Midlake: ‘A big part of getting back together was just missing our friends’

A ghostly vision in a dream prompted the Texan folk-rockers to return after a decade away. The result is their most daring album yet

The next time you’re in the city of Denton, Texas, you could do worse than swing by the speakeasy-style Paschall Bar, pull up a stool and order a Pulido Old Fashioned. “It’s my signature cocktail,” grins Midlake’s frontman Eric Pulido from under a well-worn baseball cap. “I think they just started getting tired of me saying: ‘Instead of the sugar can you do Bénédictine [a liqueur], and then can you also put in maple bitters … ’”

Pulido isn’t simply a fussy customer, but alongside the rest of Midlake actually owns this dimly lit, book-lined boozer, which, like so many others, found itself on the brink of collapse during the early stages of the pandemic. “We experienced the up and down of ‘We’re good’, ‘We’re not’, ‘Now we’re OK!’” offers Pulido with a sigh. “It was definitely a trying time, but I feel like we’re coming out of the woods now.”

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What does your music taste say about you? Nothing actually | Barbara Ellen

A study that finds ‘agreeable’, ‘neurotic’ and ‘open’ types are fans of the same artists misses the point of music – and people

Does music taste reflect personality? A study from the University of Cambridge involving 350,000 participants, from 50 countries, across six continents, posits that people with similar traits across the globe are drawn to similar music genres. So, “extroverts” love Ed Sheeran, Beyoncé and Justin Timberlake. The “open” thrill to Daft Punk, Radiohead and Jimi Hendrix. The “agreeable” are into Marvin Gaye, U2 and Taylor Swift. The “neurotic” enjoy, presumably as much they can, the work of David Bowie, Nirvana, and the Killers. And so on.

While the study doesn’t claim to be definitive, how strange to be allotted only one personality trait/genre each. It sounds like Colour Me Beautiful for music. “What sound best goes with my personality? Did you bring along swatches?” Certainly, back when I worked for the New Musical Express, journalists, musicians and readers alike resisted being wrangled into such rigid categories.

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Ziggy bows out, Madonna scares the pope and Dylan goes electric: 50 gigs that changed music

Five decades after David Bowie’s seminal tour, our music writers reflect on the concerts that have left a mark, from Billie Holiday to Billie Eilish

Café Society, New York City, early 1939
The 23-year-old Billie Holiday was mostly unknown outside the jazz loop when she began her 1939 residency at this liberal New York club. Her understated, delicately implacable debut of Strange Fruit, a terrifying depiction of lynchings in the south, made a unique new vocal sound famous worldwide. John Fordham

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Lord of the bling: Peter Jackson tops Forbes highest paid entertainer list

Get Back and Lord of the Rings director made an estimated $580m last year, topping annual list that also features Bruce Springsteen, Dwayne Johnson and Kanye West

The Lord of the Rings and Get Back director, Peter Jackson, has topped the Forbes magazine rich list as the highest paid entertainer of 2021.

Jackson made US$580m (A$809m, £428m) last year, primarily through the sale of part of his visual effects business Weta Digital to Unity Software, for $1.6bn. Forbes estimates Jackson personally made about $600m in cash and $375m in stock from the deal, making him the third person in history to become a billionaire from making films, after Steven Spielberg and George Lucas.

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Manic Street Preachers’ 30 greatest songs – ranked!

Marking 30 years of their debut album, Generation Terrorists, a look back at the Welsh rockers’ best bits: from the song about the Spanish civil war that kept Steps off No 1 to their glorious duets

Manic Street Preachers were always Guns N’ Roses fans: on A Billion Balconies Facing the Sun, they collaborated with the band’s bassist Duff McKagan. Charmingly perverse as ever, they turned in one of their poppiest latterday melodies, liberally decorated with metal guitar.

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Worthy winners aside, the Brits is struggling to keep pace with modern pop

TikTok voting and gaming stars haven’t altered the music awards’ predictable roster of chart-toppers

News: Adele sweeps gender-neutral Brit awards
Liveblog: Brit awards 2022 – as it happened

The actual Brit awards ceremony has changed its complexion over the years: from the old-guard backslapping of the 80s to the boozy chaos of the 90s and early 00s. Today’s offering is slickly professional – hipper than it once was, less tone-deaf when it comes to representation, but not a hair out of place to the point of seeming faintly uneventful, unless you count the sight of Anne-Marie falling over, or the sound of Ed Sheeran gamely attempting to turn Bad Habits into a metal anthem with the aid of Bring Me the Horizon: even the person in charge of the mute button for swearing had an easy night. There was a lot of talk from host Mo Gilligan about hedonistic behaviour, but not many actual signs of it. Nor did anyone attempt to say anything controversy-stirring or political.

This year, the onus appeared to have shifted slightly again. In what was clearly an attempt to attract a younger audience – an audience that don’t watch music shows on television – there were categories voted for by fans via TikTok; elsewhere, there were “afterparties” starring tweenage favourite PinkPantheress on gaming platform Roblox and the unmissable opportunity to buy Brits-related NFTs.

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‘The epitome of joy’: 10 of Lata Mangeshkar’s greatest songs

The late Indian star sang of love in all its glorious and terrible forms – but also rooted listeners in history and spirituality

Sitting in the back of my parents’ Peugeot 504 as a child, we listened to songs by the likes of Mukesh, Mohammed Rafi and, of course, Lata Mangeshkar. We were too young to understand what they were about – love, loss, and romance – but we knew all the lyrics.

Well, not quite all of them. During her 92 years, Mangeshkar recorded 50,000 songs in 18 languages, breaking records as the most recorded artist in human history. As a playback singer for Bollywood films, she was never seen on screen, but her voice, dubbed in place of the actors’, was unmistakable. She got her start in 1942, and for a woman to have a career this long and distinguished in India, Mangeshkar must have been steely beneath those silk saris – her voice, though, remained gentle, and she was known as “the nightingale”.

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Pere Ubu’s David Thomas: ‘I expect rock music to be smart’

Rolling Stone said that rock’n’roll peaked with Pere Ubu’s debut album. Now, after two near-death experiences, the ‘avant garage’ band are back – with an adaptation of Chaucer’s Canterbury Tales

‘I’ve been dead twice,” grins Pere Ubu’s David Thomas, over Zoom from his flat in Hove. “Death is very overrated. It was like being asleep. Once I was brought back by the ambulance crew. My wife said ‘Those guys worked like demons on you.’ The other time I woke up in ICU with all this stuff attached to me and it turned out I’d died again. I woke up and the doctor said, “You’re David Thomas!’’ It turned out that he’d been at the same Pere Ubu show that Ian Rankin had seen in the 70s, and was a lifelong fan.”

Now 68, seated in front of his computer in a furry hoody, the drily-humoured Ohioan cuts a more subdued figure than the “enigmatic giant of a singer” Rankin has subsequently remembered shouting requests at during that gig at Edinburgh University in 1978. Thomas needs kidney dialysis three times a week, and when he gets up to answer the door he needs a walker. But while he may no longer bark out lyrics while careering about the stage, his spirit is indefatigable. “I’m not in the best of health, but my singing voice is better than it’s ever been,” he insists, cheerily. “I’m sort of glad that I can’t jump around any more because I don’t have to worry about falling into the drums. All my concentration goes into singing.”

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‘I was getting bored so hit the vodka’ – Shakespears Sister on how they made Stay

‘It was inspired by a fabulously kitsch 3D movie called Cat-Women of the Moon. A character has to go back to her planet and leave her human love behind’

Stay came to life one morning in my converted garage in the back of my house in LA: a very unassuming studio, all knotty pine and carpet, my recording equipment in a cupboard. Siobhan Fahey lived down the road and her then-husband Dave Stewart [ex-Eurythmics] had given her a lift over, then he came in, because he had an idea.

Hormonally Yours is released in a 2-CD deluxe edition and coloured vinyl on 17 February, the 30th anniversary of its release.

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‘I was astonished’: how a TikToker sent his dad’s unreleased 43-year-old song viral

Zach Smith recorded himself jamming out to a tune he found in his car. Now it’s racked up 3m plays – and might be on its way to Marvel

Zach Smith never expected the song to go so viral.

On 4 January, the 19-year-old pressed play on an old track he found in his car; he was struck by how catchy it was – he’d never heard this song before.

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Pixies frontman Black Francis: ‘Kim Deal? We’re always friends – but nothing is for ever’

As the alt-rockers release a live box set, their frontman answers your questions on Bowie, his 40 new Pixies songs and the alarming sexuality of his pets

Come on Pilgrim is the greatest debut album by anyone, ever. Discuss. mungoslut

I will partially agree, at least to appear humble. But seeing as I’m not so humble … I was listening to Murmur by REM a lot just before Come on Pilgrim and that was hugely influential on me as a songwriter. I’m going to be cocky and say: we were even better than Murmur.

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‘Our managers were like: it’s going to be a dud’: how Glass Animals became the biggest British band in the world

The Oxford quartet’s song Heat Waves is the most played globally on Spotify this week, and a curveball amid pop’s solo artists. Frontman Dave Bayley explains how it happened

With solo artists currently dominating the charts and the zeitgeist, now is not the ideal time to be in a band – unless it’s Glass Animals. This week, the Oxford quartet became the first British group to top Spotify’s global songs chart with their synthpop single Heat Waves, racking up 4.26m plays per day on the streaming platform. It was a feat their fans saw coming: last year, Heat Waves was the fourth most-streamed song in the US and the most-streamed in Australia, having been played more than 1bn times worldwide.

This is a remarkable achievement for an act with no previous big hits – but that’s not the only strange thing about their success. A sultry, wistful number with an extremely catchy chorus, Heat Waves has had an unusually slow rise to prominence: it was released in June 2020 and for months it failed to break into the UK Top 40 or US Billboard Hot 100. Its subsequent ascent up the charts – peaking at No 5 in the UK, No 1 in Australia and No 3 in the US, where it currently stands – was unprecedented in its leisurely nature; it now holds the record for the longest climb to the Top 5 in the US chart’s history.

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Neil Young’s battle with Spotify is principled – and comfortable

In pulling his music from Spotify in protest at Joe Rogan’s Covid misinformation, the singer continues a life of political action – but unlike others, he doesn’t need to please the streaming giant

If you had been forced to predict which blue-chip American rock legend was going to suddenly pull their music off Spotify in protest at the streaming site hosting a far-right-friendly podcast that spreads medical misinformation, Neil Young would have been a very safe bet.

He is famously among the most ornery, uncompromising and capricious of said blue-chip legends. The years that produced his most famous work also played host to Young wilfully sabotaging his own commercial prospects in order to follow his muse (or, as he memorably put it, “heading for the ditch”); suddenly abandoning tours midway by directing his tour bus to pull off the motorway en route to the next show; whimsically declining to release a succession of completed albums; and incurring the wrath of his partners in Crosby, Stills, Nash & Young (CSNY) by removing their contributions from the master tapes of his songs before releasing them. He spent a substantial chunk of the 1980s making wildly uncommercial albums, apparently with the specific intention of annoying his record label, which ended up suing him for being unpredictable – it lost, perhaps because, as his labelmate Elton John put it, its lawsuit “felt a bit like suing Neil Young for being Neil Young”.

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‘I wanted to try cocaine, but Jimi was against it’: Janis Ian on her tough, starlit life in music

Hendrix and Janis Joplin warned her off drugs, she sang for James Brown and Salvador Dalí offered to paint her. Janis Ian’s confessional folk-pop is still sensational – so why is she retiring from recording?

‘I learned the truth at 17 / That love was meant for beauty queens / And high school girls with clear-skinned smiles / Who married young and then retired.” Janis Ian’s At Seventeen is an indelible portrait of life from the perspective of a socially awkward unattractive teen, inspired by a newspaper article that the singer-songwriter read about a young woman who thought her life would be perfect. “I learned the truth at 18,” the girl told the journalist. Ian changed her age and spent three months working on the intimate and confessional lyrics.

“You couldn’t write a song like that without having gone through it,” Ian says, video-calling from her home in New Jersey. Now 70, her hair is short and white, no longer the dark curls she sported on her album covers during the 60s and 70s. “The first time I sang At Seventeen in public I did it with my eyes closed. I felt like I was naked and I was sure the audience was going to be laughing.”

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Bob Dylan sells entire recorded catalogue to Sony Music Entertainment

The deal covers all Dylan recordings dating from 1962 to future originals and reissues, and will explore ‘new ways’ to reach future generations

Bob Dylan has sold his entire back catalogue of recorded music to Sony Music Entertainment, as well as the rights to multiple future releases, in a deal rumoured to be worth between $150m and $200m (£111m–£148m), Variety reports.

The deal covers all Dylan recordings dating from 1962, including his self-titled debut album, which celebrates its 60th anniversary in March, and future releases and reissues in Dylan’s celebrated Bootleg Series.

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‘Warm, loving, generous – but he had demons’: inside the life of Meat Loaf

Steve Buslowe played bass for the rock star for 20 years, witnessing his brilliance and his violent moods at first hand. He recalls a musician determined to always evolve

The morning after Meat Loaf died, his former bass player Steve Buslowe was reading through the many celebrity tributes to the bombastic singer when he came across one that made him laugh.

“I saw a comment that Stephen Fry had made about Meat being cuddly and frightening at the same time. I laughed because that’s perfect. He was such a big teddy bear. He was sometimes warm, but then he could also get a little manic, a little out of control, maybe a little violent. So you never knew who he was going to be. He was kind of fearless in being warm and generous, but also in his anger. If he got frustrated with something, he wouldn’t go in a corner and pout. He’d throw a chair. He’d be in your face to let you know how he felt.”

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Meat Loaf obituary

Bat Out of Hell singer known for his powerful maelstrom of sound and spectacular live shows

If all he had ever done was record the album Bat Out of Hell, Meat Loaf, who has died aged 74, would still be guaranteed his own plinth in the museum of rock’n’roll. Released in Britain in early 1978, the album might have been conceived as the antidote to punk rock, which had been wreaking havoc on the music industry. The unlikely-looking figure of Meat Loaf stood at the centre of a bombastic maelstrom of sound, an operatic blend of heavy rock, fantasy lyrics, a choir of backing vocalists and long, multipart songs. It was rock’n’roll redesigned as gothic movie and Broadway spectacle.

Meat Loaf had met the songwriter Jim Steinman, his collaborator on Bat Out of Hell, when he auditioned successfully for Steinman’s musical More Than You Deserve in New York in 1973. The pair worked on the Bat Out of Hell material for several years and were rejected by numerous record companies before the album appeared on Cleveland International label, distributed by Epic Records. The album reminded many listeners of Bruce Springsteen’s Born to Run, and its producer, Todd Rundgren, initially thought that Steinman and Meat Loaf were deliberately parodying Springsteen.

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Jazz, Old Norse and ‘troll tunes’: the strange, stunning music of Shetland

It’s 550 years since the islands became part of Scotland, and the archipelago is still not for the faint-hearted. But it has inspired its own diverse music, where fiddles and accordions meet the sub-bass of the sea

Five hundred and fifty years ago next month, the king of Norway lost a deposit he had put down to settle a debt: more than a hundred wild, treeless islands in the sub-arctic North Sea. The Scottish king, James III, had wanted Rhenish florins, but he had to settle for Shetland instead.

The archipelago eventually became part of the UK and has since developed a diverse, distinctive musical culture. This weekend, at the annual Celtic Connections festival in Glasgow, the Shetland 550 concerts will celebrate it, bringing together experimental composers, jazz performers, poets and players of traditional tunes. The series is co-curated by the award-winning fiddler Chris Stout, who was born in the three-mile-long Fair Isle (population: 68) before moving to the Mainland at eight (population: 18,765). “Although, even there, you’re still only ever three miles from the sea,” he says.

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Britney Spears accuses father of financial misconduct; threatens sister with legal action

Singer’s lawyer demands sister Jamie Lynn stop ‘referencing Britney derogatorily’ during promotion of memoir, and files allegations of misconduct against father

A lawyer acting for Britney Spears has threatened legal action against her sister Jamie Lynn, and accused their father of financial misconduct, including the hiring of a private security firm to keep Britney and people close to her under surveillance.

A letter written by Britney’s lawyer Mathew Rosengart instructs Jamie Lynn to “cease and desist from referencing Britney derogatorily during your promotional campaign” for her new memoir. “If you fail to do so or defame her, Britney will be forced to consider and take all appropriate legal action.”

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Martin Kemp and Steve Norman of Spandau Ballet look back: ‘We were stern young men who wanted to take over the world’

The bassist and saxophonist recreate an old photo and look back at a mortifying incident in a German sauna

Pioneers of the New Romantic movement, Spandau Ballet’s career launched in the late 70s within the walls of Blitz, an enigmatic club in Covent Garden known for influencing the sound and style of 80s pop. Formed by London school friends Gary Kemp, Tony Hadley, Steve Norman and John Keeble – and later Gary’s brother and former roadie Martin – Spandau Ballet went on to soundtrack the bombast and excess of the decade, selling 25m albums globally. Known for their bitter breakup – Tony, Steve and John launched an unsuccessful case against Gary for a share of the band’s songwriting royalties – they’ve since reformed but are now on hiatus. Martin has gone on to have a successful television career, while saxophonist Steve and his band, the Sleevz, celebrate the 40th anniversary of Spandau’s debut album with a UK tour later this year.

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