‘A malignant narcissist’: uncovering the dark side of John DeLorean

The defining car mogul’s ego and criminality are explored in the eye-opening new Netflix docuseries Myth & Mogul: John DeLorean

In Northern Ireland, many still revere the automotive magnate John DeLorean as a local hero for situating his car factory in Belfast at the height of the Troubles, a time of extreme economic deprivation during which the influx of jobs came as a godsend. Others – his family, his personal confidantes, his colleagues, the FBI officials responsible for his eventual arrest – remember the business tycoon as a greedy, flagrantly unethical megalomaniac. The new miniseries Myth & Mogul: John DeLorean triangulates the truth in hiding somewhere between these two characterizations.

Related: Myth & Mogul: John DeLorean review – how years of lies felled an automotive giant

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‘I couldn’t talk about her for years’: my godmother, Amy Winehouse

She cooked, watched Countdown and was mentored by the legendary singer. Now, 10 years after her death, Dionne Bromfield has finally addressed the grief she couldn’t deal with aged 15

Dionne Bromfield is leaning into the screen as we talk on Zoom, recounting the moment 10 years ago when she received the news that would change her life for ever. On a sunny July day, the 15-year-old singer was waiting to go on stage. She was supporting the boyband The Wanted on tour in Wales, the atmosphere backstage fizzing with energy before each show. However, that day something felt off. People were unusually quiet, and no one would meet her eyes. Eventually, she was told something was wrong: “It’s Amy.”

Amy Winehouse, whose remarkable, all-too-brief career ended with her death a decade ago this month, had been the teenager’s godmother, friend and mentor. Winehouse had nurtured Bromfield’s burgeoning vocal skills and helped her break into a notoriously competitive industry. For years after her death, Bromfield couldn’t listen to Amy’s music, let alone think about her. After two albums and a stint presenting the CBBC show Friday Download, the singer who had been marked out by many as one to watch and performed on live television with Winehouse, stepped back from music.

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Ken Burns: ‘I felt that Hemingway’s uber-masculinity was a mask’

The acclaimed documentary-maker on his six-part portrait of Ernest Hemingway, his 40‑year career, and working during a golden age of storytelling

Ken Burns, 67, is a veteran and celebrated American film-maker who has made more than 30 documentaries in a career lasting more than 40 years. Among them is a much lauded history of the American civil war and an equally rapturously received history of the Vietnam war. His six-part documentary on Ernest Hemingway is currently on BBC Four and iPlayer and there is a forthcoming series on Muhammad Ali.

What attracted you to Ernest Hemingway as a subject?
We’d been thinking about doing Hemingway for an awfully long time – Geoffrey C Ward, Lynn Novick [writer and co-director, respectively] and me – for literally decades, since the 1980s. We needed all that time to sort of ruminate. We knew there was a lot of new scholarship that would help complicate the picture, that it isn’t just this toxic masculine guy with a bunch of wives and a literary legacy, but even more interesting dimensions that would permit us to explore things at a greater depth. There’s a tendency, particularly in our media world, for everything to be binary: good, bad, yes, no, up, down. And we found Hemingway tantalisingly complicated, which is what we like, because it is faithful to human beings.

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It’s time to stop making movies about Ted Bundy | Adrian Horton

The trailer for American Boogeyman, yet another film to cast a handsome actor as a serial killer, faces backlash. Who is asking for more Bundy content?

Ted Bundy, the serial killer convicted of murdering more than 30 women in the 1970s who probably killed upwards of 100 whose names receive little attention, once mused, in interviews on death row, that he hoped his story would sell. Thirty-two years after his death by electric chair, Bundy seems to have been prescient about a curiosity with the mild-looking sociopath. The past couple years has seen a veritable “Bundy binge” in true crime content: a two-hour Oxygen special, too many podcasts to list, the Netflix docuseries Conversations with a Killer: The Ted Bundy Tapes and the biopic Extremely Wicked, Shockingly Evil and Vile, starring Zac Efron as a suave Bundy.

Related: Just another pretty face: should Hollywood stop giving bad guys a face-lift?

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Ghislaine Maxwell began to share ‘little black book’ with Epstein as early as the 1980s

New documentary reveals sex offender used socialite for access to her famous and rich friends years from the 1980s onwards

Ghislaine Maxwell’s association with Jeffrey Epstein began years earlier than previously understood, according to a documentary investigating the socialite who became an alleged procuress for the paedophile financier.

The new information challenges the common assumption that Epstein stepped into a vacuum in her life after the death of her father, the newspaper tycoon Robert Maxwell, who was found in the sea near the Canary Islands in 1991.

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‘I had to find them’: kidnapped filmmaker Mellissa Fung on her mission to find the Boko Haram girls

After being abducted on assignment in Afghanistan, journalist Mellissa Fung shares an intense bond with the teenage girls who were held captive by Boko Haram

The journalist and filmmaker Mellissa Fung is showing me her wound – or to be precise, the scar where her wound once was. It’s from the struggle with one of the Afghan rebels who, 12 years ago, kidnapped Fung near Kabul and held her in a pit in the ground for a month, a place she refers to simply, and rather chillingly as, “the hole”.

“In combat training they teach you not to fight back, but I played ice hockey as a kid so I couldn’t help it,” Fung says. “The guy had a knife so I learned my lesson.”

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Louis Theroux: ‘I worry about not coming up to scratch’

He made a film on Joe Exotic a decade before Tiger King, lulls interviewees into personal revelations – and can rock a leather suit. So why is he so anxious?

“There’s no getting away from the fact that, even aged 50, I’m a slightly awkward person, a fearful person, worry-prone,” says Louis Theroux, wriggling in his seat. The film-maker picks up and puts down a coffee without drinking. He wears all blue: navy sweater, stock denim, one of those indestructible plastic Casio watches on his wrist. “I worry about what people think,” Theroux continues, “I worry about giving offence, being judged, not coming up to scratch, being thin-skinned.”

We are in the corner of a photography studio in London, sheltering from rain on a Friday afternoon. The room has long emptied of people, but, even so, as Theroux chats, he snatches quick glances over his right shoulder, as if expecting to find somebody or something lurking there. “Everyone has things that preoccupy them, right?” he says. “I just tend to think, on a spectrum of people in general, I definitely skew, uh, anxious.”

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Ex-police reveal bribes and threats used to cover up corruption in 70s London

BBC documentary to examine incidents that led to setting up of unit on which Line of Duty’s AC-12 is based

One of London’s most senior police officers, described by a colleague as “the greatest villain unhung”, was believed to be involved in major corruption in the 1970s but never prosecuted, according to a new documentary on police malpractice.

Former officers who exposed corruption at the time describe how they were threatened that they would end up in a “cement raincoat” if they informed on fellow officers and were shunned by colleagues when they did.

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The anti-Marie Kondo: Netflix celebrates the clothes we keep

Worn Stories looks to unravel the tales behind the most treasured items in our wardrobes – but is such meaning and emotion easily conveyed via television?

I am not a minimalist: I don’t want to live with extreme amounts of nothing. I like “things”, and I like my things, which means I have several boxes of clothes, bags and shoes in my possession that have accompanied me through the best part of two decades. One of the boxes is my best and largest suitcase. When I was still travelling fairly regularly, I would have to empty out the contents of the suitcase and pile them somewhere else for my return, a process that feels a bit like uncovering memories and repressing them again, two weeks later, with a zip that goes all the way around.

Given the displacement of a series of house moves in my earlier 20s, the fact that I even still possess the navy corduroy American Apparel hotpants I wore to go clubbing at university (now, for users of the fashion app Depop, a vintage item), or the 70s-era yellow, white and purple-striped T-shirt I was wearing when I had an encounter with the far more colourful Iris Apfel, the interior designer, feels nothing short of miraculous. Today, I can recite what I was wearing to interview various figures in my former role as an editor at a fashion magazine, outfits carefully planned though liable to go awry, like when the zip on my green, chequered skirt broke off while meeting Chloë Sevigny.

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Into the storm: a film-maker’s bizarre quest to figure out QAnon

In a new HBO series, Cullen Hoback falls deep into a rabbit-hole while investigating the conspiracy theory-spreading cult

Anyone who spends enough time online will eventually have one of those rabbit-hole experiences, in which late-night hours slip away as one click after the other draws a person deeper into an engrossing vortex of information. Mostly, it’ll be a perfectly innocent obsession with the history of curling or the various shapes of pasta. But thousands of web-surfers have gone through this with the world of QAnon, a difficult-to-define movement combining cult-like religious fervency, the ideological action-plans of a political party, and computer games connecting the virtual dimension to reality.

Related: Groomed: how a film-maker learned to confront a childhood of abuse

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‘We know exactly what we want to say’: inside a film that normalizes stuttering

Stuttering affects one in 20 children, yet is still stigmatized, something the documentary My Beautiful Stutter hopes to correct

One of the most moving scenes in My Beautiful Stutter, a documentary now streaming on Discovery+, involves just a microphone and an open stage. Many of the attendees at Camp Say in Hendersonville, North Carolina, a getaway for youth who stutter hosted by the New York-based organization the Stuttering Association for the Young, grew up feeling broken or confused, ostracized by a neurological disorder that tangles the flow of fluent speech. Some campers recite poetry, others get through just their name before breaking into tears, all afforded the space to speak rarely given in the non-stuttering world (what can take a non-stutterer a minute to read or say could take a person who stutters 10 times as long). Tears abound; the scene hums with the bottomless human desire, felt most acutely as a teenager, to be seen, heard, loved, accepted.

Related: 'They become dangerous tools': the dark side of personality tests

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Australia in Colour: recolourised film ushers into existence a new kind of fiction

As the new series of SBS’s film revitalisation project airs, Guardian Australia’s film critic considers the consequences of this trend in film-making

Paolo Cherchi Usai – the Italian curator and former head of the National Film and Sound Archive of Australia (NFSA) – once put forward an elegant definition of moving image preservation, calling it “the science of gradual loss and the art of coming to terms with its consequences”. Those melancholic words present the dispossession of our celluloid and digital pasts as inevitable, and efforts to maintain them a will-o’-the-wisp exercise: impossible to achieve, like reaching the gold at the end of the rainbow.

But loss is far from the first thing that comes to mind after watching the second season of SBS’s four-part documentary series Australia in Colour. Separated into different themes, the first episode is devoted to family, exploring issues such as changing gender roles, the stolen generations and the arrival of contraceptive pills; the second, about sport, investigates national heroes and drinking culture.

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‘They become dangerous tools’: the dark side of personality tests

In the documentary Persona: The Dark Truth Behind Personality Tests, the discriminatory nature of a widely used tool is put under the microscope

Scrolling dating apps in 2015, Tim Travers Hawkins didn’t know who his type was. He didn’t even know what a type was. Hawkins, a British film-maker then new to New York, “noticed something that was very different to people’s profiles in the UK and that was the use of these four letters,” he said to the Guardian. Curious, he looked it up. “I was like, ‘Huh, that’s different’.”

Related: 'We're all part of the story': behind Will Smith's 14th amendment docuseries

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Woody Allen denies claims in Allen v Farrow HBO documentary

The film-maker and wife Soon-Yi Previn claim film is ‘hatchet job riddled with falsehoods’ on abuse allegations

Woody Allen has rebutted renewed allegations, in the HBO documentary Allen v Farrow, that he sexually assaulted his daughter Dylan in 1992, calling the series “a hatchet job riddled with falsehoods”.

In a statement to the Hollywood Reporter, Allen and his wife, Soon-Yi Previn, said that film-makers Amy Ziering and Kirby Dick had “spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods”.

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Bear Grylls: ‘There’s no point getting to the summit if you’re an arsehole’

The TV adventurer talks near-death experiences, what he learned from Eton and why he decided to go public about his religious faith

“The ninjas of the future,” says Bear Grylls, “are going to be those who can learn how to navigate the fear. It’s like a firefight. You can’t move backwards. You’ve got to move towards it, you know?” Not really. But I’ve never been in a firefight. And if I saw one, I doubt I’d move towards it. Like most people, I’ve been raised in mimsy, risk-averse Britain. Few of us have acquired the wild wisdom of Edward Michael “Bear” Grylls OBE. Unlike the 46-year-old TV adventurer, we have never simmered a sheep’s eyeball in geyser water, paused on Everest to reflect on the corpse of a late friend, wrestled snakes, outrun lions, or broken our backs parachuting. Rather, we’ve been raised in a land where a PE lesson can consist of Tudor-dancing.

Grylls wants to change all that. He wants kids to embrace fear and risk. “If you meet somebody who says they don’t have fear, it means one of two things: one, they’re not telling the truth; or two, they’re not going for anything big enough in their life. What I’ve learned through many trips and many failures is that you have got to move towards the difficult stuff. And the irony is that the things we fear most often dissipate.”

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Vive l’indifférence! Netflix’s Room 2806 exposes France’s #MeToo apathy

Centred on a sex-assault case involving former French presidential hopeful Dominique Strauss-Kahn, this docuseries reveals worryingly outdated attitudes

Most people will have only the haziest recollection of the fallout that occurred after the French presidential hopeful and then head of the International Monetary Fund Dominique Strauss-Kahn was accused of sexually assaulting a room attendant in a New York hotel in 2011. That allows the Netflix documentary Room 2806: The Accusation to possess all the qualities of a slick political thriller. Who will be believed? The immigrant, hotel cleaner, a single parent living in a flat in the Bronx or the globally powerful, immensely rich politician?

This tense, four-part documentary has astonishing material to work with. There is plenty of CCTV footage, filmed from the ceiling, of chambermaid Nafissatou Diallo making her way to the presidential suite, and later, visibly distressed, being shepherded by her supervisor to a subterranean network of shabby staff offices in the bowels of the building, away from the gilded foyer, where she wipes away tears and recounts how she has been assaulted by Strauss-Kahn as she cleaned his rooms.

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Michael Apted, director and Seven Up documentarian, dies at 79

British director made films Coal Miner’s Daughter and The World is Not Enough, and the long-running Up documentary series

The British director Michael Apted has died at the age of 79.

The film-maker and documentarian was known for films such as Gorillas in the Mist and Coal Miner’s Daughter, as well as his long-running series of Up documentaries.

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‘Like a mission to Mars’: making David Attenborough’s A Perfect Planet

Disco-dancing crabs, flamingos under a volcano … and a frog freezing itself alive. Behind the scenes of the BBC’s new nature documentary

Ed Charles, producer, Weather and Oceans
We were really lucky on this series in that we had finished our filming and were in the edit when coronavirus hit, so it was something that we could do remotely. I’ve been working on this project since 2016 so it has been a long time in the making.

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Scottie Pippen: ‘I told Michael Jordan I wasn’t too pleased with The Last Dance’

The ex-Chicago Bulls star won new fans in the acclaimed Netflix documentary. He talks about his special relationship with MJ – and basketball’s equality problem

Born in Arkansas in 1965, the youngest of 12 children, Scottie Pippen is one of basketball’s all-time greats. He played alongside Michael Jordan for the Chicago Bulls when they dominated the sport in the 1990s, winning six NBA championships. (He also won two Olympic gold medals.) That period, the Bulls’ and, in particular Jordan’s, extraordinary achievements are the focus of the 10-part, critically acclaimed Netflix docuseries The Last Dance, which has been a major hit in 2020.

You and Michael Jordan seemed to have a special bond in the film. When you were both on your game, it seemed like the team was going to win. Was that the case?
Yeah, that relationship, we established that we felt like that in the late 80s, playing against the Pistons, just starting to grow and mature and have each other’s backs. We grew up together and we defended each other. That respect we had on the court, that competitiveness we took through to the top – it was special. That was the respect we had for each other, because we had to be on the court to do what we did. We had to be dominant.

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Carole Baskin: ‘After Tiger King, my phone rang every two minutes for months’

The animal sanctuary owner was catapulted to fame by the Netflix series – and became an unlikely fashion trendsetter

Carole Baskin watched the Netflix documentary series Tiger King as many of us did: she binged it, devouring all seven episodes in one sitting as soon as it was released in March. “It was like watching a dumpster fire, you just couldn’t turn away from it,” says Baskin on a video call. “It was just mesmerising that there could be this many crazy people doing so many wretched things to animals.”

Of course, one of the “crazy people”, the show implied, was her. Baskin, a 59-year-old owner of the Big Cat Rescue sanctuary in Florida, she she had been told by the film-makers that Tiger King would be an exposé of the mistreatment of the animals by private owners in America. Instead, the series mainly focused on a long-running feud between Baskin and Joseph Maldonado-Passage, a mulleted, polygamous, country music-loving zoo owner from Oklahoma who calls himself “Joe Exotic”.

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