Port Talbot says bye-bye to its Banksy as art dealer brings in a crane

Much loved work that appeared in 2018 on a steelworker’s garage heads to England on the back of a lorry

It appeared one winter’s night on a steelworker’s garage, a wondrous piece of street art making points about the innocence of childhood, industrial decay and air pollution.

After a three-year sojourn in the town of Port Talbot, Season’s Greetings, Wales’ first and only Banksy, was craned on to the back of a flatbed lorry and trucked out of the country.

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Kicking back at the regime: artists open another front in Myanmar war

With the military increasing its use of informants, rappers and artists must keep their identities secret, even from one another

Early one morning last February, a group of young people gathered on a street corner in Myanmar armed with brushes and buckets of paint. In the faint light of dawn, they quickly completed their task and dispersed.

“I felt excited and nervous. I was scared too, because I didn’t want to get caught,” says Tu Tu, a pseudonym for the group’s organiser.

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In limbo: the refugees left on the Belarusian-Polish border – a photo essay

Offered a route into Europe by the Lukashenko regime in Belarus, thousands of asylum seekers are now stranded on the EU’s frontier

By Lorenzo Tondo. Photographs by Alessio Mamo

On 13 August last year, a villager in Ostrówka, in the east of central Poland, posted two pictures on Facebook featuring groups of men, women and children walking through the cornfields with bags on their backs.

They were families from Syria, Afghanistan and Iraqi Kurdistan, and they were among the first asylum seekers to enter the country from Belarus. The post was accompanied by the following short text: “In the heat of day through wheat, at night through corn, they sneak through, they wander, just to get to the west. Great politics and slight refugees leave their print on the fields near Ostrówka.”

The makeshift shelter of a Syrian family with small children in the forest near Narewka, Poland

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How the UK’s dutiful launderette is fading under Covid and energy prices

A much-loved community space and an essential service, their days now seem numbered

The first thing Rajiv Shrikul does when he opens up his launderette in south Edinburgh each morning is pray. He says the 7am routine, which he started as a young boy in India, helps him cope with the kaleidoscope of personalities that pass through his shop. “Some people are angry, some are generous – you need to have a very stable mind. Meditation calms you down, especially in these hard times.”

Photograph: Murdo MacLeod

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‘Adults are banning books, but they’re not asking our opinions’: meet the teens of the Banned Book Club

Conservatives are pushing to ban books from school libraries. At a time of crisis, a group of Pennsylvania teenagers are fighting back

“Napoleon’s use of the sheep was notable,” says Jordan Daughtry, 14. She’s clutching a copy of Animal Farm, and referring to the authoritarian Berkshire boar who seizes control of an English acreage, before bending his fellow animals to his will.

The sheep, who represent the unwitting masses in George Orwell’s critique of Joseph Stalin’s totalitarian rule, are “ignorant buffoons”, Daughtry says.

Kiara Daughtry, left, and Lena Cackley.

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‘My first time holding a gun’: from Myanmar student to revolutionary soldier – a cartoon

Faced with increasing state violence, young people across Myanmar are learning to fight. This is one young woman’s story

In the year since the 1 February coup, young people across Myanmar have risked their lives to resist military rule.

At least 295 young people aged 18-25 have been killed in the military’s suppression of the pro-democracy movement. More than 1,000 have been arrested, according to the Assistance Association for Political Prisoners. In response, thousands have left their homes and families to train as revolutionary fighters.

JC is a young artist and illustrator from Myanmar’s ethnic Karen community. She was born in Myanmar and raised on the Thai-Myanmar border

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A surfing god rides The Cradle of Storms – Chris Burkard’s best photograph

‘This is Josh Mulcoy, the godfather of cold-water surfing, catching a wave in Alaska. The place is so windy and wild, it’s known as The Cradle of Storms’

The Aleutian Islands are fabled in surfing. Part of the Pacific Ring of Fire, they’re a raw chain of islands connecting Alaska to Russia. The area is known as The Cradle of Storms because it’s so windy and wild.

Most of the islands are made up of tundra and there are big active volcanoes. This island, Umnak, is home to a very small Aleut community. I went there in 2013. The planning alone took two years. You need to be completely self-sustained. You need to charter a small plane and have enough food and supplies for your entire stay, with the means to charge all your equipment.

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‘I wanted my art to resonate’: The Zimbabwean sculptor responding to Covid with creativity

When the pandemic hit, David Ngwerume began creating pieces to inspire and raise awareness. Now, one of his pieces will feature in the Beijing biennale

When the pandemic first hit the world, Zimbabwean stone sculptor David Ngwerume took his hammer and chisel and started work on the first of a collection of Covid-inspired pieces.

Almost two years and 14 sculptures later, one has made its way to China after being selected for the ninth Beijing International Art Biennale, an exhibition showcasing work from thousands of artists from more than 100 countries.

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‘A vortex of thinking’ – inside the LSE’s brawny, brainy new building

A game of squash, a quick Rachmaninov concert, a brew with a view and then back to studying … the £145m Marshall Building has got the lot, says our writer, even its own Old Curiosity Shop

One minute, it’s a shish kebab. The next, it’s a washing machine. A second later, it’s a casserole. Speaking to Yvonne Farrell and Shelley McNamara about their new building, the metaphors come tumbling out in a passionate torrent. The two Irish architects, whose practice Grafton won worldwide recognition in 2020 when it won the prestigious Pritzker prize, can’t contain their excitement about their £145m facility for the London School of Economics, partly because they haven’t had a chance to visit it yet. “The pandemic has really made us understand the meaning of longing,” says Farrell. “Site visits on FaceTime just aren’t the same.”

The longing is over for students and academics, though, who return to face-to-face teaching this term, in a place that truly brings home the benefits of meeting in the real world. The new Marshall Building, which looks out over Lincoln’s Inn Fields like a gleaming white palazzo, houses some of the finest spaces that any London university has to offer.

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‘Beginnings got lost’: fabled Aboriginal art on show 40 years after disappearance

Important paintings lay forgotten in storage since the early 80s until their discovery, muddy and mouldy, but intact

Balgo is Country for all of us now. We were all born here, these generations here today. We are Wirrimanu kids. We belong to Balgo. That’s what we paint. That’s why we paint. This is our story.”
– Warlayirti artist Eva Nagomarra

John Carty opened his email and downloaded the images. They were photos of paintings, found in a shipping container somewhere in the Kimberley. They were muddy and water damaged, but recognisable.

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Global SinoPhoto awards – Chinese culture in pictures

An image titled The Dancing Dreams of a Mountain Girl, depicting a young mountain girl dancing for her grandmother in a village in China, is the overall winner of an international photo competition celebrating Chinese culture. The Global SinoPhoto awards invited photographers to tell Chinese stories, imagining, interpreting and inspiring connections between Chinese culture and the rest of the world. The awards covered four categories: water (as 2022 is the year of the water tiger), home, work and play, and environment.

The Museum of East Asian Art (MEAA) in Bath is to exhibit the winning entries from 16 February until 14 May 2022

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‘Wisdom and incredible strength’: the exhibition showing the lives built by Holocaust survivors

A new collection of photographs reveals the lives survivors have built and the legacies they have passed down the generations

The film and photographic images that emerged from the Holocaust, often in a blurrily dark monochrome, instantly became the visual definition of evil in the 20th century. So to set this brutal iconography against the cheerily crisp colours of modern English suburban homes in springtime – complete with armchairs, French doors on to patios, bright tulips in pots – might risk accusations of superficiality, or worse.

But when the people in these apparently mundane locations are themselves survivors of the Holocaust, the sheer joyful fact of their existence becomes a triumphant rejoinder to the unimaginable cruelty and depravity of three-quarters of a century ago. The new images are collected together in Generations: Portraits of Holocaust Survivors, which opens later this week to coincide with world Holocaust day, at the Royal Photographic Society (RPS) gallery in Bristol after a showing at the Imperial War Museum in London.

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Sycamore stunner: how the House of Hungarian Music swallowed a forest

Budapest’s £67m new museum doesn’t just nestle among trees – they grow through it. But is Sou Fujimoto’s ravishing creation just another cultural bauble for repressive leader Viktor Orbán?

A great big crumpet appears to have landed in the middle of Budapest’s City Park, its circular hole-studded mass impaled on a thicket of trees. It droops down here and there, revealing little terraces cut into its top, and flares up elsewhere, showing off a sparkling underside of tiny golden leaves.

This surreal sight is the work of Sou Fujimoto, a Japanese architect known for making his models out of piles of crisps, washing-up scourers, or whatever else may be to hand. In this case, it wasn’t a crumpet but a lotus root that inspired this canopy, which now provides an otherworldly home for the capital’s new House of Hungarian Music. In a city that already has a renowned opera house, music academy and numerous concert halls, what could this €80m (£67m) project possibly add?

“We want to show the wonder of music to a younger generation,” says music historian András Batta, managing director of the new centre, which opened on Hungarian Culture Day this weekend. He is standing in the building’s glade-like interior, where oval openings bring light down through the swooping ceiling, and an aperture in the floor gives a glimpse of the exhibition level below. Faceted glass walls enclose a 320-seat concert hall and a small lecture theatre, while a suspended staircase spirals up to a library, cafe and classrooms, housed in the undulating roof. “Budapest has a very rich musical life already,” he adds, “so we didn’t want to repeat what you can get elsewhere. This is not just for high and classical, but ethnic, folk and pop – the really exciting side of music.”

The building is one of the first major elements of the €1bn Liget project, a controversial vision concocted by populist prime minister Viktor Orbán’s rightwing government to transform the Városliget area into a showcase of Hungarian national culture. A €120m Museum of Ethnography is nearing completion nearby, in the form of two gigantic sloping wedges rearing up out of the ground, clad in a strange lacy wrapping that nods to Hungarian national dress.

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Hermès suing American artist over NFTs inspired by its Birkin bags

French luxury brand says Mason Rothschild’s furry MetaBirkins digital tokens ‘rip off’ its trademark

French luxury group Hermès has started legal proceedings against an American artist over virtual versions inspired by its famous Birkin bags.

Mason Rothschild creates digital art that he sells as non-fungible tokens, or NFTs, which can be traded online but ownership cannot be forged.

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Two men playing draughts on an abandoned train: Gosette Lubondo’s best photograph

‘Both of the people on this train in Kinshasa are me. I superimposed myself because I can’t afford models’

This image, part of a series called Imaginary Trip, was taken in an abandoned train outside Kinshasa station in the Democratic Republic of the Congo. I was looking for a site to evoke an imaginary voyage to convey the idea of memory, the passage of time and the reappropriation of old places. A lot of young men hang around this area, which is a poor neighbourhood, and they squat in the trains during the day while doing various jobs such as helping people at the station. Sometimes they have something to do, other times nothing.

The two people in this photograph are both me. I took several digital images and then superimposed them to represent two young men playing a traditional game of draughts with bottle tops – as they do. When I started out on this project, I did not intend to put myself in the photographs – it was almost accidental. I did not have the money to pay for models, so it was partly a question of budget, but also of time. I spend ages in these places creating my photographs, too long for most people to hang around, so in the end I found myself in front of and behind the camera. I often work alone with a camera, a tripod and a remote trigger.

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Women behind the lens: ‘She was too beautiful not to be photographed’

Etinosa Yvonne recalls a chance encounter with a Fulani woman in northern Nigeria

I met this woman in Machina, in Yobe state, when I was on assignment in northern Nigeria 2020. It had taken us seven hours to get there – it’s right on the border with Niger – and it was already late afternoon, early evening.

We were waiting for people to come and collect water from a solar-powered water pump when I saw her: this extremely beautiful Fulani woman. I was particularly drawn to the marks on her face. I knew Fulani women always like to look good, but it was really beautiful to see up close. There was a bit of a language barrier as I don’t speak Fula and she didn’t speak English or Hausa, but she agreed to have her photo taken.

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The princess and the Caravaggio: bitter dispute rages over Roman villa

‘It’s like a museum,’ says princess caught in inheritance feud over one of the world’s most expensive homes

As legend goes, tossing a coin into the Trevi fountain guarantees a return visit to Rome. When, as a 16-year-old American tourist, Rita Carpenter participated in the ritual and made a wish to one day marry a Roman and live in the Italian capital, little did she know that almost five decades on she would return to marry a prince and home would be a 16th-century villa stuffed with history, including the only ceiling mural ever painted by Caravaggio.

But now Princess Rita Boncompagni Ludovisi is facing the prospect of having to move out of the sprawling Villa Aurora, and the vast treasures it contains are at risk of being closed off to the public.

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Behind the scenes of Munich: The Edge of War – in pictures

Guardian photographer Sarah Lee describes her experience as a stills photographer on the set of the joint British-German Netflix production starring Jeremy Irons

Munich, based on the Robert Harris novel, is a German-British TV production that was filmed in Germany and subsequently in England in late 2020. I was invited to join the crew as an on-set stills photographer for the UK leg of shooting.

We started in Liverpool, which was doubling for 1930s London. The historic Liver Building, which stood in for Gotham city in the forthcoming Batman movie, made a very convincing Whitehall. The production later moved south to Amersham in Buckinghamshire where we shot in historic houses used as sets for Chequers and Downing Street.

Liverpool doubled for 1930s London – with the historic Liver Building making an impressive substitute for Whitehall

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Tented love: how Senegal created a spectacular new African architecture

After independence in 1960, the country cast off western influences and forged a new African style full of triangular forms, rocket-shaped obelisks and rammed earth. Is this spirit now being suffocated? Our writer takes a tour of the capital

Visiting the International Fair of Dakar is like taking a stroll through the ruins of some ancient Toblerone-worshipping civilisation. A cluster of triangular pavilions rises from a podium, each clad in a rich pattern of seashells and pebbles. These are reached by triangular steps that lead past triangular plant pots to momentous triangular entranceways. All around, great hangar-like sheds extend into the distance, ventilated by triangular windows and topped with serrated triangular roofs. All that’s missing is triangular honey from triangular bees.

Built on the outskirts of the Senegalese capital as a showcase for global trade in 1974, this astonishing city-sized hymn to the three-sided shape was designed by young French architects Jean Francois Lamoureux, Jean-Louis Marin and Fernand Bonamy. Their obsessive geometrical composition was an attempt to answer the call of Senegal’s first president, the poet Léopold Sédar Senghor, for a national style that he curiously termed “asymmetrical parallelism”.

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