Steve Coogan to star in Armando Iannucci’s Dr Strangelove play

Coogan will follow in Peter Sellers’ footsteps to play multiple roles in stage adaptation of Stanley Kubrick’s 1964 satirical war film

Steve Coogan is to star in Armando Iannucci’s stage adaptation of the satirical war film Dr Strangelove, Or How I Learned to Stop Worrying and Love the Bomb.

The play, set to open in London next autumn, reunites the pair who worked together more than 30 years ago on the BBC radio comedy On the Hour, in which Coogan played Alan Partridge, and on subsequent Partridge projects.

Continue reading...

Coogan and Vorderman back tactical voting calls at Lib Dem conference

Celebrities lend their voices to ‘kick the Tories out’ as the party gathers in Bournemouth for the first time in three years

The Liberal Democrats have kicked off their annual conference with a call for people to vote tactically in the general election to remove Conservative MPs, until proportional representation makes this unnecessary.

Gathering in Bournemouth for their first autumn get-together since 2019, a conference rally heard video addresses from Carol Vorderman and Steve Coogan. Neither are party members but they said people should vote in a way to ensure Tory candidates lost.

Continue reading...

Alan Partridge on his new podcast: ‘This is the real, raw, be-cardiganed me’

He’s back – sporting a post-lockdown haircut and hosting a new podcast. Britain’s No 1 raconteur talks about his new hat, driving a Vauxhall, and why Boris Johnson looks like the evil rabbit in Watership Down

Turn right out of Norwich railway station, take the number 12 bus, change at Norfolk and Norwich University Hospital, ride eight stops on the number 4 towards Swanton Morley, walk 1.1 miles, and you can’t help but spot the twin louvred conical towers of the oasthouse that Alan Partridge calls home. It is from this very oasthouse that Partridge – raconteur, national treasure, wit – broadcasts his brand new podcast, From the Oasthouse: The Alan Partridge Podcast, and to which Partridge has invited the Guardian.

Partridge bounds out to greet me in what appears to be an effusive show of hospitality. He offers a handshake before snapping it back into a more pandemic-appropriate wave. “I am so fine with social distancing,” he says. “Remember, I work in television where you’re forever mauled, hugged and leant on by over-pally floor managers or cackling makeup ladies. Now I can say, ‘Get your hands off me!’ without appearing in any way rude.”

Continue reading...

The 50 best comedians of the 21st century

From apocalyptic standup Frankie Boyle to the many hilarious faces of Tina Fey, Steve Coogan, Sharon Horgan and Kristen Wiig, we present the funniest comics of the era

Continue reading...

Bafta nominations 2019: The Favourite is queen but Steve McQueen snubbed

Offbeat period drama starring Olivia Colman scores 12 nods, while Bohemian Rhapsody, Roma, A Star is Born and First Man all trail with seven

Full list of nominations

Yorgos Lanthimos’s raucous period romp about a high-stakes love triangle in the court of Queen Anne continues its ascension to this season’s awards favourite with 12 nominations at this year’s British Academy film awards.

The film, which swept the board at the British independent film awards in December, with a record 10 wins, is a contender in all the major categories other than best actor.

Continue reading...

Steve Coogan: ‘Maybe I’ve just got flabby and middle-aged’

Why has one of Britain’s best-loved comedians decided to play it straight? The star of Stan & Ollie talks about politics, his rivalry with Rob Brydon – and his inner Alan Partridge

In 1953, Hollywood comedians Stan Laurel and Oliver Hardy embarked on a farewell tour of the British music hall circuit, dragging their luggage from one provincial hotel to the next. They pulled pints for the cameras, judged a beauty pageant at Butlins and reprised slapstick routines from their 1930s two-reelers. The tour was a hit but it was tinged with sadness as well. There are few sights so poignant as the exhausted antics of an ageing clown.

The trick, says Steve Coogan, is to keep moving, branch out. Aged 53, he feels that comedy, by and large, is a young man’s game. He has been there, he has done it, and is shifting towards drama. “It’s fine to be biting, acerbic and silly when you’re young,” he says. “But when you grow up you need to act like a grownup.” Then he catches himself and winces at his presumption. “Maybe that just means I’ve got flabby and middle aged.”

Continue reading...