BBC showed nine out of 10 most popular shows, according to overnight data, with Strictly coming second and Doctor Who third
King Charles’s Christmas broadcast came top of the TV ratings on Christmas Day, with the BBC showing nine out of the 10 most watched shows.
The king’s message, which reflected on the “increasingly tragic conflict around the world”, attracted an average of 5.9 million viewers, according to overnight ratings.
Continue reading...As sci-fi show’s 60th anniversary nears, a collector pleads for BBC to offer amnesty to those with recordings discarded by corporation
For Doctor Who-lovers they are the missing crown jewels: lost episodes of the first series of the TV sci-fi drama, shown in the 1960s. But now film recordings of not just one, but two of the early BBC adventures, both featuring the first doctor, William Hartnell, has been found in Britain by amateur sleuths.
The episodes, one featuring the Daleks, would offer viewers a chance to travel back in time without the use of a Tardis. But the Observer has learned that the owners of the rare, rediscovered footage are not prepared to hand it over to the BBC, even as the clock ticks down to the 60th anniversary of the show’s launch this month.
Continue reading...Coronation Street actor will appear as companion to Ncuti Gatwa’s 15th incarnation of the Doctor late in 2023
Millie Gibson has been unveiled as the Time Lord’s new sidekick in Doctor Who, in an announcement made live on BBC Children in Need on Friday evening.
The Coronation Street actor, 18, will play the role of Ruby Sunday, companion to the new Doctor, Ncuti Gatwa, when the programme returns towards the end of 2023.
Continue reading...Actor tells Radio Times of social media backlash after landing part in Game of Thrones prequel
Steve Toussaint has revealed he received racist abuse online after he was cast as Corlys Velaryon in the upcoming Game Of Thrones prequel House of the Dragon.
The 57-year-old British actor has previously starred in Doctor Who, Line of Duty and Death in Paradise.
Continue reading...He found fame in The English Patient before becoming a huge TV star. Now he is tackling the Theranos fraud scandal. But addiction in the 90s nearly cost him everything
If your abiding image of Naveen Andrews is as Sayid from Lost – the soulful Iraqi officer whose sad eyes, powerful biceps and luxuriant hair set many mid-00s hearts a-flutter – you might be in for a shock seeing him in The Dropout. Paunchy, bespectacled, greying, with shockingly normal-length hair, he is less a strapping man of action and more a middle-aged man of business – and not a very good one at that. Andrews portrays Sunny Balwani, the partner and alleged co-conspirator of Elizabeth Holmes, who was once the world’s youngest female billionaire and is now a convicted corporate fraudster.
On a video call from his home in Santa Monica, California, Andrews, 53, looks more Sayid than Sunny. His black gym vest exposes reassuringly well-toned biceps; the hair is returning to its trademark resplendence. He gained 9kg (1st 6lb) for The Dropout, he explains, to make his face fuller and his belly paunchier. He also modified his movements to seem slower and older. “Well, I did at least want to resemble the character I was playing,” he says, a little sting of sarcasm in his inflection.
Continue reading...The most expensive show of all time reveals the title of a prequel that’s set to feature 20 different rings of power
The mystery shrouding Amazon’s new JRR Tolkien adaptation has lifted slightly, as the show has revealed its title. The multi-series epic will be known as Lord of the Rings: The Rings of Power, setting viewers up for an on-screen representation of a new Middle-earth story.
“The Rings of Power unites all the major stories of Middle-earth’s Second Age: the forging of the rings, the rise of the Dark Lord Sauron, the epic tale of Númenor and the Last Alliance of Elves and Men,” said showrunners JD Payne and Patrick McKay in a statement accompanying a video which shows the programme’s title being forged in a blacksmith’s foundry.
Continue reading...Neil Cole’s Museum of Classic Sci-Fi, hosted in cellar of his Allendale townhouse, holds costumes and props from numerous TV classics
At first glance the Northumberland village of Allendale, with its pub and post office and random parking, is like hundreds of sleepy, charming villages across the UK. It’s the Dalek that suggests something out of the ordinary.
Behind the Dalek is a four-storey Georgian townhouse. In the cellar of the house is a remarkable and unlikely collection of more than 200 costumes, props and artwork telling classic sci-fi stories of Doctor Who, Blake’s 7, Star Trek, Flash Gordon, Marvel and many more.
Continue reading...It’s a Sin has been voted the Guardian’s best TV show of the year. Russell T Davies reveals why it took him 30 years to write, who the real Colin is – and why he just can’t keep away from Doctor Who
• The 50 best TV shows of 2021, No 1: It’s a Sin
Russell T Davies doesn’t hold back. If he’s thrilled, he shouts about it. And sure enough, the 6ft 6in giant of a man is shouting today. “I’m gobsmacked. I’ve never come first in this. Ever,” he exclaims, admitting that he has always had his eye on the Guardian’s list of the best TV of the year. “If I’ve had a show on, I spend every December watching that countdown wondering if I’ll be on it – I think A Very English Scandal got to No 2.” He’s right, it did. Three years on, his wonderful Channel 4 mini-series It’s a Sin has been voted the Guardian’s best TV show of the year. “I’m ridiculously thrilled,” says Davies, who is Zooming from his home in Manchester.
It’s 30 years since his first TV series – Dark Season, featuring a 15-year-old Kate Winslet – aired on the BBC. Since then, Davies has created any number of groundbreaking dramas (including Queer as Folk; Cucumber, Banana and Tofu; Years and Years) as well as breathing new life into Doctor Who. But he is particularly pleased to have won for It’s a Sin, the five-part drama about a group of young gay friends living – and dying – through the Aids era of the 80s and early 90s. This is the show he knew he had to write 30 years ago, and spent the intervening decades years putting off, because it was simply too personal and painful.
Continue reading...The star of the new Amazon Prime fantasy series and granddaughter of Charles Perkins discusses her ‘dream role’, multiracial casting and finding freedom outside Australia
When she walked into the London casting room of The Wheel of Time, Madeleine Madden scanned the faces – a sea of white – and thought, “Yep, standard.”
To announce her presence, she politely inquired, “The Wheel of Time?”
Continue reading...Rosamund Pike, who stars in Amazon Prime’s forthcoming take on Robert Jordan’s fantasy series, says his female characters are role models. Really?
What is going on with Amazon Prime’s characterisation of The Wheel of Time? I ask this as a fantasy fan, someone who not only adores the classy stuff (NK Jemisin, Guy Gavriel Kay etc) but has also devotedly ploughed her way through The Belgariad, most of Terry Goodkind (until it got too crazy even for me) and Simon R Green. And how many people involved with the forthcoming adaptation have actually marathoned their way through all of the books?
My eyebrows were first raised back when the deal to adapt Robert Jordan’s extremely long series was announced in 2018, when head of Amazon Studios Jennifer Salke praised its “timely narrative featuring powerful women at the core”. Now, I read these books in my late teens, but my resounding memory of them was not of “powerful women”. In fact, I remember thinking Jordan’s depiction of women was pretty dismal – he might have packed in far more female characters than Tolkien ever did, but they’re constantly objectified, forever hoisting their bosoms around, adjusting their skirts – even getting spanked as punishment.
Continue reading...The first trailer for the upcoming fantasy spin-off promises epic action on a vast scale, with “gods, kings, fire and blood”. Resistance is futile!
The Game of Thrones finale is still fresh in the mind of the public. Why, it only seems like yesterday since the world came together to witness the culmination of George RR Martin’s Song of Ice and Fire saga, asking itself questions like “WHY IS EVERYTHING SO DARK?” and “WHY HAS MY FAVOURITE TV SHOW GOT MASSIVELY CRAP?”
But two and a half years is a long time in the world of intellectual property and, reasoning that it’s still much easier to get viewers to watch a spin-off of something they grew to hate than to make them invest in something new, GoT prequel House of the Dragon is now on the horizon.
House of the Dragon will premiere in 2022
Continue reading...After 16 years, the BBC’s flagship sci-fi show is tired and suffering. It should go away to save itself
Three series is the usual tenure for an actor playing the Doctor, so rumours are rife that Jodie Whittaker is about to step down. Michaela Coel, Olly Alexander and Richard Ayoade are among those tipped for the role. But what if, instead of a new Doctor, the show actually needs something a doctor might prescribe to an exhausted patient – a rest.
The current run started in 2005, and even with such a flexible format as Doctor Who, there aren’t many TV dramas that can sustain 13 series in 16 years. (Call the Midwife is probably the best BBC attempt at that in the past decade.) Soap operas can manage it, but then soap storylines generally don’t revolve around such cataclysmic events as the universe being destroyed.
Continue reading...Centred on a killer virus, Sweet Tooth could have been the most troubling TV to watch during Covid. Instead, as its creators and star Nonso Anozie attest, the Netflix show has become a smash because it’s so redemptive – and happy
The pandemic might not be over yet, but you can already trace a line through the culture it has produced. The overenthusiastic “let’s put on a show!” mania of cast reunions filmed over Zoom quickly gave way to the gnawing listlessness depicted in Bo Burnham’s comedy special Inside. Another part of the line, however, happened by accident.
Netflix’s Sweet Tooth is a series about a devastating global pandemic that kills millions of people and resets humanity. It was filmed last summer, in that brief golden gulp between Covid lockdowns. However, Sweet Tooth wasn’t rush-produced to reflect the situation; instead, it is based on a decade-old graphic novel and has been in development for five years.
Continue reading...Line of Duty, Game of Thrones, Lost, Dexter ... so much TV goes from fan favourite to laughing stock the second its finale ends. Has any show ever stuck the landing?
If Sunday night’s Line of Duty really was the last ever, there’s a sense that the entire programme has been tarnished by its finale.
Because that’s what happens with TV shows. Think of Game of Thrones. Think how rapturously it was received for years, and how it was all undone by the abject gormlessness of its final episode. Think of Dexter, and how a once wildly successful series became a laughing stock as the final credits rolled. Think of Lost, and how a divisive finale sent Damon Lindelof into such a funk that his next show ended up being an explicit meditation on the depressive nature of grief. Screw up the landing and the whole thing goes to hell.
Continue reading...The actor is about to hit the TV big time as a girl with special powers in Netflix’s new young adult fantasy. And the internet is in a frenzy
Jessie Mei Li currently inhabits a weird stratum of celebrity. At 25 years old, her biggest screen credit to date has been a single episode of the Channel 5 docudrama Banged Up Abroad. She hasn’t worked for a year. And yet, at the same time, a growing portion of the internet has become borderline hysterical about her.
Search for her name and you’ll get the idea. There are tweets declaring things like “Jessie Mei Li you have my whole heart” and “I believe in Jessie Mei Li supremacy”. There are more than a dozen Jessie Mei Li stan accounts on Instagram – fan-based accounts dedicated to a particular celebrity – many of them shrieking their obsession in frenzied all-caps captions several times a day. Tumblr, as you might expect, is an almighty mess.
Continue reading...For many viewers, the final season ruined years of fandom. Enter HBO with a month of celebrations which they hope will lead to renewed interest in GoT – and its upcoming spinoffs
It’s time to crack open Cersei’s favourite Dornish wine and fill an incongruous takeaway coffee cup to the brim: Game of Thrones is 10 years old. To mark the occasion, HBO has inaugurated the Iron Anniversary, a month-long celebration honouring the grandiose but battle-scarred show based on George RR Martin’s as yet uncompleted cycle of fantasy doorstop novels. In traditional GoT fashion, there are merchandising tie-ins, from figurines to a commemorative IPA. But the main thrust of the Iron Anniversary seems to be the series itself: a ceremonial reminder that all eight seasons and 73 instalments are still available to watch on HBO Max (or Sky Atlantic/Now/Amazon Prime in the UK); the campaign announcements encourage fans to return to their favourite bloodthirsty battle episode or embark on a binge-watch “MaraThrone”.
Related: The battle of the binge: should you watch Game of Thrones in lockdown?
Continue reading...The young actor, who plays the timelord’s arch enemy The Master, talks about his meaty new role in The Great – and reveals how he overcame the fears that used to leave him traumatised in his trailer
When Sacha Dhawan learned that he had been chosen to play Doctor Who baddie The Master, it should have been one of the biggest moments of his career. “My agent was ecstatic,” he says. “The BBC was ecstatic.” But he wasn’t. “I put the phone down and I couldn’t have felt more sad,” he says. The reason, it turns out, is a hidden battle with anxiety that Dhawan had been waging for years.
The opportunity was too big to pass up, but at that moment its scale felt insurmountable. “I would be the first British South Asian actor to play The Master,” he says. “So I’m kind of representing not only the Whoniverse but my community. And if I fuck this up, they aren’t going to be casting another South Asian actor for this.”
Continue reading...The writer and star of the new Netflix series explain the myriad challenges of turning a manga-style kids’ cartoon into a live-action teen drama
How do you make teen TV magic? You call Brian Young. The writer cut his teeth on The Vampire Diaries, a supernatural teen drama that emerged from the Twilight era of sexy-horror fandoms, but it soon established its own identity, resulting in a successful eight seasons. So, when Netflix wanted to turn Winx Club – the hit Italian cartoon about fairies – into a live-action fantasy series for young adults, they recruited Young.
To him, the challenge of re-imagining the Winx world for a more mature audience was clear: “Tone. It’s trying to figure out how we ground this show in real character moments, things that any audience member would relate to. And this is coming from a massive fantasy fan – I had my Dungeons & Dragons character when I was a kid – but it is very easy to spiral off into absurdity with stuff like this.”
Continue reading...As the Game of Thrones star returns to screens in Sky’s Two Weeks to Live, she talks on-set scrapes, off-screen battles, and how the television industry could up its game overnight
When Maisie Williams was shooting a fight scene in her latest TV project, Two Weeks to Live, she took a blow to the head. “I got hit a couple of times with a glass bottle,” she says, matter-of-factly over the phone. I can’t see her face but I can almost hear her smiling, a faint giggle detectable between sentences. “I also kicked my co-star in the chin and made his mouth bleed. Other than that, it was pretty scrape-free.”
A kick in the face and multiple rounds of bottling might sound like the opposite of “scrape-free”, but perhaps it is for an actor such as Williams, best known for her role as Arya Stark in Game of Thrones. As the noblewoman turned assassin, Williams’s fight scenes included some of the show’s most pivotal, such as the one in the bloody, battle-filled penultimate episode, The Long Night, which Williams trained for a year to film.
Continue reading...Since returning with a female Doctor, the sci-fi smash has been accused of political correctness. But, as recent storylines prove, the truth is far worse
Doctor Who returned last week with another first: Sacha Dhawan’s casting as the first person of colour to play the Doctor’s arch nemesis, the Master. The decision was broadly met with praise, but in darker corners of the internet the argument that the show has become too politically correct rages on.
“Too PC” has become a familiar jibe levelled at the sci-fi hit since 2018 when Jodie Whittaker became the Thirteenth Doctor and new showrunner Chris Chibnall took up the mantle. As well as the first woman to play the title role, their first series featured two BAME companions and episodes about Rosa Parks and the partition of India, written by Doctor Who’s first ever BAME writers. The show quickly found itself embroiled in a culture war, with talk of its apparent political correctness becoming commonplace (see the Twitter hashtag #notmydoctor). Whittaker and Chibnall were forced to defend the show against these claims before this series began: Whittaker reminded viewers that there’s “still racism within our current society”, and Chibnall added that “the Doctor and the show are beacons of compassion and empathy”.
Continue reading...