Berlin Krautrock exhibition celebrates groundbreaking genre

Posters of Kraftwerk, Neu! and Can span movement’s roots in the counterculture scene of 1968

A motley train of shaggy-haired musicians is gliding into the future on a hastily sketched highway, brandishing bongos, vegetables and flaming guitars.

The poster for a 1971 gig by German-English-Swiss trio Brainticket, on display at Berlin’s small Bröhan Museum until 24 April, visually sums up the essence of a German musical movement so forward-looking at its height, its country of origin is only now starting to recognise its legacy.

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‘These are our local heroes’: the artist painting murals of hope in a Zimbabwe township

Basil Matsika hopes his joyful murals of Mbare’s music and sports stars will inspire others to look beyond the area’s poverty and crime

Street artist Basil Matsika paints murals of local musicians and daily life in the streets of Mbare, one of Zimbabwe’s oldest townships, in the capital Harare. With his brush and paint jar, he says he communicates deep sentiments of hope amid the overwhelming landscape of poverty.

While many see Mbare as a crime-ridden neighbourhood, Matsika, 40, chooses to see beauty in the grimy, patched walls of the Matapi flats, which have become his canvas for his giant murals.

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Surreal: art’s weirdest worldview bounces back a century after its birth

Literary and artistic movement enjoying another golden age, with international events and exhibitions


A century ago in the ateliers of Montparnasse in Paris, surrealism was born from the gloom of the first world war that had engulfed and devastated Europe.

The cultural movement led by the French writer and poet André Breton would give rise to artists of international renown including Max Ernst, Joan Miró, René Magritte, Yves Tanguy, and Salvador Dalí.

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Ten years of my art was lost in a fire I accidentally started – but I made better work from the ashes

A devastating fire in my studio forced me to approach painting and life in a new way

Two weeks before the first lockdown I was in my studio putting the finishing touches to my most ambitious body of paintings to date. The studio was packed with hundreds of works of art. For the past four years I had been working with the Syrian writer Professor Ali Souleman and the documentary filmmaker Mark Jones. Ali lost his sight in a bomb blast in Syria in 1997 and we had been attempting to translate his experiences of war and displacement into a collection of paintings – to make the unseen seen. Ali and Mark were coming the very next day for an unveiling. The studio was overstuffed, no pause or resting place for the eye anywhere. It was, in hindsight, a self-portrait of a restless mind.

I’ve always been driven by obsessive-compulsive tendencies: counting and control, endless tinkering, seeking a never-coming calm. A patch of work caught my eye. Could it be a bit more darkened and burnt? I felt an itch behind my eyelid, a twitching fidget. I should have waited until I could move the boxes. I couldn’t wait. I switched on the blowtorch and passed it over the surface. It would only take a moment. A moment was all it took.

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Feud over ‘antisemitic’ Wailing Wall painting closes Israel museum

Exhibited artists cover up their work in protest after piece portraying ultra-Orthodox Jewish man is removed

Four overlapping black and white rectangles make up Israeli artist David Reeb’s painting Jerusalem. On two, an ultra-Orthodox Jewish man is portrayed praying at the Western Wall – known also as the Wailing Wall – from two different angles, his hands pressed against the stone. Opposite the images, thick brushstrokes spell out phrases in Hebrew: “Jerusalem of gold”, the title of a nationalistic song – and “Jerusalem of shit”.

The work was among several explicitly political, daring pieces featured in an exhibition that opened in December at the newly renovated Ramat Gan Museum of Israeli Art near Tel Aviv.

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Donatello bronzes moved in Italy for groundbreaking exhibition

Renaissance works transported for first time since the artist installed them in churches 600 years ago

A collection of bronzes sculpted by Renaissance master Donatello have been moved for the first time from the Italian churches where he installed them 600 years ago so that they can be displayed at a ground-breaking exhibition in Florence

Three of the four pieces, a relief, a statue and two bronze doors, from Siena Cathedral and San Lorenzo baptistery in Florence, are also being restored to their former glory using techniques ranging from chiselling with porcupine needles to thermographing to discover structural weaknesses.

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Russian billionaire on EU sanctions list quits as Royal Academy trustee

Exclusive: Petr Aven’s donation returned after he was called one of Putin’s closest oligarchs in the list

A Russian billionaire named in EU sanctions “as one of Vladimir Putin’s closest oligarchs” stepped down on Tuesday as a trustee of the Royal Academy, which has also returned a donation he made towards a Francis Bacon exhibition.

The RA – which had had been among UK cultural institutions and bodies facing calls to sever ties with Russian oligarchs after Russia’s invasion of Ukraine – said that the billionaire banker Petr Aven would be stepping down with immediate effect.

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‘One diamond could have bought two airports’ – the Filipino recreating Imelda Marcos’s gems stash

The mind-boggling hoard of jewellery the plundering first lady tried to smuggle out of the Philippines is being remade as sculpture by artist Pio Abad – with all its sparkle gone

Over his three terms as president of the Philippines from 1965, Ferdinand Marcos and his wife Imelda were able to cream off some $10bn of the nation’s assets through offshore banks. New revelations that a close associate of the dictator was also able to maintain an account with Credit Suisse as late as 2006 therefore comes as no surprise to Manila-born Pio Abad. For a decade the artist has been making work under the title The Collection of Jane Ryan and William Saunders, a reference to the aliases the couple used with the Swiss bank.

“It’s funny when a 10-year project becomes news,” says Abad, who is now London-based. “These institutions are very culpable for what happened in the Philippines.”

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The show can’t go on: Russian arts cancelled worldwide

Concerts, dance recitals and exhibitions have been postponed indefinitely after Vladimir Putin’s invasion of Ukraine

The Russian invasion of Ukraine has prompted responses from the cultural sphere, with Russian artists and companies beginning to feel the repercussions of decisions taken by the Kremlin. Not only has Russia been stripped of two prestigious events – the Champions League men’s final and Formula One’s Russian Grand Prix –but an increasing number of performances by Russians are being cancelled worldwide.

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‘They fill me with emotion’ … Benin celebrates the return of its looted treasure

Priceless treasures stolen by the French army over a century ago have finally been returned to the African nation. Our writer joins the emotional celebrations

At first glance, it seems to be just another day in Cotonou, Benin’s largest city. Motorbike-taxis are everywhere, filling the streets of the country’s economic capital with dust and noise. But inside the swanky presidential palace, something seismic is talking place: over a century after they were looted by the French army, 26 treasures that once belonged to the nation have gone on display to the public.

Art of Benin Yesterday and Today is more than just a stunning show of these ancient works, though. It segues from the looted 19th-century artefacts to work by 34 of the country’s contemporary artists. “This is a form of regained dignity,” says local art historian Didier Houénoudé, “and the culmination of a long fight started by African countries shortly before independence.”

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Final piece of 17th-century tapestry stolen 42 years ago found by Spanish police

Flemish work taken by notorious art thief ‘Erik the Belgian’ tracked down by officer doing academic research on art thefts

Spanish police have recovered the final piece of a 17th-century tapestry that was stolen 42 years ago by a notorious art thief.

The 4-metre by 6.5-metre tapestry, known as La apoteosis de las artes (The Apotheosis of the Arts), was one of six Flemish tapestries taken from the church of Santo Domingo in the town of Castrojeriz in northern Spain, in the early hours of 7 November 1980.

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Two of Nigeria’s looted Benin bronzes returned to traditional palace

Colourful ceremony marks artefacts’ homecoming more than a century after they were pillaged by British troops

Two Benin bronzes were returned on Saturday to a traditional palace in Nigeria, more than a century after they were pillaged by British troops, raising hopes that thousands more artefacts could finally be returned to their ancestral home.

The artefacts, mostly in Europe, were stolen by explorers and colonisers from the once-mighty Benin Kingdom, now south-western Nigeria, and are among Africa’s most significant heritage objects. They were created as early as the 16th century onwards, according to the British Museum.

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Row about Congolese statue loan escalates into legal battle over NFTs

Gallery at site of uprising against colonial rule accuses US museum of stonewalling request for artefact

A statue depicting the angry spirit of a Belgian officer beheaded during an uprising in Congo in 1931 is at the centre of a tug of war between a US museum and a Congolese gallery at the site of the rebellion.

The statue of Maximilien Balot, a colonial administrator, has travelled to Europe but the Virginia Museum of Fine Arts is accused of stonewalling requests for a loan to the White Cube gallery in Lusanga in the Democratic Republic of the Congo

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Port Talbot says bye-bye to its Banksy as art dealer brings in a crane

Much loved work that appeared in 2018 on a steelworker’s garage heads to England on the back of a lorry

It appeared one winter’s night on a steelworker’s garage, a wondrous piece of street art making points about the innocence of childhood, industrial decay and air pollution.

After a three-year sojourn in the town of Port Talbot, Season’s Greetings, Wales’ first and only Banksy, was craned on to the back of a flatbed lorry and trucked out of the country.

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Kicking back at the regime: artists open another front in Myanmar war

With the military increasing its use of informants, rappers and artists must keep their identities secret, even from one another

Early one morning last February, a group of young people gathered on a street corner in Myanmar armed with brushes and buckets of paint. In the faint light of dawn, they quickly completed their task and dispersed.

“I felt excited and nervous. I was scared too, because I didn’t want to get caught,” says Tu Tu, a pseudonym for the group’s organiser.

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Unesco warns of crisis in creative sector with 10m jobs lost due to pandemic

Artists finding it harder than ever to make a living despite being part of one of the fastest growing industries

Ten million jobs in creative industries worldwide were lost in 2020 as a result of the Covid pandemic, and the increasing digitisation of cultural output means it is harder than ever for artists to make a living, a Unesco report has said.

Covid has led to “an unprecedented crisis in the cultural sector”, said Audrey Azoulay, the director-general of Unesco, the UN’s cultural body, in a foreword to the report. “All over the world, museums, cinemas, theatres and concert halls – places of creation and sharing – have closed their doors …

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‘I wanted my art to resonate’: The Zimbabwean sculptor responding to Covid with creativity

When the pandemic hit, David Ngwerume began creating pieces to inspire and raise awareness. Now, one of his pieces will feature in the Beijing biennale

When the pandemic first hit the world, Zimbabwean stone sculptor David Ngwerume took his hammer and chisel and started work on the first of a collection of Covid-inspired pieces.

Almost two years and 14 sculptures later, one has made its way to China after being selected for the ninth Beijing International Art Biennale, an exhibition showcasing work from thousands of artists from more than 100 countries.

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‘I’m really just high on life and beauty’: the woman who can see 100 million colours

As a kid, Concetta Antico was always ‘a bit out of the box’, but it took decades for her to discover just how differently she was seeing the world

It would be easy to look at the vivid array of colour contained in the paintings of artist Concetta Antico and assume she is using artistic licence. The trunks of her eucalyptus trees are hued with violet and mauve; the yellow crest on her cockatoo has hints of green and blue; the hypercolour of a garden landscape looks almost psychedelic.

“It’s not just an affectation and it’s not artistic licence,” says Antico. “I’m actually painting exactly what I see. If it’s a pink flower and then all of a sudden you see a bit of lilac or blue, I actually saw that.”

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Two men playing draughts on an abandoned train: Gosette Lubondo’s best photograph

‘Both of the people on this train in Kinshasa are me. I superimposed myself because I can’t afford models’

This image, part of a series called Imaginary Trip, was taken in an abandoned train outside Kinshasa station in the Democratic Republic of the Congo. I was looking for a site to evoke an imaginary voyage to convey the idea of memory, the passage of time and the reappropriation of old places. A lot of young men hang around this area, which is a poor neighbourhood, and they squat in the trains during the day while doing various jobs such as helping people at the station. Sometimes they have something to do, other times nothing.

The two people in this photograph are both me. I took several digital images and then superimposed them to represent two young men playing a traditional game of draughts with bottle tops – as they do. When I started out on this project, I did not intend to put myself in the photographs – it was almost accidental. I did not have the money to pay for models, so it was partly a question of budget, but also of time. I spend ages in these places creating my photographs, too long for most people to hang around, so in the end I found myself in front of and behind the camera. I often work alone with a camera, a tripod and a remote trigger.

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