Vincent van Gogh Paris painting from 1887 to make public debut

Scène de rue à Montmartre has been part of same French family’s private collection for more than a century

A major Paris work by Vincent van Gogh that has been part of the same French family’s private collection for more than a century is to go on public display for the first time since it was painted in the spring of 1887.

Scène de rue à Montmartre is part of a very rare series depicting the celebrated Moulin de la Galette, on the hilltop overlooking the capital, painted during the two years the Dutch artist spent sharing an apartment with his brother Theo on rue Lepic.

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‘Painted by a madman’: The Scream graffiti reveals Munch’s state of mind

Inscription on painting that has been subject of debate has been reattributed to the artist himself

It is an image that has intrigued the art world for more than a century and become synonymous with existential angst, and recently inspired its own emoji, but now some graffiti has added a new layer to the story of Edvard Munch’s most iconic painting, The Scream.

A tiny pencil inscription in the top left corner of one of the four versions of the painting, which reads, “Can only have been painted by a madman”, has been the subject of debate over who wrote it – it was originally thought to be by Munch, but was later attributed to a vandal – but new analysis by experts at the National Museum of Norway suggests it is indeed in the hand of the artist.

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‘My soupmaker is so quick!’ 15 lockdown buys that helped Guardian readers

From a treadmill and a puppy to 19th-century curtains, here are the purchases that have helped cheer people up in the past year

Not only has my new treadmill seen me through lockdown, it’s also keeping me on an even keel, as I live in a crowded area and don’t really enjoy running outside any more. I use it almost every day, along with an app called Zombies, run! or while listening to podcasts. It has become a comfort. The only downside is that I need to put it back under my bed after each use. Mar, journalist, Barcelona, Spain

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John Malkovich as eerie identical twins: Sandro Miller’s best photograph

‘I wanted to pay homage to work that made my knees buckle. John looked nothing like Diane Arbus’s twins. But on set his spirit left and theirs came in’

Ten years ago, I was diagnosed with stage 4 throat cancer. The prognosis wasn’t 100% positive and there were days when I’d lay in bed wondering if I’d ever be able to shoot again. I’m self-taught, and I started thinking about the images that had changed the way I thought about photography – work by Irving Penn, Richard Avedon and Diane Arbus, work that made my knees buckle with emotion.

I thought: if I ever get better, I would love to pay homage to these greats, in a way nobody has done before.

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‘A great cover for their first album’: Harry and Meghan’s romantic rebellion against royal portraiture

The Sussexes’ baby announcement shared on Valentine’s Day is a confident image of defiance that seems to take us inside their love – granny must find it utterly baffling

The Duke of Sussex’s left foot steals the show. His knobbly toes shove themselves into the foreground, bulging out to rhyme with his wife’s baby bump. Misan Harriman, the Nigerian-born photographer and friend of Meghan who took the picture remotely from his home in Woking, has created an unbuttoned romantic pastoral that doesn’t so much rebel against royal portraiture as bring it to an end.

Producing babies has been the primary business of royalty since time immemorial. Harry and Meghan’s new child will be eighth in line to the British throne, but the picture tells us quite flamboyantly the Sussexes are not in Britain and have no desire to be. It is a confident image of defiance. A cup of California dreamin’. The garden looks semi-tropical. Harriman’s preference for black and white gives the sun-kissed lawn a lovely silvery glow that sets the couple almost in a vision of paradise. But at the same time, their intimate casualness – those toes again – is intended to show us they are anchored to the reality that matters.

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London’s bridges are falling down: how politics has failed the capital’s crossings

The £150m repair of Hammersmith Bridge, closed since 2019, is mired in squabbling – and it’s just one of many across the UK that need work

Toby Gordon-Smith can see the district of Hammersmith from his flat. In normal times it takes him a few minutes to get there in his wheelchair. His cannabidiol products business is there, with the accessible tube station that he needs to get to the rest of London. The station is the reason why he moved to the area, but now it might as well be in another city. For he lives in Barnes, on the south side of the River Thames, opposite Hammersmith, and the bridge that connected them is closed for safety reasons – to vehicles since April 2019, and to pedestrians, cyclists and wheelchair users since last August. Although it is nearly two years since the first closure, there is still no clear plan for fixing the bridge.

There are thousands of stories like Gordon-Smith’s. For children in Barnes who go to schools in Hammersmith, what was once a 15-minute walk is now a tortuous three-mile journey along a towpath regularly flooded by the tide, up flights of steps on to a railway bridge (which makes cycling difficult) and through an ill-lit park with high rates of crime. Or they can take a long bus ride, which means getting up at 6am, if you’re going to beat the rush-hour traffic. The area’s main hospital, Charing Cross, is on the north side of the river, so those of its staff who live to the south, and patients needing such things as chemotherapy, now have to make gruelling journeys of an hour or more each way. Ambulances face potentially lethal delays.

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The edible art of sourdough faces – in pictures

Five years ago, Swedish designer and stylist Linda Ring experienced total burnout. After a few months doing nothing, she tried to adopt a slower lifestyle. “I started baking sourdough, but as it’s my nature to try to make everything beautiful, I began experimenting.”

Ring’s loaves became canvases for portraits and landscapes, scored into the raw dough. “You never know how the bread or the pattern will turn out, it’s enormously satisfying when I take it out of the oven and see.”

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Can Addis Ababa stop its architectural gems being hidden under high-rises?

While Ethiopia’s ancient sites are valued, urban heritage is an afterthought in a city forced to expand ever upwards

Only rubble remains of the former home of Dejazmatch Asfaw Kebede, a member of Emperor Haile Selassie’s government. Built in the early 1900s, and inspired by Indian as well as Ethiopian architecture, the building was demolished in early January without the knowledge of Addis Ababa’s conservation agency, the Culture and Tourism Bureau.

Demolition and reconstruction are now the most common sights along Addis Ababa’s unrecognisably altered skeleton skyline. The collateral damage is the city’s heritage.

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‘We want our riches back’ – the African activist taking treasures from Europe’s museums

Mwazulu Diyabanza has been fined and jailed for entering museums and forcibly removing ‘pillaged’ African artefacts. He tells our writer why the British Museum is now in his sights

Mwazulu Diyabanza makes no secret of why he is in France. If coronavirus had not closed most of Europe’s museums, the Congolese activist would probably be inside one right now, wresting African objects from their displays to highlight what he sees as the mass pillaging of the continent by European colonialists.

And it’s not just the mighty museums. Diyabanza and his supporters also plan to include smaller galleries, private collections and auction houses in their campaign. “Wherever the riches of our heritage and culture have been stolen,” says the 42-year-old, “we will intervene.” As the leader of a pan-African movement called Yanka Nku (Unity, Dignity and Courage), Diyabanza is on a mission is to recover all works of art and culture taken from Africa to Europe. He calls his method “active diplomacy”.

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Canadian museum’s ancient carving is one I made earlier, says local artist

A stone figure found on a beach was probably by a Lekwungen people artefact, the Royal British Columbia Museum said, but Ray Boudreau begged to differ

Early one morning last summer, walkers on a beach in western Canada spotted an oblong stone figure resting on the sand.

Weighing nearly 100kg, it bore a face with exaggerated features – a bulging eye, contorted nose and lips – and was covered in a thin layer of seaweed and algae.

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Edvard Munch works up for auction amid renewed interest in artist

Sotheby’s expert says pandemic has been good for the artist, lending his work ‘a whole new meaning’

Two works by Edvard Munch that the Nazis classified as degenerate before selling them for profit are to be offered at auction in London next month, at a time when interest in the Norwegian artist has never been bigger.

A self-portrait painted in 1926, the first formal portrait of Munch to come to auction for 15 years, and Embrace on the Beach, painted for a children’s nursery in 1904 and last on sale more than 80 years ago, are due to go under the hammer at Sotheby’s next month.

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The more satirical street murals are, the less they resemble great art

Street art that we share online tends to be inspiring – not strange, enigmatic or challenging

Whatever you think of street art, there’s no denying its pedigree. The paintings done on cave walls 30,000 years ago are today acknowledged as the first creative triumph of the human mind. But before their modern recognition as prehistoric wonders, these pictures of mammoths and bison were dismissed by Renaissance cavers who came across them as crude contemporary graffiti. That’s because graffiti were as universal 400 years ago as they are today, and just as disreputable.

Today we veer between seeing graffiti as visual noise and genius coming up from the streets. That’s the fascinating ambiguity of those marks and images. They can be dismissed as a public nuisance or hailed as works of witty artistic genius. Banksy in Britain and JR in France have followed in the footsteps of the 1980s New York street and subway art stars Jean-Michel Basquiat and Keith Haring to become respected and marketable. Basquiat and Haring were proteges of Andy Warhol, whose embrace of high and pop art, the beautiful and mundane, set the stage for today’s street art. Warhol himself responded to the graffiti craze with a series of abstract paintings he made by covering the canvases with copper, then urinating on them to oxidise the pigment and produce lovely mineral blues and greens. It was literally the lowest of street activities, peeing against a wall, become Art.

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Confinement: photographic responses to the pandemic

Prix Pictet, the world’s leading prize for photography and sustainability, gathered responses to Covid-19 by 43 artists from 20 nations. A featured collaboration of four photographers with the Guardian, in the summer of 2020, draws on themes of isolation, confinement and political instability, and includes laureates and shortlisted photographers from the prize’s eight editions

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‘I document America’s strange beauty’: the photography of My Name Is Earl’s Jason Lee

He played a redemption-seeking redneck on TV, but lately the actor has found solace off-screen, travelling with his camera. He talks about slackers, the Mallrats sequel and breezing into one-horse towns

Jason Lee knew he was in trouble when he stepped on the set. The year was 1992, Sonic Youth were at their peak and he was starring as a doomed skateboarder in their latest video. As a music obsessed, pro skateboarder with acting aspirations, he felt he had a point to prove. To add more pressure, it was for the song 100% – the band’s classic ode to a murdered Black Flag roadie – and the video was being co-directed by one of his skateboarding friends (some guy called Spike Jonze).

“I was really trying my hardest to focus,” says Lee. “I was like pretending to be Robert De Niro on the set, really trying to get into it and make it count and make it real and believable.”

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‘Black resistance endured’: paying tribute to civil war soldiers of color

In a new book, the often under-appreciated contribution that black soldiers made during the civil war is brought to light with a trove of unseen photos

A classic tintype photo from the 19th century showing a civil war soldier, whose garments are hand-colored in gold paint. The soldier, crowned by a gold frame, looks forward, holding a gun over his chest.

But rather than just any war portrait, it’s part of the overlooked history of African American soldiers who fought during the period. This one and more are featured in a new book called The Black Civil War Soldier: A Visual History of Conflict and Citizenship.

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‘Cancer made me pull my life together’: Zandra Rhodes on fun, fashion and Freddie Mercury

One of Britain’s greatest designers, she has dressed everyone from Princess Diana to Diana Ross. She discusses punk, pink hair and staying creative after serious illness

Zandra Rhodes was doing a yoga session with a friend in the early weeks of the pandemic when she realised that something was wrong. “It’s a funny story,” she says. “We were lying on our lilac mats in my rainbow penthouse, and I was breathing deeply – and my stomach felt full. And I thought, why is it full? I haven’t had a meal today.”

It turned out she had a tumour. “It was in the bile [duct] and going into whatever’s near it,” she says, vaguely. Treatment involved weeks travelling across a locked-down London for chemotherapy, followed by an immunotherapy regime that she is still on, even though she is happy to say that the tumour is in full remission. Her first thought after diagnosis was “to get my will in order with a power of attorney that included a do-not-resuscitate order. I was very lucky because I had no pain whatsoever. I just got very tired while I was having the chemo.”

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