‘I saw something in Bruce Springsteen that nobody else saw’: the world according to Stevie Van Zandt

The Boss’s trusty sideman has many plans – from saving central America to TV Hogmanay at the Playboy Mansion – and he’s more than happy to share his rock wisdom

It is the middle of the 1980s, and Stevie Van Zandt, having departed the E Street Band and left Bruce Springsteen’s side, is pursuing a solo career. He has also parlayed decades of experience playing in bar bands into a new and unusual role: international activist and campaigner against injustice. And so he finds himself, in company with Jackson Browne, in Nicaragua, against which the US is waging a proxy war.

He arranges a meeting with Rosario Murillo, the wife of Nicaragua’s president, Daniel Ortega, as he notes in his memoir, Unrequited Infatuations. “After a few drinks, I moved off the small talk and suddenly asked her if she loved her husband. She was taken a bit aback but said, Yes, señor, very much. ‘Well,’ I said, ‘you should spend as much time with him as possible, because he’s a dead man walking. It’s just a matter of time and time is running out’ … She was a very smart woman married to a revolutionary. But she was expecting a pleasant conversation about the arts, and the reality of what I was saying hit her hard.”

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Bridgerton Emmy winner Marc Pilcher dies of Covid at 53

The hair and makeup designer, who won for the Netflix show, was double-vaccinated and had no underlying health conditions

Marc Pilcher, the Emmy-winning hair stylist and makeup designer known for his work on Bridgerton, has died of Covid at the age of 53.

News of Pilcher’s death comes just weeks after he won a Creative Emmy for his work on the Netflix hit. He was double-vaccinated and had no underlying health conditions, as confirmed to Variety by his agency, Curtis Brown.

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Armistead Maupin and Laura Linney: how we made Tales of the City

‘I thought we were going to make history with our same sex kiss. And we did. There were protests all over America – and a bomb threat in Chattanooga’

Armistead Maupin, author and executive producer of the Channel 4 series

I wrote Tales of the City for the San Francisco Chronicle. It then mushroomed from one novel into a series of nine. To say my parents didn’t like them would be an understatement. When Tales came out in 1978, they wrote to me: “Read Tales of the City today; moving to Zanzibar tomorrow.” There were a lot of gay characters in Tales, that was kind of the point, but my books were never prurient.

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On my radar: Sam Fender’s cultural highlights

The Tyneside rocker on his favourite bath time podcast, a second world war memoir and where to get the best breakfast kippers

Sam Fender was born in 1994 and raised in North Shields. He began writing songs aged 14, building on an affinity with Bruce Springsteen, and started acting a few years later, appearing in the ITV series Vera. After releasing his first single, Play God, independently in 2017, Fender featured in the BBC’s Sound of 2018 poll. He won the critics’ choice award at the 2019 Brits and his debut album, Hypersonic Missiles, entered the UK charts at No 1. His second album, Seventeen Going Under, is out this week on Polydor.

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The rise of ‘citizen sleuths’: the true crime buffs trying to solve cases

Inspired by hit podcasts and documentaries, ordinary people are trying to track down fugitives and reopen cold cases. But should they be?

Although the story you are about to read involves a fugitive, law enforcement and a six-month chase across Mexico, for Billy Jensen it was just another day on the job. In 2017, Jensen was on the hunt for a pale, ginger, tattooed California killer hiding out in Mexico. Jensen uploaded a photo of the fugitive to Facebook. “¿Has visto a este hombre?” he asked, using Facebook’s targeted ad tools to ensure the post was seen by people living near American bars. Tips came flooding in. One tipster snapped a photo. In just 24 hours, Jensen had his guy.

Unfortunately, the killer was on the move. It took half a year of similar posts for the 49-year-old Jensen to finally get the suspect apprehended by the Mexican police – for Jensen isn’t a police officer himself, or a detective, or an FBI agent. He is a podcaster, author, journalist, and self-described “citizen sleuth”.

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‘His rage, his pain, his shame, they’re all mine’: Jeremy Strong on playing Succession’s Kendall Roy

Strong’s role as the self-destructive media heir takes commitment – and the actor goes all in

• Plus: inside the Succession writers’ room

Earlier this year, Jeremy Strong left his apartment in Brooklyn, walked across the bridge to Manhattan and headed towards the far west side of the island, where he was filming the third season of the feverishly adored and heavily accoladed HBO series Succession. Strong plays Kendall, the alternately bullied and rebellious son of the vilified, Murdoch-esque media tycoon Logan Roy, played by Brian Cox, and Succession follows the jostling among the patriarch’s four children for his affection and respect, both of which he generally withholds. None of them is as visibly crushed by this as Kendall, who bears more than a slight resemblance to James Murdoch, even down to the dabblings in hip-hop. With every timid step Strong makes on screen, every apologetic dip of his chin when he starts to talk, he captures the pain of a son who knows he has failed to live up to his father’s expectations from the first time he cried. He won an Emmy last year for the role, beating, among others, Cox, in neatly Freudian style.

Strong likes to walk while learning his lines, so on that day in New York as he was walking he was also talking, reciting a speech he would soon be saying to Cox, in which Kendall tries to curry favour with his father, but also to be seen as his own man. “Suddenly, out of the corner of my eye, I saw a ghost-grey Tesla rolling to a stop, so I looked in it, and there was James Murdoch,” Strong says when we meet in a London hotel. “He looked at me and I looked at him, and there was a flicker between us. Then he was gone. So we had a moment.”

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Guy Pearce: ‘There’s always someone you want to punch’

Neighbours launched him, and since then the star of Memento and Zone 414 has seized his Hollywood roles with a unique intensity. He talks about death, drugs, being a dad and divorce

At the start of this century, Guy Pearce was sitting pretty. He had shaken off the frothy soap bubbles of Neighbours, where he was one of the show’s original batch of pin-ups, along with Kylie Minogue and Jason Donovan, and was proving himself a versatile film actor – first as a sharp-clawed drag artist in The Adventures of Priscilla, Queen of the Desert, then as a clench-jawed cop in LA Confidential.

Awaiting release was the existential thriller Memento, directed by a promising up-and-comer named Christopher Nolan. First, though, he heard whispers that Kenneth Turan, the film critic of the LA Times, had been singing his praises in a review of the military courtroom drama Rules of Engagement.

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Squid Game: the hellish horrorshow taking the whole world by storm

In the gory thriller that has swiftly become a smash hit on Netflix, competitors play children’s games for huge cash prizes … and if they lose, they die. Can you stomach it?

What if winning playground games could make you rich? That’s the basis of Squid Game – the South Korean show currently at number one on Netflix around the world – where debt-ridden players sign up to compete in six games for a cash prize of 45.6 billion won (around £28m). The small print: if you lose, you get killed. In the first episode, a game of Grandma’s Footsteps (known as Red Light, Green Light in South Korea) leaves bodies piled high as the shell-shocked winners proceed to round two. It’s blood-splattered child’s play – a kind of Takeshi’s Castle with fatalities, or Saw with stylish shell suits.

If you can stomach the events of the first episode, what follows is a tightly written horror thriller that has captivated viewers. The nine-part series is the first Korean show to reach the top spot on the streaming platform in the US, and is currently number one in the UK. Its success won’t come as a surprise to a generation of viewers who got hooked on murderous dystopian series The Hunger Games and cult favourite Battle Royale. But Squid Game’s backdrop is South Korea’s present-day, very real wealth inequality.

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Tom Fletcher and Strictly partner test positive for Covid

McFly singer and dancer Amy Dowden will miss next Saturday’s show while in separate isolation

The Strictly Come Dancing contestant Tom Fletcher and his professional partner, Amy Dowden, have tested positive for Covid-19 and will miss next Saturday’s live show, the BBC has said.

Fletcher, one of the lead vocalists from McFly, and Dowden had performed well in their first dance during this weekend’s show.

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David Olusoga: ‘Black people were told that they had no history’

The historian and TV presenter on the story of former slave Olaudah Equiano and the significance of Black History Month

Historian and broadcaster David Olusoga has been the face of a decolonial turn in British broadcasting that, in recent years, with series including the Bafta-winning Britain’s Forgotten Slave Owners, A House Through Time and Black and British: A Forgotten History, has inspired new conversations about injustice in the story of Britain and Britishness in living rooms across the country. Anticipating this year’s Black History Month (October), he has contributed a foreword to the republication by Hodder & Stoughton of The Interesting Narrative of the Life of Olaudah Equiano, the memoir of an 18th-century formerly enslaved man that is also widely recognised as a foundational text of Black British literature.

What led you to get behind this republication of Equiano’s memoir?
It’s a book I read at university and that has been part of my life for 30 years. I think it’s the most important of the British narratives of people who were enslaved. Equiano is someone who managed to purchase his way out of slavery, to travel the world as a Black person in an age where you could be kidnapped and transported back into slavery. He was a skilled sailor, a political operator. He became a public figure when this country was the biggest slave-trading nation in the North Atlantic. There are many voices that come out of the experience of British slavery but none of them have the same impact as Equiano.

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Roger Michell: a quiet genius still hitting his stride | Peter Bradshaw

The director’s death aged 65 is a huge blow for British cinema, whose very best qualities – of wit, intelligence and subtlety – Michell exemplified

Roger Michell was the TV and movie director who had a midas touch with actors and with a particular type of English material: witty, literate, poignant and romantic. Michell was a master at directing anything on the continuum between Jane Austen and Richard Curtis, and knew what animated both.

Related: Roger Michell – a career in pictures

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‘Astronauts check our scripts!’: inside the new age of sumptuous sci-fi TV

With clone emperors in haute couture and exotic wolf-lizards poised to attack, Foundation and For All Mankind herald a new era of ravishing spectaculars. Can they do for sci-fi what Game of Thrones did for fantasy?


Dynastic infighting, the decline and fall of a mighty empire, tyrannical rulers and fantastical beasts. You might be forgiven for thinking that Apple’s Foundation – starring Jared Harris and The Hobbit’s Lee Pace – is staking a claim as heir presumptive to the iron throne of Westeros. Or at least that the new adaptation of Isaac Asimov’s seminal series of books – a galactic saga that takes place over several centuries – might succeed in doing for science fiction what Game of Thrones did for fantasy.

Certainly, sci-fi TV has never looked so sumptuous, with court scenes resplendent with couture that wouldn’t look out of place at the Met Gala, and as many candles and torches as there are strip lights. But for David S Goyer, the showrunner charged with bringing the ambitious story to TV, the influence of the fantasy hit was more nuanced.

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The Many Saints of Newark review – Sopranos prequel keeps it in the family

Michael Gandolfini is goosebump-inducing as the young Tony Soprano, amid race riots and antagonism towards rival African American gangs

Maybe it was inevitable that the greatest TV show in history should spawn a feature-length prequel that is somehow disappointing: it is watchable but weirdly obtuse with a tricksy narrative reveal that doesn’t add much. The Many Saints of Newark, co-written by the Sopranos’ legendary creator David Chase and directed by Alan Taylor, gives us the childhood of a leader: the teenage Tony Soprano, growing up in New Jersey in the 1960s, specifically the time of the 1967 Newark riots, which caused the “white flight” racism that explains the older Tony having that palatial home way out there in the suburbs that he drives up to in the opening credits each episode.

Young Tony is portrayed with goosebump-inducing deja vu by Michael Gandolfini, son of the late James Gandolfini, who played the role on TV. Tony’s sleepy-eyed sensitivity, his melancholy, his glowering resentment and dangerous hurt feelings are there in embryo. His father, Johnny, is played by Jon Bernthal, and his terrifying mother Livia by Vera Farmiga who gives a superb rendering of Livia’s own haughty mannerisms. But you could spend this entire movie hanging on for the first sign of those all-important petit mal fainting fits that the TV show said originated in Tony’s dad. Is history being rewritten, or misrememberings corrected?

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No Michael K Williams? No Anya Taylor-Joy? All the Emmy shocks and snubs

The Emmys were crushingly predictable, as usual – but even in a year of unparalleled horror, surely shows other than The Crown and Ted Lasso deserved a look-in

Ted Lasso and The Crown triumph

Emmys 2021: the full list of winners

If anyone knew anything about the Emmys this year, they knew with absolute certainty that The Crown would win every award going. Because, although The Crown has always been well made, it has also always been fusty and inconsequential. But last year’s series had everything: sex, fights, betrayal, Gillian Anderson going full Spitting Image. The Crown was the solid gold favourite in every category going into the awards last night, so much so that any loss would have been considered seismic.

And guess what? It didn’t lose anything. In every category in which The Crown was nominated, it won. Best drama. Best drama actor. Best drama actress. Best supporting actor, best supporting actress, best writing, best directing. It was exactly as you would expect – and therefore quite boring.

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Emmys 2021: Ted Lasso and The Crown triumph while no actors of color win

The big night for TV saw triumphs for Brits – including Olivia Colman, Kate Winslet and Michaela Coel – yet a diversity problem remains

The 73rd Emmy awards mostly stuck to the predicted script on Sunday, celebrating favorites Ted Lasso, The Queen’s Gambit, and The Crown, in an awards-stuffed return to a (mostly) normal ceremony that celebrated diversity yet handed all the acting awards to white performers.

Related: Emmys 2021: the full list of winners

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Emmys 2021 predictions: who will win and who should win?

Will Ted Lasso sweep the comedy awards? Will it finally be I May Destroy You’s time? How will The Crown, with 24 nominations, fare?

Nominees: The Boys (Amazon), Bridgerton (Netflix), The Crown (Netflix), The Mandalorian (Disney+), Lovecraft Country (HBO), Pose (FX), The Handmaid’s Tale (Hulu), This Is Us (NBC)

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The Activist: reality TV show to be ‘reimagined’ as documentary after backlash

CBS says it will drop X-Factor-style competition from celebrity-fronted show after widespread criticism

A reality TV show that planned to pit activists against each other in an X-Factor style contest judged by celebrities is to be drastically “reimagined” after it sparked a backlash from campaigners.

The Activist, which had been due to air in the US in late October, prompted incredulity among many campaigners and elsewhere when its format was revealed last week, with many labelling it a “tone-deaf” distortion of true activists’ values.

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MJ Rodriguez on Pose and making Emmy history: ‘I want to play anything: trans, cis, superhero, alien’

Her huge-hearted portrayal of Blanca has made Rodriguez the first trans performer to be up for a leading actress Emmy. Will she take the crown on Sunday? We join her for a Zoom call with a twist

MJ Rodriguez can see me but I can’t see her. This is not the sort of existential issue that afflicted pre-pandemic interviews, but minutes before my Zoom encounter with the actor and singer I get an email from Rodriguez’s rep saying she will no longer be appearing on camera. This comes hot on the heels of another message saying Rodriguez, who this year became the first trans actor in history to be nominated for an Emmy award in a lead acting category, for her fantastic performance in Pose, would rather I didn’t ask her about the ballroom scene. Which is basically the entire world of Pose, Ryan Murphy and Brad Falchuk’s era-defining drama, set in the New York underground vogueing culture of the late 1980s and early 1990s.

I take from this nervy preamble two things. First, constantly being seen as the living embodiment of the importance of representation is exhausting, and curiously diminishing. And second, Rodriguez is ready to walk out of the shadow of her character on Pose: Blanca Evangelista, the no-nonsense “house mother” who takes all of queer New York under her wing, has a seemingly never-ending supply of wise words for them, and a heart bigger than any disco ball.

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The Activist: ‘tone-deaf’ new TV show has activists compete to lobby G20 leaders

CBS programme has caused a social media storm for its crass choice of format and ill-qualified judges

Producers have billed it as an exciting new twist on reality television: an X-Factor style competition between campaigners that will give them the chance to lobby world leaders at the G20.

But The Activist, a show announced last week by the American network CBS, has already learned to its cost that people power can be unpredictable, ruthless and highly effective.

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Alanis Morissette criticises ‘salacious agenda’ of HBO film about her life

The singer has spoken about about Jagged, premiering at the Toronto film festival, for its ‘reductive take’ on her life

Alanis Morissette has spoken out against a new HBO documentary about her life and its “salacious agenda” as it premieres at the Toronto film festival.

The 47-year-old singer had agreed to be interviewed for the film Jagged but has released a statement to express disappointment in how her story has been told. She said she was interviewed “during a very vulnerable time” during her third postpartum depression amid lockdown.

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