a week after the unexpected departure of its artistic director.

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Artwork featuring Christ overlaid with Looney Tunes characters removed by Sydney council after threats of violence

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Online protest claimed the work mocked the Christian religion and Liverpool mayor Ned Mannoun called for it to be taken down

A Sydney council has removed a “playful” artwork of Jesus Christ overlaid with Looney Tunes characters after a torrent of online abuse.

Sydney artist Philjames’ work, Jesus Speaks to the Daughters of Jerusalem, was removed from the Blake Art Prize exhibition at the Casula Powerhouse Arts Centre after fierce criticism was directed at the artist and gallery on Friday, just two days before the eight-week exhibition ended.

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Gina Rinehart gifted painting of herself to National Portrait Gallery, Senate estimates told

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Visitors have been flocking to the National Gallery of Australia amid the controversy over Vincent Namatjira’s painting of Rinehart, director tells hearing

The mining magnate Gina Rinehart gifted a painting of herself to Australia’s National Portrait Gallery, but there appear to be strings attached.

A Senate estimates hearing on Friday heard that the gallery’s board was processing a deed of gift made by Australia’s richest woman – an approved portrait of herself.

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Archibald prize 2024: Baker Boy portrait wins packing room prize

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Yolŋu rapper says it was ‘an honour’ to be painted by Matt Adnate, who wins category judged by Art Gallery of New South Wales staff

A portrait of Indigenous rapper Baker Boy by Matt Adnate has won the $3,000 packing room prize in the annual Archibald prize.

The judges hailed the Victorian artist’s portrait for its accuracy and ability to capture “its kind and kindred spirits and a strong Indigenous voice through music”.

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Melbourne’s Anna Schwartz gallery drops artist Mike Parr after political piece on Israel-Gaza war

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Gallery owner, who has represented Parr for 36 years, says she was sickened by ‘hate graffiti’ in the work, but denies censoring it and has kept it on display

The Melbourne gallery owner Anna Schwartz has dropped the provocative performance artist Mike Parr after a 36-year relationship, after a piece commenting on Israel’s military action in Gaza.

Schwartz sent Parr a two-sentence email on Sunday, the day after he installed the third part of his exhibition Sunset Claws, informing him she would no longer represent him.

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