Category Archives: Art and design

China’s ugliest buildings: contest to celebrate unsightly architecture begins

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This year’s contenders include a violin-shaped church and a ‘welcome to hell’ glass bridge joining two mountains

An infamous “hall of shame” listing of China’s top 10 “ugliest” buildings has kicked off with 87 bizarre designs in the running, including a violin-shaped church and an Inner Mongolia hotel in the form of a monstrous babushka doll.

Over the past 11 years a Chinese architecture website, archcy.com, has been inviting people to vote in the lighthearted annual contest that it hopes will encourage people to ponder the flexible notion of beauty.

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La Palma’s Cumbre Vieja volcano erupts – in pictures

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A surge of lava has destroyed about 100 homes on Spain’s Canary Islands a day after a volcano erupted, forcing 5,000 people to leave the area. Cumbre Vieja erupted on Sunday, sending vast plumes of thick black smoke into the sky and belching molten lava that oozed down the mountainside on the island of La Palma, one of the most westerly of the Atlantic archipelago off the coast of Morocco

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‘The cover is like a piece of art in itself’: 32 years of Guardian Weekend magazine

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Since its creation in late 1988, the Guardian’s Saturday supplement has been lauded for front covers and features that have caught the eye and sparked joy or sometimes controversy. As its final edition is published, some of the team who worked on it explain how they brought the magazine to life

In 1988, Guardian editor Peter Preston was feeling jealous. The recently launched Independent had a new supplement on Saturday. Edited by the late Alexander Chancellor, it was shot artfully in black and white, and was receiving praise for its inventive use of photography. Meanwhile, the Guardian had barely any feature writers; interviews usually ended up buried in the middle of the paper.

“Saturday had traditionally been the weakest day of the week in terms of circulation,” says former Guardian editor Alan Rusbridger who was, at the time, the parliamentary sketch writer. “The Guardian had experimented with some not very successful newsprint sections – one called Friday had flopped. The Independent had broken the mould with their magazine and it had given them a massive boost in circulation. Something had to be done.”

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Pencil drawing of old man identified as Van Gogh work

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Drawing has been in private hands since around 1910 and is now going on display in Amsterdam

A pencil drawing of a broken old man, head in hands looking utterly exhausted, has been identified as a work by Vincent van Gogh.

The Van Gogh Museum in Amsterdam said on Thursday that it had authenticated the drawing as being the work of the man himself. Teio Meedendorp, a senior researcher at the museum, said it was a “spectacular” discovery shining light on Van Gogh’s early career as an artist living in The Hague, a time less well known than his years in Paris or the south of France.

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Sebastião Salgado receives Praemium Imperiale 2021 award – in pictures

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The Brazilian photographer Sebastião Salgado has been named as one of four winners of a £400,000 award given by the Japan Art Association. Amazonia, an exhibition by Salgado, opens at the Science Museum in London from 13 October. An exhibition of collectors prints, organised by the Photographers’ Gallery, is on show at Cromwell Place Art Centre from 20 October

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Work begins on wrapping Arc de Triomphe for Christo artwork

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Operation combining art and engineering on a massive scale fulfils dream of late artist couple

Shortly after the sun rose over central Paris, the first of the orange-clad rope technicians hopped over the top of the Arc de Triomphe and began to abseil down the landmark unrolling a swathe of silvery blue fabric that shimmered in the early light.

Someone clapped as the first abseiler went over the top – 50 metres from the ground – but most in the crowd of onlookers just held their breath. It was a slow and meticulous operation, requiring them to stop make adjustments to the folds in the material every few metres while avoiding touching the arch itself.

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Rita Keegan: the return of black British art’s forgotten pioneer

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She was a crucial part of a cultural movement in the 1980s. Now a first solo exhibition in 15 years will allow her work to shine

From the 1980s to the early 2000s, artist and archivist Rita Keegan fervently collected and preserved newsletters, leaflets, photographs and exhibition literature from the British black arts scene. “It [didn’t] matter how fabulous the show – if you didn’t have the ephemera, it was hard to say that you existed,” she told the Art Newspaper last summer. “It’s very easy to be written out of history, if you don’t have those pieces of paper.”

Boxes and files stored behind the sofa in Keegan’s living room and a garden “shedio” in her south London home are a portal to the past, specifically, into the seminal British black arts movement founded in 1982. This pivotal moment in art history saw artists such as Sonia Boyce, Eddie Chambers, Denzil Forrester, Lubaina Himid and Maud Sulter galvanised to create and curate works together in the aftermath of the 1981 Brixton uprisings and in response to their marginalisation from the mainstream art world.

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Photographer David Bailey reveals he has vascular dementia

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‘It’s just one of those things,’ says the British celebrity snapper, 83, who is still busy with new work

David Bailey has revealed he has dementia, a life-limiting condition the British photographer described as a bore.

Speaking to the Times, Bailey, 83, said: “I’ve got vascular dementia. I was diagnosed about three years ago.

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The Lost Leonardo: has a new film solved the mystery of the world’s most expensive painting?

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Is the $450m Salvator Mundi a fake? This film – featuring tearful sycophants, sneering experts, dodgy dealers and a secretive superyacht – may finally settle the great da Vinci controversy

It is almost exactly 10 years since Salvator Mundi was unveiled, this “lost Leonardo” instantly triggering astonishment around the world. Since those giddy days, the work has had a turbulent time. As well as becoming the most expensive painting in history, going for $450m (£326m) at auction, Salvator Mundi was denounced by many as a fake and subsequently vanished from view. The painting is now the subject of The Lost Leonardo, a documentary by Andreas Koefoed that opens in cinemas this week.

“I would be surprised,” says Luke Syson, “if I went to see this documentary.” Syson is the curator who, back in 2011, first displayed The Saviour of the World, as its title translates, at the National Gallery’s Leonardo da Vinci blockbuster. Syson is probably making a wise choice. He’s in the film and the way he clams up mid-interview makes him look like the archetypal embarrassed expert caught out on screen.

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Berlin’s bizarre new museum: a Prussian palace rebuilt for €680m

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A cross between a Disneyland castle and a chilling concrete block, the Humboldt Forum is set to teach visitors about Germany’s colonial era. But is the past being examined – or exalted?

A museum gift shop has never been such an ideological battleground. At one end of the store in Berlin’s new Humboldt Forum is a display of souvenirs adorned with the gilded silhouette of the Stadtschloss, the city’s former royal palace, which was bombed to pieces in the second world war. Racks of silk scarves and Christmas baubles hang above rows of candles in regal colours, emblazoned with an image of the stately Prussian pile.

At the other end of the shop is a rival range of merchandise, themed around the former East German parliament and leisure centre, the Palast der Republik, which was triumphantly built on top of the ruins of the palace in the 1970s. With its sharp white marble walls, bronze-mirrored windows and space-age chandeliers, it was designed to showcase the wonders of socialism. You can buy keyrings and enamel mugs in a retro Soviet style, as well as a model kit of the building in Formo, the East German version of Lego, for €250.

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‘Running didn’t even occur to me’: Gulnara Samoilova on photographing 9/11

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‘A cop asked me: “How can you take photographs?” I told him: “I have to document this. It’s history”’

I was asleep when the first plane hit. At the time, I lived just four blocks from the World Trade Center, right next to a hospital, a fire station and the HQ of the New York police. The sirens woke me up. They were nonstop. I turned on the television and saw one of the towers on fire. As I watched the second plane hit the south tower on TV, I also heard it because I lived so close.

I was working for Associated Press (AP) as a photo editor. I knew, as their closest staff member, that I should go out and document it. I got dressed, threw some film into my camera bag, and ran out to the World Trade Center. A lot of photography is like muscle memory. Even in a situation like this, your body knows exactly what to do. I remember a cop asking me: “How can you take photographs?” I told him: “I have to document this. It’s history.”

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Hitler’s favourite artists: why do Nazi statues still stand in Germany?

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A shocking new exhibition reveals the thriving postwar careers of artists the Führer endorsed as ‘divinely gifted’. Many made public works that remain on show today

A photograph from 1940 shows three conquering Nazis in Paris against the backdrop of the Eiffel Tower. Within a few years one of these men, Adolf Hitler, was dead by his own hand; another, Albert Speer, was writing his memoirs in Spandau prison, having eluded a death sentence at the Nuremberg trials. But the third, Arno Breker, was alive and free, making sculptures in the new West Germany that in their bombast and iconography echoed those he had made during the Third Reich.

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Two pints of lager and a view of St Paul’s: the secret life of London’s most thrilling boozers

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What makes a pub special? From the perfect place to flog atomic secrets to the official strictly protected viewpoint for St Paul’s, a new book tells the amazing stories behind the city’s greatest bars

When you stumble out of the medieval warren of Ye Olde Cheshire Cheese pub on Fleet Street, it’s easy to think you’ve had one too many. As you gaze east towards the dome of St Paul’s Cathedral, the skyscrapers of the Square Mile appear to lean back in a woozy limbo, as if lurching to get out of the way.

It’s not the effect of the real ale, but the result of a curious planning rule. The City of London’s policies have long specified the pavement outside this particular pub as the hallowed spot from which Wren’s dome must be perfectly visible against the sky. Even the towers that stand behind it to the east, like the Cheesegrater and the Scalpel, derive their strange chamfered forms from having to preserve a sacred gap behind the cathedral’s silhouette, when seen from outside the pub.

Trace the lines of London’s historic protected views, and you’ll find that many of them end up outside pubs. It reflects not just the fact that the surveyors enjoyed a pint or two, but the central importance of the public house in shaping the history of the city – a phenomenon that is celebrated in a new book.

“There are already so many books about pubs,” says David Knight, co-author of Public House with Cristina Monteiro. “We wanted this one to be different. It’s not a guide to the best places to have a pint but a collection of social and cultural histories, trying to bring together a more diverse range of voices to explore the value of pubs to the city and society.” While the majority of pub literature may be of the stale white male genre, this compendium includes South Asian Desi pubs, African-Caribbean pubs, and a range of pubs that have played a role in LGBTQ+ history.

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‘It’s exactly like a puzzle’: experts on piecing together Roman fresco find

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House in southern France yielded find of outstanding wall paintings dating from 1st century BC

On the right bank of the Rhône in the Provençal town of Arles, the Roman-built House of the Harpist is being hailed as a remarkable record of ancient architecture and interior decoration.

Now, experts have opened their workshop to reveal their painstaking attempts to piece together the vast jigsaw of magnificent and never before seen frescoes discovered in the property thought to date back more than two millennia.

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How street art is helping young migrants paint a brighter future in Italy

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An innovative community project has brightened buildings, ‘brought people together’ and provided an emotional outlet after traumatic journeys

Jadhav*, 18, from Bangladesh, arrived in Italy 10 months ago, but is still haunted by memories of his journey with people smugglers across the Mediterranean Sea.

“There were 156 people packed into a small boat. There were women and children,” says Jadhav in broken Italian and Bengali translated on a smartphone app. “Waves were coming over the side. People were weeping. There was no hope of survival.”

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‘It’s not cutesy’: the art show co-curated by a five-year-old

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My Kid Could’ve Done That! invited 15 artists to create work alongside their children. From leaking breasts to hours in front of childrens’ TV, the results are admirably honest

At five years of age, Astrid might well be the youngest exhibition curator of all time.

“I’m really looking forward to deciding where the art goes,” she says, demonstrating a natural instinct for her new role. “And I’ve really enjoyed working with Daddy too!”

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The curse of Mies van der Rohe: Berlin’s six-year, £120m fight to fix his dysfunctional, puddle-strewn gallery

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The modernist maestro had carte blanche to build a great museum. The result? A breathtaking icon hopeless for displaying art. British architect David Chipperfield relives his gargantuan repair job

Never has so much praise been lavished on so dysfunctional a building. The last major project of modernist master Ludwig Mies van der Rohe, Berlin’s Neue Nationalgalerie is a perfectly square temple of steel and glass, raised above the street on its own granite acropolis. Built in 1968, not far from the recently erected Berlin Wall, it was intended to symbolise the freedoms of the west, its big black roof enclosing an epic column-free hall for the display of modern art. It has long been venerated as a 20th-century Parthenon, the ultimate example of Mies’s pursuit of “universal space”.

But as a museum, it has always been a disaster. Ever since it opened, the New National Gallery has been dogged by cracking windows, heavy condensation and awkward display spaces, presenting a curatorial nightmare for its staff. Beneath the impractical grand hall are subterranean galleries for the permanent collection that have the dreary feeling of a windowless office complex. It is one of the most extreme examples of the quest for purity of form trumping the demands of function.

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