Disney remake of Mulan criticised for filming in Xinjiang

Film credits offer thanks to eight government entities in region where rights abuses are alleged

Disney’s live-action remake of Mulan, already the target of a boycott, has come under fire for filming in Xinjiang, the site of alleged widespread human rights abuses against Uighurs and other Muslim minorities.

The film, directed by Niki Caro, is an adaptation of Disney’s 1998 animation about Hua Mulan, a young woman who disguises herself as a man to fight in the imperial army in her father’s stead.

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The problem with Mulan: why the live-action remake is a lightning rod for controversy

The remake of Disney’s hit animation has triggered pro-democracy and human rights protests in Hong Kong and around the world

It’s an understatement to say that a lot has happened since the trailer for Disney’s live-action Mulan was released last year, shortly after Hong Kong’s draconian national security law was passed without consultation or vote in June. The ongoing assault on democracy in Hong Kong has dominated international headlines, with the arrests of pro-democracy activists, newspaper editors and government legislators. With its original cinema release put on hold due to the coronavirus epidemic, Mulan is now emerging to a vastly different political landscape.

On the face of it, the new Mulan is a missed opportunity for Hollywood to explore Chinese history and identity, a confused and superficial statement about Chinese nationalism. A hodgepodge of Chinese historical mise-en-scène, wuxia-style choreography, cheap orientalism and stilted dialogue, it’s also become a lightning rod for pro-democracy and human rights protests around the world.

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Greta Thunberg says Venice documentary shows her real self

Global climate activist pleased with film’s portrayal of her as a ‘shy nerd’

A documentary following Greta Thunberg and her journey from Swedish schoolgirl to global climate activist accurately portrays her as a “shy nerd”, the teenager said as the film premiered at the Venice film festival.

Director Nathan Grossman recorded Thunberg’s everyday life for a year, chronicling her rise to fame from the beginning of her school strike outside the Swedish parliament in August 2018 to her trips around the world demanding that political leaders take action to fight the climate crisis.

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Pro-democracy boycott of Disney’s Mulan builds online via #milkteaalliance

Liu Yifei, who stars as Chinese heroine, has voiced support for Hong Kong police during suppression of protests

Calls to boycott Disney’s live-action remake of Mulan have been reignited ahead of its release on Friday, with Thai pro-democracy activists joining those vowing to shun the film.

Controversy over Mulan erupted last year, when its star, Liu Yifei, voiced support for police in Hong Kong, who have been accused of using excessive force against protesters.

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Batman star Robert Pattinson ‘tests positive for Covid-19’

Actor will reportedly self-isolate as Warner Bros halts UK production of The Batman

The actor Robert Pattinson has tested positive for Covid-19, according to US media reports, halting production of the film The Batman just days after it resumed following lockdown.

A spokesperson for Warner Bros, the Hollywood studio behind the film, said: “A member of The Batman production has tested positive for Covid-19, and is isolating in accordance with established protocols. Filming is temporarily paused.”

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Cate Blanchett says she would rather be called an actor than an actress

Venice film festival jury chief backs Berlin event’s move towards gender-neutral prizes

The Hollywood star Cate Blanchett has said she would rather be called an actor than an actress.

The Australian, who is heading the jury at the Venice film festival, gave her backing to Berlin festival’s controversial decision last week to do away with gendered prizes and only give a best actor award.

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Star Wars actor John Boyega says non-white roles are ‘pushed to the side’ in franchise

British actor, who played former stormtrooper Finn, says the process had changed him and made him ‘angry’

The British actor John Boyega has criticised the treatment of non-white characters in the latest Star Wars films, saying they were marketed as important elements in the franchise but were ultimately “pushed to the side”.

In an interview published by GQ magazine on Wednesday, Boyega expressed bitterness over how his role as stormtrooper Finn faded in the latter episodes of the trilogy which concluded with The Rise of Skywalker in 2019.

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The Mole Agent: the story of the most unusual documentary of the year

An 83-year-old goes undercover in a Chilean nursing home in a warm-hearted and surprising look at age and intimacy

With The Mole Agent, Maite Alberdi set out to make a film noir documentary about a spy in a nursing home. She did not expect it to transform into an aching meditation on isolation and loneliness.

The Chilean film-maker told the Guardian she was initially toying with genre and form. In early scenes, she makes you question whether you’re even watching a documentary because of the heightened noir aesthetic – venetian blinds and high contrast lighting.

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‘Our superhero’: black British figures praise Chadwick Boseman

Tributes to groundbreaking star come from spheres of film, TV, sport and politics

Chadwick Boseman has been widely praised for breaking down cultural boundaries and inspiring a generation of young black people, following news of his untimely death.

The Black Panther star died at his home in the Los Angeles area aged 43, four years after being diagnosed with colon cancer. He was best known for his role as the regal T’Challa in the Marvel cinematic universe, the franchise’s first high-profile black superhero.

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Anbessa review – heart-rending tale of a boy living on the edge

An irresistibly charismatic farm boy, displaced by a housing development on the outskirts of Ethiopia’s capital, is the star of this affecting documentary

The American director Mo Scarpelli makes a miraculous discovery in her new documentary – a 10-year-old Ethiopian farm boy who has been displaced from his home by urbanisation. Scarpelli has said that when she spotted Asalif Tewold on the street in Addis Ababa, she knew instantly that she wanted to make a film about him. You can see why. A charismatic kid with energy and imagination, he’s at that perfect stage of boyhood with an appetite for adventure and make-believe. That said, Scarpelli’s observational film-making style, slow and lingering, is a challenge and likely to be off-putting to all but hardcore lovers of arthouse.

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Face masks, time travel and James Bond auditions: discuss Tenet with spoilers

Christopher Nolan’s latest blockbuster creates a palindromic origami of bizarre physics inside an 007-style thriller. If you’ve seen it, what did you think?

Charged with the twin missions of kickstarting cinemagoing post-lockdown (outside the US, at least) and out-Nolanning every previous Christopher Nolan movie, Tenet carries a lot on its shoulders. The fact that it made it into cinemas is an achievement, but does it deliver? The critical consensus has been a qualified, often confused, “yes”, although opinions have differed widely, even among Guardian and Observer critics. One thing all will agree: as well as a fresh jolt of spectacle to revive the flatlining movie business, Tenet provides plenty to talk about and plenty to think about. Too much? Let’s talk about that.

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Tenet review – supremely ambitious race against time makes for superb cinema

Go with it, and Christopher Nolan’s high-concept action romp will leave you ripping off your face mask for air, even as you wonder what it was all about

Who shall save cinema? Not James Bond apparently. There’s been a brand-new Daniel Craig spectacular ready to go since Easter, arguably just the thing to get punters’ actual bums back on actual seats. But Team 007 is wimping out, unwilling to splurge their product irreversibly into some potential new ruinous lockdown – and Disney has suffered a comparable bottle-loss, dumping its live-action version of the Mulan legend on to streaming services.

So it’s up to the mighty Christopher Nolan to take the heroic, morale-boosting gamble and open his big new film in cinemas. Tenet is a gigantically confusing, gigantically entertaining and gigantically gigantic metaphysical action thriller in which a protagonist called The Protagonist battles cosmic incursions from the future while time flows backwards and forwards at the same time. There’s a 747 plane that crashes into a warehouse and then uncrashes back out of it, for reasons that are not immediately obvious.

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How Julia Louis-Dreyfus roasted Donald Trump in DNC finale – video

Actor Julia Louis-Dreyfus brought a great deal of levity while hosting the final night of the Democratic national convention. The comedian and star of Veep roasted Donald Trump and urged Americans to vote this November, joking that not even 'Facebook, Fox News and Vladimir Putin' can stop the democratic process

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Filmmakers told to ditch sex scenes to protect actors from coronavirus

Updated guidance suggests directors take inspiration from classic films made when sex on screen was prohibited

British film and TV directors are being encouraged to seek inspiration from classic romances such as Casablanca and ditch depictions of sex altogether when planning intimate scenes under new guidelines for directing during the Covid-19 crisis.

Directors UK, the professional association for screen directors in Britain, suggested some creative alternatives to avoid sex scenes with physical interaction while social distancing is required, in an update to its Directing Nudity and Simulated Sex guidelines, which are focused on safe working during the pandemic.

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An oral history of Fame: ‘We were dancing on cars in the epicentre of porn and filth!’

It was the late director Alan Parker’s most enduring hit, capturing what it was to be young and ambitious in the hot, gritty New York of 1980. The cast and crew reflect on the acting, fighting, flirting and fallout

• ‘The most important experience of my youth’: Fame star Barry Miller on Alan Parker

Forty years ago, Alan Parker’s musical about a group of teenagers at the New York High School for the Performing Arts was released.

Originally titled Hot Lunch after one of the composer Christopher Hope’s key numbers, the film is a crowd-pleaser with a heart of ice. For all the fun and legwarmers, this isn’t some starry-eyed fantasy. Rather, its edge and pessimism make it a remarkably responsible piece of film-making, with a conclusion about the wisdom of pursuing a career in the arts that is ambivalent at best.

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‘I always knew I was wired differently’: why David Arquette went from Hollywood to wrestling

He was the star of the Scream films, became a heavyweight world champion – and, with the deaths of his sister Alexis and best friend Luke Perry, still has demons to grapple with

I always had a soft spot for David Arquette. From the first time I spotted him, in a bit part in Beverly Hills 90210, and ever after, whether he was playing the dorky policeman in the Scream films, carrying offbeat indie films such as Dream with the Fishes, or playing a Jewish rebel in the Holocaust film The Grey Zone, he radiated a sweet likeability you just can’t fake. It was cheering to spot his goofily handsome face onscreen, like finding your brother’s funny friend hanging out in your kitchen when you got home from school.

The baby brother of acclaimed actors Rosanna, Patricia and Alexis, his talent was obvious; he was on the cover of Vanity Fair’s 1996 Hollywood issue alongside Leonardo DiCaprio, Will Smith and Benicio del Toro. He was so watchable that, even though his character was supposed to die in the first Scream, Wes Craven rejigged the script so that he became the backbone of the franchise.

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Letters reveal British objections to plot of Bridge on the River Kwai

War Office feared war movie would ‘not go down well with British public’

The adventure war film The Bridge on the River Kwai may have swept the board of awards and attracted acclaim as one best films of the 20th century, but the War Office was very nervous “it would not go down well with the British public”, documents reveal.

Letters between the Hollywood producer Sam Spiegel and the UK War Office, from whom he was seeking permission for RAF cooperation in making the 1957 film, show tensions over how its plot depicted the conduct of British officers.

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Antonio Banderas reveals he has coronavirus on 60th birthday

The actor has said he is celebrating in quarantine and otherwise relatively unaffected, other than being ‘a little bit more tired than usual’

The actor Antonio Banderas has confirmed on Twitter that he is suffering from coronavirus. In a message posted on 10 August, his 60th birthday, the actor said he was forced to celebrate in quarantine but reassured followers that his health was largely unaffected.

Quiero contaros lo siguiente... pic.twitter.com/u579iBVLM0

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Geena Davis: ‘As soon as I hit 40, I fell off the cliff. I really did’

The Thelma & Louise and A League of Their Own star wanted to be an actor from the age of three. She discusses sexual harassment, improving representation, and why she’s so glad she had kids in her 40s

“Are you in your bed like I am?” Geena Davis asks. It is late at night and I am talking to Davis by Zoom, me in my bed in London, her in hers in Los Angeles. I tell her that I only just resisted getting into my pyjamas for this call.

“Ha ha! I changed into a sweatsuit!” she says, and she is, indeed, in an all-white sweatsuit. Yet even in athleisure, she still looks like a golden-era Hollywood beauty. Davis made her movie debut in Tootsie in 1982, in which she first appeared in just her bra and knickers, to Dustin Hoffman’s memorable confusion. But it was always easy to picture her in a film from the 1940s, wearing a long satin dress, holding a martini glass and making a snappy comeback to Cary Grant.

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The Matrix director: I’m glad film recognised as trans metaphor

Lilly Wachowski expresses pleasure that the film’s ‘original intention’ has become commonplace understanding among fans

Lilly Wachowski, who co-directed the Matrix films with her sister, Lana, has confirmed that they should be read as allegories for the transgender narrative. Subsequent to the films’ release, both sisters came out as trans – Lana in 2012 and Lilly in 2016 – and some fans have since identified apparent resonances for the experience in the movies.

“I’m glad that it has gotten out that that was the original intention,” Lilly told Netflix Film Club on 4 August. “The world wasn’t quite ready for it. The corporate world wasn’t ready for it.”

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