Thomas Quasthoff: ‘From birth, my mum felt guilty. I had to show her I made the best of my life’

Born disabled due to the effects of Thalidomide, the exuberant star rose to classical music’s pinnacle – then quit at the peak of his powers. Now he’s back – singing jazz

Thomas Quasthoff has been retired from classical music for nearly a decade now. The German bass-baritone was in his early 50s when he made the shock announcement – an age when singers of his type are still in their prime. His elder brother Michael had been diagnosed with lung cancer in 2010, and that diagnosis and his brother’s subsequent death had left Quasthoff temporarily physically incapable of singing.


“Three days after being told that my brother would not live longer than nine months I lost my voice,” he recalls. “Doctors looked at my throat and said: ‘Everything is fine.’ But my heart was broken, and if the heart is broken ...” he pauses. “The voice is the mirror of the soul.”


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Bob Dylan accused of sexually abusing a 12-year-old in 1965

A lawsuit, filed Friday, alleges the Nobel laureate plied a girl with drugs and alcohol and abused her over six weeks in 1965

A new lawsuit alleges that Bob Dylan, the Nobel-winning folk singer-songwriter, plied a 12-year-old girl with drugs and alcohol before sexually abusing her in 1965.

The lawsuit alleges that the Times They Are A-Changin’ singer “befriended and established an emotional connection with the plaintiff”, identified in Manhattan supreme court papers, obtained by the Guardian, only as “JC” and groomed her over the course of six weeks in April and May 1965.

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‘We aren’t all dumb hillbillies’: how Covid caused a rift in country music

Country stars such as Jason Isbell have received backlash for insisting on safety at their concerts, exposing an age-old political divide

The Covid-19 culture war has a new front: country music. Be it the Nashville establishment or up-and-comers in adjacent roots, folk and Americana genres, numerous artists are taking a stand about concert pandemic precautions, often along partisan lines. Jason Isbell has become one of the most prominent musicians to step into the fray. The Grammy-winning independent alt-country artist – who has released acclaimed albums like Southeastern and last year’s Reunions – rowed with some venues and vitriolic Twitter users, while also eliciting praise, after announcing on 9 August that proof of a Covid-19 vaccination or a negative test was mandatory for his show-goers.

“We have the ability to limit the number of people who get sick. So I can handle pushback from anyone refusing that, because I believe I am correct,” Isbell said.

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‘A way to be heard’: the New Zealand Pasifika youth subculture devoted to emergency sirens

Siren kings battle their way through several carefully judged rounds to establish who has the loudest, clearest sound

On the streets of south Auckland, Pasifika youth equipped with plastic siren cones have created a new sound – one that stormed TikTok, and took over a moment in pop music. Sometimes disparaged or dismissed, they say their work with sirens is more than just a sound or a hobby. It’s also about community, creativity and respite from struggle.

These are the Siren Kings – a street subculture devoted to the volume and clarity of music, channelled through the unusual vector of emergency-evacuation sirens.

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‘This is a public health issue’: can Covid-era music festivals ever be safe?

After backlash over the 100,000-plus crowd of mostly unmasked faces at Chicago’s Lollapalooza, festival organisers reckon with a safe way forward

It could have been an image from 2019 – a sea of mostly unmasked faces, shoulder to shoulder, singing to live music in Chicago’s Grant Park. The mass gathering of about 100,000 people daily for Lollapalooza 2021, one of the country’s most prominent music festivals, featuring Foo Fighters and Post Malone, on the last weekend of July was a welcome sight to music lovers – and a worrisome event for public health officials as cases of the Delta variant of Covid-19 surge in the US.

The photos now appear like the last naive gasp of pandemic-free fantasy; in the two weeks since Lollapalooza, which required either proof of vaccination or a negative Covid test to attend, the rapid spread of the Delta variant has forced a slate of upcoming music festivals to reassess health and safety plans at a pivotal moment for handling of the pandemic in the US.

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Lockdown sensation Su Lee: ‘I believe in sharing vulnerability – it relieves the pain’

The South Korean designer turned songwriter uses goofy, DIY pop to explore issues such as depression and social anxiety

If we could boil Gen Z internet, with all its anxieties and goofiness and creativity and openness, down into a person, the result would be Su Lee. The South Korean musician’s DIY pop songs shrug off frivolities such as love and sex in favour of bopping through the exhaustion and annoyance of having your brain chemistry work against you. Chuck in some videos featuring handmade wall art in “groovy chick” colourways and a dollop of ironic goofiness and Lee’s “spokesperson of Gen Z” status is pretty much assured. A case in point: when she logged on to Zoom for our interview, she asked: “Will we put this out as a video?” which made me feel ancient (and horrified).

Related: The Guide: Staying In – sign up for our home entertainment tips

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Britney Spears’ father agrees to step down as conservator ‘when the time is right’

Court filings reveal that Jamie Spears had ‘already been working’ on transitioning to a new conservator

Jamie Spears has agreed to step down from his long time role as conservator of his daughter Britney Spears’ estate “when the time is right,” according to court filings.

Jamie Spears’ departure would mark a significant development in the singer’s long fight to be freed from her father’s control. The developments come nearly two months after the singer spoke in court and called for an end to the controversial arrangement that has controlled her life for 13 years, giving her father and others authority over her personal life and career.

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Brandon Flowers’ teenage obsessions: ‘I considered an Oasis tattoo’

As the Killers release a new album, their frontman recalls his youthful love of Cheers, the Goonies and bonding over Bowie in Las Vegas

I grew up in Henderson, just outside Las Vegas. When I was eight, we moved to Nephi, this rural town in Utah. So at the same time I was falling in love with music, I was also being introduced to rodeos and farming. I didn’t realise the impact, but now if I hear the right song, I’m instantly transported back to the clouds, woods and mountains of the American west.

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Bowie, bed-hopping and the blues: the wild times of Dana Gillespie

She tamed Keith Moon, got laughed into bed by Bob Dylan and went to a young David Bowie’s house for tuna sandwiches – but the blues singer’s 72 albums are what really define her

“No one has understood how deeply rooted in music I am because they got distracted by my tits,” Dana Gillespie complains.

Now 72, the singer and songwriter’s curvaceous figure ensured she regularly appeared in both tabloids and films from the 1960s to 80s but, she says, this was a mere sideline: music was always her mission in life, it’s just that the British refuse to take her seriously. In Austria and Germany – where she has enjoyed hit singles and hosted a long-running radio show – they do. Ditto in India, where she records devotional music with leading Indian musicians. But in Britain she is too often been relegated to “lover of” status for her string of flings with the likes of Bob Dylan, David Bowie, Mick Jagger and Michael Caine. “I’m Britain’s best-kept secret,” says Gillespie, and she may well be correct.

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‘I had no confidence, no money’: the pop stars kept in limbo by major labels

Raye is one of the world’s most listened-to artists, but her label wouldn’t let her make an album. She’s the latest example of stars who say their music is being sidelined

At the end of June, Raye smashed through the shiny and carefully controlled veneer that usually surrounds music stars. The British pop singer’s numerous hit singles had made her one of the world’s 200 most popular artists on Spotify, but her label Polydor hadn’t allowed her to make even one album from a four-album record deal she signed back in 2014.

“I’ve done everything they asked me, I switched genres, I worked seven days a week, ask anyone in the music game, they know,” she vented on Twitter. “I’m done being a polite pop star.” Polydor responded saying they were “saddened” to read Raye’s tweets and the two have since parted ways.

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‘To dive into yourself is scary’: the anxiety and awesome alt-rock of Liars

For 20 years, Angus Andrew has made Liars one of rock’s most interesting, slippery acts – and by microdosing drugs to help understand his fears, he’s written his masterpiece

One night, Angus Andrew woke to a blood-curdling scream. Rushing out into the darkness of the bush around his house in a remote part of Australia’s Ku-ring-gai Chase national park, he encountered a giant python attacking a kangaroo. “You could hear the kangaroo trying to breathe, I tried to bash the snake off it but my wife was all ‘nature, nature, you have to let it happen’,” he says. “The roo’s eyes are stuck in my brain – it was visceral.”

Surrounded by menacing beasts, with no roads, shops, sewerage, or running water, isolation characterises the latest in a very long line of homes and workplaces for the sole remaining member of Liars, the alt-rock band Andrew co-founded 20-odd years ago. Though they emerged from the New York scene that also spawned the Strokes, Yeah Yeah Yeahs and LCD Soundsystem, Liars perplexingly remain a cult concern.

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Shayne Oliver: ‘Being a Black weirdo is harder than being any other kind’

He’s DJ’d naked, put a great dane on the catwalk – and now with an album, Shayne Oliver is on a mission to bring New York’s queer underground to the world. Is the former Hood by Air designer the 21st century Andy Warhol?

Interviewing Shayne Oliver is a conversational rollercoaster. We hurtle from cult 90s guitar bands to Arthur Jafa, from the problem with political correctness to the pressure on creatives, from Kanye West to Vin Diesel, with little warning of which thrill or spill is next. “I’m such a scatterbrain,” he says at the end of our call. “I’m sorry.”

But Oliver is far from a scatterbrain. He is best known as a fashion designer, the former vogue-dancer who founded the critically adored label Hood By Air, or HBA, in 2006. However, he is no longer limiting himself to clothes. Oliver is moving into music, having formed Anonymous Club – a “creative studio” focused on young talent that began as a series of parties. The studio’s debut release is Screensavers Vol 1, a compilation album based on Oliver’s demos, executive produced by Yves Tumor.

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Britney Spears’ father says ‘no grounds whatsoever’ for conservatorship removal

Jamie Spears says in court filing he has faithfully served as conservator of daughter’s estate

Britney Spears’ father said in a court filing Friday that there are “no grounds whatsoever” for removing him from the conservatorship that controls her money and affairs – a day after the singer’s new lawyer had requested a hearing to suspend James Spears from the arrangement.

James Spears “has dutifully and faithfully served as the conservator of his daughter’s estate without any blemishes on his record,” his filing said.

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Martha Wainwright: ‘Divorce has given me wisdom’

The musician, 45, talks about putting down roots, losing her mother, playing music and and how middle age has been a transformative time

My first memory is my mother [folk singer Kate McGarrigle] singing to me. It was the song Go Tell Aunt Rhody, which is about a goose dying and the gander being depressed. Very morbid. I was very little. I remember her hand softly caressing my arm while she sang it to me. It’s a lovely memory. It’s a sad song, even a scary one. But it was comforting.

I’m still grieving for my mother. I’m very much in it. She’s been gone over 10 years now, but I wear a lot of her clothes, I live in the house she lived in and I sing her songs. Her dying at 63 has defined me in lots of ways. I was only 33 when I lost her. But this year I’ve been thinking about it differently. Dying young means that you’re saved years of old age. There’s a lot of suffering in old age. That’s been helping me to think like that.

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Bryan Adams photographs Cher, Grimes and Iggy Pop for Pirelli calendar

Jennifer Hudson, St Vincent and other music stars also feature in touring-themed photoshoots conceived by rocker-photographer

Images of recording artists including Cher, Iggy Pop, Jennifer Hudson and Grimes will feature in one of the world’s best known photographic commissions.

For the 2022 Pirelli calendar, the rock star and photographer Bryan Adams has captured superstar singers as if they were touring – precisely what they have been unable to do for more than a year.

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Brian May: ‘I never have a single day without thinking about Freddie’

As he reissues his debut solo album, the Queen guitarist recalls how making it helped him cope with a time when his band, marriage and the life of Freddie Mercury were coming to an end

Brian May has been up to his neck in it, and he is fed up. We are talking a little more than a week after we were meant to, our initial chat having been postponed because the basement of May’s London home was filled with effluent after torrential rain caused the capital to flood and sewers to spew forth their contents.

The basement was where he and his wife, the actor Anita Dobson, kept their memorabilia. “It’s made us feel violated,” he says. “It’s what it does to your soul to lose your possessions, to see them swimming about in it. I had to tear up all my old photograph albums, the very first ones I ever had when I was eight years old, to try to save the photographs.” May was born in the outer London suburbs and he’s had a home in London all his life; now he has had enough. “I think London is wrecked,” he says. “It’s brutal, it’s noisy, it’s polluted. Nobody has any consideration. So we’re feeling like we want to get out. That is very wounding: I love London, I grew up here. But I don’t think I can deal with it any more.”

When we speak, May, 74, is engaged, amused and frank, but this is the latest episode in a tough 18 months. Early last summer, he suffered an accident while gardening that tore muscles in his buttocks, and caused a heart attack. It is almost as if we have come around in time: May is reissuing Back to the Light, the solo album he made between 1988 and 1992, another tough period for him. This was when Freddie Mercury, his bandmate in Queen, had become increasingly sicker with Aids-related illnesses, dying in November 1991 of bronchial pneumonia. And that was only the half of it.

I was convinced it was over. I would drive past all these arenas we used to play, thinking: I’ll never do that again

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Fredo: Independence Day review – a stark, sombre return to core values

(RCA)
The London rapper’s melancholy third studio album may not be a genre game-changer, but his renewed focus results in sharp street portraiture

The second Fredo album in the space of six months begins in portentous style. There’s a reading of an extract from an 1852 speech given by the former slave and abolitionist Frederick Douglass – a speech that contrasted the celebration of “freedom” on 4 July with the lot of the slave – followed by a churchy sounding organ playing a figure that distinctly recalls Bach’s Toccata and Fugue in D minor. “I know labels don’t want it to end this way,” offers the rapper on the chorus, “but I had to tell them it’s independence day.”

It’s the kind of bullish declaration of freedom an artist might make had they recently quit, or been dropped by, a major label: a new beginning, free from the interference of A&R men and bean-counters suggesting you round your edges and demanding to know where the next hit is. But the advance stream of Independence Day arrives from Sony, bearing the logo of RCA, which has released every preceding Fredo album.

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UK musicians to be able to tour visa-free in 19 EU countries

UK government says talks with other countries ongoing, after fears artists would incur huge fees post-Brexit

UK musicians and performers will be able to tour in a number of European countries without the need for a visa or work permit, the government has announced.

Rules that came into force at the beginning of the year do not guarantee visa-free travel for musicians in the EU and have prompted fears that touring artists will incur large fees in many of the countries they visit.

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Rolling Stones drummer Charlie Watts likely to miss US tour to recover from procedure

A statement said the 80-year-old drummer accepted he needed more time to recuperate from unspecified medical issue

Rolling Stones drummer Charlie Watts appears likely to miss the band’s upcoming US tour to allow him to recover from an unspecified medical procedure.

A spokesperson for the musician said on Wednesday night that the procedure was “completely successful” but that the 80-year-old drummer needed time to recuperate.

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