Comedian broke down in tears live on air as he told listeners his friend was involved in serious road accident
Frank Skinner told listeners to his Saturday radio show that his friend and former co-host Gareth Richards is fighting for his life after a car crash.
The 66-year-old comedian and broadcaster broke down in tears as he revealed that Richards was in a “very big road accident” on Monday.
Continue reading...He was the shellshocked genius who channelled his anarchic brilliance into The Goon Show. Ian Hislop and Nick Newman explain why they’ve written a play about Spike Milligan – while comedians remember a legend
The tortured lives of comedians form a biographical genre all of their own; there’s always an audience for the tears of a clown. No wonder Nick Newman and Ian Hislop chose Spike Milligan as the subject of their new play. Milligan, who died 20 years ago next month, is the troubled comedy genius to end them all. Shellshocked in the second world war, repeatedly admitted to hospital for mental ill health, subjected to electroconvulsive therapy, and increasingly embittered as his career failed to deliver on early promise – the Spike Milligan sad-clown drama writes itself.
“But we didn’t want to do that,” says Newman. “We wanted to ask: how did he come to create these brilliant things?” Their play – a cheerful act of ancestor-worship by by Private Eye’s editor and its eminent cartoonist – is about the first three years (1951-54) of The Goon Show, as its chief writer Milligan battles the BBC to get his vision on air. “It’s: will he survive the fallout from the war?,” says Newman, “and will he crack radio?” And, “spoiler alert!,” chimes in Hislop. “Milligan wins! We just wanted to have a play where he wins.”
Continue reading...Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry
Continue reading...He’s back – sporting a post-lockdown haircut and hosting a new podcast. Britain’s No 1 raconteur talks about his new hat, driving a Vauxhall, and why Boris Johnson looks like the evil rabbit in Watership Down
Turn right out of Norwich railway station, take the number 12 bus, change at Norfolk and Norwich University Hospital, ride eight stops on the number 4 towards Swanton Morley, walk 1.1 miles, and you can’t help but spot the twin louvred conical towers of the oasthouse that Alan Partridge calls home. It is from this very oasthouse that Partridge – raconteur, national treasure, wit – broadcasts his brand new podcast, From the Oasthouse: The Alan Partridge Podcast, and to which Partridge has invited the Guardian.
Partridge bounds out to greet me in what appears to be an effusive show of hospitality. He offers a handshake before snapping it back into a more pandemic-appropriate wave. “I am so fine with social distancing,” he says. “Remember, I work in television where you’re forever mauled, hugged and leant on by over-pally floor managers or cackling makeup ladies. Now I can say, ‘Get your hands off me!’ without appearing in any way rude.”
Continue reading...The delay to Brexit plus strict pre-election guidelines left few chances for trenchant jokes in David Walliams and Matt Lucas’s sketch show
In the many risk assessments of the possible consequences of Brexit happening on Halloween – lorry queues, drug shortages, street violence – scant attention was paid to a significant victim of its not happening: broadcasting specials timed to coincide with departure from the EU being forced to go out, even though the UK actually hadn’t.
The special Brexit edition of Little Britain, bringing David Walliams and Matt Lucas’s sketch show back to Radio 4, where it started in 2000, was at a double disadvantage. Having been denied its calendar reason for being, it also now found itself broadcast in the run-up to a general election, when the BBC’s already contorted attempts at political impartiality become even stricter.
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