UK government to invest in film and TV AI special-effects research

Almost £150m to be spent on research labs to help future-proof industry and lift creative economy

Ministers are seeking to future-proof the UK’s multibillion-pound film and TV production industry by investing almost £150m in a network of research labs across the country tasked with developing the next generation of special effects using tech such as artificial intelligence.

The scheme aims to build on Britain’s reputation for producing hi-tech hits from Star Wars to Harry Potter, and is part of wide-ranging plans to drive the UK creative economy. The government has earmarked millions to support grassroots music venues hammered by the Covid pandemic, and is tripling a fund designed to find and support the next generation of homegrown superstars like Adele and Ed Sheeran.

Continue reading...

Wes Anderson says Bill Murray misconduct allegations won’t affect their working relationship

Director, who has worked with Murray on nine of his 11 films, says it was Covid-19, not misconduct allegations, that stopped the actor appearing in his latest film Asteroid City

Wes Anderson has said that various allegations made against his frequent collaborator Bill Murray will not affect their working relationship, describing him as “part of my family”.

The 54-year-old director, known for using the same actors across his films, spoke before the release of his latest, Asteroid City, which is one of only two of his 11 released feature films that Murray has not appeared in.

Continue reading...

Harvey Weinstein tried to bully me, reveals Joseph Fiennes

The Handmaid’s Tale actor says the disgraced movie mogul threatened to end his Hollywood career

Joseph Fiennes, star of the television series The Handmaid’s Tale and of the 1998 hit movie, Shakespeare in Love, has explained why he turned down the chance to play major roles in a run of Hollywood blockbusters early in his career.

It was, he said, a reaction to bullying pressure put on him by Harvey Weinstein, who wanted to take control of his life, and Fiennes does not regret the decision.

Continue reading...

Disney’s Little Mermaid flops in China amid racist backlash over casting

Poor box office performance reflects broader challenge for Hollywood as it vies with domestic productions

The poor performance of Disney’s The Little Mermaid at the Chinese box office has reopened questions on Hollywood’s increasing difficulties in the world’s second-largest economy and the role racism has played in the film’s reception.

The live action remake has grossed just $3.6m (£2.9m) since its release in Chinese cinemas on 26 May, according to Box Office Mojo.

Continue reading...

‘Forget all the excuses’: Arnold Schwarzenegger expresses regret over groping claims

In the forthcoming documentary Arnold, the actor says of the historical allegations that ‘it doesn’t really matter what time it is … it was wrong’

Arnold Schwarzenegger has revisited historical allegations of groping in a new documentary series about his life and career.

In 2003, shortly before his re-election as governor of California, the Los Angeles Times published a report detailing claims of groping by six women across three decades.

Continue reading...

Hollywood actors union overwhelmingly votes to strike if talks fail with studios

Sag-Aftra president Fran Drescher tells more than 60,000 union members she is proud of them

Actors represented by the Hollywood union Sag-Aftra have overwhelmingly voted to strike if they don’t agree on a new contract with major studios, streamers and production companies by 30 June.

On Monday 65,000 members of the guild, which represents more than 160,000 screen actors, broadcast journalists, announcers, hosts and stunt performers, voted, with 98% supporting a strike if negotiations with the Alliance of Motion Picture and Television Producers (AMPTP) fail.

Continue reading...

Studio Ghibli to release Hayao Miyazaki’s final film with no trailers or promotion

The director and veteran of Studio Ghibli plans to retire after the release of How Do You Live? which will forgo trailers and marketing ahead of its Japanese release next month

Hayao Miyazaki’s next and apparently final film will be released with no trailer, marketing or other new promotional materials, it has been revealed.

In an interview with Japanese magazine Bungei Shunju, translated by the Hollywood Reporter, producer Toshio Suzuki said the film, titled How Do You Live?, would be released with “no trailers or TV commercials at all … no newspaper ads either.” He added: “Deep down, I think this is what moviegoers latently desire.”

Continue reading...

Barbie film required so much pink paint it contributed to worldwide shortage

The film’s production designer Sarah Greenwood says ‘the world ran out of pink’ during construction of Barbieland and lifesize versions of the doll’s Dreamhouse

Greta Gerwig’s upcoming Barbie film required so much pink paint during construction that it wiped out an entire company’s global supply.

Speaking to Architectural Digest, Gerwig and the film’s production designer Sarah Greenwood, spoke about the construction of Barbieland, which is almost entirely fluorescent pink, from the lifesize versions of the doll’s famous “Dreamhouse” to the roads and lamp-posts.

Continue reading...

Makers of Lightyear flop among Pixar job cuts by Disney

Director and producer of Toy Story spinoff lose roles after $200m production brought in just $226.7m in global ticket sales

Walt Disney’s Pixar Animation Studios has eliminated 75 positions including those of two executives behind the box office disappointment Lightyear, sources said on Saturday, the first significant job cuts at the studio in a decade.

The cuts included Lightyear director Angus MacLane, a 26-year Pixar veteran who was part of the senior creative team on such acclaimed films as Toy Story 4 and Coco. Galyn Susman, producer of Lightyear, also departed. Susman had been at Pixar since the release of the original Toy Story movie in 1995.

Continue reading...

The Little Mermaid hooks audiences with whale of an opening weekend

The live-action remake brought in nearly $100m over the Memorial Day weekend, knocking Fast X out of the top spot

The Little Mermaid live-action remake of Disney’s 1989 animated classic made a splash at the box office on Memorial Day weekend, bringing in almost $100m in North America, according to studio estimates released on Sunday.

The film starring Halle Bailey, winning praise from critics as the titular mermaid Ariel, and Melissa McCarthy as her sea witch nemesis, Ursula, ranks as the fifth biggest Memorial Day weekend opening on record.

Continue reading...

Jennifer Lawrence brings documentary about Afghan women to Cannes

Bread and Roses, co-produced by Lawrence, documents lives of three women after Taliban’s return to power

A documentary about the lives of three women living under the Taliban, co-produced by Jennifer Lawrence, has premiered at the Cannes film festival.

Bread and Roses, shown at a special screening on Sunday, follows three Afghan women in the weeks after the Taliban’s return to power in 2021 after the withdrawal of US troops.

Continue reading...

Helmut Berger, star of Visconti’s The Damned, dies aged 78

Acclaimed actor in European art cinema also secured a prominent role in US soap opera Dynasty

Austrian actor Helmut Berger, who became a star of 60s and 70s art cinema with roles in films such as Luchino Visconti’s The Damned, and Ludwig and Joseph Losey’s The Romantic Englishwoman, has died aged 78. His death was announced by his management agency, which posted a statement on its website saying Berger had “passed away peacefully but unexpectedly” in Salzburg, the city where he grew up.

Born Helmut Steinberger in the Austrian spa town of Bad Ischl in 1944, Berger studied acting in London before moving to Italy, where he met and began a relationship with acclaimed director Luchino Visconti, nearly 40 years his senior. Visconti gave him his first acting role, a small part in the comic anthology The Witches, and subsequently cast him in a spectacular role in his landmark 1969 epic The Damned. Berger played Martin von Essenbeck, a scion of a wealthy industrial family who struggle for control over the business in interwar Germany as the Nazis rise to power; for the film, Berger famously performed in drag as Marlene Dietrich and was subsequently nominated for a Golden Globe for most promising male newcomer.

Continue reading...

Russia orders arrest of Oscar-nominated film producer for criticism of war

Alexander Rodnyansky and theatre director Ivan Vyrypaev, both vocal critics of Putin and the invasion of Ukraine, have been accused of ‘spreading false information’ about the Russian army

A Moscow court has ordered the arrest of prominent film producer Alexander Rodnyansky and theatre director Ivan Vyrypaev for “spreading false information” about the Russian army.

The initial court hearings against Rodnyansky and Vyrypaev were held on 27 April, but not reported by the court until Wednesday.

Continue reading...

‘Consensus is boring’: Cannes jury president Ruben Östlund opens ‘wild’ festival

Films in contention for this year’s Palme d’Or include Wes Anderson’s Asteroid City and Jonathan Glazer’s The Zone of Interest, while Johnny Depp’s Louis XV kicks off proceedings

Jury president Ruben Östlund struck a defiant note of optimism on the opening day of the 76th Cannes film festival, positioning the event as a stronghold of community in an increasingly atomised world. Cinema, he said, was more relevant and valuable than ever. The challenge is to connect it with a younger, post-pandemic audience that prefers to gorge its entertainment online.

“If you look at today’s world, you see that cinema is unique for the simple reason that it offers a room where we can all watch films together,” he said. “All the other content, we’re accessing it on our devices, in our little bubbles, consuming culture like zombies and not reflecting what we’re looking at. So going to the cinema is almost a political stance. We come together and have a conversation about the world. We find out who we are and where we’re going. That is cinema’s strongest selling point. I think people want that collective experience.”

Continue reading...

‘I kept my alcoholism secret on Mission: Impossible set,’ Simon Pegg reveals

The actor, now recovered, tells BBC’s Desert Island Discs he became ‘very sneaky’ about his drinking in the early 2000s

Simon Pegg faced his own mission impossible, tackling both his addiction and eventual recovery, while working on the major Hollywood film franchise alongside Tom Cruise, he will explain in a revealing radio interview on Sunday morning.

Speaking of a secret reliance upon alcohol that he hid while working on film sets in the early 2000s, Pegg admits: “You become very sneaky when you have something like that in your life.”

Continue reading...

Jamie Foxx released from hospital and ‘recuperating’, says daughter

Corinne Foxx shares update after criticising media for running ‘wild’ with rumours actor was taking a turn for the worse

Jamie Foxx is out of hospital after an unknown “medical complication”.

The Oscar-winning actor and singer’s daughter Corinne Foxx shared an update on Instagram after unsubstantiated reports that the 55-year-old’s condition had worsened.

Continue reading...

Disney+ loses 4m subscribers amid exodus in Indian market

Lost cricket rights prompts outflow but streaming service almost halves losses while theme parks boom

Disney, known for Pixar, Star Wars and Marvel movies, said its flagship streaming service lost 4 million subscribers in the first three months of the year.

Subscribers to Disney+ services, home to movies such as Toy Story, Monsters, Thor and Black Panther, fell to nearly 158m from January to March, the second quarter of customer losses after a 2.4 million drop in the previous three months. Analysts had expected Disney to add more than 1 million customers in the quarter. The shares fell nearly 5% in after-hours trading.

Continue reading...

Richard Dreyfuss says Oscar diversity rules ‘make me vomit’

Jaws star went on to defend Laurence Olivier’s performance in blackface in the 1965 adaptation of Othello

Academy Award-winning actor Richard Dreyfuss has harshly criticized the Oscars’ new diversity and inclusion standards, saying “they make me vomit.”

In an interview with PBS’s Firing Line, the co-star of Steven Spielberg’s 1975 thriller Jaws told host Margaret Hoover that he disagreed with the new set of rules that the Academy of Motion Picture Arts and Sciences has imposed for films to qualify for best picture nominations.

Continue reading...

Campaign group teams with Hollywood to sharpen human rights focus

Human Rights Watch follows lead of Pentagon, FBI and CIA to insert its messages into popular film and TV culture

Human Rights Watch (HRW) has decided to take on Hollywood to improve the visibility and awareness of humanitarian issues in popular culture.

As part of the move, the advocacy group has signed up with a talent agent firm, Activist Artists Management (AAM), to provide “scripted and unscripted content in film and television”, an HRW statement said.

Continue reading...

‘Feeling blessed’: Jamie Foxx releases first statement since hospitalization

Actor shared a message on Instagram three weeks after he was hospitalized in Atlanta for an unknown ‘medical complication’

Jamie Foxx has released his first public statement since his hospitalization nearly three weeks ago for an unknown “medical complication”.

“Appreciate all the love!!! Feeling blessed,” the Oscar-winning actor posted on Instagram along with a prayer hands, heart and fox emoji.

Continue reading...