Idris Elba: ‘I used work to exorcise my demons’

The actor was working as a bouncer when he got a small part in a new show called The Wire. Two decades on, he’s a blockbuster fixture. The Suicide Squad star talks about fighting for his big break, losing his dad, and why acting helped him out of a ‘dark, weird junction’

“I appreciate my quiet time, I really do,” Idris Elba tells me, “but I didn’t choose a career in quiet time.” At 48, his life seems relentlessly full of activity, projects, causes, releases. He’s the star of an imminent summer blockbuster, The Suicide Squad. He’s a rapper who releases music online at a rate of about a track a month. He hosts a podcast. He’s just released a new line of T-shirts. Earlier in 2021, Elba signed a deal with HarperCollins to write children’s books. He and his wife, the Canadian model Sabrina Dhowre Elba, have recently been petitioning world leaders (France’s, Belgium’s) on behalf of rural farmers in Africa. The couple have also co- designed a Louboutin sandal. When Elba sits down to chat to me over Zoom, it’s during a break between night shoots on a new movie he’s making, and I’m tempted to tell him to forget about it; shut the laptop; sleep.

Is he someone who hates sitting still?

Continue reading...

‘Meditation and copulation’: how 90s dance act Enigma propelled a new age revolution

Led by Romanian-German producer Michael Cretu, Enigma ushered in a mysterious new dance genre, one Gregorian chant at a time

When electronic act Enigma invaded the airwaves in 1990, nobody could explain their music’s appeal. The spiritual and erotic blended with sampling reminiscent of Jean-Michel Jarre, emanating an irresistible scent of sin. “What is this music?” Bob Mack wrote in Spin magazine. “Umberto Eco reading his works on top of a backbeat?”

Related: The Guide: Staying In – sign up for our home entertainment tips

Continue reading...

Amy Winehouse’s 20 greatest songs – ranked!

With the 10th anniversary of her death this week, rediscover the best of Winehouse’s discography, where heartbreak and anger are mixed up with wit and joy

After all its emotional strife, the Back to Black album concludes with a jokey paean to weed. You could construct an argument that Addicted is Winehouse once more tapping into a venerable jazz tradition – it’s easy to imagine Fats Waller singing about someone snaffling his stash in the 30s – but perhaps it’s better to just enjoy its mordant wit.

Continue reading...

Rapso: discover the pride and power of Trinidad’s rap-soca music

The striking vocalist Brother Resistance, who died this month, started a politically powerful hybrid of hip-hop and soca that opened new possibilities in Caribbean music

You would expect a song called Dancing Shoes to celebrate the unfettered joy of a good boogie, but Network Rapso Riddum Band’s 1981 track did quite the opposite. Lead vocalist Brother Resistance – whose death on 13 July sent shockwaves through the Caribbean music community – used Dancing Shoes to castigate his fellow Trinidadians for embracing foreign forms such as disco, delivering caustic lyrics in a flow laden with preacherly indignation.

The song heralded the arrival of a new hybrid sound in Trinidad and Tobago – one that hasn’t had quite the global impact of dancehall, reggae or other Caribbean styles but which is the source of some of its most fascinating and political music, dubbed “rapso” for its melding of rap and soca.

Continue reading...

A moment that changed me: meeting the rescue dog who comforted me through unfathomable loss | Shirley Manson

When I first held my dog Veela in my arms, I was grappling with my mother’s dementia, which was followed much too soon by her death. The teachings of my little red dog helped me survive

The first time I rescued an animal was almost 15 years ago, while I was on hiatus from my band, Garbage, in 2007. Shuffling around Los Angeles with little to occupy my time and my catastrophic imagination, my husband suggested we might consider adopting a rescue dog from one of the local shelters. I was a little hesitant at first. It struck me as a massive undertaking (I was not wrong) and I was unsure I had the emotional capacity to engage in the love of a small, defenceless, living thing.

My mother had just been diagnosed with Pick’s disease, a criminally aggressive form of dementia that can take a person, as it did my mother, out of the game in less than two years from the day of diagnosis. I was deeply disturbed by the course her disease was taking and finding it hard to connect with life in any joyful, meaningful way.

Continue reading...

‘I couldn’t talk about her for years’: my godmother, Amy Winehouse

She cooked, watched Countdown and was mentored by the legendary singer. Now, 10 years after her death, Dionne Bromfield has finally addressed the grief she couldn’t deal with aged 15

Dionne Bromfield is leaning into the screen as we talk on Zoom, recounting the moment 10 years ago when she received the news that would change her life for ever. On a sunny July day, the 15-year-old singer was waiting to go on stage. She was supporting the boyband The Wanted on tour in Wales, the atmosphere backstage fizzing with energy before each show. However, that day something felt off. People were unusually quiet, and no one would meet her eyes. Eventually, she was told something was wrong: “It’s Amy.”

Amy Winehouse, whose remarkable, all-too-brief career ended with her death a decade ago this month, had been the teenager’s godmother, friend and mentor. Winehouse had nurtured Bromfield’s burgeoning vocal skills and helped her break into a notoriously competitive industry. For years after her death, Bromfield couldn’t listen to Amy’s music, let alone think about her. After two albums and a stint presenting the CBBC show Friday Download, the singer who had been marked out by many as one to watch and performed on live television with Winehouse, stepped back from music.

Continue reading...

‘Everyone was going full pelt’: how Giddy Stratospheres captured indie’s hedonistic 00s

The euphoria and tragedy of the 00s indie music scene are the subject of Giddy Stratospheres. Is it accurate? Klaxons, the Long Blondes, New Young Pony Club and more look back – and give their verdict

If you ever ran for a dawn train after a narcotic all-nighter in 2007 with The Rat by the Walkmen pounding through your liquified brain and a hip flask of “breakfast vodka” in your pocket, expect flashbacks from the opening moments of Giddy Stratospheres, director Laura Jean Marsh’s debut film set amid the euphoria, hedonism and tragedy of the 00s indie rock scene.

“We were all so young, feeling invincible and wanting it not to end,” says Marsh, who put on gigs by bands such as the Horrors and Black Wire at her Dolly Rockers club night, hosted parties for the Mighty Boosh and sang with guitar pop band Screaming Ballerinas before moving on to acting and video directing.

Continue reading...

New York’s clubs are back, and with them a sense of community I’d forgotten existed | Larissa Pham

As I dance, it doesn’t feel like a night out – it feels like a homecoming

In 2018, upon her return from a trip to China, my roommate gifted me a pack of black surgical masks. Affixed to the plastic packaging was an explanatory note: RAVE MASKS :)

I knew the look – the masks were purely aesthetic for certain ravers; dressed and masked in serious black, drifting past me at warehouse parties in New York, where I live. But it was a hard look to live up to, and my rave outfits leaned more toward sweaty efficiency, anyway.

Continue reading...

Britney Spears refuses to perform again while father retains control over career

In the latest twist of her legal battle, the singer says she would rather share videos from her living room than go on stage

Britney Spears has refused to perform again while her father retains control over her career, and said the conservatorship she has been under for 13 years had “killed my dreams”.

Her remarks, in a lengthy Instagram post, were the latest in a series of emotional public comments about the conservatorship that controls her personal and financial affairs and which she has begged to be brought to an end.

Continue reading...

Biz Markie, rapper known for Just a Friend, dies at age 57

Hip-hop star known for his personality, beatboxing and freestyle skills scored his biggest hit in 1989

Biz Markie, the New York rapper, beatboxer and producer, has died at age 57.

Markie’s representative, Jenni Izumi, said the rapper and DJ died peacefully Friday evening with his wife by his side. The cause of death has not been released.

Continue reading...

Casablanca Beats review – Morocco’s answer to Fame strikes a chord

A group of talented teens push the boundaries of their religious society by putting on a concert in Nabil Ayouch’s earnest film

Franco-Moroccan director Nabil Ayouch has made a likable, high-energy youth movie that could almost be called the Moroccan answer to Fame and which features that time-honoured plot device: putting on a concert.

Using nonprofessionals playing docu-fictionalised versions of themselves, Ayouch has created a drama revolving around an arts centre for young people that he himself helped to set up in the tough district of Sidi Moumen, called by someone here the Bronx of Casablanca. The school includes a special programme called the Positive School of Hip-Hop. A crowd of smart, talented teens join the class and we watch as they find out the challenges, limits and opportunities of learning self-expression through western-style rap in a Muslim society.

Continue reading...

Gaz Coombes: ‘It felt good that life was speeding up’

As Supergrass return to festival stages, their frontman remembers his younger days, from the majesty of Spacemen 3 to love letters via mixtapes

This was a big thing for me: lots of recording off the radio. I’d wait for the chart show, and I’d know that Madonna’s Into the Groove was currently at No 3. I remember that pressured feeling of trying to hit record at the right time so you don’t get too much of the DJ introducing the track, and I’d build up these compilations. I did my own best-ofs – the Cure: 79-82 – or call them things like Dark Trip. I’d draw stuff and then go down to my dad’s office to use the photocopier and cut it all out, and print out homemade covers, getting the tracklisting really nice on the back.

Continue reading...

‘We have a hostility to being boring’: Sparks, still flying in their 70s

Their Adam Driver musical sent Cannes into raptures and Edgar Wright has made an all-star documentary about them. The Mael brothers explain why they’ll always be hopelessly in love with pop

In 1974, John Lennon was startled as he was watching Top of the Pops. He rang Ringo Starr. “You won’t believe what’s on television,” he reportedly said. “Marc Bolan is playing a song with Adolf Hitler.”

This was Sparks, performing their glorious pop opus This Town Ain’t Big Enough for Both of Us. “It was equidistant between the Beatles on Ed Sullivan and the Daleks on Doctor Who,” says Edgar Wright, the director of Baby Driver and Shaun of the Dead, and now a documentary about the duo, The Sparks Brothers. “Fifteen million people saw it. Think of the next generation of bands watching: the Sex Pistols, Siouxsie and the Banshees, Duran Duran, Joy Division, Squeeze, Vince Clarke. They’re all watching and they’re all thinking the same thing.”

Continue reading...

Stevie, Gladys, Nina … Summer of Soul uncovers a festival greater than Woodstock

As the US boiled with violence, 1969’s Harlem cultural festival nourished spirits with soul, jazz and gospel. Now, Questlove has turned lost footage of it into a brilliant, pertinent documentary

It’s 29 June 1969, and at Harlem’s Mount Morris park (now Marcus Garvey park), the 5th Dimension are about to take the stage. The Los Angeles group are already stars, thanks to hits including Up, Up and Away and Aquarius, from the musical Hair, which topped the Billboard charts that spring. But their pop-oriented repertoire, often penned by white songwriters, has kept them off the US’s R&B radio stations and thus from Black audiences. “We’d tried to separate ourselves from the segregation in our society, but we still got caught up in all that,” remembers the group’s founding singer, Billy Davis Jr, today. “And the average Black family didn’t earn enough to come see us at the nightclubs we were playing. They’d seen us on TV, but they’d never seen us live.”

That was about to change with their headline performance on the opening day of the Harlem cultural festival. A series of six Sunday concerts that summer, the festival showcased the cream of the era’s soul, gospel, blues and jazz artists before an audience of 300,000, many from the surrounding neighbourhoods. “I looked out and saw a sea of faces, and their response was so loving, so welcoming and exciting,” says Davis Jr’s wife and bandmate, Marilyn McCoo, for whom the festival remains a treasured memory. She’s not alone. Harlemite Musa Jackson, then just a five-year-old, still remembers how the 5th Dimension’s orange costumes, gleaming in the sun, made them look “like Creamsicles”.

Continue reading...

‘An American riddle’: the black music trailblazer who died a white man

A fascinating new podcast delves into the life of Harry Pace, forgotten founder of the first black-owned record label in the US – and unlocks a shocking and prescient story about race

There are, according to the academic Emmett Price, “six degrees of Harry Pace”. He is referring to the man born in 1884 who founded America’s first black-owned major record label; desegregated part of Chicago; mentored the founder of Ebony and Jet magazines and spearheaded the career of blues singer Ethel Waters. Pace is a figure who is seemingly everywhere at once, yet his name has been suspiciously absent from the history books.

“This story encapsulates how progress comes about in America – and it is never in a straight line,” says Jad Abumrad. “It is often a cycle – one that contains hope and despair, smashed together.”

Continue reading...

‘I haven’t been paid a cent’: Jerusalema singer’s claim stirs row in South Africa

Nomcebo Zikode threatens legal action, claiming she was never paid for the song that became a global hit during the pandemic

While her haunting vocals on the global hit song Jerusalema continue to reverberate around the world, the South African singer Nomcebo Zikode claims she is yet to receive any money for her work.

The singer took to social media on Sunday threatening legal action against Open Mic Productions, the label that recorded Jerusalema in late 2019.

Continue reading...

‘There is no fear’: how a cold-war tour inspired Pakistan’s progressive jazz scene

A US state department initiative was the unlikely catalyst for a creative explosion of Pakistani rhythm and western improv

In 1956, a new weapon was unveiled in the cold war: jazz. That year, the US introduced the Jazz Ambassadors Tour, a showcase that sent American musicians overseas to parts of the world that were perceived to be under threat of Soviet influence.

While they initially intended to send ballet dancers and symphony orchestras, the State Department were persuaded that the jazz performers who were spearheading the civil rights movement would help generate a positive image of the US to newly independent nations (between 1945 and 1960, 40 countries gained their independence, representing a quarter of the world’s population). The department saw it as a way of silencing Soviet criticism that racial inequality was a stark issue in the US. The ethics were questionable, but the musicians saw this as a once-in-a-lifetime opportunity to share their music directly with people in countries from Asia to Africa and beyond.

Continue reading...

Sheryl Crow: ‘Surviving breast cancer redefined who and how I am’

The singer, 59, talks about music, family, relationships – and reveals she’s shorter than we think

Music was my life as a kid. My earliest memory is singing as we drove through Missouri in our powder-blue station wagon. Having swing-band-player parents meant the house was filled with dancing. Music was my identity; I never thought about any other future.

I skipped school at 15 to enter a best-legs competition – and won. The contest was being run by a local radio station. I don’t remember who was judging – a bunch of dirty old men, I’m sure – but I proudly walked across that stage to victory. I may have been grounded and thrown in detention, but I kept hold of my $100 winnings.

Continue reading...

Raffaella Carrà, Italian cultural institution and LGBT icon, laid to rest in Rome

Thousands in streets to mourn television star, actor and singer as funeral is broadcast live on TV

In Italy’s week of mourning for Raffaella Carrà, one image summed up her universal appeal: a rainbow flag – the symbol of the LGBT movement – next to her coffin in a Catholic church.

Carrà, who died on Monday aged 78, was a cultural institution in her home country, regarded as its “best-loved woman”. The queen of light entertainment TV, she also acted and topped the music charts of Europe and South America with pioneering, sex-positive pop music.

Continue reading...