Backlash after Booker awards prize to two authors

Decision to make first black female winner, Bernardine Evaristo, share £50,000 prize with Margaret Atwood causes controversy

The Booker prize judges’ decision to break the rules and jointly award the prize to Margaret Atwood and Bernadine Evaristo has been criticised, with detractors pointing out that the first black woman ever to win Britain’s most prestigious literary award has had to share it – while receiving half the usual money.

Chair of the judges Peter Florence shocked the literary world on Monday night when he revealed that the jury had decided – unanimously, he said – to flout rules, which have been in place since 1992, that the Booker “may not be divided or withheld”. After more than five hours of deliberation, he announced that this year’s £50,000 award would be split between Atwood’s follow-up to The Handmaid’s Tale, The Testaments, and Evaristo’s polyphonic novel Girl, Woman, Other. Told in the voices of 12 different characters, mostly black women, Evaristo has said that the novel, her eighth, stems from the fact that “we black British women know that if we don’t write ourselves into literature, no one else will”.

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Ronan Farrow reveals extreme measures Weinstein took to bury alleged crimes

Farrow’s book Catch and Kill describes Harvey Weinstein’s efforts to silence alleged victims and put Farrow himself off the story

The combination of rage, threats, professional promises and vulnerability that Harvey Weinstein used to secure the silence of women he allegedly sexually attacked is described in a newly disclosed interview between one of his accusers and Ronan Farrow, the journalist who exposed the Hollywood mogul.

In his new book Catch and Kill chronicling his investigation into Weinstein, Farrow relates for the first time details of his conversation with a longtime former employee of the movie producer, Alexandra Canosa.

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Sulli, K-pop star and actor, found dead aged 25

The singer and former f(x) member, who was the victim of online bullying, had severe depression, according to police

The K-pop star and actor Sulli has been found dead at the age of 25. Police said that the celebrity, born Choi Jin-ri, was discovered unconscious at her Seongnam residence on 14 October.

“Her manager visited her home after failing to reach her since their last call the night before,” Seongnam police said, adding that Sulli had been experiencing severe depression. “It seems that she took her own life but we are also looking into other possibilities.”

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‘Glacial change’: film industry is slow to reform despite #MeToo

Progress towards equality in the entertainment industry has been patchy, say campaigners

Two years ago, the entertainment industry became the primary focus of discussions over abuse, harassment and decades of ingrained sexism after allegations against Harvey Weinstein rocked Hollywood and kickstarted the wider #MeToo movement.

While a raft of initiatives have been introduced, including Time’s Up, a group that provides legal support to victims, and 50/50 x 2020, a gender parity pledge that all major film festivals have signed up to, industry experts said change has been glacial.

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Restored 19th-century ships’ figureheads to go on display in Plymouth

The 14 carvings will hang from the ceiling in arts venue The Box, due to open in the spring

A collection of 19th-century wooden figureheads from British naval warships has been lovingly restored from the ravages of years at sea and will form a striking display at a new heritage and arts complex in Plymouth.

The 14 figureheads, some of which were so badly water-damaged that their insides had turned into a soggy mulch, are to be suspended from the ceiling of The Box gallery and museum, which is due to open in the spring.

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The Irishman review: Martin Scorsese’s finest film for 30 years

Robert De Niro, Al Pacino and – especially – Joe Pesci turn in performances of wintry brilliance in Scorsese’s epically daring late stage mob masterpiece

Martin Scorsese returns with his best picture since GoodFellas and one of his best films ever. It’s a superbly acted, thrillingly shot epic mob procedural about violence, betrayal, dishonesty and emotional bankruptcy starring Robert De Niro, Joe Pesci and Al Pacino, set in a time before “toxic masculinity” had been formally diagnosed but when everyone lived with the symptoms. The film has been talked about for the hi-tech “youthification” technology which allows De Niro to appear as a younger man: it’s no more artificial than the traditional wigs, latex etc and it’s amazing how quickly you get used to it. De Niro’s eyes achieve an eerie, gluey gleam in this manifestation as a digital ghost from his past.

These are men conducting their business with sorrowful hints and shrugs and mutterings about who has gone too far, who has not shown respect, who will need to be persuaded to attend a sit-down to straighten this whole thing out. These solemnly or cordially euphemistic encounters in a subdued steakhouse light periodically explode into violence or dreamlike scenes of choreographed catastrophe, punctuated by gunshots or visceral jukebox slams on the soundtrack. And all given a queasy new resonance of political conspiracy and bad faith.

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Svetlana Alexievich: ‘Most children caught up in war die early’

The Nobel prize-winning author on using oral history to convey the horrors of war, her regard for Dostoevsky, and Greta Thunberg’s activism

Svetlana Alexievich gave a lecture last week commemorating the work of murdered Russian journalist Anna Politkovskaya. Alexievich’s book Last Witnesses: Unchildlike Stories was published in June in the UK, more than three decades after it first appeared in the USSR to critical acclaim. It is based on interviews with a Soviet generation that experienced the second world war as children and has lived ever since with trauma. In 2015 Alexievich, now 71, won the Nobel prize for literature. The committee praised “her polyphonic writings, a monument to suffering and courage in our time”. She lives in Minsk, Belarus, and is currently writing books about love and death.

Why are you in the UK?
I came because of Anna [Politkovskaya]. I loved and respected her so much. We met in 2005 at a prize ceremony in Oslo. There were many people there but Anna was somehow on her own, separate from the others. She was a person of extreme integrity bordering on fanaticism. We had a coffee, talked. There was one theme that united us: war. She was traumatised, at that point very close to a nervous breakdown, and full of pain and frustration. Anna was unhappy that she couldn’t explain the situation [in Chechnya]. She wasn’t able to make the west understand. She told me about the threats she was receiving. Her assassination [in 2006] came as a complete shock. I knew from our conversations that she was more or less prepared for this to happen. As a writer, I imagine what she was going through when she entered the lift of her apartment and the killer was there. It’s hard to imagine.

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The day I confronted Harvey Weinstein: ‘He said, “You think you can save everyone”’

Long conference calls and bad-tempered threats: an exclusive extract from Ronan Farrow’s book Catch And Kill

By fall 2017, I had taken my story to the New Yorker. As the investigation moved closer to publication, I called the Weinstein Company for comment. Sounding nervous, an assistant said he’d check if the boss was available. And then there was Weinstein’s husky baritone. “Wow!” he said with mock excitement. “What do I owe this occasion to?” The writing about the man has seldom lingered on this quality: he was pretty funny. But he veered swiftly toward fury. Weinstein hung up on me several times that fall, including on that first day. I told him I wanted to be fair, to include anything he had to say, then asked if he was comfortable with me recording. He seemed to panic, and was gone with a click. The pattern repeated that afternoon. But when I got him to talk for a sustained time, he abandoned his initial caution and got sharply combative.

“How did you identify yourself to all these women?” he demanded. I was caught off balance. I had started reporting the story for NBC, before turning to the New Yorker.

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Jackie Brown star Robert Forster dies aged 78

Forster was a versatile character actor whose career was unexpectedly rescued by his Oscar-nominated role in Quentin Tarantino’s cult thriller

Peter Bradshaw on Robert Forster: a coolly charismatic character actor with an intensely sympathetic air

Robert Forster, the handsome and omnipresent character actor who got a career resurgence and Oscar nomination for playing bail bondsman Max Cherry in Jackie Brown, died on Friday. He was 78.

Publicist Kathie Berlin said Forster died of brain cancer following a brief illness. He was at home in Los Angeles, surrounded by family, including his four children and partner Denise Grayson.

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‘My ties to England have loosened’: John le Carré on Britain, Boris and Brexit

At 87, le Carré is publishing his 25th novel. He talks to John Banville about our ‘dismal statesmanship’ and what he learned from his time as a spy

I have always admired John le Carré. Not always without envy – so many bestsellers! – but in wonderment at the fact that the work of an artist of such high literary accomplishment should have achieved such wide appeal among readers. That le Carré, otherwise David Cornwell, has chosen to set his novels almost exclusively in the world of espionage has allowed certain critics to dismiss him as essentially unserious, a mere entertainer. But with at least two of his books, The Spy Who Came in from the Cold (1963) and A Perfect Spy (1986), he has written masterpieces that will endure.

Which other writer could have produced novels of such consistent quality over a career spanning almost 60 years, since Call for the Dead in 1961, to his latest, Agent Running in the Field, which he is about to publish at the age of 87. And while he has hinted that this is to be his final book, I am prepared to bet that he is not done yet. He is just as intellectually vigorous and as politically aware as he has been at any time throughout his long life.

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‘Future relics’: the painter capturing the beauty of council houses

Frank Laws’s Hopperesque watercolours depict the individual character of east London’s most impressive – and everyday – buildings, as gentrification threatens their very existence

From Mike Leigh’s film Meantime to the TV show Top Boy, the social housing estates of east London have provided rich subject matter for writers and artists exploring the human stories intertwining in their communities. In the paintings of east Londoner Frank Laws, however, there isn’t a person in sight. The only signs of life are curtains flapping at open windows and the luminescent glow emanating from inside a home. Blocks of flats that teem with life in, say, Plan B’s film and album Ill Manors, stand eerily quiet and vacant in Laws’s images.

Laws was born in a village in Norfolk but hated the rural quiet. “I was always scared of the dark in the countryside,” says the 37-year-old. “I’m still scared of it.” It’s this fear, and Laws’ love of film noir, that informs the dramatic, Edward Hopperesque lighting in Laws’ meticulously detailed watercolour and acrylic paintings.

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‘We good now China?’ South Park creators issue mock apology after ban

Facetious statement comes after reports that show was banned in China after episode critical of the country

South Park’s creators have responded with a mock apology to reports that China has censored the programme, ridiculing the country and comparing President Xi Jinping to Winnie the Pooh.

The “apology” from Trey Parker and Matt Stone comes after reports on Monday that China had scrubbed all episodes, clips and content related to the long-running comedy cartoon from Chinese streaming and social media platforms in response to a recent episode that was critical of the country.

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Robbie Robertson: ‘I didn’t know anybody who didn’t do drugs’

Guitarist Robbie Robertson helped to change music history with Bob Dylan’s backing group the Band. He remembers how the ‘brotherhood’ ended in heroin addiction and self-destruction

In 1965 Robbie Robertson was living in the room next to Bob Dylan’s at New York’s Chelsea hotel. This was when Dylan was writing Blonde on Blonde. “The television was on. There was music playing. The phone was ringing. There were people coming and going – and he was writing away on his typewriter. I thought, ‘I don’t even understand how somebody can close off the outside world like that and concentrate. This guy is from another planet,’” Robertson says. But for a while he shared that planet, or came as close to sharing it as any musician did at the time.

Robertson was the lead guitarist of the Band (then known as The Hawks), the five-piece group that backed Dylan when he first went electric: essentially, they supplied the noise that the acoustic-loving crowds booed on tour. But while the collaboration changed the course of music history, it had another, quieter and more personal effect on the Band, shifting the dynamics of what Robertson calls their “brotherhood”, the way the five of them related.

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‘Toxic’ Telegraph made me feel ‘nauseous’, says Graham Norton

BBC chat show presenter explains why he stopped writing advice column

Graham Norton has said he stopped writing for the Daily Telegraph because the newspaper’s recent “toxic” political stances increasingly made him feel “nauseous”.

The BBC One chat show presenter wrote the newspaper’s advice column for 12 years before stepping down without explanation at the end of 2018. Norton has now said he decided to leave the outlet after it defended the likes of US supreme court then-nominee Brett Kavanaugh and published articles by future prime minister Boris Johnson containing falsehoods.

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Ginger Baker, wild and brilliant Cream drummer, dies aged 80

Drummer who straddled jazz, blues and rock ‘passed away peacefully’

Ginger Baker, one of the most brilliant, versatile and turbulent drummers in the history of British music, has died aged 80.

His family had previously made it public that he was critically ill and asked fans to “please keep him in your prayers”. His Facebook page said he “passed away peacefully” on Sunday morning.

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Helena Bonham Carter sought Princess Margaret’s blessing through psychic

The actor says she discussed her part in The Crown with the deceased royal herself

Some actors avoid excessive research, but for Helena Bonham Carter to play Princess Margaret in The Crown meant reading all the biographies, talking to friends, ladies-in-waiting and relatives, and consulting an astrologer, a graphologist and a psychic.

The last meeting meant she could talk to the princess herself, the actor told Cheltenham literature festival.

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Glastonbury tickets sell out in 34 minutes

Record 2.4 million fans tried to secure ticket for festival’s 50th year next June

Tickets for the 50th year of Glastonbury have sold out in 34 minutes, as a record number of fans tried to secure a ticket for the event at Worthy Farm next June.

Emily Eavis confirmed that a record number of people had registered to be eligible for the sale, which started at 9am on Sunday and was finished in little over 30 minutes. A record 2.4 million people signed up to have a chance of securing a ticket.

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My land of make believe: life after The Sims

Feeling increasingly anxious and lost, Liv Siddall found herself retreating to the comfort and security of video games – often playing for hours at a time. Here, she reveals how she finally escaped back to reality

In 2005, when I was 16, I worked in a busy local café. My job was to make tea and coffee and I churned out hot beverages at high speed, while constantly restocking my cup and saucer area. I found the work hard and boring, which was strange given that at the end of every shift I’d rush home to play Diner Dash, a video game in which you become a waitress in a busy restaurant, taking orders, serving customers, clearing away their cups and plates.

In the great pantheon of PC games, Diner Dash was not among the most realistic, but I enjoyed its simplicity and I was enthralled by the thrill that came with pleasing customers and advancing levels. How many levels were available was never made clear. The game seemed infinite. I’d play it for hours.

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The big picture: boy with balloons in Santiago, Chile

Magnum photographer David Alan Harvey pays homage to Cartier-Bresson’s ‘decisive moment’

David Alan Harvey’s photograph of a boy with balloons on a street in Santiago, Chile, was taken in 1997. It is included in Streetwise, a new collection of pictures from the archives of the Magnum agency. The Magnum name became synonymous with street photography in the 1950s and 1960s under the guiding influence of co-founder Henri Cartier-Bresson. The current volume pays homage to Cartier-Bresson’s black-and-white “decisive moments” and examines the way that that spirit has been taken forward, particularly after advances in digital photography and printing enabled a revolution in colour in the 1980s.

Harvey was elected into the agency – there is a voting process among the membership – in the year that this picture was taken. By then, as a staff photographer for National Geographic, he had been taking pictures for more than three decades. A principle subject was the Hispanic diaspora on both sides of the Atlantic – the “divided soul”, as he terms it, of Latin culture.

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Singer-songwriter Sia reveals she has chronic pain disease

Australian artist disclosed that she has Ehlers-Danos syndrome, a neurological disease affecting at least 1 in 5,000 people worldwide

The singer-songwriter Sia Furler has disclosed that she has the chronic pain disease Ehlers-Danos syndrome, and told others suffering from pain “you’re not alone”.

In a Tweet late Friday night, Sia said: “Hey, I’m suffering with chronic pain, a neurological disease, ehlers danlos and I just wanted to say to those of you suffering from pain, whether physical or emotional, I love you, keep going. Life is fucking hard. Pain is demoralizing, and you’re not alone.”

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