How Bridgerton’s real life Lady Whistledown scandalised 18th-century society

The subversive work of Eliza Haywood, the feminist forerunner of the TV show’s gossip columnist, is about to be republished

She is the real-life Lady Whistledown, an eyebrow-raising female writer who penned a salacious anonymous gossip sheet that skewered 18th-century London society.

Like the fictional pamphlet from Netflix hit Bridgerton, which returned for a third series last week, Eliza Haywood’s The Parrot, published in 1746, has a distinctive, mocking voice that punches up and “speaks truth to power”. Now, a new book will republish Haywood’s funny, subversive periodical, which she wrote from the perspective of an angry green parrot, and seek to raise awareness of her groundbreaking work.

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‘I feel like a competition winner’: Bridgerton’s Nicola Coughlan on luck, social media and her ‘nice’ list

Five years ago, she was working in an opticians. Then came Derry Girls and Bridgerton. Now she’s a Hollywood name, no wonder she can’t believe her good fortune

I have a nice list,” declares Nicola Coughlan. She pauses, perhaps to catch her breath at the end of another mile-a-minute answer, or perhaps for dramatic effect. “Of celebrities!” The disclosure comes somewhat out of nowhere, 40 minutes into our Friday-afternoon interview on Zoom. I’d asked the star of Derry Girls and Bridgerton about her public love-in with Kim Kardashian – not the tabs she’s been keeping, privately, on her new famous friends.

In fact, Coughlan explains, “ideally” her nice list is of names she hasn’t met herself. “People are always going to be nice to you, aren’t they? This has to be evidence from several sources that they’re nice.”

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Bridgerton Emmy winner Marc Pilcher dies of Covid at 53

The hair and makeup designer, who won for the Netflix show, was double-vaccinated and had no underlying health conditions

Marc Pilcher, the Emmy-winning hair stylist and makeup designer known for his work on Bridgerton, has died of Covid at the age of 53.

News of Pilcher’s death comes just weeks after he won a Creative Emmy for his work on the Netflix hit. He was double-vaccinated and had no underlying health conditions, as confirmed to Variety by his agency, Curtis Brown.

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Emmys 2021 predictions: who will win and who should win?

Will Ted Lasso sweep the comedy awards? Will it finally be I May Destroy You’s time? How will The Crown, with 24 nominations, fare?

Nominees: The Boys (Amazon), Bridgerton (Netflix), The Crown (Netflix), The Mandalorian (Disney+), Lovecraft Country (HBO), Pose (FX), The Handmaid’s Tale (Hulu), This Is Us (NBC)

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The return of the bonkbuster: how horny heroines are starting a new sexual revolution

I longed for novels about female desire - women empowered by sex and their expressions of lust. So I sat down and wrote my own

The idea for my novel Insatiable emerged from a simple question: where were all the horny women? I knew that we were secretly legion. In fact, I suspected that I was surrounded by women, sitting on buses, standing in queues, staring out of the window and simultaneously entertaining all kinds of filthy daydreams. After all, millions of us had bought and read Fifty Shades of Grey. Even if half the sold copies were bought by people who wanted to mock it, that left millions of genuinely horny women unaccounted for – and buying the sequels.

I was not transported in the way I had hoped; I did not find Christian sexy, I did not relish the BDSM and, most of all, I struggled to connect with the beautiful, blank lead character, Anastasia. She seemed similar to every other sort-of-horny woman I had seen on screen, a sexual object before she was a sexual subject, a person who had to be perfect and prove herself desirable before she was allowed to pursue desires of her own.

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Bridgerton inspires rise in demand for classical pop song covers

Netflix drama’s use of string versions of Ariana Grande and Billie Eilish hits has tripled streaming figures for Vitamin String Quartet

The success of Netflix’s Bridgerton has produced some unexpected trends, such as huge increases in people searching online for Regency fashion items including corsets. But the latest is a dramatic rise in the number of people streaming classical cover versions of contemporary pop songs.

Vitamin String Quartet, the group that provide most of the classical versions of Ariana Grande, Billie Eilish and Maroon 5 songs in the modernised costume drama, have had a 350% increase in the number of people streaming their work since the show was released in December.

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Permanent PJs and pivoting designers: how the pandemic hit the fashion world

Our fashion editor on a year in which sweatpants soared, masks went designer, Topshop tumbled – and a pause fuelled hopes of a reset

I was on the Eurostar, somewhere between St Pancras and Paris, when a senior member of the Guardian team called and suggested that it might be a good idea for me to turn around at Gare du Nord and return to London.

It was 3 March 2020. This was not the plan. The plan had been to go to the Chanel show and report for the news pages. Instead, it was the beginning of all plans – work and otherwise – disintegrating.

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Phoebe Dynevor: ‘Bridgerton’s come at a moment when people need it’

The actor on hitting her stride as the spirited star of the Regency romp. Still, she says, she can’t let her grandparents see her steamiest scenes…

It was the gift you never knew you needed, and might even have spurned if you had been offered it in advance: an eight-part Regency romance, set in a candy-coloured England where the wisteria forever blooms around the colonnades of pretty much every stately home you’ve ever seen on film.

But it’s estimated that 63 million viewers around the world will have tuned into Bridgerton in its first four weeks on Netflix – and it is a success owing, in no little part, to the on-off love affair between a brooding duke and the pearl of the season’s debutantes. In its on phases, this is so steamy and intimate that you’d do well to have one of the series’s many feathered fans to hand.

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Bridgerton author Julia Quinn: ‘I’ve been dinged by the accuracy police – but it’s fantasy!’

Her ‘hot and crazy’ novels about feisty women bedding rakish aristocrats have become a Netflix sensation. The writer talks about literary snobs, colour-conscious casting and the curse of Jane Austen

“People look down on romance novels,” says Julia Quinn. “We’re the ugly stepchild of the publishing industry – even though romance novels make so much money for publishers that they’re able to take chances on poetry, literary fiction and other things that don’t really make money.”

This is why Quinn never dreamed that any of her novels – Regency romances in which smart, witty women fall for handsome titled men – would ever make the leap to TV. She was happy with her regular slot at the top of the bestseller lists, if a little irked at the way the genre is looked down on by more literary types. “I dream big, I do,” says Quinn, speaking from her home in Seattle. “But nobody had ever done it, nobody had ever shown any signs of wanting to. And not just my books, but the genre as a whole. If somebody wanted to do a period piece, they wanted to do Jane Austen again.”

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