Chernobyl: The Lost Tapes – stunning TV that is suddenly unmissable

Filmmaker James Jones had no idea when he started it two years ago that a terrible synchronicity would make his blistering documentary about the nuclear accident in northern Ukraine a must-watch

Had it been released at any point in the past few years, Chernobyl: The Lost Tapes would have been an important documentary; a feature-length blend of audio interviews and largely unseen archive footage that puts the 1986 disaster into horrifying new perspective. That it comes out now – just days after Russia launched a full-scale invasion of Ukraine, including an attack on the Chernobyl site itself – makes it as unmissable as it is harrowing.

Obviously, this timeliness was never the intention. Indeed, the film-maker James Jones had a different historical event in mind when he started work on it two years ago. “I initially thought the relevance was Covid,” he says. Like Chernobyl, the early days of the pandemic were marked with mysterious illnesses that the local government attempted to keep a lid on. “I was interested in the idea that this invisible enemy was threatening us,” he says. “An authoritarian regime was lying about it, and Chinese citizens were starting to voice their disquiet publicly.”

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Woody Allen denies claims in Allen v Farrow HBO documentary

The film-maker and wife Soon-Yi Previn claim film is ‘hatchet job riddled with falsehoods’ on abuse allegations

Woody Allen has rebutted renewed allegations, in the HBO documentary Allen v Farrow, that he sexually assaulted his daughter Dylan in 1992, calling the series “a hatchet job riddled with falsehoods”.

In a statement to the Hollywood Reporter, Allen and his wife, Soon-Yi Previn, said that film-makers Amy Ziering and Kirby Dick had “spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods”.

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BBC’s Question Time accused of giving platform to far right

Letter from all-party group to director general Tony Hall says corporation has duty to avoid inflammatory hate

The BBC has been asked to clarify if any efforts are made to “deliberately invite or attract” members of far-right groups to the audience of its flagship political programme, Question Time.

Baroness Warsi and Labour MP Debbie Abrahams have written to the BBC’s director general Tony Hall, asking him to consider also introducing a new code of conduct for panelists and the audience, and to stop sharing inflammatory videos from the show on social media.

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Rachel Maddow on her critics: ‘Your hatred makes me stronger. Come on! Give me more!’

The MSNBC host’s show has become a safety blanket for many US progressives. She discusses her demonisation by the right, tackling the president’s lies – and coming out at 17

Rachel Maddow, the US TV host, has a message for her critics: “Bring it. Your hatred makes me stronger. Come on. Give me more. Give me more. I love it!”

That is just as well, given the way she has polarised viewers in the past few years. Maddow, 46, has presented her primetime show on MSNBC, a 24-hour cable news channel, on weeknights since 2008. If most cable news and social media is fast food, she tries to rustle up a three-course meal: sensible, sober, sometimes painfully detailed and replete with oblique references to half-forgotten politicians of yesteryear. Since Donald Trump’s rise in 2016, however, The Rachel Maddow Show has become a nightly safety blanket for many progressives who identify with the “resistance”.

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The 100 best TV shows of the 21st century

Where’s Mad Men? How did The Sopranos do? Does The Crown triumph? Can anyone remember Lost? And will Downton Abbey even figure? Find out here – and have your say

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63 Up review – documentary marvel makes all other reality TV look trivial

Michael Apted’s groundbreaking seven-yearly series returns, seeming more dreamlike than ever as it follows its subjects into retirement and beyond

Though Michael Apted’s groundbreaking documentary series Up remains resolutely focused on the reality of its (originally 14) subjects’ lives, the experience of watching the programmes is becoming strangely more dreamlike with age.

Related: 56 Up: 'It's like having another family'

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Screen queens: the funny, fearless women who revolutionised TV

Phoebe Waller-Bridge exploded into our living rooms with Fleabag, her vicious comedy about an angry, awkward woman. As it returns, Guardian writers pick their TV heroines

Who gets to be the bitch?

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