Lady Gaga: Chromatica review – Gaga rediscovers the riot on her most personal album

Returning to the sound of her maximalist electro-pop heyday, Gaga explores buried trauma, mental illness and the complexities of fame on this return to form

A criticism often levelled at Lady Gaga is that the fantastical imagery she constructs around her albums eclipses the music itself. But it’s a sliding scale – and one that certainly mattered less when she was knocking out undeniable dance-pop party starters like Poker Face and Just Dance, or cementing her status as pop’s freaky outlier on the twisted Bad Romance. That she appeared in alien-like form in that song’s video made perfect sense: here was a chameleonic pop superstar in the vein of Bowie, Prince and Madonna opening a portal to an escapist dimension. Later, it made sense that she would lean into the imagery of hair metal on 2011’s gloriously OTT, Springsteen-referencing Born This Way. Yet on 2013’s bloated Artpop – billed as an exploration of the “reverse Warholian” phenomenon in pop culture, whatever that may be, and featuring at least one performance in which she employed a “vomit artist” to puke green paint on her chest – the aesthetic felt more like desperate distraction tactics.

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Stephin Merritt of the Magnetic Fields: ‘I used to live in a commune where music was forbidden’

As he releases Quickies, an LP of minature gems, the master songwriter contemplates a pop song’s perfect length – and whether Covd-19 has ended his career

Stephin Merritt has just spent six weeks confined to his Manhattan apartment after contracting coronavirus. He was ill for 10 days, then recovered. He’s usually a crazily prolific songwriter – two of his band’s most celebrated albums, 50 Song Memoir and 69 Love Songs, obviously contain 119 songs between them – but he hasn’t come up with any new numbers since he got ill. The problem is that he can only write songs in bars. And not just any bar – it needs to be “one-third full of cranky old gay men gossiping over thumping disco music”. Plus he needs a glass of cognac, to be slowly sipped, and a corner with a light so he can see his notebook.

Fortunately, before the outbreak, he was able to find a place that fulfilled these conditions and the result is the Magnetic Fields’ latest album. Like most of Merritt’s records, there’s a concept – on this one, titled Quickies, all the songs but one are two minutes 15 seconds or less. However, that’s not an unusual length for a Magnetic Fields tune – as Merritt points out over the phone, one-third of the songs on 69 Love Songs would qualify.

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U2’s 40 greatest songs – ranked!

As Bono turns 60, we look back at how the Irish greats turned scratchy post-punk into a stadium-filling proposition – and continue to move with the times

Bafflingly left off Pop – it was released on the B-side of Staring at the Sun – North and South of the River is audibly better than swathes of that album: a low-key excursion into something resembling trip-hop, replete with breakbeat and lo-fi orchestral samples and particularly yearning Bono vocal.

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Lana Del Rey hits back at critics who say she ‘glamorises abuse’

The singer-songwriter said ‘there has to be a place in feminism for women who look and act like me’, citing her lyrics on ‘submissive roles’

Lana Del Rey has hit out at the accusations that she “glamorises abuse” that have trailed her throughout her decade-long career. In a lengthy text post to her Instagram account, the 34-year-old singer criticised “female writers and alt singers” who she says have blamed her “minor lyrical exploration detailing my sometimes submissive or passive roles in my relationships” for “[setting] women back hundreds of years”.

She wrote: “In reality I’m just a glamorous person singing about the realities of what we are all now seeing are very prevalent emotionally abusive relationships all over the world.” She said she had been “honest and optimistic” about her “challenging” relationships: “News flash! That’s just how it is for many women.”

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Charli XCX: ‘It’s weird yelling into a mic while my boyfriend does a puzzle’

She’s written hits for Lizzo and Rita Ora, plus a string of her own. Next up: an album she wrote with fans while on lockdown in LA

Nineteen years post-Pop Idol, there is not much left to demystify about the way pop music is made. Fans follow the industry’s movements as obsessively as football supporters do the Premier League; songwriters and producers have their own followings. There are podcasts where artists explain a song’s path from genesis to completion. And yet, watching Charli XCX handwrite lyrics live on Instagram over the past few weeks, straight from her brain to her notebook to thousands of viewers, felt like a borderline masochistic degree of exposure – the equivalent of me livestreaming my way through every sentence of this piece. I’d rather walk down the street naked.

On 6 April, XCX – 27-year-old Cambridge-born Charlotte Aitchison – announced she was making an entire album, How I’m Feeling Now, while in lockdown at home in Los Angeles. She would share every step: lyric-writing and video-shooting; progress-stalling allergic reactions; tearful late-night Instagram confessions that she thinks she expects too much of her collaborators (later deleted). Fans were given carte blanche to give feedback and contribute visuals. “Sometimes it’s nerve-racking,” she says, when I ask if this amount of openness makes her feel vulnerable. “Other times bad comments will sway me, but I need to roll with the punches. If people don’t like it, it’s OK. The idea is to have some kind of interesting tension, to make the music feel different, and representative of the time that we’re in.”

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Phil May, frontman with the Pretty Things, dies aged 75

Singer revered by David Bowie and Jimi Hendrix had complications in hospital following hip surgery

Phil May, frontman of riotous band the Pretty Things who were acclaimed peers of David Bowie and the Rolling Stones, has died aged 75.

He died in hospital in King’s Lynn, Norfolk, from complications following hip surgery after a cycling accident, that are not related to coronavirus.

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Bryan Adams apologises after ‘bat eating’ coronavirus rant

Singer had ranted at ‘wet market animal selling, virus making’ people in China in Instagram post

The Canadian singer-songwriter Bryan Adams has apologised after an outburst on Instagram where he attacked “bat eating, wet market animal selling, virus making greedy bastards” in China for the source of the coronavirus outbreak.

The 60-year-old shared an expletive-filled post on Instagram, lamenting how his planned performances in London had been postponed due to the health crisis.

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Too black, too queer, too holy: why Little Richard never truly got his dues

How did a turbaned drag queen from the sexual underground of America’s deep south ignite rock’n’roll? We unravel the mystery behind Little Richard’s subversive genius

As the world marks and mourns the passing of Little Richard, many have been asking: how was someone so unapologetically black and queer present at the origins of rock, a world-shaking music still associated, to this day, with white male musical acts like the Beatles and the Rolling Stones?

All these artists and more, including Bob Dylan in a Twitter thread, would be quick to acknowledge Little Richard’s formative influence on them. But “influence” is perhaps too weak a word here. Rock’n’roll history has never exactly neglected or ignored Little Richard: it just has never quite known what to do with him. The longstanding pissing contest over who can claim the title “King of Rock’n’Roll” – Elvis? Jerry Lee Lewis? – is a case in point. While his authorised biographer went celestial in choosing to style Richard “the Quasar of Rock”, perhaps we might do better to listen to the artist, introducing himself at the Club Matinee in Houston, Texas, in 1953: “Little Richard, King of the Blues … and the Queen, too!”

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Bryan Adams attacks China as ‘bat eating, virus making’ source of coronavirus

Canadian pop-rocker conflates various unproven theories about source of disease in expletive-filled rant on Instagram

Bryan Adams has made an expletive-filled attack on Chinese people over coronavirus, in the week he was due to start a concert residency at the Royal Albert Hall, London, that was cancelled due to the outbreak.

Introducing an acoustic performance of the song Cuts Like a Knife on his Instagram page, the Canadian singer wrote:

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Betty Wright, US soul, funk and R&B singer, dies aged 66

Singer with remarkable vocal range had been sampled by generations of hip-hop and R&B artists, including Beyoncé and Mary J Blige

The soul, funk and R&B singer Betty Wright, celebrated across pop genres for her remarkable vocal prowess, has died aged 66.

The cause of death was not immediately known but Wright’s niece confirmed the news, writing on Twitter: “Sleep in peace aunty Betty Wright. Fly high angel.”

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Little Richard, rock’n’roll pioneer, dies aged 87

His 1955 song Tutti Frutti, with the lyric ‘awopbopaloobop alopbamboom’, and a series of follow-up records helped establish the genre and influence a multitude of other musicians

Little Richard, one of the pioneers of the first wave of rock’n’roll, has died. He was 87.

Related: Little Richard – a life in pictures

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Bob Dylan announces first original album in eight years, Rough and Rowdy Ways

Album news revealed with release of third song from the project, swaggering blues number False Prophet

Bob Dylan has announced his first album of original songwriting in eight years.

Rough and Rowdy Ways will be released on 19 June. It follows three albums of cover versions – Shadows in the Night (2015), Fallen Angels (2016) and triple album Triplicate (2017) – with his previous album of his own songs, Tempest, released in 2012.

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Brian May taken to hospital after tearing buttock muscles while gardening

Queen guitarist says ‘I won’t be able to walk for a while’ after injury during lockdown and lambasts Boris Johnson over coronavirus

Brian May has complained of “relentless pain” after he was taken to hospital following a gardening injury that tore muscles in his buttocks – and, while in recovery, made a sustained attack on Boris Johnson’s preparedness for coronavirus.

Writing on Instagram, the Queen guitarist said: “I managed to rip my gluteus maximus to shreds in a moment of overenthusiastic gardening. So suddenly I find myself in a hospital getting scanned to find out exactly how much I’ve actually damaged myself. Turns out I did a thorough job – this is a couple of days ago – and I won’t be able to walk for a while … or sleep, without a lot of assistance, because the pain is relentless.”

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Florian Schneider, Kraftwerk co-founder, dies aged 73

Co-founder of hugely influential electronic pop group, who has died of cancer, had a UK No 1 hit with The Model in 1982

Florian Schneider, who as one of the founding members of German group Kraftwerk changed the sound of pop music forever, has died aged 73 of cancer.

The news was confirmed to the Guardian by one of his musical collaborators, who said Schneider had died a week ago and had a private burial. It was also confirmed via Sony Berlin.

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Taylor Swift disowns new live album, calling it ‘shameless greed’

Singer complains of ‘tasteless’ release amid coronavirus crisis by former label Big Machine, owned by frequent adversary Scooter Braun

Taylor Swift has disowned a new live album released under her name, calling it tasteless and “shameless greed” amid the coronavirus outbreak.

The album, Live from Clear Channel Stripped 2008, was recorded when Swift was 18, around the release of her Grammy-winning second album, Fearless. The live album has been released by Big Machine, Swift’s former label that was bought by music manager Scooter Braun from its founder, Scott Borchetta. Swift has frequently criticised Braun and Borchetta – leading Braun to allege death threats from fans to his family – and is planning to rerecord and rerelease her six albums put out by Big Machine to regain some control over her back catalogue.

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Beyoncé gives $6m to coronavirus relief, including mental health causes

Pop star unites with Twitter founder Jack Dorsey to support charities working with ‘communities of colour’

Beyoncé has announced a donation of $6m for mental health and other initiatives during the coronavirus outbreak.

The singer teamed up with Twitter founder Jack Dorsey’s relief fund #startsmall to make the donation to the National Alliance in Mental Health, University of California Los Angeles, and local community-based organisations working to improve mental health. In a statement on her website, Beyoncé said mental burdens were accelerating for people who can’t access basic necessities during the crisis.

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The Rolling Stones release Living In a Ghost Town, first original music since 2012

Mick Jagger says new single will ‘resonate through the times we’re living in’ and references coronavirus with the lyric: ‘Life was so beautiful, then we all got locked down’

The Rolling Stones have released their first original music since 2012, a new – and rather apocalyptic – single called Living in a Ghost Town.

Mick Jagger said the band were “recording some new material before the lockdown and there was one song we thought would resonate through the times that we’re living in right now. We’ve worked on it in isolation. And here it is.”

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Ronan O’Rahilly, Radio Caroline founder who inspired UK pop and pirate radio, dies aged 79

O’Rahilly, who also managed pop stars and James Bond actor George Lazenby, was diagnosed with dementia in 2013

Ronan O’Rahilly, the Irish founder of the notorious Radio Caroline that popularised pop music on British radio, has died aged 79.

His death was announced by the radio station that is still broadcasting, who said: “In a pastime populated by unusual people, Ronan was more unusual than all of them combined.” He had been diagnosed with vascular dementia in 2013.

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‘I’m just like Anne Frank, like Indiana Jones’: Bob Dylan continues return to new songs

Nobel prize-winning songwriter follows 17-minute Murder Most Foul with I Contain Multitudes, referencing everything from Edgar Allan Poe to William Blake and the Rolling Stones

Bob Dylan has continued to release his first original music in eight years, with a song in which he seemingly compares himself to Anne Frank, Indiana Jones, the Rolling Stones and William Blake.

At four and a half minutes, I Contain Multitudes is less lengthy than the song he returned with, Murder Most Foul, a 17-minute long track about the JFK assassination. Like that song, though, I Contain Multitudes is drifting and percussion-free, backed by acoustic, electric and pedal steel guitars.

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