‘Good times? I was out of it’: The Dropout’s Naveen Andrews on booze, drugs and baffling the world in Lost

He found fame in The English Patient before becoming a huge TV star. Now he is tackling the Theranos fraud scandal. But addiction in the 90s nearly cost him everything

If your abiding image of Naveen Andrews is as Sayid from Lost – the soulful Iraqi officer whose sad eyes, powerful biceps and luxuriant hair set many mid-00s hearts a-flutter – you might be in for a shock seeing him in The Dropout. Paunchy, bespectacled, greying, with shockingly normal-length hair, he is less a strapping man of action and more a middle-aged man of business – and not a very good one at that. Andrews portrays Sunny Balwani, the partner and alleged co-conspirator of Elizabeth Holmes, who was once the world’s youngest female billionaire and is now a convicted corporate fraudster.

On a video call from his home in Santa Monica, California, Andrews, 53, looks more Sayid than Sunny. His black gym vest exposes reassuringly well-toned biceps; the hair is returning to its trademark resplendence. He gained 9kg (1st 6lb) for The Dropout, he explains, to make his face fuller and his belly paunchier. He also modified his movements to seem slower and older. “Well, I did at least want to resemble the character I was playing,” he says, a little sting of sarcasm in his inflection.

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From Shonda Rhimes to Armando Iannucci: 10 of the best TV showrunners

A celebration of the brains behind some of the small screen’s biggest and best shows, including The Wire, Grey’s Anatomy and Friends

Since graduating from the US remake of The Office, Schur has done more than anyone to develop its ethos of making comedy that’s cool without being unkind. He was the boss of Parks and Recreation, which recovered from a so-so start to become truly beloved. Then The Good Place wowed us with primary colours and slyly intelligent philosophising. He co-created Brooklyn Nine-Nine, too.

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‘Tarnished for ever’: why don’t great TV shows ever end well?

Line of Duty, Game of Thrones, Lost, Dexter ... so much TV goes from fan favourite to laughing stock the second its finale ends. Has any show ever stuck the landing?

If Sunday night’s Line of Duty really was the last ever, there’s a sense that the entire programme has been tarnished by its finale.

Because that’s what happens with TV shows. Think of Game of Thrones. Think how rapturously it was received for years, and how it was all undone by the abject gormlessness of its final episode. Think of Dexter, and how a once wildly successful series became a laughing stock as the final credits rolled. Think of Lost, and how a divisive finale sent Damon Lindelof into such a funk that his next show ended up being an explicit meditation on the depressive nature of grief. Screw up the landing and the whole thing goes to hell.

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The 100 best TV shows of the 21st century

Where’s Mad Men? How did The Sopranos do? Does The Crown triumph? Can anyone remember Lost? And will Downton Abbey even figure? Find out here – and have your say

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