Stalin statue site reveals chilling remains of Prague labour camp

Archaeologists have discovered foundations of the previously unknown structure in the city’s Letná park

The colossal monument to Joseph Stalin that towered over Prague at the height of the cold war stood as a frightening reminder of the Soviet dictator’s tyranny and communism’s seemingly unshakeable grip on the former Czechoslovakia.

Nearly 60 years after its demolition, the brooding 15.5-metre (51ft) shrine retains a hold on the popular imagination, with locals referring to the now popular meeting point where it once stood as “Stalin’s”.

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The beluga whale who became famous: Aleksander Nordahl’s best photograph

‘He was called Hvaldimir and he would play in front of crowds at Hammerfest harbour in Norway. One woman dropped her phone and he fetched it for her’

In April 2019, a beluga whale appeared alongside fishing boats off the coast of Norway. He was wearing a harness. A fisherman called Joar Hesten freed him, and saw the harness had stamped on it “equipment of St Petersburg”. The media went crazy, with talk of a “spy whale”, and the creature was named Hvaldimir, a combination of hval, the Norwegian word for whale, and Vladimir, a nod to Russia’s President Putin.

The whale became famous. There were Instagram videos of him playing in Hammerfest harbour in front of crowds. One woman dropped her phone in the water and the whale fetched it for her. He would bring up bones from the depths to show people, almost like little gifts. It became this huge moment on social media: everyone in the country fell in love with the whale. Even the hardcore fishing villages melted for Hvaldimir.

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Can anyone become an NFT collector? I tried it to find out

This year non-fungible tokens burst into the mainstream after several digital images and animations sold for absurd amounts – so I entered the world of NFTs myself

For years, I’ve kept an ever-growing record of interesting pictures I discover online in a folder entitled Images on my desktop: a fox sauntering through an art gallery; a pixelated rendering of a Tokyo streetscape; Jon Bon Jovi doing yoga. They’re sentimental reminders of things I’ve seen online, but I am under no illusion that I somehow own these images. They come from the internet and can be copied, shared and experienced by many people all at once. My collection really is worthless to anyone but me.

Related: Art, amulets and cryptokitties: the new frontier of cryptocurrencies

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Gerhard Richter gives Holocaust art to Berlin

Germany’s greatest living painter donates 100 works, including his Birkenau series, to capital’s new museum

Fans of the German painter Gerhard Richter are expected to flock to Berlin to view 100 works that he has in effect donated in a long-term loan to a new museum of modern art. The works include a series of paintings addressing the Holocaust that he has vowed never to sell.

The donation by the 89-year-old, who is one of the world’s highest-priced living artists, is destined for the Museum der Moderne, which is under construction in the German capital.

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On my radar: Monique Roffey’s cultural highlights

The Costa-winning author on enjoying Sade with a glass of wine, Line of Duty and why the Caribbean’s female writers need to be heard

Monique Roffey is an award-winning writer born in Trinidad in 1965 whose novels include The White Woman on a Green Bicycle and House of Ashes, which were shortlisted, respectively, for the Orange and the Costa prizes. She is also a senior lecturer at Manchester Writing School. Her sixth novel, The Mermaid of Black Conch, won the Costa book of the year and is shortlisted for the 2021 Rathbones Folio prize, announced on 24 March.

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Miraculous moment at a pagan festival: Alexey Vasilyev’s best photograph

‘Yakutia is five times the size of France with a population of just 1 million. Snow lasts from October to April and there are practically no railways or roads. At these festivals, we become whole’

I grew up in Yakutia. It’s the largest region of Russia, five times the size of France, but with a population of only one million spread over three million square kilometres. The climate is severe and contrasting. In summer, it’s 40C; in winter -60C, with snow from October until mid-April. To go anywhere takes a long time – several hours in the car. There are practically no railways and few roads. It’s easier to fly from the far east to Moscow than it is to travel around. Half of the people are ethnic Sakha from Yakutia, half are Russians. The two communities don’t socialise much. The Russians mostly live in the Aldansky district, but their number is shrinking. Many are moving away to less harsh parts of the country.

As a documentary photographer, I want to record how people live here, what they do, what their problems are, what makes them happy. Each solstice we have a holiday called Ysyakh. It’s a pagan festival, an important part of our national identity and a moment when we become an organic whole. Because we are so spread out it’s often hard to feel any kind of unity. Yakutia’s brand is winter; I wanted to show summer. Participants dress up in national costume. Women wear long, flowing dresses decorated with flowers. It’s a moment when people are relaxed about being photographed. There’s still some paranoia in Russia about posing for a camera. It’s a bit of a Soviet hangover.

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Otto Dix’s ‘apocalyptic’ depictions of life on western front up for auction

Der Krieg portfolio among extensive collection created by first world war veteran and anti-war artist

One of the most extensive collections of prints by Otto Dix is to be offered at auction this month in which the German artist’s unique perspective of fighting in the first world war and coping with its aftermath is given expression in some of the most poignant images of 20th-century Europe.

The works – which include Dix’s early prints and rare, complete portfolios from drypoint etchings to to wood cuts and aquatints – are considered valuable rarities, having been produced only in limited runs.

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What is cryptoart, how much does it cost and can you hang it on your wall?

When is a meme worth $600,000? When technology has created a ‘unique’ version that can’t be owned by anyone else

Pat, I keep hearing references to cryptoart which are all very … cryptic. What is this thing?

Hey Lucy! So you might have heard of it in context of the $US600,000 Nyan Cat gif or the more recent Kings of Leon NFT Album, both of which are examples of cryptoart. Cryptoart is a way of making digital art unique, and therefore – according to some people – valuable. Normally, digital art is very easy to replicate due to the very nature of digital information. So cryptoart is a way of making digital files one-of-a-kind.

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Eye of the Storm review – moving film about Scottish painter in love with nature

James Morrison’s work was full of awe for the natural world, and this documentary does his landscape painting full justice

Scottish painter James Morrison died shortly before the completion of this affectionate documentary about his life and work, and it’s a fitting tribute to an articulate and self-effacing artist with an extraordinary affinity for Scotland’s everchanging land- and seascapes. It’s directed by Anthony Baxter, best known for highlighting the stubborn local resistance resistance to Donald Trump’s golf course in Aberdeenshire with his You’ve Been Trumped films; this is something of a change of pace, while offering a not-dissimilar celebration of a very Scottish style of quiet, unfussy determination.

Morrison’s story is interesting enough – born and raised in Glasgow, the son of ship’s fitter, who settled on the east coast and made epic trips to paint abroad, most notably to the Arctic – but it’s added to here by a plangent late-life twist: he is losing his sight, to the extent he can barely see what he is painting. True to form, Morrison accepted this as uncomplainingly as anything else – “irritating” is the strongest imprecation I can recall – and there’s something inexpressibly moving about the way he strokes a blank sheet of paper taped to his easel as if he can’t wait to get started.

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Gilbert and George on their epic Covid artworks: ‘This is an enormously sad time’

The artists have responded to the pandemic with comic, haunting works showing themselves being buffeted around a chaotic London. They talk about lines of coffins, illegal raves and ‘shameful’ statue-toppling

As they call themselves living sculptures, I can’t resist asking Gilbert and George what they think of all the statue-toppling that took place last year. When I ask for their verdict on the removal of public works that have been accused of celebrating slavery and colonialism, they are sceptical.

“We would call that shameful behaviour,” says George. “And it’s very odd – because normally those statues are totally invisible. Nobody ever looks at them. I remember, very near my home town, there’s a statue of Redvers Buller, the hero of the Boer war, surrounded by dying Zulus and things. And if you asked people in Exeter, ‘Where’s Buller’s statue?’, none of them knew. It’s a bit silly. Rewriting history is very silly.”

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Brexiters buy KGB artefacts for ‘museum of communist terror’

Portrait of Lenin and spy tools among items snapped up at auction by group planning UK exhibition

It depicts the Russian revolutionary leader in characteristically serious mood, staring across Red Square, perhaps, and rendered with more than a touch of kitsch.

But while a Soviet-era oil painting of Vladimir Lenin, which sold for nearly $2,000 at auction in the US, might capture the man as many know him, its buyers are not exactly Bolsheviks.

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‘It’s a funeral march’: French artist JR’s powerful eulogy for Australia’s Murray-Darling

Exclusive: The street artist’s latest work saw 60 people parade through Lake Cawndilla in NSW, holding aloft enormous portraits of local farmers and leaders as they fight to save Australia’s vital river system

The mood around Lake Cawndilla in western New South Wales on Saturday is funereal but defiant, as a procession of around 60 locals parade through scrub and sand around its banks.

They carry between them a series of 30m-long cloth figures: three local citrus farmers and prominent Baakandji artist William Badger Bates.

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Vincent van Gogh Paris painting from 1887 to make public debut

Scène de rue à Montmartre has been part of same French family’s private collection for more than a century

A major Paris work by Vincent van Gogh that has been part of the same French family’s private collection for more than a century is to go on public display for the first time since it was painted in the spring of 1887.

Scène de rue à Montmartre is part of a very rare series depicting the celebrated Moulin de la Galette, on the hilltop overlooking the capital, painted during the two years the Dutch artist spent sharing an apartment with his brother Theo on rue Lepic.

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‘Painted by a madman’: The Scream graffiti reveals Munch’s state of mind

Inscription on painting that has been subject of debate has been reattributed to the artist himself

It is an image that has intrigued the art world for more than a century and become synonymous with existential angst, and recently inspired its own emoji, but now some graffiti has added a new layer to the story of Edvard Munch’s most iconic painting, The Scream.

A tiny pencil inscription in the top left corner of one of the four versions of the painting, which reads, “Can only have been painted by a madman”, has been the subject of debate over who wrote it – it was originally thought to be by Munch, but was later attributed to a vandal – but new analysis by experts at the National Museum of Norway suggests it is indeed in the hand of the artist.

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John Malkovich as eerie identical twins: Sandro Miller’s best photograph

‘I wanted to pay homage to work that made my knees buckle. John looked nothing like Diane Arbus’s twins. But on set his spirit left and theirs came in’

Ten years ago, I was diagnosed with stage 4 throat cancer. The prognosis wasn’t 100% positive and there were days when I’d lay in bed wondering if I’d ever be able to shoot again. I’m self-taught, and I started thinking about the images that had changed the way I thought about photography – work by Irving Penn, Richard Avedon and Diane Arbus, work that made my knees buckle with emotion.

I thought: if I ever get better, I would love to pay homage to these greats, in a way nobody has done before.

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Kim Novak on Hitchcock, Sinatra and why she turned her back on Hollywood to paint

Kim Novak starred in Vertigo – voted the best film ever made – but knew she was too fragile for fame. She talks about her tough childhood, the sensitive side of Sinatra and starting again in her forties

Kim Novak apologises for the mess. And, to be fair, the studio at her Oregon home is fabulously messy. Behind her are a couple of canvases she has been working on; to the left and right, all sorts of all sorts. At the back of the room, her rescue dog, Patches, lies on a sofa, half snoozing, half listening. Occasionally, Sadie Ann, her husband’s pudelpointer, wanders in, sniffs around and leaves.

Novak, who turned 88 two days ago, is so much more than a Hollywood legend. The star of Hitchcock’s Vertigo is a wonderful artist, a mental health activist (she is proudly bipolar), an anti-bullying campaigner, a vet’s assistant and one of the greatest life forces I’ve spoken to.

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The edible art of sourdough faces – in pictures

Five years ago, Swedish designer and stylist Linda Ring experienced total burnout. After a few months doing nothing, she tried to adopt a slower lifestyle. “I started baking sourdough, but as it’s my nature to try to make everything beautiful, I began experimenting.”

Ring’s loaves became canvases for portraits and landscapes, scored into the raw dough. “You never know how the bread or the pattern will turn out, it’s enormously satisfying when I take it out of the oven and see.”

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‘We want our riches back’ – the African activist taking treasures from Europe’s museums

Mwazulu Diyabanza has been fined and jailed for entering museums and forcibly removing ‘pillaged’ African artefacts. He tells our writer why the British Museum is now in his sights

Mwazulu Diyabanza makes no secret of why he is in France. If coronavirus had not closed most of Europe’s museums, the Congolese activist would probably be inside one right now, wresting African objects from their displays to highlight what he sees as the mass pillaging of the continent by European colonialists.

And it’s not just the mighty museums. Diyabanza and his supporters also plan to include smaller galleries, private collections and auction houses in their campaign. “Wherever the riches of our heritage and culture have been stolen,” says the 42-year-old, “we will intervene.” As the leader of a pan-African movement called Yanka Nku (Unity, Dignity and Courage), Diyabanza is on a mission is to recover all works of art and culture taken from Africa to Europe. He calls his method “active diplomacy”.

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Edvard Munch works up for auction amid renewed interest in artist

Sotheby’s expert says pandemic has been good for the artist, lending his work ‘a whole new meaning’

Two works by Edvard Munch that the Nazis classified as degenerate before selling them for profit are to be offered at auction in London next month, at a time when interest in the Norwegian artist has never been bigger.

A self-portrait painted in 1926, the first formal portrait of Munch to come to auction for 15 years, and Embrace on the Beach, painted for a children’s nursery in 1904 and last on sale more than 80 years ago, are due to go under the hammer at Sotheby’s next month.

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