What is high school like around the world? A new film lets students investigate

The documentary The Smartest Kids in the World follows four frustrated American students as they explore different high schools abroad

Sadie, a 16-year-old high school junior in Harpswell, Maine, felt off-kilter in her American high school – too much memorization, not enough relevance to hands-on work in prospective careers. “I know it doesn’t have to be like this,” she says of her school days in The Smartest Kids in the World, a new documentary on international educational systems. Brittany, a junior outside Orlando, Florida, spends hours on homework but finds her curiosity unchallenged. “I kinda just wonder … what are we doing?” she muses. Jaxon, 16, from the small town of Saratoga in south-eastern Wyoming, finds himself torn between wrestling practice and sleeping two extra hours before his ACT, where one point marks the difference between free college tuition and $30,000 a year. “It’s only my life,” he shakes his head, “practically, everything in it.”

Related: 'It's a wake-up call': behind the film urging investment in pre-school education

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Batman & Robin: time to revisit Joel Schumacher’s maligned, silly and endlessly quotable film

The widely detested 1997 adaptation and its various bizarre spin-offs are worth a reappraisal in this era in which nothing makes sense

Serious comic book fans and discerning cinephiles consider director Joel Schumacher’s Batman & Robin from 1997 one of the worst films ever made – but they are wrong. It’s easily more entertaining than Christopher Nolan’s feted Batman trilogy (come at me Nolanites) – an endlessly quotable and absurd corporate climate change parable and the source of teenage mania among my early 2000s high school friends.

The intensely silly caper is more reminiscent of the 60s TV show, and Silver Age comics, than the brooding 80s publications that inspired Nolan and everyone since. Fans were understandably upset with the film’s reduction of Bane (one of Batman’s most intelligent foes) to a witless henchman; but in The Dark Knight Rises, Nolan and Tom Hardy turned Bane into a helium-fuelled, amateur Shakespearean actor, so, whatever.

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‘It’s hot right now to have an Asian lead’: Manny Jacinto on The Good Place, Nicole Kidman and Tom Cruise

The role of DJ Jason Mendoza catapulted the 33-year-old to fame. Now he’s starring with Kidman in Nine Perfect Strangers – and being entranced by Cruise in the Top Gun reboot

On YouTube, you can see Manny Jacinto getting the surprise of his life. During a break from filming, the stars of The Good Place are informed of the smash-hit comedy’s mind-boggling plot twist. Castmate Jameela Jamil covers her face with her hands. William Jackson Harper shouts out loud. Jacinto jerks his head around frantically, as if trying to make sense of this astonishing development purely through the power of repetitive neck movement.

“I wish I could bottle up that feeling and have everybody experience it,” says Jacinto wistfully, five years later. “It was incredible.” Fans of the heaven-set sitcom will know what he means: the revelation was up there with the best plot twists of all time (spoiling it would be a crime). Yet for Jacinto the show did far more than pull the rug from under him. Winning the role of nice-but-ridiculously-dim DJ Jason Mendoza sent shockwaves through his entire life, catapulting the 33-year-old from relative obscurity to the kind of stardom that invariably accompanies a Netflix success story.

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Underground review – mine explosion disaster film digs deeper than most

French-Canadian director Sophie Dupuis puts human drama ahead of the action in this naturalistic, character-driven film

Here is an arthouse disaster movie from Quebec: a naturalistic, character-driven drama about what it might truly look like if a mineral mine exploded, trapping five workers underground. It’s the second feature from French-Canadian director Sophie Dupuis, who herself grew up in a mining family.

She opens her film in the heat of the rescue: red lights flashing, a response team descending into darkness. One of the rescuers, Max (Joakim Robillard), would be the hero of the Hollywood version, running around hot-headedly, disobeying orders: “Fuck you! I’m going to get the others!” Actually, much of the film is about how damaging it is for Max living with this tough-guy masculinity.

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‘My theatre went dark’: Amanda Kloots on loving and losing actor Nick Cordero

The Broadway favourite, who died of complications from Covid last summer, is remembered by his wife and co-star

When you’re on Broadway and suddenly find out that your show is closing, you feel this wave of sadness. As a cast member, there was nothing you could have done to save it. You didn’t write the script; you didn’t call the shots. You just had to show up, and smile, and dance, and perform, and give it your all every day. Your cast has become like your family, the theatre like your home, and your dressing room like your own personal bedroom in that house, your space filled with photos, cards, and memories. After your last show, you have to take that all down, pack everything into a box, and walk out of the theatre as it goes dark.

Related: Nick Cordero: Broadway star dies aged 41 of coronavirus complications

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Thomas Quasthoff: ‘From birth, my mum felt guilty. I had to show her I made the best of my life’

Born disabled due to the effects of Thalidomide, the exuberant star rose to classical music’s pinnacle – then quit at the peak of his powers. Now he’s back – singing jazz

Thomas Quasthoff has been retired from classical music for nearly a decade now. The German bass-baritone was in his early 50s when he made the shock announcement – an age when singers of his type are still in their prime. His elder brother Michael had been diagnosed with lung cancer in 2010, and that diagnosis and his brother’s subsequent death had left Quasthoff temporarily physically incapable of singing.


“Three days after being told that my brother would not live longer than nine months I lost my voice,” he recalls. “Doctors looked at my throat and said: ‘Everything is fine.’ But my heart was broken, and if the heart is broken ...” he pauses. “The voice is the mirror of the soul.”


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Pose star Sandra Bernhard: ‘I never tried to be revolutionary. That’s just who I was’

The trailblazing actor and comedian on asserting her bisexuality in the 80s, misogynistic male comics – and befriending Madonna

During nearly five decades in showbiz, Sandra Bernhard has racked up title after title – comedian, actor, singer, author, radio host – and a reputation for controversy. She has worked with a long list of superstars, from Richard Pryor and Robin Williams to Robert De Niro and Cyndi Lauper. But she has never been overshadowed; her force of personality has guaranteed that. Even 30 years ago, the Los Angeles Times was paying homage to her “acid-tongued, antagonistic persona”.

But there are no cutting remarks today. On this sunny morning in LA, she appears relaxed, in a pink-striped shirt and trousers, reminiscent of the early 80s outfits she wore for her many appearances on Late Night With David Letterman.

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The White Lotus review – a magnificently monstrous look at how the other half live

Rich guests – including a spaced-out Jennifer Coolidge – rub shoulders with downtrodden workers on a holiday from hell, in Mike White’s superb satire about inequality

The White Lotus is Big Little Lies with another two and a half turns of the screw – an equally sumptuously set miniseries with a mystery fatality at its heart. But this time, its subject is the monstrousness of affluence rather than mere snobbery.

We open with newlywed Shane (Jake Lacy) batting away questions from a friendly couple in an airport departure lounge about where his wife is, as he gazes down at cargo labelled “Human remains” that is being loaded on to their flight. Then we flash back a week to his arrival (with his starry-eyed wife Rachel – Alexandra Daddario) at the exclusive White Lotus spa in Hawaii, as part of a similarly Waspy group of guests.

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Bob Dylan accused of sexually abusing a 12-year-old in 1965

A lawsuit, filed Friday, alleges the Nobel laureate plied a girl with drugs and alcohol and abused her over six weeks in 1965

A new lawsuit alleges that Bob Dylan, the Nobel-winning folk singer-songwriter, plied a 12-year-old girl with drugs and alcohol before sexually abusing her in 1965.

The lawsuit alleges that the Times They Are A-Changin’ singer “befriended and established an emotional connection with the plaintiff”, identified in Manhattan supreme court papers, obtained by the Guardian, only as “JC” and groomed her over the course of six weeks in April and May 1965.

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‘We aren’t all dumb hillbillies’: how Covid caused a rift in country music

Country stars such as Jason Isbell have received backlash for insisting on safety at their concerts, exposing an age-old political divide

The Covid-19 culture war has a new front: country music. Be it the Nashville establishment or up-and-comers in adjacent roots, folk and Americana genres, numerous artists are taking a stand about concert pandemic precautions, often along partisan lines. Jason Isbell has become one of the most prominent musicians to step into the fray. The Grammy-winning independent alt-country artist – who has released acclaimed albums like Southeastern and last year’s Reunions – rowed with some venues and vitriolic Twitter users, while also eliciting praise, after announcing on 9 August that proof of a Covid-19 vaccination or a negative test was mandatory for his show-goers.

“We have the ability to limit the number of people who get sick. So I can handle pushback from anyone refusing that, because I believe I am correct,” Isbell said.

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‘I’m not a news robot reading an Autocue’: Clive Myrie on politics, personality and Mastermind

The BBC newsreader takes over the venerable quiz show next week. He discusses fighting for viewers, dealing with online abuse – and making his parents proud

There is one correct way to start an interview with the new host of Mastermind: turn the tables on him – put him in the chair, under the spotlight. He hasn’t prepared a specialist subject, though, so I pick one for him, an easy one: the life and work of Clive Myrie, gleaned from previous interviews and the internet. There may be errors, but I can accept only the answer on the card. It will lead to topics for discussion. He is up for it, he says, although his face says: “WTF?”

The setting – a meeting room at the BBC’s New Broadcasting House – isn’t perfect. The lighting is all wrong. There are chairs, but not the chair. At least I can play the theme on my phone. Bam baba bam, bam baba bam, da da

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‘We always see sex from the man’s view’: Cammie Toloui, the peep show performer who peeped back

Turning her camera on her customers, the sex worker and photojournalist exposed the male gaze to itself – and opened up a world of shame and desire

“As a rebellious preteen, I sat down and made a list of my life goals,” writes Cammie Toloui in her photobook 5 Dollars for 3 Minutes. “It was pretty simple: 1. Sex. 2. Drugs. 3. Rock’n’roll.”

Born in the San Francisco Bay Area in the Summer of Love, Toloui was in the right place to hit these targets, and by 1990 was a member of a feminist punk band, Yeastie Girlz, and working at the Lusty Lady strip club. Stripping was part-rebellion and part-necessity because Toloui was studying photojournalism at San Francisco State University and the Lusty Lady paid well, but when she was given an assignment to shoot her own life, it also became a project. Deciding not to photograph herself or her colleagues, because female nudes have been seen so many times before, she trained her camera on the customers.

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Actor Carrie Coon: ‘My husband says I have ice-water in my veins’

The chameleon-like star of Fargo and The Leftovers on performing opposite Jude Law in new thriller The Nest, the sophistication of British audiences – and her ‘showmance’ with husband Tracy Letts

A toddler is playing a tuba in the next room and Carrie Coon apologises in advance if she’s a little distracted. Unexpectedly saddled with childcare duties today, the 40-year-old is keeping one eye on her two children – three-year-old son Haskell and his month-old sibling – while she chats over Zoom from her Chicago home.

The Ohio-born actor is currently enjoying something of a well-earned moment. Best known for TV roles including grieving widow Nora Durst in post-apocalyptic saga The Leftovers and divorced, dogged Minnesota cop Gloria Burgle in the third (and best) season of Fargo, for which she was Emmy nominated, she now stars alongside Jude Law in acclaimed new psychological thriller The Nest. This autumn she also plays one of the leads in the eagerly awaited reboot of the Ghostbusters franchise.

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‘A way to be heard’: the New Zealand Pasifika youth subculture devoted to emergency sirens

Siren kings battle their way through several carefully judged rounds to establish who has the loudest, clearest sound

On the streets of south Auckland, Pasifika youth equipped with plastic siren cones have created a new sound – one that stormed TikTok, and took over a moment in pop music. Sometimes disparaged or dismissed, they say their work with sirens is more than just a sound or a hobby. It’s also about community, creativity and respite from struggle.

These are the Siren Kings – a street subculture devoted to the volume and clarity of music, channelled through the unusual vector of emergency-evacuation sirens.

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Director Ken Loach says he has been expelled from Labour

Leftwing film-maker claims move by party is because he would ‘not disown those already expelled’

The veteran leftwing film-maker Ken Loach has said he has been expelled from the Labour party.

Loach, whose films are regarded as landmarks of social realism, claimed the move by the party was because he would “not disown those already expelled”, and he hit out at an alleged “witch-hunt”.

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Summer in the city: Lauren Oyler on a bike accident in Berlin

The US author and critic recalls a summer of cycling in the German capital in 2018

• Read other authors on their memorable urban summers

Every summer when I come to Berlin, someone says, “Wouldn’t you rather be at the beach?” No. I want to drink beer from the Späti (corner shop) and marvel at the sudden appearance of disparate architectures. But increasingly, there are heatwaves.

If pressed, even these I can romanticise: everyone is carefree and dirty (even more so than usual) and doesn’t work (even more so than usual). I always end up crossing Alexanderplatz on a bike thinking, this is like a desert, but more than once I’ve run into someone I know in the bike lane, which renders the scene even more hallucinogenic. Still, I dread the heatwaves as if they are worse than they are. “They’re going to have to get air-conditioning,” I mutter with the rest of the Americans. The only real respite is, unfortunately, to go to the beach.

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Modesty pouches and masturbation montages: the making of Sex Education

The rude, raucous and revolutionary comedy is back for another term. The stars and creators reveal how it became one of Netflix’s biggest British hits

Sex Education is back with a bang. Several, in fact. The Netflix hit’s third series starts with an epic sex montage. There’s sex in a car; in a living room; in a variety of teenage bedrooms. There are casual encounters, committed relationships, sex together, alone, virtually, playing the drums and with a sci-fi theme. It is a symphony of shags, an opera of orgasms, all set to the thumping beat of the Rubinoos’ I Think We’re Alone Now. As the old saying goes, there’s nowt so queer as folk, and Sex Education is determined to prove it.

The Netflix comedy-drama only began in 2019, but thanks to its cross-generational, multinational appeal, it already seems like part of the cultural landscape. The funny, frank, flamboyant show about teenage life, sex and identity is an awards magnet and has made stars of its young cast, who now front fashion campaigns and appear regularly on stage and cinema screens. Gillian Anderson and Asa Butterfield star as mother and son Jean and Otis Milburn, who live in an enviable, chalet-style house overlooking the gorgeous Wye valley.

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Strictly Come Dancing 2021: the contestants – ranked

Robert Webb, AJ Odudu, Tom Fletcher and Nina Wadia are among the celebrities getting their dancing shoes on for Strictly. But who will succeed … and who on earth is Tilly Ramsay?

The 2021 Strictly Come Dancing line-up has been unveiled in full, which can only mean one thing. It’s Christmas already. Merry Christmas everyone!

But who are these brave celebrities who have dared to develop a close friendship with a professional dancer that has a statistically high likelihood of ending their marriage? Below you will find them all, ranked from worst to best in terms of probable success.

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‘This is a public health issue’: can Covid-era music festivals ever be safe?

After backlash over the 100,000-plus crowd of mostly unmasked faces at Chicago’s Lollapalooza, festival organisers reckon with a safe way forward

It could have been an image from 2019 – a sea of mostly unmasked faces, shoulder to shoulder, singing to live music in Chicago’s Grant Park. The mass gathering of about 100,000 people daily for Lollapalooza 2021, one of the country’s most prominent music festivals, featuring Foo Fighters and Post Malone, on the last weekend of July was a welcome sight to music lovers – and a worrisome event for public health officials as cases of the Delta variant of Covid-19 surge in the US.

The photos now appear like the last naive gasp of pandemic-free fantasy; in the two weeks since Lollapalooza, which required either proof of vaccination or a negative Covid test to attend, the rapid spread of the Delta variant has forced a slate of upcoming music festivals to reassess health and safety plans at a pivotal moment for handling of the pandemic in the US.

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The Cloud in Her Room review – exquisite slow-burn study of a quarter-life crisis

Chinese film-maker Zheng Lu Xinyuan makes her debut with a dreamlike distillation of a young woman’s alienation from family and friends

“A few days ago, I met someone.” A woman makes the confession matter-of-factly to her on-off boyfriend as they try to find somewhere for dinner. At that moment the camera pans up to the sky, and when it fades back to the street, the couple have gone, vanished into thin air. It’s not the only time that Chinese film-maker Zheng Lu Xinyuan, making her feature debut, cuts away from characters at precisely the moment another director would go in for a close-up; it may drive you crackers.

This film is pure slow-burn arthouse, shot in black and white, the format dominated by flashbacks – perfect for a film that drifts along on scraps and dreamlike fragments. It follows aimless 22-year-old Muzi (Jin Jing) who is back in her hometown, Hangzhou, visiting her folks for Chinese new year. Nothing much happens. In an early scene a gay friend asks Muzi to have a baby for him; his parents are desperate for a grandchild. Her boyfriend, a sensitive, shaggy-haired photographer (Zhou Chen), shows up unexpectedly from Beijing. Muzi is also flirting with a local bar owner (Dong Kangning) who clearly rates himself. Her parents have been divorced for years. She smokes cigarettes with her dad (Ye Hongming), an artist and jazz musician. A couple of scenes hint at emotional tensions with her mum (Dan Liu), a woman with the glamour and poise of a 1950s movie star; after a drunken karaoke session, her mum is sick on the street. When Muzi leans down to help, mum roughly shoves her away.

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