Impeachment: American Crime Story review – Clinton-Lewinsky drama is a salacious sensation

Starring Sarah Paulson and Beanie Feldstein, Ryan Murphy’s 10-part series on the infamous White House affair is propulsive, addictive and shot through with comedy

There is nothing stranger than the recent past. For that reason, it can be a goldmine for writers, and none has extracted more from it in the past few years than Ryan Murphy. The late 90s is his most fertile seam, furnishing all three parts of his American Crime Story anthology. The opening season gave him his first – and unexpected – post-Glee hit in the glorious The People v OJ Simpson, which retold the story of the 1994 killing of Nicole Brown and Ron Goldman and the most infamous murder trial of modern (media) times that followed. Then came The Assassination of Gianni Versace, about the death of the designer at the hands of Andrew Cunanan in 1997. Now we have Impeachment (BBC Two), which focuses on the Clinton-Lewinsky scandal that occupied minds, headlines and the House of Representatives for much of 1998.

This new 10-part instalment, written mainly by Sarah Burgess, puts the bureaucrat Linda Tripp – played by the most revered of his repertory company, Sarah Paulson – rather than the US president or his intern front and centre. The drama opens in 1998 with her leading the FBI to Monica (Beanie Feldstein) and leading her away to a hotel for questioning (“It’s for your own good,” Tripp assures her) as part of the Paula Jones investigation and pending lawsuit. We then move back to 1993, the suicide of Vince Foster and the Whitewater investigation, presented as the beginning of Tripp’s move from loyal (if abrasive and self-aggrandising) White House civil servant to embittered employee ready to put a metaphorical bomb under the place.

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‘They didn’t just pick us up off the street!’ Meet the globally derided Squid Game VIPs

The K-drama is the hottest show in the world – so why do its English speakers sound like they’re reading off Google Translate? We meet the men accused of dire, stilted acting to see how they’ve found being catapulted to fame

Squid Game is a sensation. A violent Korean drama that mixes childhood nostalgia with vast amounts of death, the series has surpassed all expectations to become the most successful show in Netflix history. It has made global stars of its main cast overnight. That is, with a few notable exceptions.

‘Why is Squid Game’s English-Language Acting So Bad?’ demanded one recent headline, echoing the sentiment of hundreds of tweets and memes. The culprits are the “VIPs” – four English-speaking, mask-wearing billionaires who watch the action from afar, placing bets on the outcome of the carnage. To the naysayers, the VIP acting in Squid Game is stilted and mannered, and pulls them out of the show. But who are the people behind the masks?

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‘My life in the mafia’s shadow’: Italy’s most hunted author, Robert Saviano

Since 2006, the acclaimed writer has lived in fear for his life, following publication of his exposé on the criminal gangs. The Observer takes a trip back to Naples with him and his minders

On a Friday in autumn 2006, local newspapers and prosecutors in Italy’s south-western region of Campania received the same anonymous letter. Computer-typed and delivered by hand in the early morning, it detailed the Neapolitan Mafia’s plan to execute a 26-year-old Italian writer. His name was Roberto Saviano and his book, Gomorrah, a devastating denunciation of the Camorra’s criminal activity, was on its way to becoming a bestseller.

The unpublished letter, seen by the Observer, refers to a meeting held in a betting office in Casal di Principe, Saviano’s hometown, in which local bosses, known as some of the most violent in the Camorra, decreed that Saviano must die, saying that his murder would take place “when the waters are calm”.

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‘It’s barely started and I’m already terrified’: my crash course in Succession

Blackmail! Backstabbing! Boar on the Floor! I binged seasons one and two of the dazzling drama about a dysfunctional, super-rich family. Bring on season three!

My to-be-watched pile is worse than my to-be-read pile, but at least all the prestige shows I need to watch have ended. I will get to them, but there is no urgency. Not so with Succession, another award-laden entity, urged upon me by critics and friends. Two series have passed me by and now the third season of the epic tale of media baron Logan Roy and his clan is almost upon us. It is time to go in.

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‘If it were the UK, police would have opened fire’: the explosive film about Trump’s Capitol Hill rioters

It was the day rampaging Trump supporters stormed the Capitol – and almost derailed democracy. Now, using footage from rioters’ cameras, an unsettling film takes you into the thick of the mayhem

When Dan Reed and Jamie Roberts began approaching networks about a film focused on the storming of the US Capitol – an attack on American democracy on the scale of 9/11, and all the more shattering for having come from within – they were met with a lack of enthusiasm.

“The response was, ‘Why do we need a documentary? Everyone knows what happened’,” says Reed, whose previous hits include Leaving Neverland. It is true the January insurrection – in which thousands of Trump supporters rampaged in protest over the “stolen” election, leaving five dead and 140 police officers injured – had been documented in real time. Authorities reviewed 15,000 hours of footage, making it the largest digital crime scene in history.

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William Shatner in tears after historic space flight: ‘I’m so filled with emotion’

Star Trek actor, 90, says ‘I hope I never recover from this’ after becoming oldest human in space on Jeff Bezos rocket New Shepard

The Star Trek actor William Shatner declared himself “overwhelmed” at becoming the oldest human in space, at the age of 90, during a brief but successful second crewed flight on Wednesday of Blue Origin’s New Shepard rocket ship from the west Texas desert.

The Canadian, who for four decades played Captain James Kirk, the fearless commander of the USS Enterprise, broke down in tears at the landing site as he described to the private space company’s founder, the Amazon tycoon Jeff Bezos, the profundity of his almost 11-minute leap to the stars.

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Bob Mortimer: ‘I’m comfortable with getting older, but I try not to look in the mirror’

The comedian, 62, on growing up shy in Middlesbrough, losing his dad, meeting Vic Reeves, and the deep contentment of fishing

I was quite a shy boy. Growing up in Middlesbrough, I felt a bit of an outsider. My three elder brothers are funny and boisterous and I was in awe of them. I felt like an appendage. It’s probably the curse of being a younger kid. I’ve seen some become the loudest because they fight for their place, and others retreat to the fringes. I was in the latter group.

If you’re the quietest at home, it’s tough to find a voice. I’ve always been quite a good mate to have because of that. If I ever did make a connection with anyone, it was very precious to me. My friendships are everything.

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Squid Game lays bare South Korea’s real-life personal debt crisis

Household debt is now equivalent to over 100% of GDP and has gone hand in hand with a dramatically widening income gap

After midnight, when the crowds of revellers have gone, Choi Young-soo* crouches in a shabby alleyway in Seoul’s wealthy Gangnam district. This is the only time that the 35-year-old, a part-time food delivery rider, dare leave his tiny room at a cheap hostel he shares with about 30 other people.

The rooms, he says, are “only slightly bigger than coffins”.

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‘You upgrade your phone, why not your marriage?’ The TV show set to send divorce rates soaring

Ingmar Bergman’s Scenes from a Marriage shook the world – and spiked divorce rates. Could the remake, with Jessica Chastain and Oscar Isaac, be even more controversial? Its director Hagai Levi bares all

In 1973, Ingmar Bergman released Scenes from a Marriage. The seminal Swedish TV series saw a luminous Liv Ullmann and a tortured Erland Josephson play Marianne and Johan, whose marriage is deliquescing with the most elegant ugliness. Their pain is exquisite and their liberation hard-won, but it is – in the end – a victory for authenticity. For these perfect people are trapped by convention.

“It was very political and very revolutionary,” says Hagai Levi, the Israeli director who has just remade the series for HBO, with Jessica Chastain and Oscar Isaac in the lead roles. “And very outrageous! Back then, even the word ‘divorce’ was shocking.” In Bergman’s series, the couple are crushed by the weight of their own seeming perfection, the relinquishment of which makes it feel so emancipating, and so novel. This was not an Ibsen rehash, a Doll’s House message (“it’s OK to leave bad people”) but something much more seismic, in the 70s at least. Even though Johan is the jerk who takes off, the point is: sometimes neither party is bad – they are simply not themselves until they part.

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‘I don’t judge his decision to die’: the hit podcast about love, loss – and Britney Spears

When Chris Stedman’s friend Alex took his own life, he left him a final puzzle to solve. Unread charts Stedman’s journey down a rabbit hole of grief and realisation

“When someone dies, there are always questions that will be left unanswered. But what happens when you lose someone and they leave you a trail to follow after they are gone?”

Chris Stedman is explaining the central conceit of his podcast Unread. The four-part series sees the writer and podcaster memorialise his friend Alex, who took his own life in late 2019, via narration, voice notes and testimonies from mutual friends. It also follows Stedman’s quest to better understand his friend’s life, digging into parts of his history that he didn’t know existed. Bringing together an affecting story and a compelling mystery, Unread garnered critical acclaim from the likes of Vulture, and has been among the podcast highlights of the year since its release in July.

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Game of Thrones prequel: why we’ll all be hooked to House of the Dragon

The first trailer for the upcoming fantasy spin-off promises epic action on a vast scale, with “gods, kings, fire and blood”. Resistance is futile!

The Game of Thrones finale is still fresh in the mind of the public. Why, it only seems like yesterday since the world came together to witness the culmination of George RR Martin’s Song of Ice and Fire saga, asking itself questions like “WHY IS EVERYTHING SO DARK?” and “WHY HAS MY FAVOURITE TV SHOW GOT MASSIVELY CRAP?”

But two and a half years is a long time in the world of intellectual property and, reasoning that it’s still much easier to get viewers to watch a spin-off of something they grew to hate than to make them invest in something new, GoT prequel House of the Dragon is now on the horizon.

House of the Dragon will premiere in 2022

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‘I saw something in Bruce Springsteen that nobody else saw’: the world according to Stevie Van Zandt

The Boss’s trusty sideman has many plans – from saving central America to TV Hogmanay at the Playboy Mansion – and he’s more than happy to share his rock wisdom

It is the middle of the 1980s, and Stevie Van Zandt, having departed the E Street Band and left Bruce Springsteen’s side, is pursuing a solo career. He has also parlayed decades of experience playing in bar bands into a new and unusual role: international activist and campaigner against injustice. And so he finds himself, in company with Jackson Browne, in Nicaragua, against which the US is waging a proxy war.

He arranges a meeting with Rosario Murillo, the wife of Nicaragua’s president, Daniel Ortega, as he notes in his memoir, Unrequited Infatuations. “After a few drinks, I moved off the small talk and suddenly asked her if she loved her husband. She was taken a bit aback but said, Yes, señor, very much. ‘Well,’ I said, ‘you should spend as much time with him as possible, because he’s a dead man walking. It’s just a matter of time and time is running out’ … She was a very smart woman married to a revolutionary. But she was expecting a pleasant conversation about the arts, and the reality of what I was saying hit her hard.”

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Bridgerton Emmy winner Marc Pilcher dies of Covid at 53

The hair and makeup designer, who won for the Netflix show, was double-vaccinated and had no underlying health conditions

Marc Pilcher, the Emmy-winning hair stylist and makeup designer known for his work on Bridgerton, has died of Covid at the age of 53.

News of Pilcher’s death comes just weeks after he won a Creative Emmy for his work on the Netflix hit. He was double-vaccinated and had no underlying health conditions, as confirmed to Variety by his agency, Curtis Brown.

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Armistead Maupin and Laura Linney: how we made Tales of the City

‘I thought we were going to make history with our same sex kiss. And we did. There were protests all over America – and a bomb threat in Chattanooga’

Armistead Maupin, author and executive producer of the Channel 4 series

I wrote Tales of the City for the San Francisco Chronicle. It then mushroomed from one novel into a series of nine. To say my parents didn’t like them would be an understatement. When Tales came out in 1978, they wrote to me: “Read Tales of the City today; moving to Zanzibar tomorrow.” There were a lot of gay characters in Tales, that was kind of the point, but my books were never prurient.

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On my radar: Sam Fender’s cultural highlights

The Tyneside rocker on his favourite bath time podcast, a second world war memoir and where to get the best breakfast kippers

Sam Fender was born in 1994 and raised in North Shields. He began writing songs aged 14, building on an affinity with Bruce Springsteen, and started acting a few years later, appearing in the ITV series Vera. After releasing his first single, Play God, independently in 2017, Fender featured in the BBC’s Sound of 2018 poll. He won the critics’ choice award at the 2019 Brits and his debut album, Hypersonic Missiles, entered the UK charts at No 1. His second album, Seventeen Going Under, is out this week on Polydor.

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The rise of ‘citizen sleuths’: the true crime buffs trying to solve cases

Inspired by hit podcasts and documentaries, ordinary people are trying to track down fugitives and reopen cold cases. But should they be?

Although the story you are about to read involves a fugitive, law enforcement and a six-month chase across Mexico, for Billy Jensen it was just another day on the job. In 2017, Jensen was on the hunt for a pale, ginger, tattooed California killer hiding out in Mexico. Jensen uploaded a photo of the fugitive to Facebook. “¿Has visto a este hombre?” he asked, using Facebook’s targeted ad tools to ensure the post was seen by people living near American bars. Tips came flooding in. One tipster snapped a photo. In just 24 hours, Jensen had his guy.

Unfortunately, the killer was on the move. It took half a year of similar posts for the 49-year-old Jensen to finally get the suspect apprehended by the Mexican police – for Jensen isn’t a police officer himself, or a detective, or an FBI agent. He is a podcaster, author, journalist, and self-described “citizen sleuth”.

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‘His rage, his pain, his shame, they’re all mine’: Jeremy Strong on playing Succession’s Kendall Roy

Strong’s role as the self-destructive media heir takes commitment – and the actor goes all in

• Plus: inside the Succession writers’ room

Earlier this year, Jeremy Strong left his apartment in Brooklyn, walked across the bridge to Manhattan and headed towards the far west side of the island, where he was filming the third season of the feverishly adored and heavily accoladed HBO series Succession. Strong plays Kendall, the alternately bullied and rebellious son of the vilified, Murdoch-esque media tycoon Logan Roy, played by Brian Cox, and Succession follows the jostling among the patriarch’s four children for his affection and respect, both of which he generally withholds. None of them is as visibly crushed by this as Kendall, who bears more than a slight resemblance to James Murdoch, even down to the dabblings in hip-hop. With every timid step Strong makes on screen, every apologetic dip of his chin when he starts to talk, he captures the pain of a son who knows he has failed to live up to his father’s expectations from the first time he cried. He won an Emmy last year for the role, beating, among others, Cox, in neatly Freudian style.

Strong likes to walk while learning his lines, so on that day in New York as he was walking he was also talking, reciting a speech he would soon be saying to Cox, in which Kendall tries to curry favour with his father, but also to be seen as his own man. “Suddenly, out of the corner of my eye, I saw a ghost-grey Tesla rolling to a stop, so I looked in it, and there was James Murdoch,” Strong says when we meet in a London hotel. “He looked at me and I looked at him, and there was a flicker between us. Then he was gone. So we had a moment.”

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Guy Pearce: ‘There’s always someone you want to punch’

Neighbours launched him, and since then the star of Memento and Zone 414 has seized his Hollywood roles with a unique intensity. He talks about death, drugs, being a dad and divorce

At the start of this century, Guy Pearce was sitting pretty. He had shaken off the frothy soap bubbles of Neighbours, where he was one of the show’s original batch of pin-ups, along with Kylie Minogue and Jason Donovan, and was proving himself a versatile film actor – first as a sharp-clawed drag artist in The Adventures of Priscilla, Queen of the Desert, then as a clench-jawed cop in LA Confidential.

Awaiting release was the existential thriller Memento, directed by a promising up-and-comer named Christopher Nolan. First, though, he heard whispers that Kenneth Turan, the film critic of the LA Times, had been singing his praises in a review of the military courtroom drama Rules of Engagement.

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Squid Game: the hellish horrorshow taking the whole world by storm

In the gory thriller that has swiftly become a smash hit on Netflix, competitors play children’s games for huge cash prizes … and if they lose, they die. Can you stomach it?

What if winning playground games could make you rich? That’s the basis of Squid Game – the South Korean show currently at number one on Netflix around the world – where debt-ridden players sign up to compete in six games for a cash prize of 45.6 billion won (around £28m). The small print: if you lose, you get killed. In the first episode, a game of Grandma’s Footsteps (known as Red Light, Green Light in South Korea) leaves bodies piled high as the shell-shocked winners proceed to round two. It’s blood-splattered child’s play – a kind of Takeshi’s Castle with fatalities, or Saw with stylish shell suits.

If you can stomach the events of the first episode, what follows is a tightly written horror thriller that has captivated viewers. The nine-part series is the first Korean show to reach the top spot on the streaming platform in the US, and is currently number one in the UK. Its success won’t come as a surprise to a generation of viewers who got hooked on murderous dystopian series The Hunger Games and cult favourite Battle Royale. But Squid Game’s backdrop is South Korea’s present-day, very real wealth inequality.

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Tom Fletcher and Strictly partner test positive for Covid

McFly singer and dancer Amy Dowden will miss next Saturday’s show while in separate isolation

The Strictly Come Dancing contestant Tom Fletcher and his professional partner, Amy Dowden, have tested positive for Covid-19 and will miss next Saturday’s live show, the BBC has said.

Fletcher, one of the lead vocalists from McFly, and Dowden had performed well in their first dance during this weekend’s show.

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