Category Archives: Television & radio

David Chase: I was annoyed that fans wanted Tony Soprano dead

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Series showrunner tells podcast that ambiguous ending rankled with viewers who wanted to see the character ‘face-down in linguini’

David Chase, the creator of The Sopranos, has spoken about his irritation at viewers’ desire to see Tony Soprano die at the end of the hit series.

Speaking on the Hollywood Reporter’s Awards Chatter podcast, the 76-year-old said he had been “bothered” by people’s obsession with the blackout ending of the 2007 finale, which stopped short of confirming the fate of its lead character.

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Gemma Whelan: ‘Sex in Game of Thrones could be a frenzied mess’

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She had one of the most notorious sex scenes in TV history. But the actor is now making waves as an upstanding cop in The Tower. She talks about intimacy coaches, on-set innuendo and cracking America


Deadlines meant I saw ITV’s twisty police corruption drama The Tower as a rough cut, featuring on-screen notes about final editing perfections, computer-generated backgrounds, extra lines of dialogue – and the instruction: “Hide pregnancy bump.”

This related to the increasing evidence of Freddie, now four weeks old, and sleeping between feeds in a pub garden near the London home of his mother, Gemma Whelan, who is amused to hear of this prenatal technology. “Wow!” she says. ‘“How are they going to do that? Paint it out? Or cut in a waistline from earlier?”

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Netflix’s Emily in Paris to focus on diversity, says star Lily Collins

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Cliches aside, new hires and storylines add inclusivity to the menu in show’s series two

It has been criticised for trotting out cliches about France and the French and mocked for its idealised portrayal of Paris. But now the Netflix show Emily in Paris will focus on diversity and inclusion for its second series, according to its star, Lily Collins.

The actor, who stars as Emily and is also a producer on the series, said she had heard viewers’ concerns about the show, which first hit our screens last year, and efforts had been made to address them.

The second series of Emily in Paris is scheduled for release in December.

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Mark Gatiss: ‘I’m currently very, very ashamed of being English’

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The former League of Gentlemen star on his love of low-budget British spinechillers, his loathing of Brexit and a slew of projects opening this winter

Mark Gatiss scans the breakfast menu at an east London restaurant with a famished eye. We’re at the hinge moment between the nightlife of an A-lister, who attended the James Bond premiere the previous evening, and the day job as an actor who, by his own account, could only land a role he had wanted all his life by writing the play himself. “It was a long evening,” he says of No Time to Die. He hadn’t had dinner and was trying to stave off the hunger pangs by sipping water, but not too much, because he couldn’t get out to the loo: “So I’m just really hungry.” He’s like a jovial Eeyore, painting himself into a lugubrious picture of the turnip fields of celebrity, before deciding, with a giggle, that a hearty breakfast of avocado on toast is exactly what’s needed to put everything to rights.

This is certainly no time to die of hunger for Gatiss, who has rocketed out of the pandemic as one of British showbusiness’s most sought-after all-rounders. He’s currently putting the finishing touches to his remake of the 1972 children’s film The Amazing Mr Blunden while rehearsing his new adaptation of A Christmas Carol. The latest in a series of half-hour ghost stories, The Mezzotint, is ready to roll into his now customary slot on the Christmas TV schedules. But it’s not all fear and Victorian clothing, he spent part of the lost year in the Outer Hebrides, playing a country doctor in a first world war romance, The Road Dance, and another part messing about in a pedalo on a boating lake with his old League of Gentlemen muckers Steve Pemberton and Reece Shearsmith for a new series of their TV comedy Inside No 9.

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Succession’s Nicholas Braun: ‘I feel better being honest than hiding’

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He’s the reluctant sex symbol who is now partying with the Clintons. But actor Nicholas Braun is only just coming to terms with his life-changing role as Cousin Greg, TV’s favourite antihero in Succession. He reveals how he is learning to embrace his newfound fame

Nicholas Braun arrived on Long Island by train, and then he took a car to the compound. This was three years ago. Braun had been invited to a weekend-long party at a fancy home owned by friends of the American actor Jeremy Strong, who Braun knew from the set of the Emmy Award-winning television show Succession, in which they both star. At the compound he was patted down by members of the secret service, which startled him at first, and then delighted him. (He later referred to the agents as “my boys”.) As guests flashed around, Braun remembers thinking, “How is it I’ve ended up here, at a party in a locked-down compound that has a federal agency working the door?” And then the Clintons arrived.

By this point, Braun had filmed just one series of Succession, the HBO juggernaut, which revolves around and pillories the Roy family, a venomous media dynasty in the mould of the Murdochs. (Perhaps you’ve heard of it.) Braun plays Greg Hirsch, a distant cousin and Roy family satellite who, as the show progresses, finds himself increasingly surrounded by powerful and prestigious people and the mucky opulence in which they operate, and becomes both seduced and confused by his new surroundings, often to comic effect.

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Colin in Black and White review – Kaepernick drama will take your breath away

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The athlete turned activist joins forces with Ava Duvernay for a bold and devastating docudrama mixing the story of his early life with shocking stats on racial inequality

Colin Kaepernick became famous in the US as an NFL quarterback. He became famous around the world, and infamous in his own country, when he became a civil rights protester and – shortly after that – no longer an NFL quarterback. Kaepernick drew admiration and condemnation when he took the knee during the playing of the US national anthem at a preseason game in 2016, in protest against US police brutality and racial inequality after multiple police shootings of black people and the rise of the Black Lives Matter movement.

His actions inspired many more players to join him in similar actions – then president Trump to recommend that such players should be fired. At the end of the season, the managers at his team, the San Francisco 49ers, told him they were going to release him – a move largely seen as politically rather than practically motivated, despite the 49ers’ claim that he didn’t fit in with their new coach’s plans. His activism has increased and he has remained unsigned since.

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Mark Strong on acting, insecurity and life without a father: ‘I got angry as I got older. It took years to fix’

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After three decades on the stage and screen, the star is still worrying about where his next job will come from. Meanwhile, at home, he frets about letting down his family

Mark Strong has a good face for villainy – spare and inscrutable, with thin lips and “eyes like tunnels”, as Arthur Miller might have put it. On camera, he gives a sort of fractional disclosure, expressions altering in tiny increments, so that watching him perform is often an exercise in judging how much good can reasonably be seen in the bad. He specialises in antiheroes and authority figures, from gangsters (Kick-Ass, The Long Firm) to heads of intelligence (The Imitation Game, Body of Lies, Zero Dark Thirty). His latest incarnation – as a surgeon who operates in the criminal underground in the TV drama Temple, now in its second series – melds these roles as he crosses and recrosses the line between conscientious and cruel.

Although highly regarded for his work across stage, film and TV, Strong is not a big winner of awards (though he earned an Olivier for his outstanding portrayal of Eddie Carbone in Miller’s A View from the Bridge in 2015). He comes across as somehow outside the system. He is reputable rather than starry, plays parts rather than leads and has retained the air of a jobbing actor. Surely at 58, after 30 years of nearly constant work and more than 100 screen credits, with a voice so sonorous and distinctive it draws you to the depths, he deserves a bigger breakthrough. Is he frustrated by the lack of leading parts?

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Last Night in Soho review | Peter Bradshaw’s film of the week

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Thomasin McKenzie, Anya Taylor-Joy and Matt Smith star in a horror-thriller that takes a trip to the sleazy heart of London’s past

A trip to the dark heart of London’s unswinging 60s is what’s on offer in this entertaining, if uneven, film from screenwriter Krysty Wilson-Cairns and director Edgar Wright, serving up a gorgeous soundtrack and some marvellous re-creations of sleazy Soho and the West End. There’s a tremendous image of the marquee for the 1965 Thunderball premiere in Coventry Street, and a show-stopping crane shot of Soho Square, apparently filmed from where the 20th Century Fox sign is now no longer to be found atop that company’s former premises.

Last Night in Soho is a doppelganger horror-thriller about a wide-eyed fashion student called Eloise (Thomasin McKenzie) who has brought her mum’s old Dansette record player and Cilla Black and Petula Clark LPs up to London from Cornwall on the train. Eloise has a fetish for the lost innocent glamour of the 60s but, moping all alone in her manky bedsit, finds herself stricken with neon phantasms. Like a ghost from the future, Eloise dreams her way through a portal in time back into 60s London clubland, where she witnesses Sandie (Anya Taylor-Joy), a blonde singer – exactly the kind of retro showbiz princess Eloise moonily idolises – who is being forced by her slick-haired manager Jack (Matt Smith) into having sex for money with creepy old men. Gradually, Eloise feels her identity merging with Sandie’s. Is she having a breakdown, or is this nightmare really happening?

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The last laugh: is the television sitcom really dead?

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From Friends to The Thick Of It, the TV sitcom has evolved – but it’s no longer in rude health. Enter offbeat shows like Stath Lets Flats, bringing joy and potential redemption

The sitcom has a long history of being dead. According to the former NBC president of entertainment, Warren Littlefield, in the early 1980s many people believed the sitcom was over. In 1999, Entertainment Weekly noted the genre’s demise. In 2005, so did Victoria Wood. The following year, the former ITV director of programmes, David Liddiment, made a programme called Who Killed the Sitcom? In the decade and a half since, similar questions have been posed repeatedly by publications on both sides of the Atlantic. Declaring the sitcom dead now seems more like an annual ritual than a convincing take on the state of comedy. But what if this time it’s actually true?

There are a few reasons why the sitcom seems, if not comprehensively deceased, then at least less responsive than it has ever been. In terms of the comedy zeitgeist, the sadcom – a frequently bleak drama hybrid – continues to rule (see: I May Destroy You, Feel Good, This Way Up, Insecure). Streaming giants increasingly shape our viewing habits, and they don’t tend to make sitcoms (their discrete episodic plots mean they are not very bingeworthy, for a start). The newly established National Comedy Awards, meanwhile, doesn’t include a sitcom category, while Bafta dropped its sitcom award in 2015 and replaced it with one for scripted comedy: this year’s winner, the comedy-horror anthology Inside No 9, in no way fits the sitcom mould.

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Sex: Unzipped review – perverse Sesame Street is a TV disgrace

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In this fascinatingly terrible Netflix show, presenter Saweetie cannot contain her cringing as sex-positive puppets masturbate constantly in front of her. What an agonising watch

I blame myself, really. I have made repeated pleas in these pages that British people be entirely kept away from any shows about sex or anything remotely sex-adjacent, because of our inability to face cameras or genitals without collapsing in mortal embarrassment. In doing so, I implied that Americans were better suited to the job. I apologise unreservedly. For Sex: Unzipped, billed erroneously by Netflix as a comedy special and presented by rapper Saweetie, has been inflicted upon us all to give the lie to my under-researched claim.

Saweetie is, especially for someone used to performing, fascinatingly terrible as a presenter. Uncomfortable, self-conscious and with a relentlessly flat delivery – it’s quite agonising. Perhaps she would be better off without the sex-positive puppets? Then again, perhaps we all would.

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Curb Your Enthusiasm review – Larry’s back, and funnier than ever

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The return of the angriest yet most comforting comedy on television brings the perfect formula of celebrity cameos, snark and screaming

After the 10th season of Curb Your Enthusiasm debuted in January 2020, it seemed like all anyone could talk about was Larry David’s deployment of a red Maga cap as a tool to conveniently repel people in liberal Los Angeles. Surely season 11, the first of the Covid era, would feature a spin on pandemic life no one could see coming, right? Well, there’s never been anything about this show that’s been predictable; you can practically hear Larry David shrug an “eh” at the thought of tackling such an obvious issue.

Which isn’t to say the season premiere, airing 21 years after the series premiered as an hour-long HBO special, won’t be considered an instant classic to many. Indeed, we now live in a world where Jon Hamm has spoken Yiddish on television, a true hallelujah moment for an admittedly small percentage of the world’s population, but a gift wrapped in a bow to Larry David’s most dedicated core. (We knew Hanukkah was coming early this year, but not this early.)

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Hooked on Squid Game? Here are 10 of the best K-dramas to watch next

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From a shocking drama set in the cut-throat world of Korea’s elite universities to a thriller about a time-travelling walkie talkie, here’s what to binge

Reply 1988 begins in the year South Korea hosted the Olympics and follows the lives of five friends in the neighbourhood of Ssangmun-dong in northern Seoul: carefree Deok-sun, fellow trouble-maker Dong-ryong, model student Sun-woo, grumpy Jung-hwan and Choi Taek, a reserved Baduk (Go) player.

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James Michael Tyler, who played Gunther in Friends, dies aged 59

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Tributes pour in for ‘seventh friend’ who revealed he had stage 4 prostate cancer in 2021

James Michael Tyler, most famous for playing Gunther, the manager of Central Perk in the hit sitcom Friends, has died aged 59.

In an interview with NBC in June 2021, Tyler announced that he had stage 4 prostate cancer, which was diagnosed in 2018.

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Mummy’s older than we thought: new find could rewrite history

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Discovery of nobleman Khuwy shows that Egyptians were using advanced embalming methods 1,000 years before assumed date

The ancient Egyptians were carrying out sophisticated mummifications of their dead 1,000 years earlier than previously thought, according to new evidence which could lead to a rewriting of the history books.

The preserved body of a high-ranking nobleman called Khuwy, discovered in 2019, has been found to be far older than assumed and is, in fact, one of the oldest Egyptian mummies ever discovered. It has been dated to the Old Kingdom, proving that mummification techniques some 4,000 years ago were highly advanced.

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Impeachment: American Crime Story review – Clinton-Lewinsky drama is a salacious sensation

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Starring Sarah Paulson and Beanie Feldstein, Ryan Murphy’s 10-part series on the infamous White House affair is propulsive, addictive and shot through with comedy

There is nothing stranger than the recent past. For that reason, it can be a goldmine for writers, and none has extracted more from it in the past few years than Ryan Murphy. The late 90s is his most fertile seam, furnishing all three parts of his American Crime Story anthology. The opening season gave him his first – and unexpected – post-Glee hit in the glorious The People v OJ Simpson, which retold the story of the 1994 killing of Nicole Brown and Ron Goldman and the most infamous murder trial of modern (media) times that followed. Then came The Assassination of Gianni Versace, about the death of the designer at the hands of Andrew Cunanan in 1997. Now we have Impeachment (BBC Two), which focuses on the Clinton-Lewinsky scandal that occupied minds, headlines and the House of Representatives for much of 1998.

This new 10-part instalment, written mainly by Sarah Burgess, puts the bureaucrat Linda Tripp – played by the most revered of his repertory company, Sarah Paulson – rather than the US president or his intern front and centre. The drama opens in 1998 with her leading the FBI to Monica (Beanie Feldstein) and leading her away to a hotel for questioning (“It’s for your own good,” Tripp assures her) as part of the Paula Jones investigation and pending lawsuit. We then move back to 1993, the suicide of Vince Foster and the Whitewater investigation, presented as the beginning of Tripp’s move from loyal (if abrasive and self-aggrandising) White House civil servant to embittered employee ready to put a metaphorical bomb under the place.

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‘They didn’t just pick us up off the street!’ Meet the globally derided Squid Game VIPs

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The K-drama is the hottest show in the world – so why do its English speakers sound like they’re reading off Google Translate? We meet the men accused of dire, stilted acting to see how they’ve found being catapulted to fame

Squid Game is a sensation. A violent Korean drama that mixes childhood nostalgia with vast amounts of death, the series has surpassed all expectations to become the most successful show in Netflix history. It has made global stars of its main cast overnight. That is, with a few notable exceptions.

‘Why is Squid Game’s English-Language Acting So Bad?’ demanded one recent headline, echoing the sentiment of hundreds of tweets and memes. The culprits are the “VIPs” – four English-speaking, mask-wearing billionaires who watch the action from afar, placing bets on the outcome of the carnage. To the naysayers, the VIP acting in Squid Game is stilted and mannered, and pulls them out of the show. But who are the people behind the masks?

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‘It’s barely started and I’m already terrified’: my crash course in Succession

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Blackmail! Backstabbing! Boar on the Floor! I binged seasons one and two of the dazzling drama about a dysfunctional, super-rich family. Bring on season three!

My to-be-watched pile is worse than my to-be-read pile, but at least all the prestige shows I need to watch have ended. I will get to them, but there is no urgency. Not so with Succession, another award-laden entity, urged upon me by critics and friends. Two series have passed me by and now the third season of the epic tale of media baron Logan Roy and his clan is almost upon us. It is time to go in.

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‘If it were the UK, police would have opened fire’: the explosive film about Trump’s Capitol Hill rioters

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It was the day rampaging Trump supporters stormed the Capitol – and almost derailed democracy. Now, using footage from rioters’ cameras, an unsettling film takes you into the thick of the mayhem

When Dan Reed and Jamie Roberts began approaching networks about a film focused on the storming of the US Capitol – an attack on American democracy on the scale of 9/11, and all the more shattering for having come from within – they were met with a lack of enthusiasm.

“The response was, ‘Why do we need a documentary? Everyone knows what happened’,” says Reed, whose previous hits include Leaving Neverland. It is true the January insurrection – in which thousands of Trump supporters rampaged in protest over the “stolen” election, leaving five dead and 140 police officers injured – had been documented in real time. Authorities reviewed 15,000 hours of footage, making it the largest digital crime scene in history.

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William Shatner in tears after historic space flight: ‘I’m so filled with emotion’

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Star Trek actor, 90, says ‘I hope I never recover from this’ after becoming oldest human in space on Jeff Bezos rocket New Shepard

The Star Trek actor William Shatner declared himself “overwhelmed” at becoming the oldest human in space, at the age of 90, during a brief but successful second crewed flight on Wednesday of Blue Origin’s New Shepard rocket ship from the west Texas desert.

The Canadian, who for four decades played Captain James Kirk, the fearless commander of the USS Enterprise, broke down in tears at the landing site as he described to the private space company’s founder, the Amazon tycoon Jeff Bezos, the profundity of his almost 11-minute leap to the stars.

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Squid Game is Netflix’s biggest debut hit, reaching 111m viewers worldwide

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The dystopian drama tops the streaming service’s charts in more than 80 countries, bumping aside recent Regency-era romp, Bridgerton

Dystopian South Korean drama Squid Game has become Netflix’s most popular series ever, drawing 111 million fans since its debut less than four weeks ago, the streaming service said Tuesday.

The unprecedented global viral hit imagines a macabre world in which marginalised people are pitted against one another in traditional children’s games. While the victor can earn millions in cash, losing players are killed.

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