Michaela Coel: ‘Like Arabella, I realised my life was about to change for ever’

The actor and writer mined her own dark experiences of assault and racism for the BBC hit drama I May Destroy You

Michaela Coel’s drama I May Destroy You has passed the point where we argue about whether it is a hit. The story of Arabella, a young London writer who’s drugged and raped, and embarks on a quest for justice and self-knowledge, has been a passport for millions of BBC viewers into a world of shifting boundaries around sexual consent, generational clashes, social media addiction and drugs.

Coel, 32, stars, writes and co-directs the drama, which has also launched on America’s HBO. The scrutiny means she’s been prodded to excavate her own past, after she was drugged and assaulted by an unknown assailant in her 20s. So, to Coel the same question that Arabella’s friend asks her on-screen character: why return to the worst of days with such punishing intensity?

Continue reading...

Naya Rivera: Glee star feared dead after son found alone in boat at lake

California sheriff’s department launches search after actor’s four-year-old son found alone on boat at Lake Piru

The former Glee actor Naya Rivera is missing and feared to have drowned at a lake in southern California.

A search operation at Lake Piru was suspended on Wednesday evening and was due to resume on Thursday.

Continue reading...

Dermot Mulroney: ‘I remember Charlie Sheen climbing over a balcony, half-clothed …’

The star of Young Guns made his name as one of the Brat Pack. Three decades on, while others have crashed and burned, he is dreaming of ‘reopening’ the entertainment industry after lockdown

In a quiet corner of his Los Angeles home, Dermot Mulroney grapples with a question that many actors’ egos would not allow them to entertain: why isn’t he a bigger star?

“Well, I had some alcoholism. That slowed me down. And I ... wasn’t six feet. Does that work? No, that’s a little flimsy. Let’s keep thinking.”

Continue reading...

Tom Hanks on surviving coronavirus: ‘I had crippling body aches, fatigue and couldn’t concentrate’

The world’s most relatable megastar talks about his Covid-19 experience, his fears for the future, and whether he’s really just so gosh darned nice

“Welcome to the future, Hadley!” Tom Hanks says from my computer screen, as he makes a quick glance to the right of his own to check my name. “Can you remember the last time you felt comfortable running around with other people?” he asks.

I tell him it was probably the last time I saw him, which was when we were at the Academy Awards in February, where he had ratcheted up his fifth Oscar nomination, for his performance as beloved US children’s TV host Fred Rogers, in the film A Beautiful Day in the Neighbourhood.

Continue reading...

Armada docudrama shows dark history of Normal People’s Sligo

Armada 1588: Shipwreck and Survival tells turbulent tale on bucolic stretch of Irish coast

Streedagh beach was the setting for young love in the TV drama Normal People, but its latest screen depiction reveals a dark history of plunder and slaughter on the golden sand.

Instead of romance among the dunes, viewers encounter drownings, stabbings and hangings on this bucolic stretch of Ireland’s Atlantic coast. And unlike the adaptation of Sally Rooney’s novel, it’s all true.

Continue reading...

Jenni Murray: ‘I hate the diet industry. It’s caused me misery’

The Woman’s Hour presenter has written a book about her lifelong struggle with her weight. She discusses fat-shaming, body positivity and what happened when she had bariatric surgery

A few years ago, Jenni Murray was out walking with her son and dogs when she saw a potential vision of her future. While she was strolling painfully around the park, stopping to rest at benches where she could, a woman not much larger than Murray passed them on a mobility scooter, her own dogs’ leads attached to the handlebars. If Murray – at 24 stone (152kg) – didn’t do something about her weight, her concerned son said, that might be her before long. How did she feel about herself at that point?

“Extremely obese,” she says. “I was not the fit, active person that I wanted to be. I just lumbered everywhere. I’d had breast cancer and a double hip replacement in my 50s, but it was the obesity that was going to kill me.” It was the final push Murray needed, after a lifetime of dieting, and a warning from her doctor that she was on the way to developing type 2 diabetes. “I thought, I’ve got to do something about it, I’m 64 and I’m not going to make it to 70.” She adds, triumph in her voice, “And I did make it to 70!” She reached the milestone birthday in May.

Continue reading...

The Simpsons stops using white actors to voice non-white characters

Move comes amid widespread reckoning for American pop culture following mass protests after George Floyd’s death

The Simpsons is ending the use of white actors to voice characters of colour, the show’s producers have said.

“Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters,” they said in a statement on Friday.

Continue reading...

Christiana Ebohon-Green meets Wunmi Mosaku: ‘It’s exhausting being the non-threatening black woman’

The TV director and actor talk candidly about how racism is draining, limiting and ingrained. But is leaving to work in the US the answer?

The director Christiana Ebohon-Green (EastEnders, Call the Midwife, Soon Gone: A Windrush Chronicle) and the actor Wunmi Mosaku, 33, (Luther, End of the F**king World and Misha Green’s upcoming HBO/Sky Atlantic drama series, Lovecraft Country) have met before. In fact, they have worked together, on Ebohon-Green’s Bafta-longlisted short, Some Sweet Oblivious Antidote. They both have fond memories of the sun-dappled shoot by the Thames, with a (mostly black) cast of actors. But not every experience on set has been so joyful. Amid some laughter, a few tears and many weary sighs, they swap horror stories of industry racism, discuss solidarity among black creatives, and the opportunities and risks involved in a move to the US.

CEG: I’ve worked on a lot of mainstream television drama, so I’ve often been the only [black person] on set. For me [having this wider conversation about racism] is a relief. Sometimes, you air issues and people are like: “Oh yeah, we know! We’ve solved that! Can you stop going on?” So I’ve been very careful about what I said and assumed people understood.

Continue reading...

Monsters are heinous, but they need collaborators to do their dirty work | Suzanne Moore

Mouths to feed, rent to pay: there’s always an excuse if you’re tempted to do the wrong thing

Where is Ghislaine Maxwell? Where? I sat through the four episodes of Filthy Rich, the Netflix documentary on Jeffrey Epstein. I had to force myself, not because it was so upsetting – which, of course, it also was – but because the tales of his sexual abuse were so monotonous. Brave and defiant, his victims had to numb themselves slightly to tell and retell what happened to them when they were as young as 14. The interviews with the monster himself, as always, were disappointingly banal. Monsters often are tediously ordinary. The magnetic charm, the immense intellect, is one of the biggest delusions of “true crime”. See also Ted Bundy.

Anyway Ghislaine, accused of procuring underage girls for Epstein, is said to be a free woman in Paris, living in the swanky 8th arrondisement. French law prevents her extradition. Many of those implicated in Epstein’s world of obscene exploitation, including all the art world and socialite scum, must have a clue where she is. Alleged scum, I should say. They love their children just like we do. Sure.

Continue reading...

Dutch football captains lead boycott of TV show over racist remarks

Virgil van Dijk and Sari van Veenendaal hit out at pundit and say ‘enough is enough’

The captains of the Dutch men’s, women’s and youth national football teams are boycotting a leading sports TV programme over the racist comments of a longstanding pundit, warning: “Enough is enough.”

The Liverpool centre-back Virgil van Dijk, and the Atlético Madrid goalkeeper Sari van Veenendaal have led the way after years of the behaviour of Johan Derksen on the Veronica Inside show being explained away as straight-talking humour.

Continue reading...

Sun screen: the best TV shows to watch over the summer months

From Love Island to Queer Eye, as the longest day of the year beckons our writers pick their favourite summery television so you needn’t brave the outside world

For many Brits of a certain age, the launch of the latest Love Island trailer is the bat signal that summer is truly starting. Whatever the weather, every July between 2015 to 2019, when Caroline Flack promised me a “long, hot, summer”, I knew I was in for one.

Continue reading...

Chris Lilley’s Jonah is not from Tonga, I am. It’s time to dismantle racist brownface stereotypes | Seini F Taumoepeau

Netflix was right to pull Lilley’s shows. We have no need for him to whitesplain Tongan people for entertainment

When I first watched Summer Heights High, seeing the character of Jonah – a lazy, dumb, breakdancing, Tongan teenager – I was mortified and struck dumb by the fact that in 2007 brownface was allowed on Australian TV.

This week it was revealed that Netflix had quietly pulled four of Chris Lilley’s television shows, specifically those that featured Lilley in black- or brownface portraying Tongan schoolboy Jonah Takalua and African American rapper S.mouse.

Continue reading...

Harry Enfield says blacking up as Mandela was ‘so wrong it was right’

On Radio 4’s Today programme, the comedian justified decision to portray former South African president in blackface

Harry Enfield has defended the use of blackface on television in an interview broadcast on Radio 4’s Today programme. In conversation with host Nick Robinson and fellow guest Ava Vidal, the comedian aimed to justify his decision to portray Nelson Mandela, describing it as “so wrong that it was right”.

Enfield, known for playing characters including Loadsamoney and Kevin the Teenager on television, said he had also used makeup to play an Indian soldier in a BBC programme, a decision he also deemed appropriate.

Continue reading...

How Hollywood has tried, and mostly failed, to tackle police racism

From Birth of a Nation to Watchmen, the big and small screens have tried to wrestle with racial tensions within law enforcement with mixed results

As we’ve all seen, when it comes to American police brutality, the gloves are now off and the masks too. Faced with yet more incontrovertible evidence of brutal and racist policing both the killing of George Floyd and others, and some forces’ response to the public protests it has become virtually impossible to maintain the image of American law enforcement officers as straightforward protectors and servers of the people. 

Related: George Floyd protests: fired officer to appear in court as calls to defund police sweep US – live

Continue reading...

History remixed: the rise of the anachronistic female lead

The lives of women from history, from Catherine the Great to Shirley Jackson, are being brought to the screen with a radical focus on character over facts

It is a point in favor of TV’s sprawling proliferation that one gets, in the course of a year, both a lush, serious historical drama starring Helen Mirren as Catherine the Great on HBO, and its tonal opposite, Hulu’s raucous, gleefully brutal The Great, which puts an asterisk right on the title card: “An Occasionally True Story.” The Great, developed by Tony McNamara, the writer of absurd court send-up The Favourite, cares little for the historical accuracy of the 18th-century Russian monarch. Its Catherine (Elle Fanning) arrives in the backward, hedonistic Russian court as a naive 19-year-old bride in 1761. The real Catherine was 35 and a mother by then, but that’s fine – free from the constraints of biography or pedantic seriousness, The Great’s occasional truth delivers, ironically, a more lasting impression of a real, flesh and blood princess – one slowly but determinedly amassing power, enlightened but ambitious to rule.

Related: The Great review – gleefully garish new series from The Favourite writer

Continue reading...

Tiger King’s Carole Baskin handed control of Joe Exotic’s zoo

Baskin, whose rivalry with Exotic was documented in the Netflix hit, is now the owner of the Oklahoma premises following court proceedings

Beleaguered zoo owner Joe Exotic, subject of Netflix’s hit documentary series Tiger King, has now suffered the indignity of rival Carole Baskin gaining control of what was once his zoo. Baskin, a self-styled conservationist and owner of the Big Cat Rescue facility in Hillsborough County, Florida, has been given control of the Wynnewood, Oklahoma premises by courts, after Exotic failed to pay her $1m in copyright and trademark suits.

Exotic – real name Joseph Maldonado-Passage – is currently in prison, having been found guilty of 17 counts of animal abuse and a murder-for-hire plot against Baskin, and sentenced to 22 years.

Continue reading...

Tributes paid to Boys from the Blackstuff actor Michael Angelis

Writer Jack Thorne among those to pay their respects to Angelis, who has died aged 68

Tributes have been paid after the death of Michael Angelis, an actor who will be remembered as the morose rabbit-obsessed Lucien from The Liver Birds, the desperate Chrissie in Boys from the Blackstuff, and the narrator of Thomas the Tank Engine.

Angelis died suddenly while at home with his wife on Saturday, his agent said. He was 68.

Continue reading...

‘It’s outrageous’: inside an infuriating Netflix series on Jeffrey Epstein

Jeffrey Epstein: Filthy Rich synthesizes legal information with first-person testimony of the billionaire’s abuse and bought immunity into a shocking watch

It’s difficult to watch Jeffrey Epstein: Filthy Rich, a four-hour Netflix series on the now-deceased convicted sex offender without a choking sense of outrage. How many girls had to suffer to get attention? How perversely twisted is the American justice system that a Gatsby-esque billionaire, friends with such powerful figures as Bill Clinton, Prince Andrew and Donald Trump, a longstanding donor to Harvard and MIT, could buy his way out of an almost certain life sentence for child sex abuse and trafficking?

Filthy Rich arrives, of course, less than a year after Epstein, 66, died, officially by suicide, in a New York jail last August. “There’s no justice in this,” Shawna Rivera, speaking publicly for the first time about Epstein’s alleged abuse starting when she was 14, says in the final episode. “There was just so much more to be said that will never be said.”

Continue reading...

‘No rear view mirror in this car’: Bob Geldof on love, loss and lockdown

The Boomtown Rats’ new album, their first in 36 years, coincides with a BBC documentary on the band

Bob Geldof doesn’t do nostalgia. Now 68, the Irish musician and activist says that he has lived his life refusing to look back. “I have the point of view that there’s no rear view mirror in this car,” he says.

So it might seem surprising that he not only agreed to the BBC making a documentary, Citizens of Boomtown, about his first band, The Boomtown Rats, but has also spent the last year actively engaged in reliving his past through it.

Continue reading...