Steve Coogan to star in Armando Iannucci’s Dr Strangelove play

Coogan will follow in Peter Sellers’ footsteps to play multiple roles in stage adaptation of Stanley Kubrick’s 1964 satirical war film

Steve Coogan is to star in Armando Iannucci’s stage adaptation of the satirical war film Dr Strangelove, Or How I Learned to Stop Worrying and Love the Bomb.

The play, set to open in London next autumn, reunites the pair who worked together more than 30 years ago on the BBC radio comedy On the Hour, in which Coogan played Alan Partridge, and on subsequent Partridge projects.

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Armando Iannucci: ‘Everything since 2016 has been a wind-up’

The film and TV writer answers your questions on advising Boris Johnson, dining with Alan Partridge characters and whether he still has OJ’s confession

How bored are you with people asking how bored you are with people asking if reality has become impossible to satirise? ritasueandbob

I’m extremely bored. But I don’t think it has. A lot of people have forgotten that life is real. It’s not something you can invent and occasionally rewrite. Life is something you’re stuck with, to deal with head on and not hide from.

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From Shonda Rhimes to Armando Iannucci: 10 of the best TV showrunners

A celebration of the brains behind some of the small screen’s biggest and best shows, including The Wire, Grey’s Anatomy and Friends

Since graduating from the US remake of The Office, Schur has done more than anyone to develop its ethos of making comedy that’s cool without being unkind. He was the boss of Parks and Recreation, which recovered from a so-so start to become truly beloved. Then The Good Place wowed us with primary colours and slyly intelligent philosophising. He co-created Brooklyn Nine-Nine, too.

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Armando Iannucci: ‘I personally am not a sweary, angry man’

He’s famous for the expletive-packed political satire The Thick of It, but now the comedy guru is tackling Dickens

Armando Iannucci is not someone you’d describe as having a commanding presence. He doesn’t want to consume all the oxygen in the room or, with a show of bored impatience, imply that it’s your good fortune to share his company. He may be well known, but there’s nothing of the celebrity about him. Short, balding and understated in manner, he could pass for a provincial loss adjuster come to assess your insurance claim. But he is arguably the most influential figure in British comedy of the past three decades, not to mention an accomplished film director.

When I meet him at a London hotel, he is busy promoting his third feature film, The Personal History of David Copperfield, an adaptation of Charles Dickens’s eighth and most autobiographical novel. His first film, In the Loop, grew out of his seminal satirical TV comedy The Thick of It. The second, the highly acclaimed The Death of Stalin, was a darkly comic but historically accurate account of the Soviet dictator’s end and its farcical aftermath.

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Syrian war documentary For Sama triumphs at British independent film awards

The chronicle of an activist who filmed the destruction in Aleppo wins prizes for best film, documentary, director and editing

For Sama, the acclaimed documentary about life under siege in the Syrian city of Aleppo, has unexpectedly triumphed at the British independent film awards, winning the top prize, best British independent film, as well as best documentary and best director for Waad al-Kateab and Edward Watts.

Described by the Guardian’s Mike McCahill as a film to “break your heart and sear your soul”, For Sama is a chronicle filmed by Syrian activist-director al-Kateab as Aleppo is targeted during the country’s ongoing civil war. Al-Kateab spends much of the time in a hospital where her husband, Hamza, works, recording the destruction and horror. For Sama won a total of four Bifas, including best editing – previously announced with other Bifa “craft” awards on 15 November.

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