Too much bosom: why The Wheel of Time is far from ‘great for women’

Rosamund Pike, who stars in Amazon Prime’s forthcoming take on Robert Jordan’s fantasy series, says his female characters are role models. Really?

What is going on with Amazon Prime’s characterisation of The Wheel of Time? I ask this as a fantasy fan, someone who not only adores the classy stuff (NK Jemisin, Guy Gavriel Kay etc) but has also devotedly ploughed her way through The Belgariad, most of Terry Goodkind (until it got too crazy even for me) and Simon R Green. And how many people involved with the forthcoming adaptation have actually marathoned their way through all of the books?

My eyebrows were first raised back when the deal to adapt Robert Jordan’s extremely long series was announced in 2018, when head of Amazon Studios Jennifer Salke praised its “timely narrative featuring powerful women at the core”. Now, I read these books in my late teens, but my resounding memory of them was not of “powerful women”. In fact, I remember thinking Jordan’s depiction of women was pretty dismal – he might have packed in far more female characters than Tolkien ever did, but they’re constantly objectified, forever hoisting their bosoms around, adjusting their skirts – even getting spanked as punishment.

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Women’s prize for fiction goes to Susanna Clarke’s ‘mind-bending’ Piranesi

Clarke’s follow-up to Jonathan Strange & Mr Norrell was praised by judges as ‘a truly original, unexpected flight of fancy’

Comment: Piranesi is a triumphantly unusual winner

Susanna Clarke, who published her debut novel Jonathan Strange & Mr Norrell 17 years ago and then was struck down with chronic illness, has won the Women’s prize for fiction for her second, Piranesi.

Narrated by its eponymous hero as he explores the endless halls of a house that imprisons an ocean, Piranesi is “a truly original, unexpected flight of fancy which melds genres and challenges preconceptions about what books should be,” according to the Women’s prize chair of judges, Booker-winning novelist Bernardine Evaristo.

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Shadow and Bone star Jessie Mei Li: ‘Fans find out everything’

The actor is about to hit the TV big time as a girl with special powers in Netflix’s new young adult fantasy. And the internet is in a frenzy

Jessie Mei Li currently inhabits a weird stratum of celebrity. At 25 years old, her biggest screen credit to date has been a single episode of the Channel 5 docudrama Banged Up Abroad. She hasn’t worked for a year. And yet, at the same time, a growing portion of the internet has become borderline hysterical about her.

Search for her name and you’ll get the idea. There are tweets declaring things like “Jessie Mei Li you have my whole heart” and “I believe in Jessie Mei Li supremacy”. There are more than a dozen Jessie Mei Li stan accounts on Instagram – fan-based accounts dedicated to a particular celebrity – many of them shrieking their obsession in frenzied all-caps captions several times a day. Tumblr, as you might expect, is an almighty mess.

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George RR Martin signs five-year, eight-figure deal for more HBO projects

Game of Thrones author also has a Netflix film on the way, but there is still no word of his finishing the fantasy series that made his name

After the huge success of HBO’s adaptations of his Game of Thrones books, George RR Martin has signed a deal to develop several television series for the network and its streaming arm, HBO Max.

Related: George RR Martin: ‘Game of Thrones finishing is freeing, I’m at my own pace’

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As a Black Lord of the Rings fan, I felt left out of fantasy worlds. So I created my own | Namina Forna

Author Namina Forna loved JRR Tolkien and CS Lewis’ books as a child, but saw little that resembled the magic and rich mythology she saw in Africa

When I was a child, I was what you would call a JRR Tolkien fangirl. I read The Lord of the Rings over and over. I traipsed around the countryside, imagining it was Middle-earth. With just a flight of imagination, I could be snug in the Shire, exploring the mines of Moria, or even flitting through the woods of Lothlórien.

When the first Lord of the Rings movie was finally released, I was 14 and so excited to see it. But immediately, I noticed something distressing: no one on screen looked like me. The darkest characters on screen, the orcs, were all male. Even as a monster, it seemed, there was no place for people who looked like me in Tolkien’s world.

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Tashi: 25 years on and more than 1 million copies sold but still an ‘enchanted’ delight

Author Anna Fienberg tells the stories behind her bestselling children’s books, from her mother’s working-class childhood to the character’s origin story

People roll their eyes when Anna Fienberg starts a story with: “Well, it was like this.” The phrase has become unmistakable to readers of her Tashi series for children – a device preceding the telling of an adventure story – and Fienberg can’t help but use it when she’s asked how she came to write, with her mother Barbara, about a magical boy who flees on a swan from his home country to Australia.

“Well, it was like this,” Fienberg says, as she tells Guardian Australia of how only recently, 25 years after the stories were first published, she learned of Tashi’s true origins.

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George RR Martin: ‘Game of Thrones finishing is freeing, I’m at my own pace’

The TV series may have reached its conclusion, but with two books to finish as well as a host of spinoff projects, the writer of the novel series that spawned it is busier than ever

If George RR Martin could be granted one wish, it would be for more time. The bestselling author of the Song of Ice and Fire saga, the books that became television phenomenon Game of Thrones, is in London for a talk with historian Dan Jones about his most recent work, Fire and Blood, an imagined history of the Targaryen family (the all-conquering ancestors of dragon queen Daenerys), before heading to the science-fiction event Worldcon in Dublin.

Yet, at the back of his mind, is the work still to come. The Winds of Winter, the sixth and penultimate book in Ice and Fire, has to be finished and the seventh, A Dream of Spring, to be written. Then there’s a couple of Dunk and Egg stories set in the same world to complete. (Lighter in tone, he saw them as palate cleansers between “the big mega-books” but then “fell behind with everything, so now I’m just trying to think about the next thing immediately in front of me”.)

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What’s the next Game of Thrones? All the contenders for fantasy TV’s crown

The saga of the Seven Kingdoms may be bowing out, but it has opened the floodgates. Here’s your guide to the next big heroes

Rand al’Thor was found as a baby on the slopes of Dragonmount and taken to Two Rivers, where he grew into a broad-shouldered shepherd boy. But Rand is possessed of immense power, a power as yet untapped, for he is also The Dragon Reborn, destined to be hunted by Darkhounds and Darkfriends as he bids to prove himself a mighty warrior leader. Among other things, Rand’s existence shows that you should always believe ancient prophesies, that even the low-born can save the world – and that characters in TV fantasy series must always have two names.

Rand is just one of the 2,782 characters who appear in Wheel of Time, the bestselling saga of fantasy novels by Robert Jordan. We can only hope the forthcoming adaptation on Amazon will hone the cast down a little, as we follow Rand and his forces towards Tarmon Gai’don, or the final battle between good and evil.

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Marlon James: ‘You have to risk going too far’

In 2015, James became the first Jamaican writer to win the Man Booker. His new novel is a hotly anticipated African fantasy epic and here he talks about loving the X-Men, coming out and writing about violence

It’s two days before the US release of Marlon James’s much-hyped fourth novel, Black Leopard, Red Wolf and the prizewinning Jamaican author has an air of baffled, exhausted ebullience about him. He’s no stranger to critical success: he won the 2015 Man Booker prize for his violent, multi-voiced epic, A Brief History of Seven Killings. But it feels like this new book will propel James into a new galaxy of literary stardom.

We’ve arranged to have lunch – on a balmy Sunday in early February – at the Commodore, a carefully shabby Williamsburg diner near his Brooklyn apartment. Brawnily broad-shouldered, his dreadlocked hair tied back in a ponytail, James has arrived before me. We’re shown to seats at the bar where low winter sun slants through the blinds on to the bar top. James tells me it feels like summer to him – he spends much of his time teaching creative writing at Macalester College in Minnesota – and as if to prove it asks the waiter for an Aperol spritz.

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