Chongqing’s population is estimated at just below 10 million but that rises to more than 31 million if the built-up surroundings are included. Belgian photographer Kris Provoost finds that in a city so large, individuals can get lost
Continue reading...Category Archives: Culture
‘White supremacy’: popular knitting website Ravelry bans support for Trump
Administrators take action to ensure site ‘is inclusive of all’
One of the biggest knitting websites in the world, which claims to have more than 8 million members, has announced that it will ban users from expressing support for Donald Trump, saying that to do so constitutes “white supremacy”.
On Sunday, administrators for Ravelry, a site for knitters, crocheters, designers and anyone dabbling in the fibre arts, said that they were making any expression of support for Trump and his administration in forum posts, patterns, on their personal profile pages or elsewhere permanently off limits.
Continue reading...Take me to the Boom Boom Room! Inside the risqué hotel for 24-hour party people
America’s raciest hotel chain has turned a boring British office block into an Austin Powers-style crash pad complete with retro reception, leftie library – and rooftop baths. Groovy baby!
When the clerks of Camden’s highways department were issuing parking fines from their gloomy office in the 1970s, little can they have imagined that jet-setting hipsters would one day be supping cocktails in the public library below them before taking an al fresco dip up on the roof. Maligned for years as the concrete “egg box” of Euston Road, the old council headquarters have been reborn as the glamorous Standard Hotel, the first outpost of the risque boutique chain outside the US.
“People thought we were crazy to suggest open-air bathtubs in London,” says Shawn Hausman, the Los Angeles-based designer behind the Standard’s flamboyant interiors, who started out creating film sets for Saturday Night Fever. “But I think it’s always nice to have a bath outside, even in the rain.”
Continue reading...Glastonbury organiser says some men refuse to deal with her
Emily Eavis says there are male execs in music industry who insist on speaking to her father
The Glastonbury festival organiser, Emily Eavis, has said some men in the music industry still refuse to deal with her despite her taking over responsibility from her father for overseeing the lineup.
Speaking days before the start of this year’s event, Eavis, 40, who has been booking acts at Glastonbury for half her life, said she was often the only woman in meetings with music moguls.
Continue reading...Holocaust historians divided over Warsaw ghetto museum
Director hits back at critics who say the institution, backed by Poland’s populist party, will distort wartime history
The museum of the Warsaw ghetto is not due to open for several years, but is already shaping up to be one of the most contentious museums in Europe.
Backed by Poland’s populist government, which has been accused of rewriting history to fit its political agenda, the museum has caused a bitter spat between historians of the Holocaust about how best to tell the tragic story of Warsaw’s Jews.
Continue reading...Suzanne Moore on Nick Cave: ‘Rarely have I heard someone express grief so well’
The musician’s latest show, in which he sings, takes questions and talks about losing his son, left our writer astonished
‘Freewheeling adventures in intimacy where anything can happen.” So say the words on the seat as we wait for Nick Cave to come on stage and sit in it. Who could resist? The man is here to play songs but also to answer questions. “You can ask me anything,” he promises on his Red Hand Files website, which offers one-to-one correspondence with fans. “There will be no moderator. This will be between you and me. Let’s see what happens.”
The resulting tour is “a work in progress” that has grown from the blog, which had become a series of love letters, meditations on loss, and poetry. Cave is “acting on the intuition that something of value” can come from doing it live. He was worried about something he wrote: that social media undermines “both nuance and connectivity”. Here he is trying to deepen the connection, a word he returns to again and again. He comes on suited and booted, immaculate, the knowing elder statesman, the ex-junkie, the writer of murder ballads and the tenderest love songs, the storm-bringer who will somehow shelter us and reassure us that there can be, in that quaint old-fashioned way, “a dialogue”.
Continue reading...British Museum ‘has head in sand’ over return of artefacts
Authors of major report accuse institution of hiding from issue of looted colonial-era objects
The authors of an influential report on colonial-era artefacts, which recommended a restitution programme to transfer hundreds of items from European institutions to Africa, have criticised the British Museum for acting like “an ostrich with its head in the sand”.
The Senegalese economist Felwine Sarr and the French art historian Bénédicte Savoy, who were asked to write the report by the French president, Emmanuel Macron, after he said the return of artefacts would be a priority during his tenure, said the British Museum was not addressing the issue.
Continue reading...The Edge of Democracy review – to the heart of Brazilian politics
Petra Costa’s powerful documentary charts the state’s descent into populism and the fraying of its democratic fabric
Brazilian actor-writer-director Petra Costa is known for mining her personal and family history for material. Her first feature, Elena, turned her search for her absent older sister into a deeply evocative documentary about loss, familial love, rivalry and displacement as it flutters between São Paulo in Brazil and New York City.
Costa’s latest documentary, The Edge of Democracy, finds her intersecting the personal and political on an even bigger public stage, and in the process documents a crisis erupting in slow motion at the heart of Brazilian politics. Thanks to extraordinary access to figures at the centre of the story – former leftist Workers’ Party presidents Luiz Inácio Lula da Silva (AKA Lula) and Dilma Rousseff, as well as rightwingers Michel Temer and current president Jair Bolsonaro – Costa manages to craft an intimate primer about the state’s descent into populism and the fraying of the country’s democratic fabric.
Continue reading...‘He never hit her in front of me again’ – Donna Ferrato’s domestic abuse photos
As two exhibitions of the photojournalist’s work open in Madrid on her 70th birthday, Ferrato recalls some of the most powerful images in Holy – a retrospective spanning nearly 40 years
For nearly four decades, the photojournalist Donna Ferrato has documented the effects of domestic violence on abused women and their families. Her book and series Living with the Enemy is one of the most important works on the subject.
She launched a campaign in 2014 called I Am Unbeatable, which features women who have left their abusers.
Continue reading...Shanghai Sacred: inside China’s religious revival – photo essay
Photographer and anthropologist Liz Hingley uncovers the spiritual landscape of China’s largest city, revealing the spaces and rituals of this cosmopolitan megalopolis that is home to 26 million people – and to religious groups from Buddhism to Islam, Christianity to Baha’ism, Hinduism to Taoism
- Shanghai Sacred is at the Victoria Art Gallery & Museum at the University of Liverpool until 26 September as part of LOOK Photo Biennale, the forthcoming book will be published by GOST in November
By ritual, heaven and earth harmoniously combine
For the last thirty to forty years China has been undergoing one of the great religious revivals of our time. Alongside the country’s rapid pace of development, the search for meaning and celebration of the Sacred are shaping China’s future in new and significant ways.
Continue reading...‘Stain of slavery’: Congress debates reparations to atone for America’s original sin
Danny Glover among witnesses who debated the legacy of slavery – and the modern scourges of inequality and poverty that afflict black Americans
For the first time in more than a decade, a debate has taken place between lawmakers in Congress on the original sin of the United States – the enslavement of 4 million Africans and their descendants – and the question of what can be done to atone for it through reparations.
Related: Nuclear weapons: experts alarmed by new Pentagon 'war-fighting' doctrine
Continue reading...Pride sale celebrates 50 years since Stonewall – in pictures
To mark WorldPride and the 50th anniversary of the Stonewall uprising, Swann Galleries in New York is holding a Pride sale, which explores and celebrates the art, influence and history of the LGBTQ+ community. Books, manuscripts, photographs, archives, art and objects from the last two centuries will be auctioned
Continue reading...Labour of luxury: the migrant workers who build high-end Shanghai – in pictures
Photographer Jonathan Browning pictures Chinese migrant workers in front of advertising billboards for the projects they are helping to construct – office complexes and luxury apartments for the wealthy of Shanghai
Continue reading...Romanian immigrant elected German mayor after anti-AfD alliance
Actors and directors called on Görlitz voters to not succumb to far-right party’s ‘hate and enmity’
A 51-year-old immigrant has been elected mayor of a town in eastern Germany after beating a candidate from the far-right Alternative for Germany (AfD) party in a campaign that drew international attention.
Octavian Ursu, a classical musician who came to Germany from Romania in 1990s, stood for Chancellor Angela Merkel’s centre-right Christian Democratic Union party, receiving 55.1% of the vote in Sunday’s election in Goerlitz. Preliminary returns showed his AfD opponent, Sebastian Wippel, an ex-policeman received 44.9%.
Continue reading...Donatella Versace pays homage to the Prodigy’s Keith Flint in Milan
The designer’s SS20 collection once again proved her talent for making a splash; elsewhere, Dolce & Gabbana put the leopard into leopard print
From one 90s superstar to another … Donatella Versace dedicated her spring/summer 2020 menswear show to the Progidy’s Keith Flint in Milan at the weekend. The designer described the musician, who died in March this year, as “my friend, and a disruptor of this world”.
Homage was paid through the pounding soundtrack of the band’s monster hit, Firestarter, and models bearing his distinctive double mohawk and tinted bug-eye sunglasses. Although the revelation that Flint and Versace were friends may have come as a surprise, it’s not an incongruous pairing; Versace has been something of a disruptor herself. Picking up the mantle of the family business her brother, Gianni, established in 1978, she embraced full-blown sex appeal in her collections from day one, and has admitted in the past to not knowing how to do things quietly. Last year, she surprised the world when she announced that she sold her family company to Capri Holdings – formerly known as Michael Kors Holdings.
Continue reading...Build it and they will bike: the Bicycle Architecture Biennale – in pictures
15 projects from nine countries have been selected for the second Bicycle Architecture Biennale, which launches on Monday in Amsterdam
Continue reading...Berlin’s Alexander Haus regains its soul after painstaking restoration
Lakeside house where a Jewish family lived before fleeing the Nazis spans a century of German history
Elsie Alexander called it her “soul place”, the lakeside house on the outskirts of Berlin where her family had spent long happy summers before they were forced to flee the Nazis.
Eighty-three years on, her grandson, Thomas Harding, along with members of the local community, reopened it to the public on Sunday after a painstaking restoration process in which the house by the lake – the subject of his bestselling 2015 book of the same name – was saved from demolition and turned into a educational meeting place for young Europeans.
Continue reading...The year of Akira: how does 2019 Neo-Tokyo compare with today’s city?
From architecture to highways and the Olympic stadium, how does reality shape up against Katsuhiro Otomo’s 1988 animated dystopia?
It’s 2019 and Tokyo is a sprawling megalopolis preparing for the 2020 Olympics. The city is crowded, fraying at the edges. The young are aimless and underemployed, obsessed with cars and clothes. Cynical new religious movements are on the rise. Motorcycle gangs race at night on the expressways. There is a worrying trend of militarism after years of peace. The government is showing signs of corruption. And everyone seems terrifyingly eager to ignore the lessons of a recent nuclear catastrophe.
The real city of Tokyo and the imagined Neo-Tokyo of the 1988 anime film Akira are nearly indistinguishable. 2019 is the “year of Akira”: the date the apocalyptic science fiction film was set, a couple of decades after a mysterious nuclear-esque disaster had wiped out the original city.
Continue reading...Franco Zeffirelli was a master charmer – no wonder we all fell for his Romeo and Juliet
His take on Shakespeare’s tragedy tapped the zeitgeist, but Zeffirelli’s whole body of work pulsated with an irresistible camp and romanticism
Franco Zeffirelli was the mainstream maestro of high culture on screens big and small who dashingly made his international movie reputation with an exuberant and accessible adaptation of Romeo and Juliet in 1968; this had some pretty trad doublet-and-hose stuff and featured the syrupy “Love” theme composed for the film by Nino Rota which was to become notorious as the music for Simon Bates’s regular tearjerking Our Tune feature on Radio One.
But there were also muscular and athletic performances from a bright-eyed young cast, vigorous and enjoyable playing all round and bold location work. The year before, Zeffirelli had directed Richard Burton and Liz Taylor in another Shakespeare adaptation: The Taming of the Shrew: clever casting of course, but it was the honeyglow-sunlit romanticism of young love in Romeo and Juliet — not cynical middle-aged love — which caught the public imagination, tuned into the zeitgeist and gave Zeffirelli his massive hit.
Continue reading...‘They didn’t look old enough’: who filled a French art gallery with fakes?
Last year, a museum dedicated to the work of Étienne Terrus revealed most of its paintings were probably not by him. How did it get there?
Odette Traby was dying. It was the summer of 2016 and the sun baked the terracotta roofs of her hometown, Elne, in the south of France, as she lay in bed. Weeks earlier, the 78-year-old had been diagnosed with stage IV cancer. This grande dame of Elne town life had refused all treatment and chosen to tough it out alone. “She was someone who wanted to grapple with, to face up to, death,” says Dani Delay, her niece.
Traby had one consolation. She had spent the previous months trying to secure the future of her life’s work, the town’s art museum. It was dedicated to the work of the local artist Étienne Terrus (1857-1922), a friend of Henri Matisse who had been largely forgotten by the time Traby established the museum in the mid-90s. When nearly 60 Terruses came on to the market in 2015, Traby rallied two local historical associations to raise tens of thousands of euros, securing at least 30 of the works. As her life ebbed, at least Traby could tell herself that her beloved museum was closer to gaining the “Musée de France” status that would give it priority state funding and resources.
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